Striking Bops from July 2026 | Playlist

Striking Bops from July 2026 features songs by Charli xcx, Coco Jones, DESTIN CONRAD, Greyson Chance, Sam Smith, TEEKS, and Tyla.

It’s time! Time for what? Why, monthly round-up time! It’s time to acknowledge the best songs of the month – the striking bops! All the songs that appear on Striking Bops from July 2026 were released as singles or album tracks in mid-to-late June 2026 or July 2026. Musicians who served up the bops from July 2026 include Charli xcx, Coco Jones, DESTIN CONRAD, Greyson Chance, Sam Smith, TEEKS, and Tyla. So, without further ado, here are those rock-solid, Striking Bops from July 2026!

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1. Ayham, “SADDAM HUSSEIN”	2. Beyoncé, “MORNING DEW (DONK)”	3. Charli xcx, “Wink Wink”
4. Coco Jones, “Body So Tea”	5. D’Leesa, “Angel of Light”	6. D’Leesa, “Healer”
7. DESTIN CONRAD, “NERVOUS”	8. Ella Collier & GRANT KNOCHE, “ALL ME”	9. Ezra, “Let Me Love U Better”
10. Greyson Chance, “JOCK PORN”	11. Greyson Chance, “SUGAR RUSH”	12. Jorja Smith, “Alive” (Ft. Wizkid)
13. kwn, “‘til the room stinks” (Ft. Ty Dolla $ign)	14. Malcolm Todd, “I Just Got Mad”	15. Omar Rudberg, “Careless”
16. Phoebe Bridgers, “Lost Boys”	17. Q, “hey there [i have a compulsive complex]”	18. ROLE MODEL, “Joy”
19. Ryan Beatty, “Virtuoso”	20. Sam Smith, “My Guy”	21. Sander Sanchez, “the SUN”
22. sombr, “My Body Isn’t Ready”	23. Steve Lacy, “is it cool?” (Ft. SZA)	24. TEEKS, “My Boy”
25. The Other Realm, “Underwear Party (What Am I Doing Here?)”	26. Tucker Wetmore, “Who Told You That”	27. Tyla, “IS IT LOVE”
28. Tyler, The Creator, “THAT GUY”	Striking Bops 2026

 

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1. Ayham, “SADDAM HUSSEIN”

“SADDAM HUSSEIN” » Ayham » 2026

Woo! He said what he said, NO CAP! Ayham (Ayham Fayad) is one bold MFer, and that is a big reason he’s intriguing.  Beyond being brash and unapologetic, he’s (1) talented and (2) aesthetically pleasing (an understatement). BUT, but, but, we’re here to talk about “SADDAM HUSSEIN”, not how the bod is bodying on the cover art, or on IG. It takes cajónes to record a song named after an incredibly controversial politician. “SADDAM HUSSEIN” was written and produced by Ayham.  It was co-produced, mixed, and mastered by Noah Grewing.

@iamayham_

♬ SADDAM HUSSEIN – Ayham

“SADDAM HUSSEIN” is a piece of work – compelling work, of course! It features aggressive, dark production, which is fitting considering who it’s named after.  The beat goes HARD.  Those drums are incredibly rhythmic, at times feeling like they will pummel the absolute shit out of you. The synths sizzle, with bite, distortion, ferociousness, and most of all, in-your-face-ness. As for Ayham, the star of this unforgettable show, he keeps the same energy. From the get-go, he’s locked and loaded, unleashing the ether.  At times, our handsome rapping-ass fella whispers.  He doesn’t soften up, though.  Instead, the attitude and those rhymes continue to go hard. “Everybody want to know what I’m about to do next,” he raps in the second verse, and adds, “They be on my dick like we about to have sex.” Ooh-wee! The chorus is the crème de la crème, filled with dictator-laden language including shoot, loot, and annihilate, and concluding with the statement, “No remorse, I came to dominate.” Is “SADDAM HUSSEIN” controversial? Of course.  Is it fire? Of course.  Ayham ate and left no crumbs.  Even when you can’t decipher every lyric he spits, you feel that undeniable energy.

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2. Beyoncé, “MORNING DEW (DONK)”

“MORNING DEW (DONK)” » Parkwood Entertainment LLC / Columbia Records » 2026

Ooh-la-la, Beyoncé! Can the versatile pop superstar do any wrong? No, and that was rhetorical, by the way! Ahead of the 20^th anniversary of her blockbuster sophomore album B’Day, Bey gave us a sultry, soulful bop with “MORNING DEW (DONK)”. Beyoncé wrote “MORNING DEW (DONK)” with The-Dream, DIXSON, Pharrell Williams, Cheeky Blakk, Ari Lennox, and Ant Clemons. She produced it with The-Dream, DIXSON, and Pharrell Williams.

“MORNING DEW (DONK)” has lots to love… and lots of love. It begins with the warm production: strings, rhythmic guitar, and a jazzy, soulful groove.  The vibes are S-E-X-Y. Of course, the star of the show is our superstar, Beyoncé, who brings it with her nuanced, sweet, and rhythmic vocals. Beyond the melody, Bey impresses with her ad-libs – those vocal runs are the sugar, honey, iced tea.  “MORNING DEW (DONK)” has its repetitive moments, but not one “donkey” needs to be shortchanged in the pre-chorus or chorus.  But before that, there are intriguing lyrics in the verses, too.  The tone is set with “As we sip champagne, watchin’ Purple Rain,” with Yoncé adding, “So give me that ‘A’ in biology; I’m graduatin’ soon (Donkey, donkey, donkey, donkey, donk’).” Damn, girl! The second verse compels too: “There’s a river inside that flows from our love / You can tap in but don’t, don’t tap out, oh / It’s a slip in the slide, that front-to-back love / Right there, baby, don’t tap out, tap out.” Damn, it got H-O-T! The chorus is the crème de la crème, of course:

“Girl, you sexy in the mornin’

You know you turn me on, babe

You know the sun rise for you (For you)

Give me that mornin’ dew (Mornin’ dew).”

How about a few more notes regarding the gem “MORNING DEW (DONK)”? The vocal arrangement is delightful.  Those harmonies cook.  The clapping moments are also rad.  Musically, the key modulations are expertly navigated in a more surprising, less predictable fashion.  Once again, Beyoncé makes our ears perk up.

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3.Charli xcx, “Wink Wink”

Music, Fashion, Film » Charli XCX, Inc. / Atlantic Recording Corporation » 2026

Um, I beg your finest pardon, Charli xcx?! The Grammy-winning pop singer-songwriter cleans it up in the next line of the first verse from “Wink Wink”: “Just kidding, I’m only saying that for effect.” Shock value is something else! Charli continues her ‘rock’ journey with the third single and eighth track from her seventh studio album, Music, Fashion, Film. Charli xcx wrote “Wink Wink” with Finn Keane.  Keane produced it with A. G. Cook.

“Wink Wink” keeps things short and sweet. Charli xcx excels is striking from the get-go, with the talk-singing “fucked your dad” lyric, exemplifying the bad decisions of her past.  Those decisions also include jumping on a trampoline without underwear, apparently.  Go figure. The second verse keeps the same energy of a ‘changed girl’: “I used to say, ‘Scream if you wanna go faster’ / But then I sold my Porsche / My friend Rostam told me I dressed like a slut / So now I shop at A.P.C.” Noted.  The chorus affirms the newfound maturity:

“Here’s the truth, and I gotta be honest

I’m not a bad girl anymore, I promise

… Wink, wink, wink, wink.”

“Yeah, people can change,” she says, but those winks suggest the badness is still intact! Charli xcx is one of a kind, something she continues to show without a hitch on “Wink Wink”. She brings attitude, playfulness, and singing and talk-singing against an alternative rock backdrop.  All in all, it’s another fun one from Charli xcx.

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4. Coco Jones, “Body So Tea”

 “Body So Tea” » Def Jam Recordings » 2026

Ooh-wee! Of course it is, Coco Jones, you beautiful and gifted Grammy-winning R&B singer-songwriter, you! “Body So Tea” is nothing short of another V-I-B-E and B-O-P from Jones.  “Body So Tea” was written by Jones, Livvi Franc, and producers Stargate (Tor Erik Hermansen and Mikkel Storleer Eriksen), Hidde, and Jasper Harris.  The songwriting team and production team outdid themselves!

“Body So Tea” gets off to a fast start.  The introduction is lovely, with smooth vocals, celestial keys, and a sophisticated vibe. The intro sets the tone for a refined-sounding contemporary R&B cut.  As gorgeous as the production is, Coco Jones steals the show! She delivers superb vocals with a tone that is nothing short of everything.  The melodies are rhythmic and tuneful throughout.  “You know love is an action you choose / I’ve been plotting and learning to trust myself,” she sings in the first verse, and continues, “Put it all in my past tense / Letting go of the things I should lose.”  In the pre-chorus, she sets up the body’s tea-ness. The chorus, introduced in the intro, is the crème de la crème, confirming the tea! It is incredibly catchy.

“Body so tea, hair, nails done, skin glowin’

Body so tea, hair, nails done, skin glowin’

Body so tea, hair, nails done, skin glowin’

Body so tea, body’s, body so tea.”

The bridge completely distinguishes itself from the verses and choruses.  It fits perfectly, particularly as Coco touts self-love. “I don’t even try / I look good, and that’s for me, myself, and I.” On PERIODT!  Here, Jones elevates her vocals to another level, if that is possible! All told, Coco Jones brings it on “Body So Tea”.  This is a must-add to any contemporary R&B playlist!

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5. D’Leesa, “Angel of Light”

“Angel of Light” » D’Leesa » 2026

The alluring and incredibly talented D’Leesa (Cassidy D’Leesa Dzoole) said what she said.  Mask off and reveal the true you! The out-and-proud Atlanta-based soft, sapphic soul musician shines on the mesmerizing four-minute-long single, “Angel of Light”, which she wrote and produced herself. I see you DIY!

“Angel of Light” pulls you in early on.  The easygoing, light electronic backdrop, composed of keys, synths, and an electrifying beat, gives off a cool energy.  The accompaniment is rhythmic and set in a minor key. Like her previous single, “Healer”, “Angel of Light” is hypnotic. D’Leesa compels with her chill, soft vocals, which scream bedroom pop vibes. She is cool as a cucumber; she barely breaks a sweat.  Strike that – she doesn’t break a sweat! Still, the lyrics and melodies are potent.  “Baby girl, I see right through you / Show the world a face that just ain’t true,” she sings in the first verse, and continues, “Beautiful is the soul that lies below.” This angel is putting on a façade of sorts, but D’Leesa sees right through it, as evidenced by the simple yet infectious and memorable chorus.

“You look like an angel of light

But the glint in your eye

Tells me it’s all a disguise

You belong to the night

You look like an angel of light

But the glint in your eye

Tells me it’s all a disguise

Take my hand, show me your other side.”

Although subtlety is the modus operandi, D’Leesa still mixes in some vocal harmonies during the second half of the chorus. Non troppo, of course. In the second verse, she continues to encourage her to show her true self: “Please, girl, just let the mask fall.” In short, the entertaining, hypnotic, and never-rushing “Angel of Light” is quite the scintillating vibe.

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6. D’Leesa, “Healer”

“Healer” » D’Leesa » 2026

 

Oh, snap! Atlanta, Georgia’s own soft, sapphic soul musician D’Leesa (Cassidy D’Leesa Dzoole) expressed her desires on “Healer”. On the alluring single, the out-and-proud lesbian artist wants to heal and hold her down: “If you’ll be my baby / You will feel no pain.” Word.  D’Leesa wrote and produced it. 

“Healer” features a light, easygoing synth-driven backdrop. Even though it’s non troppo, the accompaniment is rhythmic, not static in the least.  D’Leesa compels with her soft, cool, calm, and collected vocals. She sounds like she NEVER breaks a sweat.  As cool as she is, her performance remains potent; it still packs a mean, queer punch.  “I can feel the pain etched in your heart / I see the tears in your mind,” she sings in the first verse, and adds, “Take my hand and make a brand new start / I’ll show you to paradise.” Continuing to tout her healing abilities, she asserts in the second verse, “There’s no need to wear a brave disguise / I’ll cushion you when you fall / You’ll have no worries at all.” Melodious throughout, the chorus is the crème de la crème – the crowning achievement.

“Make me your healer

Come to me, and we’ll be flying free

Across the galaxies through space and time

Make me your healer

If you’ll be my baby

You will feel no pain and

I’ll be yours, and you’ll be mine

Make me your healer.”

Although the chorus still retains the soft, sapphic soul character, it has more bite. Notably, additional rhythmic synths appear during the section, upping the ante. All told, D’Leesa ate and left no crumbs on “Healer”.  The cool energy of this queer track goes a long way.

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7. DESTIN CONRAD, “NERVOUS”

“NERVOUS” » Above Ground Ent / Destin Conrad / EMPIRE » 2026

Is there ever a dull moment from Grammy-nominated R&B singer-songwriter DESTIN CONRAD? Nope. The handsome, talented, and openly gay, Grammy-nominated Tampa musician always keeps things interesting. He deserves far more recognition. On the relatively brief but entertaining single “NERVOUS”, CONRAD embraces his Jamaican roots. He composed “NERVOUS”; Louie Lastic produced it.

There is no reason to be nervous while listening to “NERVOUS.”  As always, DESTIN CONRAD brings it.  It starts with an infectious groove and loop that sets the tone.  The reggae vibes rear their head early on, making it impossible not to move your body while listening. With the musical accompaniment kicking ass and taking names, DESTIN does the same.  He brings ample swagger, with a heaping dose of Jamaican Patois. Exhibit A: “Boy ah vex cause him girl want itch up / I spend cash every time I get up.” Add from the second verse, Exhibit B: “My girl walk in and she cute, she do batty and breast / She say it with her chest, she nuh shield / Every man a watch and every gyal wan’ vex / But she nuh business, she know seh she.” While delivering the delicious Patois, CONRAD also brings those sweet vocals to the mix.  Adding to the allure, “NERVOUS” benefits from tuneful melodies, even when some of the lyrics are less decipherable.  Besides the verses, there is a refrain and a bridge.  That said, the section that takes the cake is the chorus:

“I got things that fulfill my needs

I got one who gon’ roll my trees

I got one I might go and see next week

Got one when I go, I won’t leave

They can’t be too close in my reach

Got a blasian one we speak Chinese…

Him seh.”

All told, DESTIN CONRAD does the damn thing, once again, on “NERVOUS”.  He never fails to impress.

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8. Ella Collier & GRANT KNOCHE, “ALL ME”

“ALL ME” » Ella Collier » 2026

Oh, snap! What happens when Ella Collier and GRANT KNOCHE join forces? Magic… and also, “ALL ME”! “ALL ME” was written by Ella, GRANT, and producer Samuel Vendig.  The sounds are sweet within the production: rhythmic guitars, the anchoring beat, and colorful keys and synths.  This gives Ella, who draws first blood, an excellent supporting backdrop.  I love the huskiness of her voice early in the song (“I’ve been holding in a secret / I think you know by how you read me…”).  After wowing on the low end, she then ascends into her upper register, which is equally beautiful and impressive.  Collier dominates the first part of the single. The chorus is the crème de la crème:

“Tell me what you’d do if you had all me, all me, all me

‘Cause I know what  I would do if you had all me, all me, all. me

Put your lips on everything

Make your bite to fill your teeth up

Paint your face, a masterpiece

I could make you Mona Lisa…”

Wow, Ella Collier has a lot to say! The smoking hot and talented GRANT KNOCHE enters the mix during the second verse. He brings striking low-to-mid register vocals in the second verse and plenty of swagger. Also, he slips in a timely f-bomb: “Pushing out the blood, tripping on the bed, too / Fuckin’ up the knees while you sleep for me.”  What better response to that than f-f-fuck yes! From there, Ella and GRANT duet in the pre-chorus and chorus.  Ella takes the reins on the bridge and most of the final chorus, with contributions from KNOCHE.  All told, “ALL ME” is an enjoyable, fun, and well-rounded pop joint.  Strong vocals from both parties, tuneful melodies, catchy lyrics, and solid production.  A summer song? Methinks!

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9. Ezra, “Let Me Love U Better”

“Let Me Love U Better” » TSNMI » 2026

Ezra (Ezra Daymude) speaks his love-driven peace on his refreshing single, “Let Me Love U Better”.  The moment the track starts playing, it hearkens back to the R&B of old; it feels meaningful and special.  The music oozes with soul and sounds authentic to the nth degree. That’s even more surprising when you learn that Ezra is only 19 years old(!).  He eats up this sophisticated-sounding, expertly produced love joint.

“Let Me Love U Better” consists of pro after pro.  First and foremost, Ezra delivers a mean vocal.  He sings with a cool, self-assuredness.  He’s commanding without ever forcing things or overdoing the ad-libs or runs.  A balanced yet potent performance makes it easy to buy what he’s selling. Supported by a modern but throwback backdrop, Ezra nails the better lover than her new man theme.  “Can’t no one love you like I do,” he sings in the first verse, and adds, “That was fast, hasn’t even been a month / So, I’m asking you to tell me / What’s it he do that I can’t do.” Relatable, relatable, relatable.  Confident about what he has to offer, in the second verse, he states, “The love I give can’t be erased / No matter how hard you try.” And that’s on PERIODT!  The chorus is the crowning achievement, led by the titular lyric, with Ezra adding, “I’ll be the man of your world /… You won’t love another again.” Ooh-wee! The final piece of the “Let Me Love U Better” puzzle is the bridge, which contrasts with the rest of the song, yet also fits the theme perfectly (“If his love don’t fulfill your needs (I can guarantee) / It’s cause he’s not me, baby”). Ezra proves not only that he has a bright future in the business, but so does R&B. Well done!

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10. Greyson Chance, “JOCK PORN”

“JOCK PORN” » GCM » 2026

Ooh-wee! Say less! Pop singer-songwriter Greyson Chance said what he said, and it’s nothing short of hot, hot, hot! The mature, lean, but incredibly handsome, talented, out-and-proud Greyson has ushered in an even more mature era with “JOCK PORN”.  Sex-positivity is turnt up, while the shirt is off, via IG as well as the enticing, athletic cover art. “JOCK PORN” was written and produced by Chance and Jason Reeves. 

“The safety’s off, be careful with the trigger / My body is a maze, an elegant figure for you.” Damn, Greyson! “JOCK PORN” commences with a bang, and the banging doesn’t stop there.  As expected, the songwriting is bold, sexual, and unapologetic.  Face it, if the word porn is in the song title, how could the song not be wild?! Even with its titillating moments, the lyrics are poetically and thoughtfully written.  There are numerous highlights, including the excerpt from the first verse. “What is it to be masculine? What is it to be feminine? I don’t know,” Chance asks in the same verse. He has more questions as well: “… Crawling onto my land / Does that make you a criminal? I kinda like it / Fuck, fuck, yeah.” Holy, rather, unholy fuck! In the second verse, things get freakier, involving “rough hands” and presumably dirty dancing.  “Thinking how my daddy might cry,” he sings, “If he knew what we were fucking into, baby…” Wow! The centerpiece is the chorus, which is bold but also intriguing, well-rounded songwriting:

“So be my rocket, be my sun, be my blatant kingdom come

Be my hot-blooded hunk, I ain’t a Marxist with my love

But if I take it, then maybe I am

I’ve been reading old books with my head in the sand

It’s a matter of time, I’ve been losing my mind, I’m still watching jock porn.”

Again, Greyson Chance said what he said.  Throughout “JOCK PORN”, he sings beautifully and sincerely.  The sound of the record is an alternative brand of pop – distinct, unusual, and incredibly captivating.  With such bold lyrics, you might expect a dynamic, over-the-top backdrop. Instead, you get more stripped, minimal accompaniment that packs a significant punch. An art-pop-ish record with a bold title, thought-provoking lyrics, and a heaping dose of eye candy? That’s a winner in my book every damn day of the year!

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11. Greyson Chance, “SUGAR RUSH”

“SUGAR RUSH” » GCM » 2026

Now that’s a statement, Greyson Chance.  Also, our handsome and talented “JOCK PORN” loving pop singer-songwriter asserts, “I’ve got views, I’ve got dreams / I’ve got things that I really wanna do.” He doesn’t seem to be holding back in the slightest. “SUGAR RUSH” follows up “JOCK PORN,” keeping the same energy: bold, free, and unapologetic. In fact, if anything, Greyson is edgier lyrically. “SUGAR RUSH” was written and produced by Chance and John Fellner.

“SUGAR RUSH” stands out from the get-go.  Well-produced, the piano-led backdrop is lovely, anchored by a relaxed but rad groove.  Lush strings and programming add warmth and sophistication.  Greyson Chance sings divinely… in a hellish way.  The lyrics aren’t going for sophistication but rather are blunt, bold, frank, and honest.  Cleverly, in the first verse, he sings, “Living on the internet, it’s a mausoleum / If I’m dead inside, tell me how come I can feel it?” Great line! More, please! “Feel the wind in my hair / Put the shots on the table boys pull,” he sings in the second verse, and adds, “Rock shows, ballrooms, it’s a coliseum / If I’m too fucked up, how come I can feel it? / I’m the drums, I’m the lights, I’m a nine-inch nail / I’m a star.” Woo! As great as those lyrics are, the chorus is the crème de la crème, in all its unfiltered, tuneful glory!

“And I said, ‘Hi, have I met you before?

I smoked some good shit on the way, now I’m feeling unsure

I think I’d like to know you

Sugar rush

Candy lips, suck it up

I think I’d like to know you’.”

Word. I’m curious what that good shit he smoked was. Anyway, beyond the colorful verses and chorus, Greyson can’t be tamed, Miley! “I’m the same motherfucker that I used to be,” he proclaims on the bridge and concludes, “Hell yeah / I think I kind of like me.” Damn, Greyson!  Even as shocking as it is to read, Chance is much cooler in how he delivers these explicit moments. All told, “SUGAR RUSH” gives Chance another pop bop.  I love the contrast of his smooth singing with those punchy, unapologetic lyrics. Never change, Greyson!

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12. Jorja Smith, “Alive” (Ft. Wizkid)

What Are The Odds » FAMM » 2026

Oh, yeah! So, what happens when English singer-songwriter Jorja Smith and Nigerian singer-songwriter Wizkid join forces? Magic.  Smith tapped Wizkid for “Alive”, a hypnotic and infectious single from her third studio album, What Are The Odds. Smith and Wizkid wrote “Alive” alongside Clementine Douglas and P2J. P2J produced it.

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There is a lot to love about “Alive.” The sound of the record earns high marks.  The tropical vibes are a great touch.  I adore the rhythmic drum programming, fabulous bass line, and the color added by the keys. Jorja Smith eats.  Her vocals are buttery smooth and chill.  Adding to the decadence is how melodious  “Alive” is. It’s also sexy: “All I need to keep me satisfied / And I’ll keep you satisfied.” The chorus is the crème de la crème; tuneful, catchy, and sing-along-able.

“All night

You make me feel so alive

Don’t stop, oh, you’re doing it right

You make me feel so alive

We be up all night

How could you ever think twice?

When it comes to you and I

You make me feel so alive, so alive.”

Wizkid, who enters the mix in the second verse, contrasts and complements Smith. I love his tone; he has a great timbre to his voice. Also, he’s charming: “I got the type of loving wey go make you really feel your best… / I give the type of vibing wey go make you wan dey undress.” Speaking of great, this is how I would describe the duo’s synergy during the bridge, where those tropical vibes are in full force: “Honey (Honey), I’ll never, never leave you for lonely (Leave you for lonely) /Eventually touching your body (Oh) /Oh, baby, make you hold me for long, we (Ooh) / No go fit sit still, my love (Mm)…” In short, “Alive” slaps. Both Jorja and Wizkid give top-notch vocal performances.  The song is tuneful throughout.  Memorable theme, lyrics, and superb production solidify the song’s excellence.

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13. kwn, “‘til the room stinks” (Ft. Ty Dolla $ign)

and all pride aside » RCA Records » 2026

Early on in “‘til the room stinks”, British R&B singer-songwriter kwn (Khyra Wilson) stands on business.  The small talk is out… time to get D-O-W-N! Wilson doesn’t bring out the stench all by herself either.  She taps the multifaceted, Grammy-nominated Ty Dolla $ign for the assist on this naughty, sexed-up affair. “‘Til the room stinks” is the fifth track from kwn’s 2026 album, and all pride aside. Indeed! Kwn composed “room stinks” with Ty Dolla $ign, Will Gregory, and Jonathan Olorunfemi. Willcomodo and Elevated produced it.

Smelly or not 🤭, “‘Til the room stinks” has a lot going for it. It is well produced. The backdrop and musical lyrics keep the same energy.  How? The lyrics are sensual, while the accompaniment matches with its own sensual-sounding musical cues.  Kwn is bold early on, continuing in the first verse, “I don’t give a fuck about no neighbors / I want my name at the top of your lungs.” Damn, girl! That’s just the tip: “Head to toe with the tip of my tongue / I-I-I wanna watch your shaking them legs.” That’s a crystal clear picture.  Ty Dolla $ign takes the reins in the second verse, beginning with the titular lyric: “Oh, ‘til the room stinks / Undo my belt girl get me out these pants.” He adds, “Fuck you so good girl now you back again / Throwing it back again, looking back at it.” Sex, sex, and more sex.  The centerpiece is the chorus, with the assertive performances by the background vocals, uttering, “‘TIL THE ROOM STINKS.” A nasty but utterly satisfying two-and-a-half minutes, “‘til the room stinks” is simply unforgettable.

Appears in 🔻:

kwn, ‘til the room stinks: Spicy Tunez No. 50 (2026) Striking Bops from July 2026

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14. Malcolm Todd, “I Just Got Mad”

“I Just Got Mad” » Columbia Records » 2026

Thus begins “I Just Got Mad” by Malcolm Todd.  He shines on the brief, two-and-a-half-minute cut. Todd wrote and produced this mad, Do That Again deluxe cut with Charlie Ziman. Following that explosive f-bomb on “I Just Got Mad,” Todd expresses his anger much more melodically and, of course, less explicitly.  The song begins with the centerpiece, the chorus:

“I just got mad; I’m really bad at not being attached

I’m really cool until I have to talk

Now all of the words I know, I just forgot

But I’d like to take you to eat

What do you think, do you think about me? I think about all the things I’ve done wrong

And how it would hurt if you don’t like this song

Sorry, I just got mad.”

Malcolm said what he said! As always, he gives a pleasant vocal performance. He sounds chill, easygoing, and soulful without breaking a sweat.  “I Just Got Mad” is melodious throughout, including the verse. Lyrically, Todd is true to himself and his style; he’s honest and vulnerable to the nth degree, in a Gen-Z, bedroom-pop sort of way. “What to do, I’m over love / It’s so overrated to me,” he sings in the verse, and continues, “I miss your touch, I hate your guts / I hate how I can’t ever leave.” Beyond the captivating songwriting, there is solid production work: guitar, an active, robust bass line, colorful keys/pad/synths, anchored by a simple but strong beat. All told, “I Just Got Mad” marks another winner for Malcolm Todd.

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15. Omar Rudberg, “Careless”

“Careless” » TEN Records » 2026

And that’s on PERIODT, Omar Rudberg! And you know what else on PERIODT? My guy is showing off his gorgeous tummy on the cover art.  He knew what he was doing, and for heaven’s sake, Omar, please don’t stop! In all seriousness, the Venezuelan Swedish actor, singer, and songwriter is one handsome and talented fella. Once more, those sweet pop pipes get to work on his carefree, careless single, “Careless”.  Rudberg wrote “Careless” with Noak Hellsing, NEA, and producer Elias Edman. Not only did we get eye candy with that sickening cover art, but, most importantly, we got sweet ear candy.

So, why do the ears perk up at the sound of “Careless?” Omar has a beautiful voice, and he gives us a heaping dose of his ripe falsetto.  Even when he’s not singing in his head voice, his tenor shines. He never forces things, singing coolly, with ease.  Beyond the voice, “Careless” is tuneful from the get-go.  The lyrics, meanwhile, are memorable and, fittingly, careless. “I don’t care about PAPER; I might skip the interview.” Baby, we’re glad you didn’t!  Other lyrics that stand out include “Couldn’t care less ‘bout a 9-to-5 / I don’t care if they care that I don’t care” (pre-chorus), “I’m tryna trace your heart, don’t need a northern star” (verse two), and, “When I make out with my friends they call me careless / Listen, honey, there’s no reason to be jealous” (bridge).  Ooh-wee, baby! The chorus is the crème de la crème, where Rudberg states his priorities.

“I only care about you, you hoo hoo

I only care about you, you hoo hoo

I only care about you, you hoo hoo

I don’t care if they care that I only care about you.”

The other piece of the puzzle why “Careless” is the sugar, honey, iced tea is the production.  This is sleek, vibrant, modern pop, PERIODT.  Primmed and polished, Omar has the perfect backdrop to put in work with his careless ways.  In short, “Careless” is an enjoyable, well-rounded pop song from Simon Eriksson… I meant Omar.

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16. Phoebe Bridgers, “Lost Boys”

Lost Weekend » Dead Oceans » 2026

Noted, Phoebe Bridgers! The Grammy-winning queer singer-songwriter is back with album number three, Lost Weekend. Leading that lost weekend is the lead single and second track, “Lost Boys”. Bridgers composed the track alongside Christian Lee Hutson, Marshall Vore, Bo Burnham, and Alex G.  She produced it with Tony Berg, Jack Antonoff, and Ethan Gruska, with additional production by Alex G.

“Lost Boys” runs about four and a quarter minutes. Rich in instrumentation, instrumental contributions arrive courtesy of the producers mentioned earlier, as well as Rob Moose, who performs and arranges the strings.  Adding to the personnel are background vocals by some familiar names: Julien Baker and Lucy Dacus.  So, beyond these stacked credits, how impressive is “Lost Boys?” Very impressive – it’s Phoebe Bridgers, after all! Bridgers sounds beautiful as she sings.  She never forces things, singing with ease but expressively. That said, there are a few more assertive moments as the song progresses. The alternative aesthetic is in full force.  Beyond lovely vocals, the theme and lyrics are captivating, while the melodiousness – the tunefulness – is indisputable.  “On a motorbike, doing 90 in a 55 / To another life,” she sings in the first verse, and continues, “Where they make you cut your hair / Impatient with a rifle and your papers / Weightless but not scared.” Ooh, it’s easy to see where this is going…  In the second verse, the lost boy, “Threw a tantrum with a 57 / And broke a rib / You told me you wish you were dead.”  Oh, snap! But there’s atonement: “In a twin bed / Where all will be forgiven in an instant / Hands in each other’s hair / We are born again.” Word. The jam-packed musical accompaniment contributes greatly to how the song percolates, particularly during the centerpiece, the tuneful chorus:  “Lost boys / Never grow up, never go home…” All told, Phoebe Bridgers brings the heat with “Lost Boys”.  It’s well-rounded in just about every way: vocals, songwriting, and arrangement/production. What more can you ask for?

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17. Q, “hey there [i have a compulsive complex]”

“hey there [i have a compulsive complex] » Columbia Records » 2026

Q (Q Marsden) is honest in the first verse of his compelling, interestingly named song, “hey there [i have a compulsive complex]”.  A unique record, it lies somewhere in the alternative and R&B realm. “Hey there” was written by Q alongside Romil Hemnani, Sir Nolan (Nolan Lambroza), Simon Wilcox, RⱯHM ⚉ (Rahm Silverglade), and Lobo (Roland Kent LaVoie). Q, Romil Hemnani, Sir Nolan, and RⱯHM ⚉ also produced it. Fun fact: “hey there…” samples “I’d Love You to Want Me” by Lobo.

“Hey there [i have a compulsive complex]” is ON from the start. It kicks off with a great bass line.  As it progresses, a strong groove anchors, while colorful keys, sound effects, and programming provide the cherry on top.  Q’s vocals are delightful. I love his tone, as well as the vocal arrangement and production. “Hey there…” is melodious from start to finish; it’s easy on the ears. Besides being tuneful, the lyrics are memorable, as evidenced by the first verse, excerpted earlier.  The second verse shines, too: “I guess we hit it off, ‘cause I’m still right here / Passion overthrew everything / That I was scared of trying / I’m sorry that it took me so long.” The crème de la crème is the chorus:

“But hey there

I want you to want me

The way that I want you

The way that it should be (Hey, hey)

‘Cause baby

The more that I got you

The more that you got me.”

There are plenty of moments that highlight the creative instrumental music. The bridge section is fun and distinguishes itself from everything else. It features Q’s chanted/rapped vocals in an undertone. I love the playful effects-filled vocal during the outro. All told, Q gives us scintillating ear candy with “hey there [i have a compulsive complex]”.  This is an enjoyable, well-rounded song that catches the ear from the opening tip.

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18. ROLE MODEL, “Joy”

Chuck Timely & The Hourglass » Interscope Records » 2026

Noted, ROLE MODEL (Tucker Pillsbury). “Joy” is indeed the name of the second single and seventh track from his third studio album, Chuck Timely & The Hourglass. Once again, he entices with a country/western-flavored pop sound.  ROLE MODEL composed the intriguing track while Kane Ritchotte and Mason Stoops produced.

“Joy” features some mean-sounding guitars.  They are distorted, juicy, and rhythmic. ROLE MODEL serves up well-rounded, nuanced vocals.  Firmly in control, he never over-sings or ‘does too much.’ He gets playful with his performance, which includes talk-singing. The storytelling is alluring: “But [Joy] gets away when I need her most / I was having a rough go, just south of the Poconos / Just feeling down on a lonely night / Would’ve offered up a red-eye flight.” Unsurprisingly, the chorus is a big deal – one of the song’s best moments.  It features a great catchline: “C-come a little closer.” “Joy” is melodious throughout: tuneful verses and chorus. The bridge section is fun, with the gang vocals (“Count your blessings, one by one…”).  Once again, ROLE MODEL brings the goods with “Joy”. Strong vocals, memorable songwriting, and striking production make it a winner.

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19. Ryan Beatty, “Virtuoso”

Sweet Fortune » Ryan Beatty / Warner Music UK Limited » 2026

Just for some context, a virtuoso is defined as one who excels in the technique of an art, especially a highly skilled musical performer, or a person who has exceptional skill, expertise, or talent at some endeavor.  There are other meanings, but that’s it in a nutshell.  The context? Pop singer-songwriter Ryan Beatty recorded a song titled “Virtuoso”. It is the third track from his fourth studio album, Sweet Fortune. “Virtuoso” was written by Beatty, Amy Allen, and Ethan Gruska. Beatty and Gruska produced it. There is plenty to sink one’s teeth into.

Where “Virtuoso” excels most is in its songwriting. There are intriguing, thought-provoking lyrics, which always seem to be the case with Ryan Beatty’s songs. Ryan, who possesses a lovely voice, puts it to good work here, over folksy, western-flavored production; various strummed guitars, banjo, and strings reign supreme. In the first verse, beyond his potential to end up out west, he sings, “And though I cannot hold you close, like a rose upon my chest / Hell, if I don’t see you anymore, doesn’t mean I love you less.” Word. In the second, there is clear innuendo, whether it’s “But I’ll pump a little gasoline if you get me there tonight,” or “‘Cause I always wear your borrowed things ‘til I end up wearing less.” Maybe the pumping gasoline is taken out of context, but don’t tell me Ryan didn’t know what he was doing there… Something interesting is that he only explicitly says the titular lyric once, excerpted earlier, in the third verse.  More notable, however, is the final line of the third verse, which is similar to the final line of the first: “Just because I’d die to leave you here doesn’t mean I love you less.”  The chorus is also a ‘kind of a big deal,’ as expected.

“Hey, tryna hold me down is like holdin’ on to rain

I’m not an empty gun, I’m the bullet flyin’ away

You gotta learn to leave to remember why you stay

Letting go of what you hold holds you just the same.”

Poetic and, again, quite thought-provoking. There is also a post-chorus, where “Time turns, it’s turning me on / I want you right back the moment I’m gone.” Ultimately, “Virtuoso” is pretty sweet.  Its countrified, alt-pop vibes fit Ryan perfectly. Also, melodically speaking, it’s tuneful, which is always a win.  Strong vocals, songwriting, and production make this one unskippable!

Appears in 🔻:

Ryan Beatty, Virtuoso: Beaming with Pride No. 57 (2026) Striking Bops from July 2026

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20. Sam Smith, “My Guy”

Hazel Eyes » Capitol Records UK / Polydor Label Group » 2026

Aww, the feels – L-O-V-E! Preceding Gloria, Academy and Grammy-winning pop singer-songwriter Sam Smith (they/them) embraced controversy – unholiness, if you will. Feathers were ruffled (*cough* conservatives), but there was no denying the banger they collaborated with Kim Petras. “My Guy”, the lead single and fourth track from Smith’s fifth studio album, Hazel Eyes (arrives August 21, 2026), hits different.  While an MLM (men loving men) like this one won’t silence those myopic, homophobic skeptics,  it’s hard to deny how beautiful and heartfelt this ballad is. “My Guy,” a romantic, love-driven song, was written by Smith, Simon Aldred, Shahzad Ismaily, and Feist (Leslie Feist). Smith produced it with Aldred and David Odlum, with additional production by Feist.

Although it is restrained, “My Guy” is enchanting.  The first of many times I listened to it, I found myself hypnotized.  Despite not being ‘in your face,’ it’s alluring, mesmerizing, and potent.  There is a pureness about “My Guy” that makes it stand out.  The subtlety of this soulful pop ballad is part of its undeniable charm.  The production is sufficient, never forcing things – a simple rhythmic groove, spare guitar, and colorful keys.   Sam Smith is always the focal point, never inhibited by the production. Their vocals are lovely and sincere; you buy what they’re selling. Smith gets terrific support from background vocals, who also keep things non troppo. Beyond top-notch vocals, the theme and those thoughtful, love-centric lyrics are the crème de la crème.  “How could I know / A love could be this true?” Sam sings in the second verse, and continues, “And I didn’t know / A dance could be this slow.”  The memorable chorus is the most rousing moment, but again, it never gets too high or overdoes it.

“And like all good things, it caught me by surprise

You could dream he’s yours all you want, but he’s mine, mine, mine

He’s my guy

He’s my guy.”

“My Guy” is a stellar return by Sam Smith.  Although far less controversial than “Unholy” could ever hope to be, the authenticity, emotion, and sheer romance are utterly sublime.  This song, and the sincerity with which Sam sings it, makes me desire to find that special bond.

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21. Sander Sanchez, “the SUN”

“the SUN” » Holo Harmonics » 2026

The handsome and talented Sander Sanchez (Sander Eagleroad Sanchez) said what he said – PERIODT!  Sanchez hails from Denmark.  However, he’s half Native American (South Dakota) and half Dane. “The SUN” marks his second single of 2026, following the fantastic “Two Spirits”.  It was written by Sanchez, Andrea Björkman, David Hutchinson, and Adriana Pupavac.  Björkman produced it.

“The SUN” begins with a bang.  The striking opening, rhythmic synth, is everything. The song benefits from vibrant production work.  This exemplifies modern pop. Sander Sanchez is the star.  I love the depth of his voice.  He has a beautiful tone, sings with incredible expression, and has a commanding presence.  Further lifting his performance are playful vocal effects. “The SUN” thrives on its melodious verses, with intriguing lyrics. “The moonlight on your face / It makes me feel hazy, hazy,” Sanchez asserts in the first verse, and continues, “You kiss me in twilight / And it feels so amazing / The birds are calling / And the dawn is breaking.” Ooh-la-la!  In the second verse, Sanchez characterizes this person as a savior: “You save me / When light was dim / You were the silver lining.” The chorus, unsurprisingly, is the crowning achievement:

“You are the sun

So I’m gonna run

Straight into the fire…

We wanna burn

So we feel in love

Down to the wire.”

I love the brief change of pace (instrumental) following the bridge.  All in all, “the SUN”, my second listening experience with Sander Sanchez, is another surefire pop bop.  Great vocals, songwriting, and production make this a win.

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22. sombr, “My Body Isn’t Ready”

“My Body Isn’t Ready” » SMB Music LLC / Warner Records Inc. » 2026

The key excerpt from that lyrical excerpt of the first verse of “My Body Isn’t Ready” is but I am scared of the light.  Grammy-nominated singer-songwriter Sombr (Shane Michael Boose) oozes with potential.  Boose gets vulnerable on “My Body Isn’t Ready,” which captures body dysmorphia and insecurity. He wrote the song himself and produced it with Tony Berg.

“My Body Isn’t Ready” shines from the beginning. The intro is beautiful, enigmatic, and striking. “MBIR” features fantastic production, including guitar strumming and warm piano.  The record is melodious throughout. There are tuneful melodies during the verses and especially the chorus. Of course, it’s not just the melodies that eat but the text, too.  “And now I’m out of school,” sombr sings in the second verse, and continues, “And I met someone new / Does she like me for the things I do?” Perhaps those aren’t the deepest lyrics ever penned, but his insecurity is captured, which is the point of the song. The chorus, the crème de la crème, lays it out there:

“I like you, but my body isn’t ready

I want you, but the mirror won’t let me

I try to be the person you’re expecting

But I’m not ready, I’m not ready.”

Throughout, sombr delivers stellar vocals. I particularly love the sweetness of his falsetto moments.  His vulnerability, relatable to the nth degree, takes the cake during the chorus.  Later, the bridge does a fine job of differentiating itself from the verses and chorus. Still, it relates: “If I could crawl out of my own skin, would you let me in? / If we could just be those kids again, maybe I could swim.” While “My Body Isn’t Ready” was polarizing, I believe he deserves credit for his honesty and vulnerability if nothing else.

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23. Steve Lacy, “is it cool?” (Ft. SZA)

Oh yeah? » RCA Records / L-M Records » 2026

Well now, Steve Lacy, early on in “is it cool?” you provide us with a lot to digest: the death of his father as a child and admitting to cheating.  The Grammy-winning alternative R&B singer-songwriter taps a fellow Grammy winner, SZA (Solana Rowe), for the assist on the third track from his third studio album, Oh yeah?.  Steve Lacy wrote “is it cool?” with SZA, Fousheé, and Matthew Castellanos. Damn, what a talented songwriting crew! Lacy and Matt Martians produced it. The sounds are striking, with some neo-soul cues, colorful keys and synths, and a strong groove.

Steve Lacy draws first blood on “is it cool?” He performs the first verse, pre-chorus, chorus, and post-chorus. There’s no doubt about who the lead artist is! After admitting to cheating earlier, Lacy owns up to his shit, while singing beautifully: “Really, really want commitment / Can’t keep fucking shit up.” Truer words have never been spoken. In the pre-chorus, he tries to convince his lover to stay, proposing, naughtily, “Or we could fuck, bust a nut, t-talk it over on a date.” Wow.  In the chorus, the centerpiece, he asserts, “You ain’t gotta trust me to love me, baby,” adding, “I don’t even trust myself.” At least he’s honest.  He continues to bare his soul in the second verse.  Here, SZA enters the mix, singing the back half angelically: “Being vulnerable is exhausting, babe / Can we get naked instead of talking, babe?” Lacy takes the reins once more, beginning with the third and final verse (brief).  He shocks again, asserting that he wants to “Be the one you fuck on full-time / Be your honest lover, babe.”  SZA joins forces with him in the final post-chorus.   She leads the charge in the outro, asking, “Is it cool? Do you trust me? / Am I a fool if I love you?” “Is it cool?” leaves me with many questions regarding the relationship, but WE LISTEN, AND WE DON’T JUDGE.  What I do judge is the song’s quality, and once again, Steve Lacy has put in the work.  Strong vocals, compelling theme, lyrics, and striking production make this another winner.

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24. TEEKS, “My Boy”

“My Boy” » Sony Music Entertainment New Zealand Ltd » 2026

Aww, there’s nothing better than a great MLM (men loving men) song!  Dashing, extremely talented Māori soul artist TEEKS (Te Karehana Toi) gives us a delectable, sensual bop with “My Boy”. In an Instagram post, he opens up about his sexuality, asserting thoughtfully, “Coming out publicly was never something I felt was important. My sense of identity comes from a culture rich in origin stories, lineage, connection to land and spirit.”  In “My Boy,” his preference is no secret, characterizing his boy as not just a snack, but the whole damn meal.  A “Body like Hercules”? “My Boy” was written by TEEKS, Sam Nakamura, M Basa, Josh Fountain, and Terence O’connor.  Fountain, O’connor, and Vincent Pham produced it.

From the get-go, “My Boy” is the sugar honey iced tea. Not only does TEEKS characterize him as a masterpiece, but the performance, production, songwriting, and the whole shebang are giving masterpiece, too! TEEKS’ beautiful, distinct, soulful voice is like sex on the track. Just listening to him is more than enough to get you hot and bothered – in the mood to do naughty, nasty things. TEEK’s instrument is tailor-made for this ode to perfection, where “Those eyes / Cut me like a razor,” and he encourages the object of his affection to “Come open up on me / A new possibility / I’ll be your supplier / If you like the way it feels.” Oh, snap!  The production also screams S Meets E, and then they X.  It’s sleek, mind you, but it hearkens back to the soul of old.  That is refreshing: warm keys, chill guitar, anchored by a robust bass line and simple yet potent groove that’s locked in. Oh, and we get some strings, too, upping the ante! “My Boy” is nothing short of delightful.  The music speaks for itself.

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25. The Other Realm, “Underwear Party (What Am I Doing Here?)”

“Underwear Party (What Am I Doing Here?)” » Big Hat Club » 2026

Woo! Ah, The Other Realm (Kenneth Ward) is honest about being in an uncomfortable place.  This place is not his scene or his jam, and he knows it!  “Whoa whoa whoa my new song is about crashing out in the club because so out of place,” Ward says of his single, colorful, awkward, undie-driven single, “Underwear Party (What Am I Doing Here?)”. Raise your hand if you have been in a similar predicament, one where you knew with all your heart that you needed to take your ass home! Maybe it didn’t involve underwear though… Anyway, the fierce and handsome alternative pop singer-songwriter’s discomfort is our listening pleasure on “Underwear Party (What Am I Doing Here?)” which he wrote himself.

There is a lot to ‘heart’ about “Underwear Party (What Am I Doing Here?).” First and foremost, Kenneth delivers a spirited performance.  He is playful and quite tongue-in-cheek.  Sometimes, he sings.  Sometimes he talks-sings.  Sometimes, he chants. Whatever he does, it’s entertaining! Slay fella!  The theme and lyrics play a pivotal role too.  And honestly, underwear never gets boring, whether you’re a kid giggling about it, an adult feeling awkward, or perhaps sneaking a peek at that hot guy who wears them extraordinarily well.  “This ain’t my thing, but I’m trying to have a good time / The music’s loud, and I feel like I can’t breathe right,” he sings, and continues, “Sexy show and tell, this is my personal hell / I feel so invisible, and it kind of fucking smells, eww!” The verses and pre-chorus are alluring, but the most memorable section is the chorus, expectedly:

“What am I doin’ here? What am I doin’ here?

I wanna fit in, but I wanna disappear

Everyone’s having fun, but I’m on the verge of tears

What am I doin’ here? What am I doin’ here?”

Beyond the singing and lyrics, “Underwear Party” features solid production.  What makes it slap? The rhythmic synths and the electrifying groove give club and party vibes.  The colorful production ups the ante.   That includes some fine electric guitar soloing and riffs towards the end.  Although it’s not his scene, The Other Realm does the damn thing on “Underwear Party (What Am I Doing Here?)”.

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26. Tucker Wetmore, “Who Told You That”

“Who Told You That” » Tucker Wetmore / Back Block Music » 2026

So, they’re speculating about you, Tucker Wetmore! But you’re here to set the record straight “In a two-faced town” on “Who Told You That”. “Who Told You That” was written by Jordan Schmidt, Ashley Gorley, Michael Tyler, and Hunter Phelps. Wetmore and Chris LaCorte produced it.

 

“Who Told You That” begins with an attention-getting drum riff. Great guitar riffs follow, accompanied by bass and drums. The star of the show is Tucker Wetmore, who delivers a great vocal performance.  I love the tone of his voice. While this is clearly country music, there is a hint of pop, and it works well here.  In the first verse, the rumors swirl: “I’m a mess, won’t commit / Heard they said that I just wanna get in your sheets.” In the brief second verse, he turns his purported wildness into a positive: “Say I’m wild, yeah, okay / A good time ain’t a crime / And I’m wild about you, babe.” Word! The centerpiece should come as no surprise – the rhythmic, melodious chorus!

“…I don’t know who told you that

I’m that guy who’s gonna end it with a bad goodbye

They love to lie

Cause baby, I’ll make you mine

Put single me in the past

They say you’re wasting your time

I don’t know who told you that.”

The bridge distinguishes itself from the verses and chorus, though not totally dissimilar. “Girl, don’t pay no attention, ‘cause you got all of mine,” he sings, and concludes, “And I got forever if you’ve got the time.” Ooh-wee! All told, “Who Told You That” is an enjoyable, fun, and well-rounded country music single by Tucker Wetmore. 

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27. Tyla, “IS IT LOVE”

A*POP » FAX Records / Epic Records » 2026

 

That is the recurring question that Grammy-winning South African pop singer-songwriter Tyla asks on “IS IT LOVE”. “IS IT LOVE” is the opening track and fourth single from her sophomore album, A*POP. Tyla, Bibi Bourelly, Dougie F, and producers P2J and Cole YoursTruly wrote the standout song.

“IS IT LOVE” bears similarities to other Tyga songs, which is a positive.  It benefits from its fresh, vibrant production, first and foremost. I adore the blend of pop, R&B, and Afrobeats.  The guitar, performed by Cole YoursTruly, provides a mean, ear-catching punch and contrasts with her past songs. The star of the show is Tyla, who brings it with her commanding, confident, and top-notch vocal performance. “Ain’t an option, you can’t pick and choose,” she sings in the first verse, and concludes, “I’m the only one that light up your mood.” CLOCK IT! More clocking goes on in the second verse. “Put your hands on my body like masseuse / And you the one that’s gon’ ignite my fuse,” she sings, and continues, “And add some more fuel and light up the room? / You gotta know when to be soft and how to stay hard without no excuse.” Oh, the innuendo! A melodious record, it’s tuneful from the opening to the closing tip, not to mention catchy lyrically. Preceded by pre-choruses with varying lyrics, the chorus, excerpted earlier, is the crème de la crème:

“Is it love? Is it love if you don’t cry, cry, cry? (Cry, cry, cry)

Don’t mean shit if I don’t see tears in those eyes

Is it love? Is it love if you don’t cry, cry, cry? (Cry, cry, cry)

Don’t mean shit if I don’t see tears.”

Tyla said what she said. Also, shout out to the bridge, where she encourages him to “Learn my body inside out.” Ooh-wee!  In short, “IS IT LOVE” is another bop from Tyla. Great vocals, tuneful melodies, memorable lyrics, and colorful, well-rounded production make this a win.

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28. Tyler, The Creator, “THAT GUY”

“THAT GUY” » Columbia Records » 2026

Word.  Ask yourself this question.  Does Grammy-winning rapper, singer, songwriter, and producer Tyler, The Creator ever drop a dud? No. “THAT GUY” continues the utmost consistency of one of the more intriguing artists, regardless of genre, in the game.  Also, ask yourself this question: does the background sound familiar? If you are a fan of Kendrick Lamar, you’ll recognize that this freestyle samples “hey now” from GNX.  Beyond the big-time K-Dot sample, Tyler samples Baby Keem ( “Booman” ) and himself (“Rah Tah Tah”). Ultimately, “THAT GUY”  TOTALLY SLAPS, NO CAP! Tyler, The Creator wrote it alongside Kendrick Lamar, Jack Antonoff, Mustard, Sounwave, Fabo, Slick B, and Dody6.  He produced it with Mustard, Sounwave, and Antonoff.

“THAT GUY” begins somewhat mysteriously, with odd, unsettling sound effects. This sets the tone for this banger. Soon enough, the signature badass, hard-nosed West Coast beat (“hey now”) provides a mean anchor.  As usual, Tyler, The Creator eats, leaving no crumbs.  He’s bold, confident, and unapologetic. He delivers a captivating cadence and flow.  “LaFerrari popping on the 40 with the 5 / One ticket, two ticket, three ticket, four million,” he asserts in the first verse, and adds, “Lil’ Bunny Hop out, you seen me at The Pop Out / Pandemonium screaming like they brought Pac out.” Woo!  He doesn’t stop there.  He memorably raps in the second verse, “All these women is a habit / Boyfriends mad ‘cause they thought I was a f— (Hey now).” Oh, Tyler, never change! And there’s more: “One whip, two whips, black bitch, blue strips / Green face Grinch, Tyler on his Dr. Seuss shit.” D-d-damn! The chorus, unsurprisingly, is ‘kind of a big deal’:

“Hey now, say now, I’m all about them bands

Shit, I’m on, bitch, you wouldn’t understand.”

With a minimalist, beat-led backdrop initially, “THAT GUY” adds the bright, dynamic, and triumphant pad (again, “hey now”) that exemplifies the West Coast sound.  The minimalism returns, but that big wall of sound briefly reappears to conclude “THAT GUY.”  All told, “THAT GUY” is another winner from the compelling and creative Tyler, The Creator.  It gets high marks for its performance, rhymes, and production.  Even Tyler’s freestyles are nothing short of fine shyt. “Big stud energy the way I get my lick back, huh.” Hell yeah!

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Striking Bops 2026
January 2026	February 2026	March 2026
April 2026	May 2026
Bops from 2026 That Make You Beam with Pride	Best Songs of 2026 (So Far)	June 2026
July 2026	August 2026	September 2026
October 2026	November 2026	December 2026
Best Songs of 2026

 

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Striking Bops from July 2026 (2026) [📷: Brent Faulkner / The Musical Hype; Above Ground Ent, Atlantic Recording Corporation, Ayham, Capitol Records UK, Charli XCX, Inc., Columbia Records, D’Leesa, Dead Oceans, Destin Conrad, Ella Collier, EMPIRE, Epic Records, FAMM, FAX Records, GCM, Holo Harmonics, L-M Records, Parkwood Entertainment LLC, Polydor Label Group, RCA Records, Ryan Beatty, SMB Music LLC, Sony Music Entertainment New Zealand Ltd, TEN Records, TSNMI, Warner Music UK Limited, Warner Records Inc.; Gordon Johnson from Pixabay]

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