Bring | 5 Gems

Bring: 5 Gems No. 18 (2026) features songs by Evanescence, Madonna & Sabrina Carpenter, The-Dream, The Weather Girls, and Zheani.

The gospel according to Madonna & Sabrina Carpenter, ladies and gentlemen! Can I get an amen? This dynamic duo – wait for it – BRINGS it! BRING is the keyword on the bite-sized playlist, Bring: 5 Gems No. 18 (2026).  Who brings it on this five-song affair? Evanescence, Madonna & Sabrina Carpenter, The-Dream, The Weather Girls, and Zheani. No need for further explanation – let these talented artists BRING it! As the kids say, let ‘em cook!

---

~ Table of Contents ~
1. Madonna & Sabrina Carpenter, “Bring Your Love”	2. The-Dream, “Bring That Body”	3. Zheani, “BRING WET C***”
4. Evanescence, “Bring Me to Life” (Ft. Paul McCoy)	5. The Weather Girls, “Dear Santa (Bring Me a Man This Christmas)”	5 Gems (2026)

 

---

1. Madonna & Sabrina Carpenter, “Bring Your Love”

CONFESSIONS II » Boy Toy Inc. / Warner Records Inc. » 2026

Ooh-wee! Madonna (Madonna Louise Ciccone, b. 1958) and Sabrina Carpenter (b. 1999) collaborating on a track? Yes, ma’am/sir!  It’s iconic old-school versus the new school of pop music. “Bring Your Love” marks the lead single from Madge’s first album in seven years, CONFESSIONS II. The enjoyable, three-and-a-half-minute track was written by Madonna, Stuart Price, Roy Holman, Shanna Jackson, and Kevin Saunderson.  Madonna and Stuart Price produced it.

“Bring Your Love” begins with Madonna singing in a breathy, sultry fashion, with echo and reverb vocal effects (“Ask yourself this / What are you doing it for?”).  She sets the tone on this dance-pop record, introducing Sabrina. Sabrina follows up, addressing ‘Madonna,’ and giggling. Meanwhile, a strong groove, readymade for the dance floor, accompanies.  Post-introduction, this old/new school duet kicks off, with the ladies duetting consistently.  They trade lines in both verses and pre-choruses.  Madonna leads the charge in the first verse and pre-chorus (“Don’t comment on my ideas / I don’t want your judgment or your expectations”), while Sabrina takes the reins in the second verse and pre-chorus (“Don’t rely on my moral compass / Or my discretion, I have a confession”).  In the chorus, the centerpiece, where the love is brought, both get their time to shine.

“Bring your love ‘cause you cannot shake me

Bring your love (Bring it) ‘cause you’ll never break me

Bring your love (Bring it) ‘cause you cannot take me down.”

The bridge distinguishes itself from the rest of the song. Madge and Sabrina continue to collaborate, concluding, “I DID IT ALL FOR LOVE.” YASS! Ultimately, these two pop superstars bring it on “Bring Your Love”.  Both sing well, infusing attitude and personality.  The song is catchy; a crowd-pleaser by all means.  Furthermore, it’s well-produced, and there’s no way you can listen to this one without moving your body.  THEY ATE AND LEFT NO CRUMBS!

Appears in 🔻:

Striking Bops from May 2026

~ Table of Contents ~

---

2. The-Dream, “Bring That Body”

“Bring That Body” » Dreamboy Records / Republic Records » 2026

Oh, snap! The-Dream (Terius “The-Dream” Gesteelde-Diamant) has always excelled at risqué, sexed-up songs. “Bring That Body” is no exception.  Sure, The-Dream intends to right the wrongs of an ex (“Stop cryin’ over bullshittin’-ass-niggas”), but he’s also thinking with his joystick (“I’m just a messenger here to undress you”). “Bring That Body” was written and produced by The-Dream and Christopher “Tricky” Stewart.

To reiterate, on “Bring That Body,” The-Dream intends to treat this lady right, something her ex failed to do. “Call it hatin’, but he ain’t shit,” he sings in the first verse, and adds, “And the word is, that nigga ain’t lovin’ you.” D-d-damn, The-Dream! But, it’s not all about L-O-V-E; sex is the modus operandi, too.  In the chorus, the crème de la crème, her body is also on his mind.  Call it the catalyst for the D going dumb, if you catch my drift!

“Shawty, bring that body over here

Leave that fuck nigga over there

Over there, over there,

Over there, over there.”

Woo! As always, The-Dream impresses with his ripe tenor. He doesn’t sound like he’s in his late forties. He sells the lyrics like a champ, even if they aren’t deep or transcendent.  He makes his point crystal clear.  Beyond eating on the vocals, the musical accompaniment kicks ass and takes names.  It is vibrant and, ultimately, a familiar, tried-and-true sound for The-Dream. All in all, “Bring That Body” gives The-Dream an enjoyable, well-rounded song years after the most lucrative period of his music career.

Appears in 🔻:

Striking Bops from May 2026

~ Table of Contents ~

---

3. Zheani, “BRING WET C***”

The Spiritual Meat Grinder » Zheani / Access » 2023

Word, Zheani!  She does not censor or tame anything on “BRING WET CUNT”, the second track from her 2023 mixtape, The Spiritual Meat Grinder.  Anytime that C-U-Next-Tuesday comes into play, boldness and an unapologetic nature are in full fruition.  As the excerpted lyrics suggest, Zheani is serving cunt without reservations.  “The way this cunt taste is famous / Don’t get me started ‘bout fragrance,” she asserts in the first verse, concluding, “I’m giving all you can eat / I’m giving them what they want.” Gah-day-um!

And what they want is wet cunt.  In the chorus, she confidently sings, “Bring, bring, bring, wet, bring / Bring we cunt to the dance floor.” The dance floor is lit in Zheani’s hands.  She penned “BRING WET CUNT” alongside producer Solsa who provides a fierce backdrop for her to sing over. In the second verse, Zheani keeps it NSFW.  “I’m obscene / Body is making a scene / They wanna bounce so let those girls go free.” Those girls, of course, are her breasts.  But, again, the focus is her… you know… “Pussy is Dior, and my sweat Prada.” Her most controversial moment occurs at the end of the second verse, where she sings, “Mother Mary, cunt’s my son.” Yikes! “BRING WET CUNT” is something else. That is an overstatement.  The shock value is full force on this electronic pop cut.

Appears in 🔻:

Zheani, BRING WET C***: Midnight Heat No. 27 (2025) 13 Wonderful, Watery, Wet Songs (2025) 13 Unapologetic Songs Where the Curses Fly (2025)

~ Table of Contents ~

---

4. Evanescence, “Bring Me to Life” (Ft. Paul McCoy)

Fallen » The Bicycle Music Company » 2003

“Bring Me To Life” appears as the second track on Fallen, the debut album by Evanescence. Notably, it is one of three top-10 hits by the band, which won two Grammys. One of those two Grammys happens to be for Best Hard Rock Performance for the multiplatinum song at hand.  Of Evanescence’s top 10 hits, “Bring Me To Life” performed the best, peaking at number five on the Billboard Hot 100.  Furthermore, Fallen is one of those rare, diamond-certified albums – definitely a big deal. Joining Amy Lee on vocals is Paul McCoy, who appears in the choruses and third verse.

“Bring Me to Life” is set in a minor key, giving the record a darker sound, fitting the gothic sensibilities of Evanescence.  It commences in enigmatic fashion, setting the tone for an epic record.  Lee’s vocals are both radiant and haunting. “How can you see into my eyes / Like open doors?” Lee sings in the first verse, continuing, “Leading you down into my core / Where I’ve become so numb.” Notably, the verses are tuneful, while the chorus is even more tuneful – the centerpiece, hands down. In the chorus, excerpted at the top, Lee adds, “Bid my blood to run /… Before I come undone / Save me from the nothing I’ve become.” Once “Bring Me to Life” begins to percolate, the instrumental becomes bolder, with fierce guitar, and the bass and drums anchoring things down. More than two decades after its arrival, “Bring Me to Life” remains a hard rock gem.

Appears in 🔻:

Evanescence, Bring Me to Life: Bangerz N Bopz No. 3 (2024) 11 Marvelous Songs Filled with Life (2024)

~ Table of Contents ~

---

5. The Weather Girls, “Dear Santa (Bring Me a Man This Christmas)”

Success » CBS, Inc. » 1982

So, what were the Grammy-nominated The Weather Girls asking Santa Claus for this Christmas? A man, of course.  Lowkey, I can’t fault Martha Wash (b. 1953) and Izora Armstead (1942 – 2004)! If only it were that easy to attain one!  “Dear Santa (Bring Me a Man This Christmas)” is the third track from the duo’s 1982 album, Success. Paul Shaffer (b. 1949), well-known as David Letterman’s bandleader, and LGBTQ actor, singer, and songwriter Paul Jabara (1948 – 1992) wrote “Dear Santa (Bring Me a Man This Christmas).” Jabara also produced the sassy 💅, unforgettable holiday joint.

“Dear Santa (Bring Me a Man This Christmas)” begins with chilly, windy sound effects. Next, the flute quotes the beloved Christmas classic, “The Christmas Song (Chestnuts Roasting on an Open Fire)”. The piano enters the mix, further accentuating the warmth of the track.  Initially, during the intro, “Dear Santa” features dramatic balladry, with gentle, tender background vocals.  Given the loneliness of our Weather Girls, the vocals show sensitivity. By 1:15 in, “Dear Santa” picks up the pace, anchored by a lit groove and a strong bass line.  This is where the chorus is unveiled, in all its campy and infectious glory!

“Bring me a man (Bring me a man, bring me a man)

This Christmas (Dear Santa)

I need a man (I need a man, I need a man)

To keep me warm (Keepin’ me warm).”

The first “Bring me a man” is sung in a gritty and powerful fashion! Infectious background vocals (“Bring me a man,” “I need a man,” etc.) ensure that Wash and Armstead’s point is loud and clear.  The lyrics in the verses keep the same energy as the chorus. In the first, our Girls assert, “I don’t think I can make it through another year / Come on, Santa, come through.” In the second, they sing about “a gentle place, a strong embrace.” Ooh-wee! During an epic bridge section, they “can almost feel him / Feel his lips touching mine.” Furthermore, they’ve been good: “Ain’t been naughty, only nice / Check your list and check it twice / Can’t you see it’s just not fair? / Another cold night, I just can’t bear.” A third verse adds to the drama, or at least, the descriptiveness: “The fire’s out / the chimney’s clean / The fishnet stockings up upon ‘em don’t mean a thing.” Of course, we can’t neglect to mention that Martha and Izadora want this handsome fella placed under the tree…  Throughout, both of The Weather Girls serve up kick ass, high-flying vocals. A modulation further elevates the spirited nature of this ‘80s cut. In the outro, there is also a conversation where The Weather Girls ask, “Who’s that comin’ down my chimney? / Is that you, baby?”,  with Santa Claus responding, “It’s me, baby, Santa Claus.” “Dear Santa (Bring Me a Man This Christmas)” is a campy but utterly infectious trip!

 

Appears in 🔻:

The Weather Girls, Dear Santa (Bring Me a Man This Christmas): Throwback Vibez No. 204 (2025)

 

~ Table of Contents ~

---

5 Gems (2026)
Almost: 5 Gems No. 1	Alone: 5 Gems No. 2	Am: 5 Gems No. 3
Big: 5 Gems No. 4	Break, Breaking, or Broken: 5 Gems No. 5	Can’t!: 5 Gems No. 6
Magic : 5 Gems No. 7	Money: 5 Gems No. 8	Mama: 5 Gems No. 9
Nut: 5 Gems No. 10	Watch: 5 Gems No. 11	Pretty: 5 Gems No. 12
Lube: 5 Gems No. 13	Goodbye: 5 Gems No. 14	Band: 5 Gems No. 15
Rather: 5 Gems No. 16	Job: 5 Gems No. 17	Bring: 5 Gems No. 18

 

~ Table of Contents ~ » ~ intro ~

---

Bring: 5 Gems No. 18 (2026) [📷: Brent Faulkner / The Musical Hype; Access, Boy Toy Inc., CBS, Inc., Dreamboy Records, Republic Records, The Bicycle Music Company, Warner Records Inc., Zheani; Kindel Media from Pexels; Gordon Johnson, OpenClipart-Vectors from Pixabay]

 

---