Childish Gambino, Hozier, Drake, Janelle MonΓ‘e, Drake, and Shawn Mendes earn songs in the top-five of the 101 Best Songs of 2018.β
That time of year has come! What time? Time to attempt to assemble a list of the best songs of 2018. Assembling the βbestβ songs is nothing short of a daunting task that seems to get tougher year after year.Β Records and songs are > than albums these days, which makes compiling a list of only 100 songs that made some sort of impact in 2018 incredibly tough. This list has evolved from the original, with numerous additions and some shifting around regarding rankings.Β Just because songs from the original might have moved down doesnβt mean they arenβt great songs β there are just other great songs as well. Without further ado, here are the 101 Best Songs ofΒ 2018 in my humble opinion.Β You may or may not agree, but here should be something for just about everybody here.
101. Matt Fishel, βBored of Straight Boysβ
M/F Β» Young Lust Β» 2018
Original Ranking: N/A
βAnd he canβt help himself from explaining / All the things he does to girls during sex.β Just earning a spot on the 100 Best Songs of 2018 is an anti-straight boy anthem, βBored of Straight Boys.β Openly gay English rock/pop singer/songwriter Matt Fishel isnβt feeling the actions and despicable attitudes of straight guys.Β On the infectious chorus he proclaims, βAnd Iβm so bored of straight boys / Who only wanna talk football, down alcohol, and hassle women.β He also incorporates same-sex references, such as, βSomebody didnβt get enough bromance in as a teen, I suppose / Finally getting your chance to enjoy some same sex action with all of your bros.βΒ And to all the straight boys out there, heβs ββ¦Not calling all hetero boys out /β¦But we all know those bros who act like dickheads.β Perhaps youβve never heard it, and if thatβs the case, this is must-hear.Β It also appears on the playlist 14 Songs That Are About Boys or Girls.
100. Yellow Claw, βTo the Maxβ
Ft. MC Kekel, Lil Debbie, Bok Nero & MC Gustta
New Blood Β» Barong Family Β» 2018
Dutch producer/DJ duo Yellow Claw has dropped numerous singles in 2018, prepping for their third album, New Blood. Among the most electrifying singles was βTo the Maxβ, featuring a star-studded cast including American rappers Bok Nero and Lil Debbie, as well as Brazilian rappers MC Kekel and MC Gustta. With four rappers on the track, itβs safe to say rap is the prevalent style on the record, but itβs also fused with a dash of Latin-tinged, Brazilian flavor. The two American rappers dominate the first part of the record. Both rappers slay, with Lil Debbie serving up a show-stopping hook. As for the second half the song, itβs dominated by the two Brazilian rappers, MC Gustta and MC Kekel, who drops bars in Portuguese.Β Translate the lyrics to English, and the rhymes by Gustta and Kekel look pretty standard on paper β slang and profanity included.
99. Carly Rae Jepsen, βParty for Oneβ
Party for One [Single] Β» School Boy / Interscope Β» 2018
Original Ranking: N/AΒ
βYou donβt want my love / If you donβt care about me / Iβll just dance for myself / Back on my beat / Party for one / If you donβt care about me / Making love to myself / Back on my beat…β Carly Rae Jepsen proved sheβs not a βone-hit wonderβ on her 2018 single, βParty for Oneβ. βParty for Oneβ is a hella catchy anthem of self-love. Jepsen keeps things βshort and sweet,β featuring bright, shimmering, driving production.Β Naturally, this bubbly sounding pop suits her, recalling the brilliant sounds of her debut sophomore album, Kiss.Β Even though the βpartyβ is modern, it also incorporates 80s vibes. The best moment of the record is the aforementioned catchy, powerful, and enthusiastic chorus, where the production becomes more robust, as do Jepsenβs vocals. Her vocal performance is enjoyable, and she exhibits great personality on this record.
98. James Bay, βI Found Youβ
Electric Light Β» Republic Β» 2018
Original Ranking: N/AΒ
βI found you / I canβt believe I get to know you / Whoa, I canβt believe I get to show you / I had no one βtil I found you / βTil I found you.β βI Found Youβ gives English singer/songwriter James Bay one of the most soulful songs of his career.Β This gospel-infused number may be the most pleasant surprise of Electric Light. That said, why should anyone be surprised? Bay broke into the game with a degree of soulfulness.Β Clearly, upon recording this cut, backed by choral vocals, he was listening to some soul.Β He slays β that is all!
97. Kane Brown, βAmerican Bad Dreamβ
Experiment Β» Sony Β» 2018
Original Ranking: N/A
βI remember goinβ 10 over the limit would just get you a ticket / Just an inconvenience / Bad cops played the jury, made the good ones worry / About showinβ up and doinβ their job.β Yeah, βshit just got totally realβ on βAmerican Bad Dream,β the 11th track from Experiment, the sophomore album by country standout Kane Brown. βRemember when ninth grade was about gettinβ laid / Skippinβ class tryinβ not to get caught,β Brown sings prior to the aforementioned excerpt on the first verse, continuing, βNow you gotta take a test in a bulletproof vest / Scared to death that you might get shot.β On this minor-key crossover country joint, Brown discusses the more unfortunate aspects of America, and criticizes folks for βfallinβ for the Devilβs disguise.β One of the most relatable, honest lyrics appears on the chorus: βIβm becominβ numb to all this tragedy.β
96. Charlie Puth, βDone for Meβ
Ft. Kehlani
Voicenotes Β» Atlantic Β» 2018
βDone for Meβ keeps the hits right on coming for Charlie Puth, who really βsteps up his gameβ on his sophomore album, Voicenotes.Β βDone for Meβ embraces urban contemporary music, an excellent look for Puth.Β The beat β the groove β makes this record perfect for dancing. Vocally, he continues to be more compelling, possessing an enviable tone. Assisted by Grammy-nominated artist Kehlani, she sounds terrific, never over-singing, delivering a balanced, nuanced vocal performance.Β The chemistry between Kehlani and Puth is great towards the end of the record, where they harmonize and provide ad-libs.
95. Felix Jaehn, βCoolβ
Ft. Marc E. Bassy & Gucci Mane
I Β» Universal Β» 2018
Original Ranking: 26
German DJ Felix Jaehn shines as βbright as a beaconβ on βCoolβ, the opening gem from his debut album I. Jaehn, who serves up bright, sunny, and smooth production work with some serious vibes, gets the assist from urban-pop singer Marc E. Bassy and mush-mouthed, ubiquitous Southern rapper Gucci Mane.Β Bassy delivers soulful, tropically-infused vocals showcasing his beautiful tone.Β He gets the honors of dropping the centerpiece of βCool,β the chorus.Β As for Gucci Mane, he drops βcharacteristic,β southern rap rhymes on the third verse.Β Heβs accompanied by Jaehnβs sunny-sounding, triumphant horns.
94. $uicideBoy$, βCarrolltonβ
I Want to Die in New Orleans Β» G*59 Β» 2018
Original Ranking: N/AΒ
After releasing numerous projects, cousin rap-duo $uicideBoy$ (Scott Arceneaux, Jr. and Aristos Pertrou) release their debut album, I Want to Die in New Orleans, in 2018.Β One of the highlights from the project is hard-nosed banger βCarrolltonβ where both exhibit an βIDGAFβ attitude. βCarrolltonβ features sick production work β bass-heavy 808s and the sound of utter, minor-key maliciousness. Lil Cut Throat (aka $crim aka Arceneaux, Jr.) raps the first verse, setting the tone by initially performing in a low-key, yet grimy fashion, before becoming totally amped-up.
His rhymes are tough-minded and unapologetic to the nth degree:
βSmoke leaking from the sticky that we smoking, boy Fuck a backwood, Swisherβs what I used boy Smoke what I choose, do what I wanna do Mother-fuck you and your punk friends too.β
Ruby da Cherry (Pertrou) blesses the second verse, beginning more low-key, before getting totally wild.Β His own colorful verse closes as follows:
ββI donβt give a fuckβ is my fucking epithet Lace up my Nike Decades, meet me at Heavenβs Gates 7th Ward by the lake βtill my death.β
93. Mac Miller, βSelf Careβ
Swimming Β» Warner Bros. Β» 2018
Original Ranking: N/A
βI switched the time zone, but what do I know? / Spending nights hitchhikinβ, where will I go?βΒ Some of rapper Mac Millerβs life experiences seem to fuel βSelf Careβ, a highlight from his final studio album released while he was alive, Swimming. Following the moody instrumental intro, he delivers the aforementioned, sung chorus, which is mysterious and quirky, partially because of the imperfect pitch.Β For half of the first verse, he drops straight, unpitched bars, though the pitch returns.Β While his singing isnβt as strong as his rapping, it adds to the vulnerability characterizing this particular song, partially referencing a break-up. On the second verse, he mentions his DUI: βThat Mercedes drove me crazy, I was speedinβ.β Prior to the third verse, thereβs a beat switch, with the tempo slackening as Miller speaks on his state of oblivion (βI was, thinking too much, got stuck in oblivionβ). To be relatively simple lyrically, βSelf Careβ is complex at the same time. All in all, this is an emotional record that successfully captured Millerβs headspace and status in rap prior to his tragic death at the age of 26.
92. Shakira & Maluma, βClandestinoβ
Clandestino β Single Β» Sony Latin Β» 2018
Original Ranking: N/A
βLo nuestro es ilegal y no te voy a negar / Que yo pago la condena por besarte.β Iconic Colombian singer/songwriter Shakira (βHips Donβt Lieβ) and rising, 24-year old Columbian reggaetΓ³n singer Maluma (βFelices los 4β) make a showcase terrific chemistry as βsecret loversβ on βClandestinoβ, a song sung exclusively in Spanish. βClandestinoβ translates into the word clandestine with the key part of its definition being secrecy. As both standout artists sing about this clandestine love affair theyβre backed by an appealing reggaetΓ³n backdrop, comprised of slick drums, a robust bass line, wavy keyboard, and of course, synths.
91. Diplo, βLook Backβ
Ft. Dram
California (EP) Β» Mad Decent Β» 2018
Original Ranking: N/A
Itβs always special when two unlikely musicians join forces.Β Thatβs the case on βLook Backβ, where producer Diplo enlists the services of rapper/singer DRAM. βLook Backβ features dynamic production with touches of guitar, keyboards, bass, and big drums.Β The sound stylistically can be described as a mix of pop, rock, and soul.Β As with many productions with Diplo on the boards, the result is a distinct sounding record. DRAM blesses the record with truly expressive, soulful vocal, spoiling us with falsetto.Β Thereβs also a killer chorus, where he βkills itβ with biting vocals and sick runs.
90. Nicki Minaj, βBarbie Dreamsβ
Queen Β» Cash Money Β» 2018
Original Ranking: N/A
Nicki Minaj didnβt quite βhit the markβ with her fourth studio album, Queen.Β That said, she nailed it on the unapologetic, utterly hilarious third track from the LP, βBarbie Dreams.β Beginning with an old-school hip-hop beat, Nicki Minaj kills it on her disrespectful, bars, dissing numerous male hip-hop artists including 50 Cent, Young Thug, and DJ Khaled among them.
βI tried to fuck 50 for a powerful hour But all that nigga wanna do is talk Power for hours... Used to fuck with Young Thug, I ainβt addressinβ this shit C-caught him in my dressing room, stealinβ dresses and shit... Had to cancel DJ Khaled, boy, we ainβt speakinβ Ainβt no fat nigga tellinβ me what he ainβt eatinβ.β
Phew, if that isnβt hot enough, βBarbie Dreamsβ gets the switch-up treatment, and βthe queenβ bites even more. The second part is hypersexual β surprise, surprise.
89. Echosmith, βOver My Headβ
Over My Head [Single] Β» Warner Bros. Β» 2018
Original Ranking: N/A
L.A. alt-pop band Echosmith (comprised of the siblings: Sydney, Noah, and Graham Sierota), returned in 2018 with an underrated, but supremely compelling single, βOver My Headβ. The production is quite alluring, incorporating a prominent bass line, keyboard ostinato, synths, and an old-school drum groove. Frontwoman Sydney drops feisty lead vocals, depicting the plights of love.Β Ultimately, everything βhe saysβ simply goes βover my headβ and sheβs totally over it.Β Despite the fact that Sydneyβs boo (or soon to be ex) is giving her a serious headache, her displeasure is the listenerβs pleasure.Β Howβs that for schadenfreude?
88. Alessia Cara, βNot Todayβ
The Pains of Growing Β» Def Jam Β» 2018
Original Ranking: N/A
Alessia Cara kept things βshort and sweetβ on βNot Todayβ, a highlight from her sophomore album, The Pains of Growing. Despite being brief, βNot Todayβ is a soulful, thrilling two-and-a-half-minute gem.Β The production blends old (classic soul palette) and new (sleek, modern drum programming, and some synths). Vocally, Cara sounds superb, never over-singing, yet packing a punch with commanding, nuanced, and powerful vocals; her performance is captivating and mesmerizing.Β Adding to the greatness of βNot Todayβ are the authentic, honest lyrics, including the most memorable, βIβll be the king of misery management.β Adding to that authenticity and honesty is memorability and catchiness, particularly on the chorus.
87. Billie Eilish & Khalid βLovelyβ
βLovelyβ [Single] Β» Darkroom / Interscope Β» 2018
Original Ranking: 30
Rising pop artist Billie Eilish and Grammy-nominated R&B artist Khalid exhibit superb vocal chemistry on the radiant βLovelyβ. βLovelyβ opens with mysterious, rhythmic piano, followed by moody, lush strings. Ultimately, βLovelyβ features beautiful, relatively simple and subtle production.Β Eilish takes the lead on the first verse, while Khalid serves up subtle contributions before becoming a full-fledged duet partner on the second half of the verse. On the second verse, the two flip-flop roles.Β The pre-chorus, following both verses, is more intense than the chorus itself, arguably the crowning achievement of βLovely.β Still, the chorus is chilling and haunting in its subtlety serving as a key example of the marvelous vocal chemistry that characterizes βLovely.β
86. Trippie Redd, βTopangaβ
A Love Letter to You 3 Β» TenThousand Projects, LLC Β» 2018
Original Ranking: N/A
Melodic rapper Trippie Redd strikes gold with βTopangaβ a single that appears on his second project of 2018, A Love Letter to You 3.Β Redd raps about Topanga, a city in California.Β This beautifully-produced record (ChopSquad DJ) incorporates a contemporary gospel sensibility, amplified by a sample of the Maurette Brown Clark contemporary gospel record, βIt Ainβt Overβ. Furthermore, gorgeous piano, rhythmic drum programming, and angelic sounds help to make βTopangaβ shine. While thereβs a sense of βchurch,β ultimately, thereβs nothing religious about the profane record that mentions guns and violence.
βDonβt talk to strangers Since a younginβ Iβve been totinβ bangers I might take that lil bitch to Topanga I said, βStop, little bitch, you in dangerβ... Know I tote bangers, boom-boom-boom-boom Stop, you in danger.β
85. Hayley Kiyoko, βCuriousβ
Expectations Β» EMPIRE / Atlantic Β» 2018
Original Ranking: 37Β
Hayley Kiyoko shines on βCuriousβ, one of many standouts from her debut album Expectations.Β She is exuberant, sparkling in her upper register on the infectious pre-chorus. She follows up with incredibly rhythmic vocals on the chorus, where her attitude and feistiness are a pro. Sexuality plays a pivotal role here (and on Expectations as a whole), as Kiyoko is curious about a previous relationship with a girl who is now with a boy.Β This fun, well-produced record that builds a strong case for Kiyoko artistically.
84. Lykke Li, βdeep endβ
So sad so sexy Β» RCA Β» 2018
Original Ranking: N/AΒ
Following a four-year hiatus, alternative singer/songwriter Lykke Li returned in 2018 with her fourth studio album, so sad so sexy.Β At 34 minutes, she kept things short and sweet. The crΓ¨me de la crΓ¨me of the project is βdeep end,β an instant hit that screams βpopβ as opposed to βalt.βΒ Produced by T-Minus, Malay, and Jeff Bhasker, itβs not surprising how hip, slick, and thoroughly modern the record sounds. Beyond the killer, minor-key, the Swedish singer successfully performs this well-written number, characterized most by the feisty, infectious chorus.
βSwimming pool, swimming pool Swimming pool, swimming pool Indigo, deep blue, deep blue Oh, baby I know where youβve been I know where you been, in the deep end.β
83. Lord Huron, βWhen the Night is Overβ
Vide Noir Β» Republic Β» 2018
Original Ranking: N/A
βWhen the Night is Overβ ranks among the best of Vide Noir, the conceptual, third studio album by indie-rock collective Lord Huron. Old-school vibes are alive in well, capped off by the lilting six-eight meter.Β Overall, the production is simple, yet highly effective.Β Ben Schneider has plenty of room for his voice to breathe, never impeded by too many instruments or effects.Β He shines without being incredibly flashy vocally. Lyrically, the record is thoughtful and beautifully-penned.Β Thematically, the protagonist is distressed about potentially never finding his lost love.
82. Shawn Mendes, βWhyβ
Shawn Mendes Β» Island Β» 2018
Original Ranking: N/A
βWhyβ isnβt only one of the biggest surprises of Shawn Mendes, but also one of the albumβs biggest triumphs. Shawn Mendes gives a chill-inducing vocal performance, showing off his gorgeous tone.Β The chorus is simply stunning, filled with reflective questions about the relationship.
βI pretend that Iβm not ready Why do we put eat other through hell? Why canβt we just get over ourselves? And you say βhiβ like You just met me.β
Beyond the excellence of the lead vocals, βWhyβ is a production showcase.Β The way the background vocals are used to accentuate the lead, the addition of vocal effects for a cool change of pace β thereβs some awesome, thoughtful touches.
81. Migos, βStir Fryβ
Culture II Β» 300 Entertainment / Capitol / Motown Β» 2018
Original Ranking: 35
βIn the kitchen, wrist twistinβ like itβs stir fry.β Migosβ Culture II was an album excessive in length β one hour and 45 minutes! Nonetheless, the album yielded one of the better songs of the collectiveβs career in βStir Fryβ.Β Prepare to get nourished with this irresistibly delicious banger. The production plays a huge role in its success, with an alluring, rhythmic groove as well as the synths.Β This definitely propels the Migos, who sound more invested than usual. They certainly owe Pharrell Williams big money for that backdrop.
80. Badflower, βx ANA xβ
OK, IβM SICK Β» Big Machine Β» 2019
Original Ranking: N/A
βI canβt feel my toes or my fingertips / My chest if pounding so fast I canβt keep up with it / Iβm losing it β fuck! I just want to quit it.β Ah, rising Los Angeles alternative band Badflower delivers an energetic, anxiety-driven single on βx ANA xβ (a stylization of the sedative, Xanax), the second advance single from their highly-anticipated, 2019 debut album, OK, IβM SICK. Β Frontman Josh Katz delivers plenty of βsicknessβ throughout the course of this four-and-a-half minute record, detailing his dependency on Xanax (βAnaβ) as if it were like a serious, sexual relationship β βJudging my fucking sex ANA x ANA x / And Iβm faking just to stay in my body / Iβm nervous, I canβt fucking stand it.β The lyrics, throughout the course of the song, reflect Katzβs anxiety, while the high-energy, instrumental backdrop also matches the anxiousness.Β As the song continues, the listener is invited more and more into the suspect mindset of the protagonist, which is nothing short of an ear-catching pleasure.
79. Teyana Taylor, βRose in Harlemβ
KTSE Β» GOOD / Def Jam Β» 2018
Original Ranking: N/A
βRose in Harlemβ is the crΓ¨me de la crΓ¨me of K.T.S.E., the sophomore album by R&B singer and actress Teyana Taylor. A marvelous sample (βBecause I Love You, Girlβ ), courtesy of The Stylistics, fuels the fire. Vocally, Teyana is in her zone, particularly on the gritty refrain:
βIt be the ones who say they ride for you It be the one, the one you love, them too It be the ones who swear they real, not true It be them ones, it be them ones Donβt get caught up.β
Rewind back, Taylor thrives off of a fierce attitude that exemplifies the rough-and-tumble Harlem.Β On the first verse, she focuses on her perceived lukewarm success at best β βOh no, what a shame /10 years in the game / Niggas like βYou ainβt hot? You ainβt pop yet? / Whatβs up witβ you and Ye?ββ Thereβs more fire on the second verse.Β Call βRose in Harlemβ what it is β Teyana Taylor βtalking her shit.β
78. KIDS SEE GHOSTS, βFreeee (Ghost Town, Pt. 2).β
KIDS SEE GHOSTS Β» GOOD / Def Jam Β» 2018
Β Original Ranking: N/A
βFreeee (Ghost Town, Pt. 2)β is arguably the best song from KIDS SEE GHOSTS, the collaborative project between Kanye West and Kid Cudi. Following a fitting Marcus Garvey sample, West explodes with a hook sure to make you giggle the first time you hear it.Β Itβs a bit dramatic β perhaps even a wee bit outlandish β but he makes his point crystal clear with honesty.Β βI donβt feel pain anymore / Guess what, baby? I feel freeee (scoop!)β Beyond the chorus, heβs assisted on a left-of-center, yet pleasing verse by Kid Cudi, and more frequently Ty Dolla $ign.Β Itβs weird mind you, but Tyβs unique tone is a perfect fit.Β Throw in contributions from Anthony Hamilton alongside Ty and things grow even more soulful.Β Also, worth noting, Cudi gets his own chorus and bridge to testify: βDied and came back twice / Now Iβm freeee.β
77. Mary J. Blige, βOnly Loveβ
Only Love [Single] Β» Republic Β» 2018
Β Original Ranking: N/A
Post-divorce (and post album-flop), Grammy-winning R&B singer Mary J. Blige returned strong in 2018 with the groovy, throwback gem, βOnly Loveβ. βOnly Youβ was not only an unexpected new single from the βQueen of hip-hop soul,β but also an incredibly worthwhile one. While Blige is known for articulating and infusing pain with her brand of R&B, βOnly Loveβ is enthusiastic, jubilant, and optimistic.Β After experiencing her share of love pains in her own divorce, as well as Strength of a Woman, love actually comes through (for the most part) on βOnly Love.β
βItβs crazy The way youβve got the beat of my heart racing Only love (Only love!) It will build you up Bring you down Only love.β
This energetic, neo-disco joint is a good look for Blige, even being a bit smoother than usual for the pain-fueled diva.
76. JMSN, βTalk is Cheapβ
Velvet Β» White Room Β» 2018
Original Ranking: N/A
Texas-born, Michigan-bred R&B singer Christian Berishaj β better known as JMSN β shines on his incredibly soulful, sexy new album Velvet.Β JMSN takes his time setting up standoutΒ βTalk is Cheapβ. The groovy, soulful instrumental dominates the first minute and fifteen seconds of the record.Β The sound is delightful and refreshing, hearkening back to the smooth R&B of old.Β Speaking of smooth, JMSN is silky smooth once he begins singing, chocked-full of soul and talent.Β His falsetto is commanding and ripe on the background vocals of the chorus.Β He superbly ad-libs and riffs using his chest voice (regular voice), providing a superb contrast. The chorus is the centerpiece of βTalk is Cheap.β
βTalk is cheap You got to show me itβs real βCause I ainβt got time to waste, no I donβt sleep I think you know what the deal is So, donβt you feed that stuff to me Talk is cheap.β
75. Muse, βPressureβ
Simulation Theory Β» Warner Bros. Β» 2018
Original Ranking: N/A
βDonβt push me / Donβt push me / Let me get off the ground / To you Iβm not longer bound.β βPressureβ sports groovy vibes from the jump.Β The brass hits, combined with the biting guitar, definitely provides a kick ass listening experience. Set in a minor key, βPressureβ also manages some major key moments. Pummeling drums add intensity to the ear-catching start. Matthew Bellamyβs vocals are solid, incorporating full voice and falsetto.Β The lyrics are intense, including highlights such as, βIβm grinding it out, no one can see /The pressureβs growing exponentiallyβ and, βI see your corruption / Iβm not blind / Iβll carry the burden and take the strain / And when I am done I will make you pay.β Also, worth mentioning are the awesome whispered vocals during the pre-chorus, singing the titular lyric. Ultimately, βPressureβ thrives off those symphonic, neo-prog rock vibes that Muse has been known for over the years, while also incorporating pop elements.Β Itβs among the crΓ¨me de la crΓ¨me of Simulation Theory, as well as one of the best songs of 2018.
74. Allen Stone, βBrown Eyed Loverβ
Brown Eyed Lover Β» ATO Β» 2018
Original Ranking: N/AΒ
Washington contemporary soul singer Allen Stone returned in 2018 with a compelling, thoughtful new single, βBrown Eyed Loverβ,Β which centers around a successful, enduring relationship. A soulful groove kicks in early on, followed by compelling, well-produced vocals characterized by their βfinesse.β From a musical perspective, a superb harmonic progression keeps things interesting. The songwriting is excellent, exploring love and experiencing a successful, enduring relationship. On the first verse, Allen Stone hopes, yet wonders if his relationship will ultimately last (βOh, sheβs got everything you want / Wardrobe bought at the thrift shop / All my friends adore her / She reminds me of my mother.β) Later, on the second verse, he worries sheβll find someone with more time, then, much like the first verse, lists all of her selling points.Β Safe to say, βsheβs a keeper.β Between the verses, a simple, but incredibly effective chorus serves as the centerpiece. Stone doesnβt overcomplicate things, singing his heart out.
βIβve got a brown eyed lover On the other side of town I donβt wanna keep her waiting (I donβt wanna keep her waiting, waiting) Sheβs got me upside tongue-tied Twisted all around I donβt wanna keep her waiting (I donβt wanna keep her waiting, waiting).β
73. Sofi Tukker, βBatshitβ
Treehouse Β» Ultra Β» 2018
Original Ranking: 17
From the get-go, the Sofi Tukker hit βBatshitβ is chocked-full of fun.Β Itβs danceable, infectious, and undoubtedly irresistible. Is it βbatshit crazy?β A little bit.Β Notably, Tucker Halpern has a much more substantial vocal role compared to other songs from the duo.Β Sophie Hawley-Weld also gets in on the action, with arguably the most important part of the song β drum roll please β the titular lyric! Yes, Hawley-Weld holds βbatshitβ down like a champ, while Halpern follows-up with βIβm batshit crazy.βΒ Notably, βBatshitβ incorporates an interpolation of the narcissistic classic, βIβm Too Sexyβ.
72. The Weeknd, βCall Out My Nameβ
My Dear Melancholy, [EP] Β» Republic Β» 2018
Original Ranking: 41Β
The Weeknd opens My Dear Melancholy, (EP) in moody fashion with βCall Out My Name,β which is also set in a minor key. The production work by Frank Dukes helps to establish the vibe, particularly the piano, dark synths, and the soulful drum groove.Β After exhibiting more poise and restraint on the first verse, the chorus soars, incorporating some distorted vocals, expanded vocal range, and more oomph all around.Β Listening to the opener, the authenticity and emotion shown by The Weeknd is indisputable.
71. Justin Timberlake, βSay Somethingβ
Ft. Chris Stapleton
Man of the Woods Β» RCA Β» 2018
Original Ranking: 24
βSay Somethingβ comes closest to the characterization that Justin Timberlake provided regarding Man of the Woods.Β The guest appearance and co-write by Chris Stapleton confirms the country influence, but itβs also perceptible within the production, specifically rhythm guitars, vocal harmonization, and other intentional cues.Β Still, Timberlake doesnβt shy away from the pop, vocally and percussively. The repetition of the chorus perfectly exemplifies modern pop, and urban music. Timberlake and Stapleton deliver compelling performances, particularly when they join forces. Repetition bodes in Timberlakeβs favor here, particularly the infectious, memorable chorus.
70. Mariah Carey, βGTFOβ
Caution Β» Epic Β» 2018
Original Ranking: N/AΒ
βHow βbout you get the fuck out?β Mariah Carey made an aggressive return in the βcoolestβ way possible on βGTFOβ. Clearly a woman scorned, on the first verse of the Caution gem, she asserts, βYou took my love for granted / You left me lost and disenchanted / Bulldozed my heart as if you planned it.βΒ On the second, she basically states she shouldβve listened to her friends who warned her that her man was no good. Ultimately, all the anger percolates on the explicit chorus. Vocally, she sounds smooth, singing in calm and collected fashion as opposed to belting or opting for extreme high notes. βGTFOβ is ultimately a good fit for Mimi thatβs hella enjoyable.
69. Joji, βNo Funβ
BALLADS 1 Β» 88rising / 12Tone Music Β» 2018
Original Ranking: N/AΒ
βFuck my friends, theyβre gone / They all left one by one.β βNo Funβ is among the groovier, more memorable records from BALLADS 1, the full-length debut studio album from alternative R&B artist Joji.Β In the context of BALLADS 1, βNo Funβ provides a necessary spark. While Joji is the ultimate pessimist here, his pain is the listenerβs pleasure. The production is bright, the tempo is moderately quick, and the vocals are among the most assertive of the album. Β
βAnd I keep to myself Fuck with no one else And I know itβs my fault But I donβt care And I keep to myself Who are you to pretend? And I know itβs my fault Itβll never end Yeah, all my friends no fun...β
68. 88rising, βPeach Jamβ
Ft. Joji & BlocBoy JB
Head in the Clouds Β» 88rising / 12Tone Music Β» 2018
Original Ranking: N/A
βTake you on a picnic then for a ride / Ride it all, ride it alright / Hold the door open, baby, let me come inside / Spoon full of love in your peach jam.β One of the best songs from the 88rising compilation, Heads in the Clouds, and among the best of 2018, arrives with the infectious, sunny-sounding βPeach Jamβ. βPeach Jamβ is performed by alternative R&B singer Joji and rapper BlocBoy JB.Β This is the perfect summer song, thriving off its chill, sexy, and soulful vibes.Β This short little gem βgets down to business,β if you catchy my drift.
67. Years & Years, βIf Youβre Over Meβ
Palo Santo Β» Polydor Β» 2018
Original Ranking: N/A
British electro-pop collective Years & Years shine on βIf Youβre Over Meβ, the second single from their sophomore album, Palo Santo.Β βIf Youβre Over Meβ features bright, exuberant production work.Β Set in a major key, the optimism of the sound is nothing short of awesome.Β Singer Olly Alexander is on autopilot from the start, further endearing himself stateside with his charming British accent.Β His vocals are clear, commanding, and relatively easygoing and unforced.Β The man is truly βthe manβ with his stunning vocal tone.Β Although bright and bubbly, thematically, Olly sings about a previous relationship where his ex-boyfriend doesnβt seem to be over him.Β βYou tell everyone our love went cold,β he sings on the pre-chorus, continuing, βIf thatβs how you feel then you should go / Donβt come around saying, βI still want you.ββ On the chorus, Alexander continues the tale of his ex-, whoβs giving mixed signals.
βOne minute you say weβre a team When youβre telling me you canβt breathe Well you should set me free Baby, if youβre over me.β
66. J. Cole, βATMβ
KOD Β» Roc Nation Β» 2018
Original Ranking: 45
The trap is alive on βATM,β a highlight from the surprise 2018 J. Cole LP, KOD. Notably, elements from the album intro also return β βThere are many ways to deal with this pain / Choose wisely.β βATMβ at its simplest is about money.Β J. Cole seems to reference his own excess of the past, potentially shades the new crop of rappers about their greed, and also discusses money issues within the black community.
65. ZAYN, βLet Meβ
Icarus Falls Β» RCA Β» 2018
Original Ranking: 38
βSweet baby, our sex has meaning.β Ooh la-la ZAYN.Β Itβs certainly not shocking that the urban-pop star addresses sex on βLet Me,β arguably the best single from his 2018 sophomore album, Icarus Falls. Compared to his former number one single, βPillowtalkβ, βLet Meβ is less explicit, smoother, and much more tasteful. The backdrop is smooth, urban-pop at its best.Β Itβs incredibly uncluttered, with ample space for the production to βbreatheβ you might say.Β ZAYN delivers some superb vocals, particularly when he sings in falsetto. Further amplifying the excellence of βLet Meβ are the lovely vocal harmonies on the chorus.
64. Camila Cabello, βBe the Sameβ
Camila Β» Epic Β» 2018
Original Ranking: 25
Hard drums anchor βNever Be the Sameβ, the opening song from Camila, the debut studio album from Camila Cabello. Β On the verses, Cabello never pushes her voice much. Her stunning falsetto shows up, in all its sexiness and sweetness, beginning on the pre-chorus. She exhibits the most vocal oomph during the high-flying chorus.
βItβs you babe And Iβm a sucker for the way that you move, babe And I could try to run, but it would be useless Youβre to blame Just one hit of you, I knew Iβll never be the same.β
Although somewhat casual, βNever Be the Sameβ proves to be a solid start to Camila, and among the better songs of 2018.
63. Mariah Carey, βWith Youβ
Caution Β» Epic Β» 2018
Original Ranking: N/A
βShe was full of such trepidation / There in front of the whole damn nation.β Hmm, definitely one of the more βintellectualβ moments that Mariah Carey serves up on the gorgeous ballad βWith Youβ, surprisingly produced by DJ Mustard. For the majority of the Caution standout, she doesnβt do anything too βcrazyβ with her voice.Β The melody sits in a comfortable range and register though by the end, there are savvy ad-libs and her signature, playful whistle tones. Perhaps the songwriting yields no βaward-winning narrative,β but thereβs definitely a sexy vibe. Also, she drops some pop cultural references (Bone Thugs and Usherβs Confessions), not to mention a f-bomb.
βOoh, shots of Remy Playing Confessions, and our bodies blendinβ Oooh, Iβm in love, itβs true Yeah, damn, I fucks with you And we all make mistakes sometimes But we muddle through I donβt know what Iβm supposed to do (boy) Oh, baby, Iβm in love, itβs true With you, you, you...β
62. Anderson . Paak, βTintsβ
Ft. Kendrick Lamar
Oxnard Β» Aftermath / 12Tone Music Β» 2018
Grammy-nominated rapper/singer Anderson .Paak returned strong in 2018 on the hella groovy, soulful single, βTintsβ. On the highlight from Oxnard, he enlists Grammy-winning Compton rapper, Kendrick Lamar. Paak sings the first verse, asserting heβs βbeen feelinβ kinda cooped up,β by the effects of fame.Β Within the same verse, he ties everything into his feelings, referencing California weather, the dangers of the Paparazzi, and the socially-charged lyric, βNiggas dyinβ for less, I hear.β Paak goes on to talk about his blessings on the pre-chorus, before emphasizing the necessity of βtintsβ given his fame and various activities. Lamar shines on the second verse, continuing the fame sentiment captured by Paak.Β He continues to reference the need for tints, including ββ¦So I can look at the snakes and posers.βΒ Paak drops a third verse, referencing βpresidentialβ status and cleverly, βNiggas never see me cominβ.β βTintsβ is well-produced, well-written, and well-performed.
61. XXXTENTACION, βsadβ
? β’ Bad Vibes Forever β’ 2018
Original Ranking: N/A
βI gave her everything / She took my heart and left me lonely / Iβve been broken, heartβs contentious / I wonβt fix, Iβd rather weep.β When a tragedy takes a musicianβs life unexpected, the songs often grow a bit more meaningful.Β Thatβs the case with βSAD!β by the late XXXTENTACION (Jahseh Dwayne Onfroy) who was shot and killed at just 20 years old.Β Prior to death, βSAD!β was already the crΓ¨me de la crΓ¨me of his no. 1 album, ?. βSAD!β keeps things βshort and sweet,β clocking in at 2:47. The production is moody and mysterious initially, gradually adding more details. The smoothness and vibe of the musical backdrop is a major selling point. During the verse (excerpted above), XXXTENTACION shares his feelings of brokenhearted-ness. Following the intro, he unveils the chorus:
βWho am I? Someone that's afraid to let go, uh You decide if you're ever gonna let me know (yeah) Suicide if you ever try to let go, uh I'm sad, I know, yeah, I'm sad, I know, yeah.β'
60. Tori Kelly, βHelp Us to Loveβ
Ft. The HamilTones
Hiding Place Β» Capitol Β» 2018
Original Ranking: 36
Tori Kelly asks God to βHelp Us to Loveβ (Hiding Place)on her gorgeous, uplifting contemporary gospel single featuring The HamilTones, the official background vocalists for Grammy-winner Anthony Hamilton.Β Kelly never over-sings, packing a punch without doing too much.Β She amps up the intensity beginning on the dynamic bridge section yet remains in control. The HamilTones fuel her fire with stunning vocal harmonies, solidifying the contemporary gospel sound.
59. Ezra Furman, βSuck the Blood from My Woundβ
Transangelic Exodus Β» Bella Union Β» 2018
Original Ranking: 47
Gender-fluid rock musician Ezra Furman maintains something of cult-following. Self-described as a βQueer Outlaw Saga,β Furmanβs 2018 album Transangelic Exodus is incredibly underrated as well as incredibly special. βI woke up bleeding in the crotch of a tree,β Furman sings on phenomenal opening highlight, βSuck the Blood from My Wound.βΒ Furman sings with incredible grit, delivering his concept of transangelicism. Β
βBlood on my angelβs lips blends with his make-up ...Peeling off bandages to unfold his wings The doctors said theyβd have to stay on for another three weeks Fuck it baby, let βem bruise, let βem break But bleed, let βem bleed.β
58. The Carters, βAPESHITβ
Everything is Love Β» Roc Nation / Sony Β» 2018
Original Ranking: N/A
Question: βHave you ever seen the crowd goinβ ape-shit?β Rap banger βAPESHITβ served as the single from the collaborative Jay-Z and BeyoncΓ© project (as The Carters), Everything is Love. BeyoncΓ© shines on the first verse with confident pop-raps, assisted by ad-libs by Quavo.Β Chocked-full of gimmickry, itβs a fitting approach against the adventurous production by Pharrell Williams. Arguably, Bey may be even more electric on the third verse where thereβs no shortage of assuredness and swagger. Jay-Z arrives on the second verse, fiery, dissing the Super Bowl, The NFL, and the Grammys (βTell the Grammyβs fuck that 0 for 8 shitβ). If nothing else, βAPESHITβ is a memorable turn-up, not to mention one of two songs on this list that features the word shit in the song titleβ¦
57. 6ix9ine, βFEFEβ
Ft. Nicki Minaj & Murda Beatz
DUMMY BOY Β» Scumgang Β» 2018
Original Ranking: N/A
On his hella catchy 2018 hit βFEFEβ rapper 6ix9ine gets melodic, embracing pitch.Β Even so, he doesnβt sacrifice his unapologetic spirit β βPussy got that wet, wet, got that drip, drop / Got that super soaker, hit that, she a Fefe.β Sex dominates the rest of the verse before he delivers one of the catchiest parts of the song β the refrain: βI donβt really want no friends / I donβt really want no friends, no.βΒ He follows with a second, short verse where he moves from pleasure to violence. Nicki Minaj, also melodically-driven, guests on two relatively short verses, encompassing β69,β her private parts, Draco, and her status. One final verse comes at 6ix9ineβs hands, in the form of an eye-roll worthy nursery rhyme:
βEeny, meeny, miny, moe I catch a hoe right by her toe If she ainβt fuckinβ me and Nicki Kick that hoe right through the door.β
This is the record that you should/want to hate, but itβs so catchy, you just canβt.
56. Panic! At the Disco, βHigh Hopesβ
Pray for the Wicked Β» Fueled by Ramen Β» 2018
Original Ranking: N/A
βHigh Hopesβ, the high-flying fourth track from Panic! At The Discoβs sixth studio album, Pray for the Wicked, kicks off with driving brassy, exuberant production work, set in a major key. βHave to have high, high hopes for a living / Shooting for the stars when I couldnβt make a killing,β frontman Brendon Urie sings on the optimistic chorus, continuing, βDidnβt have a dime but I always had a vision / Always had high, high hopes.βΒ Elsewhere, he speaks about destiny, dreams, βrewriting your history,β and being true to self.Β Clearly, this is an anthem for dreamers and encouragement for the non-conformists of the world.
55. Twenty One Pilots, βLevitateβ
Trench Β» Fueled by Ramen Β» 2018
Original Ranking: N/A
βOh, I know how to levitate up off my feet / And ever since the seventh grade I learned to fire-breathe.β Tyler Joseph showcases his ability to drop bars on βLevitateβ, the second entry from Twenty One Pilotsβ fifth studio album, Trench, to appear on the 100 Best Songs of 2018.Β βLevitateβ begins enigmatically with an evolving pad that has a floating, somewhat woozy sound that suits the songβs title.Β Soon enough, the beat develops, resulting in an awesome, hard-nosed, incredibly rhythmic anchor.Β The production gives Joseph ample fuel for his fire.Β His flow is on-point β incredibly aggressive, turned-up, and ultimately, compelling. He makes a number of great points lyrically, including the open-ended example from the first verse, βCowards only come through when the hourβs late / And everyoneβs asleep mind you.β The second verse is where his flow is most electrifying, featuring the killer lyric, βDonβt feed me to the vultures / I am a vulture who feeds on pain.β Also, he visits familiar territory: mental health. Albeit brief, βLevitateβ is potent nonetheless.
54. KYLE, βPlayinwithmeβ
Ft. Kehlani
Light of Mine Β» Atlantic Β» 2018
Original Ranking: 28
Light of Mine is chocked full of goodness, but arguably nothing is better than βPlayinwitmeβ featuring Kehlani. From the start, βPlayinwitmeβ has hit written all over it.Β Set in a major key, the record bursts with optimism and fittingly, playfulness.Β KYLE dominates the majority of this record, beginning with a catchy, melodic chorus, accompanied by piano.Β The melodic, pop-rap continues on his first verse, where heβs clearly on autopilot.Β On the second verse, Kehlani arrives in all her glory.Β Picking up where the rapper left off, she impresses with her pipes, delivering her own set of memorable lyrics. The two eventually join forces on the brief bridge, and the final chorus.
53. Ryan Beatty, βPowerslideβ
Boy in Jeans Β» Boy in Jeans Β» 2018
Original Ranking: N/AΒ
Ryan Beatty, an openly gay, former teen-pop artist, is honest about love and sex throughout the course of his stellar debut album, Boy in Jeans. An eclectic album, Boy in Jeans encompasses pop, R&B, and a dash of alternative. Throughout, the album features excellent vocals, meaningful songs encompassing important social themes (and about boys), and outstanding production work. The crowning achievement is arguably βPowerslide,β tailormade for summer, embracing West Coast vibes, and highlighting the truly βlitβ relationship between Beatty and his boyfriend. βPowerslideβ thrives off of infatuation and sex, exemplified by the following lyrical highlight: βHe gave me pleasure underneath the water / And it felt so good / Now weβre power sliding till the flood spurts stop usβ¦βΒ On the second verse, Beatty is playful with words, serving up another lyrical gem:
βNow we share a couple of cigarettes before we go to bed and you Got the plastic Thatβs fucking fantastic.β
That last lyric is a fitting description of how great the groovy βPowerslideβ is.
52. Lenny Kravitz, βItβs Enoughβ
Raise Vibration Β» BMG Rights Management Β» 2018
Original Ranking: 50Β
βWhen will the desire for love / Outweigh the desire for power?β Lenny Kravitz makes it clear heβs not happy with the current social-political climate on βItβs Enoughβ, the promo single for his forthcoming album, Raise Vibration (September 7). βItβs Enoughβ is a lengthy single, running eight minutes in duration.Β It benefits from an incredibly soulful groove that is reminiscent of the Marvin Gaye classic, βWhatβs Going On.β In addition to being soulful, the groove has a distinct, βpercussiveβ nature.Β Kravitz sings about the many problems that plague America including racial injustice, unarmed shootings, and political corruption and lies.Β A simple chorus sums up the sentiment of the times.
βItβs enough, itβs enough, itβs enough In the system, you cannot trust Itβs enough, itβs enough When the whole wide world is corrupt Itβs enough, itβs enough And we all are just getting fucked Itβs enough, itβs enough.β
51. EDEN, βstart//endβ
Vertigo Β» Astralwerks Β» 2018
Original Ranking: 33
βStart//Endβ begins with lovely, lush, robust strings. Thereβs a distinct, expressiveness about EDEN (Jonathon Ng) vocally β heβs authentic, emotional, and passionate. Following a dramatic verse, the pre-chorus signals a shift within the record. Unstable, itβs intriguing, unpredictability piques interest, continuing through the chorus, where an identity is established.
β(Iβve missed times) Itβs played out (Been disconnected) Iβve moved on (I stressed time) Get fucked up (Forgetting timing) My new draw.β
The electronic vibe and a sense of stability and groove establish themselves on the bridge and successive chorus. Finally, the second verse arrives, with the clear identity of the record established, intact with lush strings and electronic backdrop.Β βStart//Endβ is the crowning achievement of Vertigo, and one of the more interesting songs of 2018.
50. Kacey Musgraves, βSpace Cowboyβ
Golden Hour Β» MCA Nashville Β» 2018
Original Ranking: N/A
On βSpace Cowboyβ, Grammy-winning Kacey Musgraves delivers beautiful, expressive vocals from the jump. The clarity that she sings with is a major selling point.Β Notably, she doesnβt employ twang, which takes away an βin your faceβ countrified vibe.Β This is clearly a country record, but has a wider appeal than most because it doesnβt feel forced.Β Musically, the country cues happen naturally, particularly the subtlety and timely appearance of steel guitar. What does the title mean? Ultimately, Musgraves speaks about breaking things off, best evidenced by the chorus.
βYou can have your space, cowboy I ainβt gonna fence you in Go on, ride, away in your Silverado Guess Iβll see you βround again I know my place, and it ainβt with you Well, sunsets fade, and love does too Yeah, we had our day in the sun When a horse wants to run, there ainβt no sense in closing the gate You can have your space, cowboy.β
βSpace Cowboyβ is nominated at the 61st Grammy Awards for Best Country Song, while Golden Hour is nominated for multiple awards, including the most prestigious of them all, Album of the Year.
49. Alec Benjamin, βDeath of a Heroβ
Narrated for You Β» Alec Benjamin Β» 2018
Original Ranking: N/AΒ
βI tried to help but he said he was just too far from saving.βΒ One reason why βDeath of a HeroβΒ (Narrated for You) is a magnificent record is thanks to the fact that rising pop musician Alec Benjamin is incredibly authentic.Β Another is the theme, in which Benjamin expresses his disappointment with a role model.Β We assume our role models to be saintly.Β Then, what do they do? Disappoint us, forcing us to regroup and rethink everything.Β Here, the singer/songwriterβs βSupermanβ exhibits his unflattering side, and the image of his hero is forever tarnished. βDeath of a Heroβ just might be among the best songs of 2018 that not enough music enthusiasts have heard.
48. Zedd, Maren Morris & Grey, βThe Middleβ
The Middle [Single] Β» Interscope Β» 2018
Original Ranking: N/A
βOh baby, why don’t you just meet me in the middle? / I’m losing my mind just a little / So why don’t you just meet me in the middle? / In the middle.β On βThe Middleβ, talented German producer Zedd and production duo Grey make magic with an unlikely collaborator, Grammy-winning country artist, Maren Morris. Whoa! Ultimately, what results is a successful record that was absolutely ubiquitous on the airwaves in 2018. Morris continues to exhibit her share of grit on βThe Middle,β often part of the country script, but also successfully amps up the pop sensibilities. Hearing Morris with vocal effects doesnβt sound like a total stretch, particularly considering her versatility.Β That said, thereβs nothing the slightest bit country about the backdrop, as Zedd and Grey remain firmly planted in the electronic dance idiom. No problem whatsoever!Β The best moment of βThe Middleβ is the chorus (excerpted above), which represents the catchy, big-time moment.
47. Jason Mraz, βMight as Well Danceβ
Know. Β» Atlantic Β» 2018
Original Ranking: N/A
βLove, oh yeah, youβre the best book Iβve read in a while / I donβt just read you for the articles / I read you βtil my heart is full.β βMight as Well Danceβ is arguably the best song from Know..Β One of the reasons why βMight as Well Danceβ is special is that pop singer/songwriter Jason Mraz dips into country music.Β This record sounds fuses country, singer/songwriter, and folk-pop, while being anchored by a robust bass line. From the start, this somewhat quirky tune is groovy to the nth degree β thereβs an undeniable charm and infectious vibe.Β That vibe is fitting given the carefree, tongue-in-cheek lyrics.Β Despite being middle-aged, Mrazβs youthfulness shines through as he playfully sings, βMight as well take off our pants, and jacket / Yeah, weβre already fools / So we might as well dance (come on).β Might as Well Danceβ is bundles of fun, as well as thoughtfully-penned.
46. Father John Misty, βGodβs Favorite Customerβ
Godβs Favorite Customer Β» Sub Pop Β» 2018
Original Ranking: N/A
βSpeak to me / Wonβt you speak, sweet angel? / Donβt you remember me? / I was Godβs favorite customer.β Listening to βGodβs Favorite Customer,β (God’s Favorite Customer) the superb title track from Father John Mistyβs 2018 LP, Josh Tillmanβs religious past is perceptible through the musical arrangement, production, harmonic scheme, and the songwriting.Β The instrumentation plays a sizable role in the effectiveness of this number, incorporating electric piano, organ, and harmonica, in addition to the standard acoustic piano, acoustic guitars, drums, and chilling supporting vocals (Weyes Blood).Β Beyond the gospel-infused cues, thereβs also the spiritual lyrics of the chorus, even as Tillman is no longer βGodβs Favorite Customerβ as he was when he was an evangelical Christian.Β Even atheists can get on board with this spiritually-tinged record.
45. Carrie Underwood, βCry Prettyβ
Cry Pretty Β» Capitol Nashville Β» 2018
Original Ranking: 21Β
Carrie Underwood exhibits superb musicianship on her second single of 2018, βCry Prettyβ (Cry Pretty)Β The pulse of βCry Prettyβ is initially carried by guitar, panned to the right.Β Drums and bass arrive later, confirming the lilting, six-eight meter.Β After showcasing restraint on the first verse, Carrie Underwood reaches a fever pitch on the powerhouse chorus. Complementing her soaring vocals is dynamic, βsouped-upβ production work.Β This is country music (as opposed to country-pop) in the hands of one of its more skilled singers.Β Underwood shows off some incredibly sick vocals, incorporating falsetto, grit, runs, and whelps.Β By the end, Underwood βlets her rip,β and itβs nothing short of glorious.Β You can feel the authenticity.
44. Troye Sivan, βBloomβ
Bloom Β» Capitol Β» 2018
Original Ranking: N/A
βAnd itβs true, baby / Iβve been saving this for you, baby.β Pop musician Troye Sivan has been honest about his life as an openly gay man, highlighted by his superb debut album, Blue Neighbourhood.Β He continues his honesty and openness on βBloomβ, a highlight from his sophomore LP, also titled Bloom. On the first verse, he takes us on a trip:
βTake a trip into my garden Iβve got so much to show ya The fountains and the waters Are begging just to know ya.β
Following the first verse, the refrain provides more perspective as to where Sivan is going βwillingness to βbloomβ sexually.Β The innuendo is βout of the roof.β Even though βBloomβ encompasses the physical, Sivan also highlights the emotions of the experience, separating this from songs merely encompassing empty sex.Β On the pre-chorus, he sings, βHold my hand if I get scared now,β representing vulnerability, a legitimate emotion associated with losing oneβs virginity.Β On the chorus, Sivan exhibits dedication to his boyfriend, willing to βgive it upβ because he truly βfeels some type of wayβ about him.
43. Janelle MonΓ‘e, βI Like Thatβ
Dirty Computer Β» Bad Boy Β» 2018
Original Ranking: N/A
Janelle MonΓ‘e characterizes herself throughout the course of the soulful βI Like Thatβ, among many highlights from her third studio album, Dirty Computer. On the verses, she paints a picture of eclecticism and nonconformity.Β On the second verse, she asserts, βTake a different type of girl to keep the whole world afloat.β Thereβs dualism about that particular lyric.Β In one token, MonΓ‘e is revealing more about her sexuality to the world.Β In another token, she simply seems to be asserting sheβs a special, truly unique person who canβt be pigeonholed.Β On the pre-chorus, she continues this characterization, while she snarls on the chorus.
βAnd I like that I donβt really give a fuck if I was just the only one Who likes that I never like to follow, follow around, the chase is on.β
42. MNEK, βTongueβ
Language Β» Virgin Β» 2018
Original Ranking: 19
23-year old rising English dance, pop, and R&B artist MNEK showcases massive potential on his utterly infectious single, βTongueβ. βTongueβ begins abruptly with MNEK showcasing the beauty of his voice. He possesses a gorgeous tone and a compelling falsetto, particularly on the pre-chorus section.Β A surprising change of pace occurs on the chorus, where he begins singing in his lower register, in somewhat tongue in cheek fashion.Β Ultimately, itβs this part of the song thatβs the crowning achievement of βTongue.β
βSo, Iβm putting both hands over my mouth I can only hope nothingβs gonna come out But there it is on the tip of my tongue (I think I love you) I think youβre the one.β
41. Panic! At the Disco, βSay Amen (Saturday Night)β
Pray for the Wicked Β» Fueled by Ramen Β» 2018
Original Ranking: 32
Panic! At the Disco β specifically Brendon Urie β seems to be experiencing some βinner-conflictβ on standout single βSay Amen (Saturday Night)β. βSay Amen (Saturday Night)β hails from the bandβs 2018 album, Pray for the Wicked (arrives June 22). The production work is a work of art throughout, including fantastic keyboard work, horns, and massive, pummeling drums. The choruses represent the most epic moments, as well as summing up the recordβs message. The push-and-pull is what makes βSay Amen (Saturday Night)β so compelling. Urie is struggling with spirituality versus being free and living it up.Β He uses his brilliant vocals to convey this, exhibiting tremendous grit, and packing a sizable punch.Β His falsetto is simply marvelous.
40. Blood Orange, βCharcoal Babyβ
Negro Swan Β» Domino Β» 2018
Original Ranking: N/A
Blood Orange (Dev Hynes), made a compelling return in 2018 with βCharcoal Babyβ, a standout, advance single from his fourth studio album, Negro Swan. βCharcoal Babyβ features unique production work throughout, including awesome, soulful, uniquely-tuned guitar (sounds slightly out of tune, purposefully), as well as a solid throwback soul groove.Β The vocals are incredibly smooth β calm, cool, and collected. Interestingly, thereβs only one verse thatβs repeated several times:
βWhen you wake up Itβs not the first thing that you wanna know Can you still count All of the reasons that youβre not alone?β
Instrumentally, the memorable chorus welcomes a synth, which replaces the guitar.Β Piano arrives on the second half of the chorus.Β During this terrific section, Blood Orange sings:
βNo one wants to be the odd one out at times No one wants to be the negro swan Can you break sometimes? (sometimes) Can you break sometimes (sometimes, oh) Charcoal make it start and make me liked at times Look me down at queens all of the world Can you break sometimes? Can you break sometimes?β
Later on, post-bridge, thereβs an excellent break (guitar and flute) β a brief change of pace.Β The groove returns strong on the outro, along with a ripe, old-school saxophone solo.
39. 5 Seconds of Summer, βYoungbloodβ
Youngblood Β» Capitol Β» 2018
Original Ranking: N/A
βYoung blood / Say you want me, say you want me out of your life / And Iβm just a dead man walking tonight…β 5 Seconds of Summer kicks off their compelling third studio album, Youngblood, with a bang.Β That bang ends up being the title track, βYoungbloodβ, which is an energetic, slickly produced pop cut.Β Taking things a step forward, βYoungbloodβ easily earns a spot among the elite songs of 2018. Notably, regarding the sound, there are guitars, but far more synths are in play compared to 5SOSβ past music.Β The sound fits ultimately the band successfully. The vocal performance on the verses is a bit more restrained while the vocals on the chorus βroar,β maintaining the edge of the collective, as well as cutting through the production sheen.
38. Leon Bridges, βBet Ainβt Worth the Handβ
Good Thing Β» Columbia Β» 2018
Original Ranking: 22
Soul enthusiasts will feel like they returned to their heyday listening to βBet Ainβt Worth the Handβ. The old-school shtick is alive, with harp arpeggios, glockenspiel, strings, and a lush backdrop.Β The production is perfect fuel for Leon Bridgesβ fire, regardless whether he needed the extra spark or not.Β The falsetto is formidable, while his chest voice is incredibly commanding and emotional. Adding to the jubilance is the solid songwriting with an undeniably prudent message.Β Short and sweet, βBet Ainβt Worth the Handsβ proves to be a stellar opener on his sophomore album, Good Thing.
37. Arctic Monkeys, βFour Out of Fiveβ
Tranquility Base Hotel & Casino Β» Domino Β» 2018
Original Ranking: 40
βFour Out of Fiveβ is in the running for the crowning achievement of the strange but alluring Tranquility Base Hotel & Casino.Β Thatβs surprising given the fact that at its simplest, Arctic Monkeys frontman Alex Turner is singing about the rating that the Tranquility Base Hotel & Casino taqueria received. Nonetheless, Arctic Monkeys make this record incredibly intriguing lyrically, musically, and vocally.
βTake it easy for a little while Come and stay with us, itβs such an easy flight Cute new places keep on popping upβ¦ I put a taqueria on the roof, it was well-reviewed, Four stars out of five And thatβs unheard of.β
36. Carlos Vara, βNumbβ
Numb [Single] Β» Carlos Vara Β» 2018
Original Ranking: 15
βYou fill me up to pour me up / You build me just to break me down.β βNumbβ is the debut single by 20-year old, Nashville-based pop-soul newcomer, Carlos Vara. It blends old-school soul with some modern pop and urban contemporary trickery.Β Among the superb sounds are the vintage guitar chords, dusty, hard-hitting drums, a dash of trumpet, and synths. Narratively, Varaβs lover has him completely out of sorts. With his expressive, robust pipes, he sums up his feelings, particularly on the chorus, the recordβs centerpiece.
βYou make me go numb Hypnotized, I know itβs dangerous Donβt speak, just make me come down.β
35. Travis Scott, βSICKO MODEβ
ASTROWORLD Β» Epic Β» 2018
Original Ranking: N/A
The five-minute-plus βSICKO MODEβ is indeed βsickβ β yet another elite moment from ASTROWORLD, the third studio album by Houston rapper Travis Scott. βSICKO MODEβ features three distinct parts, all marked by their own distinct production.Β Part one is short and sweet β an intro essentially, mostly sung by Drake. Travis Scott arrives in all his glory on the lighter, groovier second part. Continuing the whoβs who of the uncredited, Big Hawk and Swae Lee assist. Drake returns for the third and final part, delivering a killer hook, followed by a pretty tight, energetic verse. Travis Scott concludes the epic record with his own set of respectable rhymes, even if itβs not mind-blowing per se.
34. Alice in Chains, βThe One You Knowβ
Rainier Fog Β» BMG Rights Management Β» 2018
Original Ranking: 11
Iconic grunge/hard-rock band Alice in Chains made an impressive comeback after a five-year hiatus with a menacing, rocking new single, βThe One You Knowβ (Rainier Fog). Enigmatic and foreboding to the nth degree, the collective conjures up some truly βoff-kilter funkβ instrumentally, carried by hellish, menacing bass and guitars.Β Thereβs clear-cut dissonance, amplifying utter darkness.Β The unsettling nature of βThe One You Knowβ makes it alluring. The vocals shine most on the chorus, where thereβs more musical consonance and a change of harmonic progression.Β If the verse seems to lean on a harmonic vamp, the chorus βspreads its wings.β
βTell me, does it matter If Iβm still here, or Iβm gone? Shifting to the after An imposter, Iβm not the one you know.β
33. Twenty One Pilots, βJumpsuitβ
Trench Β» Fueled by Ramen Β» 2018
Original Ranking: N/A
βJumpsuitβ serves as the wildly ambitious, brilliant opener from Trench, the fifth studio album by Grammy-winning alternative band Twenty One Pilots. βJumpsuitβ commences mysteriously, including distorted vocals by Tyler Joseph singing, βCover Me.βΒ Those words end up being part of the conceptual narrative. Josephβs vocals are tender on the chorus, blending a conceptual narrative, self-consciousness, and insecurities.
βI canβt believe how much I hate Pressures of a new place roll my way Jumpsuit, jumpsuit, cover me I crumble underneath the weight...β
The form is a bit nontraditional, but this unpredictability is part of the charm. βJumpsuitβ is an intriguing record for all of the aforementioned reasons, not to mention a unique concept dealing with a fictional place (Dema), bishops, and the yellow on the jumpsuit that the bishops canβt see.Β Itβs complex, but definitely alluring.
32. Florence + The Machine, βBig Godβ
High as Hope Β» Virgin Β» 2018
Original Ranking: N/A
βYou need a big God / Big enough to hold your love.βΒ On βBig Godβ ( High as Hope), Florence + The Machine (Florence Welch specifically) struggles in the aftermath of being βghostedβ in her relationship. βI still like you the most / Youβll always be my favorite ghost,β she sings at the end of the first verse. The brilliant record makes ample spiritual references, but the big picture isnβt about God.Β No, Welch is focused on being fulfilled by love, likening fulfillment to something the size of a higher power.Β After commencing with minimal production, by the songβs outro, horns and strings expand the scope. βBig Godβ is sure to make all who cross its path a believer.
31. Kali Uchis, βAfter the Stormβ
Ft. Tyler, the Creator & Bootsy Collins
Isolation Β» Virgin Β» 2018
Original Ranking: 39
βDid you ever wonder? / Yeah, do you ever wonder / What he might be going through on his own, and / The demons that heβs facing alone.β Colombian-American R&B singer Kali Uchis impresses on her soulful, if quietly-released debut album, Isolation. The crowning achievement of Isolation is βAfter the Storm,β featuring the legendary Bootsy Collins and a classy rap from Grammy nominee Tyler, the Creator.Β Uchis delivers cool, calm, and collected vocals, yet still manages to pack a punch and exhibit both artistry and personality.Β Thematically, she reflects upon a break up. This must-hear, feel-good, 70s-sounding soul gem is produced by hip-hop jazz collective BADBADNOTGOOD.
30. Troye Sivan, βMy My My!β
Bloom Β» Capitol Β» 2018
Original Ranking: 18
Troye Sivan has a winning record on hands with βMy My My!β (Bloom), which is groovy, honest, and sexy.Β The record features sleek, modern production work, a sound that perfectly matches the low key, mid-register vocals of Sivan on the verses and pre-chorus.Β Despite the fact that Sivan keeps things βcool, calm, and collected,β βMy My My!β packs a punch. Lyrically and vocally, Sivan gives off a sexy vibe.Β On the first verse, he sings, βDonβt make me wait another day / βCause passion is passion / You know it just as well as me.β He goes on to say, βNow, letβs stop running from love / Letβs stop, my baby.β The arrival point is the chorus, which amps up the energy level.Β Heβs not one who opts for gospel histrionics, but still, his passion and authenticity are indisputable.
29. Janelle MonΓ‘e, βMake Me Feelβ
Dirty Computer Β» Bad Boy Β» 2018
Original Ranking: 13
On βMake Me Feel,β Janelle MonΓ‘e blends throwback 80s R&B-funk production, and modern, urban contemporary fare.Β Notable instruments used are guitars and of course, keyboards. Also, Grammy-nominated pop singer-songwriter Julia Michaels serves as a co-writer. The influence of Prince is evident, particularly the yelps that occur on the bridge section.Β MonΓ‘e delivers sexy-sounding vocals, in line with liberated, risquΓ©, and sensual nature of Dirty Computer.
28. Father John Misty, βMr. Tillmanβ
Godβs Favorite Customer Β» Sub Pop Β» 2018
Original Ranking: 42
Mr. Tillman, good to see you again / Thereβs a few outstanding charges just before we check you in.β The opening line of βMr. Tillmanβ, as well as the rest of the song, comes from the perspective of a hotel concierge.Β Let the record show that Father John Misty remains βtrue to selfβ on βMr. Tillmanβ, the promo single from his fourth studio album, Godβs Favorite Customer. Mr. Tillmanβ is groovy, singer-songwriter/alternative rock at its best.Β The lyrics are incredibly entertaining, novel, and tongue-in-cheek.Β The chorus is hella catchy.
βIβm feeling good Damn, Iβm feeling so fine Iβm living on a cloud above an island in my mind Okay babe, donβt be alarmed this is just my vibe No need to walk around No, itβs not too bad a crime.β
27.Β BΓRNS, βI Donβt Want U Backβ
Blue Madonna Β» Interscope Β» 2018
Original Ranking: 7Β
βI shouldβve known better when youβre coming to bed at four in the morning / I shouldβve taken your eyes avoiding me as a warning.β Uh-oh β relationship issues! Michigan bred, Cali-based alternative musician BΓRNS nails it on βI Donβt Want U Backβ, a single from his 2018 sophomore album, Blue Madonna. The biggest selling point of βI Donβt Want You Backβ is BΓRNSβ distinct, beautiful voice. He exhibits a beastly, yet radiant tone with his high-pitched vocals. The falsetto is masterful to say the least.Β Additionally, the production shimmers, while the songwriting is both memorable and thoughtful, particularly the chorus.
βI sleep better than every night you were lying next to me Donβt wanna see your face, you need to face the facts I donβt want you back I donβt want you back.β
26. Ariana Grande, βNo Tears Left to Cryβ
Sweetener Β» Republic Β» 2018
Original Ranking: 20
βNo Tears Left to Cryβ (Sweetener) marked the first new Ariana Grande single since the Manchester terror attack. Beginning moderately slowly, following the dramatic, lush, and smoothly sung intro (the eventual chorus), a danceable groove transforms βNo Tears Left to Cry.β Grande shows exuberance, singing playfully in her lower register on the verses.Β She gradually ascends, hitting her stride β her commanding upper register β on the chorus.Β The chorus is catchy, though what truly stands out about it is how uplifting it is.
25. Marlon Williams, βNobody Gets What They Want Anymoreβ
Ft. Aldous Harding
Make Way for Love Β» Dead Oceans Β» 2018
Original Ranking: 34
Marlon Williams and Aldous Harding make a brilliant pair on βNobody Gets What They Want Anymoreβ, a gem from Williamsβ sophomore album, Make Way for Love. Harding gets first blood, exhibiting pure, robust vocals. The initial accompaniment is simple guitar, which is lush and appealing.Β Williams arrives on the following line, taking command of the verse.Β He delivers equally glorious vocals.Β Eventually, following another verse in a similar vein, the two join forces, in exquisite harmonies, singing the titular lyric.Β With combined forces comes expanded production thatβs more dynamic and fuller in instrumentation. Williams dominates the end of the song, which contrasts the majority.
24. Avril Lavigne, βHead Above Waterβ
Head Above Water [Single] Β» BMG Rights Management Β» 2018
Original Ranking: N/AΒ
βAnd I canβt see in the stormy weather / I canβt seem to keep it all together / And I, I canβt swim the ocean like this forever / and I canβt breathe.β Canadian pop artist Avril Lavigne shines on her 2018 comeback single, βHead Above Waterβ, a powerful ballad that finds Lavigne thankful for surviving a scare with Lyme Disease. In terms of her career, βHead Above Waterβ is a welcome change of pace, dipping into CCM and religious music. Faith is key on this inspirational, uplifting record.Β On the first verse, Lavigne references being safe β surviving and weathering the storm. She follows up with powerful vocals on the chorus, summarizing the deep emotions sheβs been experiencing and petitioning God to help her persevere through.
βGod, keep my head above water Donβt let me drown, it gets harder Iβll meet you there at the altar As I fall down to my knees Donβt let me drown, drown, drown Donβt let me, donβt let me, donβt let me drown.β
The second verse is shorter than the first, but still meaningful and thoughtful: βCome dry me off and hold me close / I need you now, I need you most.β On the bridge (appears at the top of this review), Lavigne continues to confirm her fight to live despite adversity.
23. Juice WRLD, βLucid Dreamsβ
Goodbye & Good Riddance Β» Interscope Β» 2018
Original Ranking: N/A
βYou left me falling and landing inside my grave / I know that you want me dead / I take prescriptions to make me feel A-Okay / I know itβs all in my head / I have these lucid dreams where I canβt move a thing / Thinking of you in my bed.β On breakout, hit single βLucid Dreams,β Rising Chicago rapper Juice WRLD (Jarad Higgins) keeps things pretty simple, and extremely relatable.Β Clearly in a mood on this slickly produced, melodic gem, heβs being tortured by a broken heart.
βI still see your shadows in my room Canβt take back the love that I gave you Itβs to the point where I love and I hate you And I cannot change you, so I must replace you, oh Easier said than done, I thought you were the one Listeninβ to my heart instead of my head You found another one, but I am the better one I wonβt let you forget me.β
22. Jay Rock, βKingβs Deadβ
Ft. Kendrick Lamar, Future & James Blake
Black Panther Music from and Inspired By Β» Interscope Β» 2018
Original Ranking: 9
Jay Rock, Kendrick Lamar, Future, and James Blake join forces for hard-nosed banger βKingβs Deadβ, the second single fromBlack Panther Music from and Inspired By.Β From the start, the beat is trunk-rattling. Kendrick Lamar drops a ferocious hook.Β Jay Rock gets βfirst bloodβ with the first verse, matching the toughness of the backdrop. Future follows, with a variation on the hook, assisted by Kendrick Lamar.Β Heβs a perfect fit, delivering one of his elite, outlandish hooks.Β The bridge, mostly performed by Future, is bizarre, yet utterly intriguing. Later, James Blake initiates the second part of the song, in all his enigmatic, electronic excellence.Β Lamar proceeds to go H.A.M. on the second verse, while the beat and overall sound remains hard-hitting.
βRed light, green light, red light, green lightβ¦ Fast cars, fast money, fast life, fast broads Egotistic, goinβ ballistic, why God?β
21. Post Malone, βPsychoβ
Ft. Ty Dolla $ign
Beerbongs & Bentleys Β» Republic Β» 2018
Original Ranking: N/A
βDamn, my AP goinβ psycho, lilβ mama bad like Michael / Canβt really trust nobody with all this jewelry on you / My roof look like a no-show, got diamonds by the boatload / Come with the Tony Romo for clowns and all the bozosβ¦ / Donβt act like you my friend when Iβm rollinβ through my ends, though.β The hypnotic, infectious, and ubiquitous single βPsychoβ commences mysteriously with an instrumental intro. Once Post Malone enters singing the hook, everything settles in. The hook is wordy, yet totally irresistible. As a whole, βPsychoβ continues the ultra-melodic vibes that make Malone, and much of the Grammy-nominated Beerbongs & Bentleys hella appealing. βPsychoβ benefits from its sound execution is sound and light, mellow production work composed of keyboard, synths, and sleek drum programming.Β Ty Dolla $ign contrasts Malone with his coarser, more gruff vocals on the third verse.
20. Christina Aguilera, βFall in Lineβ
Ft. Demi Lovato
Liberation Β» RCA Β» 2018
Original Ranking: 10Β
βFall in Lineβ, the third single from Liberation, features a grinding, soulful, six-eight groove, perfect fuel for the fire for Christina Aguilera and Demi Lovato. Aguilera gets to work with controlled, but nuanced vocals on the first verse.Β The message, aimed towards girls, is pitch-perfect: ββ¦You do not owe them / Your body and your soul.β Aguileraβs beastly vocals begin to appear on the pre-chorus, letting her pipes rip on the chorus (joined by Lovato). Lovato takes the lead on the second verse, similarly maintaining composure and poise, before spreading her wings and flying on the chorus.Β The true magic occurs throughout when these two join forces, particularly the second and third iterations of the chorus.Β Clearly, empowerment is the central message.
19. Pusha T, βIf You Know You Knowβ
DAYTONA Β» GOOD / Def Jam Β» 2018
Original Ranking: N/A
ββCause this boy been throwinβ that D like Rich Boy.β From the opening tip of βIf You Know You Know,β Pusha T drops some serious bars on the DAYTONA highlight.Β His flow is agile, natural, and everything βfeels right.β Following the electrifying introduction, βIf You Know You Knowβ only gets more profound, signaled by the recurrence of the titular line, distinct production, and confident, druggy rhymes from Pusha T.Β βI predict snow, Al Roker.βΒ The centerpiece is the hook, which is probably far catchier than it should be.
βBricklayers in ball shorts Coaching from the side of the ball court (If you know you know) One stop like a Walmart We got the tennis balls for the wrong sport (If you know you know)...β
18. MGMT, βHand It Overβ
Little Dark Age Β» Columbia Β» 2018
Original Ranking: 16
βThe smart ones exit early / And the rest hope for a shoulder.β βHand it Overβ (Little Dark Age) checks off all boxes in regards to being a βMGMT record.β That includes (1) thoughtful songwriting, (2) lush, psychedelic production cues, and (3) a clever harmonic progression. Andrew VanWyngarden delivers chill, easy-going vocals. Even with such a laid-back approach, he still packs a punch with his beautiful tone, and a casual f-bomb. Accentuating his own performance and the record as a whole are choral backing vocals, responding spiritedly with the titular lyric.Β This occurs during the chorus sections appearing at the end of the song.
βThis time (Hand it over) Itβs yours and itβs mine (Hand it over) One thing on my mind (Hand it over) Itβs rightfully mine (Hand it over).β
17. Ariana Grande, βThank U, Nextβ
Thank U, Next [Single] Β» Republic Β» 2018
Original Ranking: N/A
βThank U, Nextβ marks the second appearance by Grammy-nominated pop sing Ariana Grande.Β Ultimately, βThank U, Nextβ is an honest, therapeutic single that finds the pop singer reflecting on life, love, and focusing on bettering herself. Β On the first verse, Grande mentions her exes, including the deceased Mac Miller and Pete Davidson, later profanely proclaiming on the chorus, βThank you, next / Iβm so fuckinβ grateful for my ex.β The second verse is where the self-bettering comes into play, while she anticipates an eventual marriage where she can βmake that shit last.β Some have varying opinions on βThank U, Next,β but IMO, itβs well-sung, well-produced, and lyrically, conveys Grandeβs current state of mind following a tough year.
16. Travis Scott, βStop Trying to Be Godβ
ASTROWORLD Β» Epic Β» 2018
Original Ranking: N/A
βStop tryna be God Almighty / Fuck the money, never leave your people behind, yeah / Itβs never love, no matter what you try.β βSTOP TRYING TO BE GODβ definitely ranks among the crΓ¨me de la crΓ¨me of ASTROWORLD, the third studio album by Houston rapper Travis Scott. Scott is totally team anti-god-status/anti god-complex, which have been prevalent in the hip-hop community. Kid Cudi and legendary Earth, Wind & Fire singer Philip Bailey appear on the pre-chorus and chorus (βHmm, hmm / Stop tryna be Godβ).Β Arguably the best uncredited guest feature (lots on ASTROWORLD) comes courtesy of hip-hopβs βit boy,β James Blake. He sounds fantastic as he sings the inquiring bridge.Β βIs it the complex of the saint / Thatβs keepinβ you so, so still?βΒ Also, thereβs a Stevie Wonder feature (harmonica primarily).Β For all of these reasons, in addition to Scottβs own performance (and a unique music video),Β βStop Trying to Be Godβ is among the best songs of 2018.
15. Arctic Monkeys, βTranquility Base Hotel & Casinoβ
Tranquility Base Hotel & Casino Β» Domino Β» 2018
Original Ranking: 31
Most critics embraced Tranquility Base Hotel & Casino, the unique comeback album by British alternative band Arctic Monkey, though some where more skeptical.Β Personally, the album was intriguing and a refreshing change of pace from Alex Turner and company. Minor key title track βTranquility Base Hotel & Casinoβ ranks among the crΓ¨me de la crΓ¨me, arguably the crowning achievement.Β Turner sings about an imaginary hotel and casino, possibly on the Moon. According to an EW interview, Turner, referencing the title track states, ββ¦Whether weβre actually talking about a sort of hotel-casino complex on the moon or not is debatable.βΒ Weird to the core, βTranquility Base Hotel & Casinoβ encompasses politics, philosophy, technologyβ¦ itβs something.
14. Ella Mai, βBooβd Upβ
Ella Mai Β» 10 Summers / Interscope Β» 2018
Original Ranking: N/A
βListen to my heart go ba-do, booβd up / Biddy-da-do, booβd up.β British R&B singer Ella Mai delivers an enjoyable, well-rounded contemporary R&B album with her self-titled debut. While the project is chocked-full of hits, the βcrown jewelβ of Ella Mai is undoubtedly βBooβd Up,β which earned a Grammy nomination for Song of the Year.Β Sure, βBooβd Upβ was on the radar for a long before Ella Mai materialized, but it definitely had βits momentβ throughout the course of 2018. Mai sounds superb vocally, showing off her chops, while also pulling off the memorable (if repetitive and gimmicky) chorus magnificently.
13. Ghost, βRatsβ
Prequelle Β» Loma Vista Β» 2018
Original Ranking: 8
Grammy-winning Swedish metal collective Ghost returned amped-up on βRatsβ, the promo single for their fourth studio album, Prequelle. Regarding βRats,β Ghost mastermind Tobias Forge shared with Revolver,Β βItβs actually not technically about rodents.Β Itβs about something spreading as wildfire and completely destroying things quicker than you know.β Ratsβ commences with a pummeling, hard-hitting groove from the start.Β The rhythmic guitars sound athletic, while Cardinal Copia (Forge) delivers clear, commanding vocals. In addition to the compelling lead vocals, the vocal harmonies are quite impressive.Β Harmonically, βRatsβ has some truly distinct moments.Β As for the chorus, Ghost keeps things short and simple: βThem rats!βΒ The heat is turned up on this hard-rocking gem.
12. Years & Years, βSanctifyβ
Palo Santo Β» Polydor Β» 2018
Original Ranking: 2
British electro-pop band Years & Years brilliantly fuses sexuality and spirituality on βSanctifyβ, the promo single from their 2018 album, Palo Santo. The production is bright, despite being set in a minor key (there are some major moments). Anchored by a beat fit for any hip-hop record, plus fine keyboard/synth work, the backdrop sets up Y&Y for a surefire bop.Β Adding to the glory, frontman Olly Alexander delivers exuberant, expressive vocals, filled with authenticity. The chorus is the centerpiece, but there are numerous notable lyrics, including the following excerpt with a double meaning:
βYou donβt have to be straight with me I see whatβs underneath your mask Iβm a man like you, I breathe the rituals of the dancerβs dance...β
The βstraightβ lyric is key, as Alexander, who is gay, was inspired with experiences with straight guys.Β In the linked article from Attitude, Olly asserts said straight guys were βstruggling with their sexuality.β He touches upon issues of masculinity in regards to sexuality. βSanctify,β hence, is a superb addition to the LGBTQ repertoire, as well as socially-conscious music overall.
11. Hozier, βMovementβ
Movement [Single] Β» Rubyworks / Columbia Β» 2018
Original Ranking: N/A
Irish singer/songwriter Hozier delivers a superb, nuanced vocal performance throughout the course of βMovementβ.Β Awesome songwriting, awesome vocals, and awesome production make βMovementβ one of the best songs of 2018.Β On the verses, Hozier opts for a more tender approach, gradually growing more dramatic and powerful during the chorus. Complementing his restrained approach on the verses is electric piano accompaniment. By the chorus, the electric piano transforms into a more passionate, gospel-tinged backdrop that includes organ, and chilling choral vocals.Β The sound develops even more on the bridge, leading into the closing section of the record, which is backed by the most overt groove of the record.Β Here, Hozier digs even deeper into his chest voice, as well as sounding thoroughly impressive when he sings in falsetto.
10.Β Drake, βNice for Whatβ
Scorpion Β» Cash Money Β» 2018
Original Ranking: 6Β
Drake gets the rare honor of landing multiple songs on the best of list (so far). βGodβs Planβ was certainly his βace in the hole,β but the superb βNice for Whatβ (Scorpion), replaced βGodβs Planβ at no. 1 on the Billboard Hot 100. βNice for Whatβ brilliantly samples the beloved, Lauryn Hill classic, βEx-Factor.βΒ The producers soundly use the sample, speeding it up, yet retaining its original glory. An excellent, old-school, hip-hop soul beat anchors down the record. Drake drops a compelling, rhythmic flow, oscillating between pop-rap and unpitched rhymes. Musically, he makes good choices, specifically the use of space allowing Hillβs sampled vocals to shine.
9. Kendrick Lamar & SZA, βAll the Starsβ
Black Panther Music from and Inspired By Β» Interscope Β» 2018
Original Ranking: 10
βThis may be the night that my dreams might let me know / All the stars are closer, all the stars are closer, all the stars are closer.β Kendrick Lamar and SZA shine on βAll the Starsβ, the stellar promo single from Black Panther Music from and Inspired By (Black Panther Soundtrack).Β βAll the Starsβ has more of a pop, electro-driven urban sound.Β Not necessarily whatβs normally expected from either musician, ultimately, it works out magnificently.Β Following the stellar chorus by SZA, Lamar delivers his awesome rhymes without a hitch.Β SZA goes on to shine on her own verse.
8. Cardi B, βI Like Itβ
Ft. J Balvin & Bad Bunny
Invasion of Privacy Β» Atlantic Β» 2018
Original Ranking: N/A
Cardi B exploded in 2017 with her number one hit single, βBodak Yellowβ.Β In 2018, she scored a number one album with Invasion of Privacy, which turned out to be a well-rounded debut by all means. One of the highlights not named βBodak Yellowβ or βBartier Cardiβ is βI Like It.β βI Like Itβ brilliantly samples the Pete Rodriguez classic, βI Like It Like Thatβ bringing some serious Latin vibes into Invasion of Privacy.Β Amplifying the brilliance even more are appearances from Puerto Rican reggaetΓ³n (Latin trap soul) singer Bad Bunny and Colombian reggaetΓ³n singer J Balvin.
7. Ariana Grande, βGod is a Womanβ
Sweetener Β» Republic Β» 2018
Original Ranking: N/A
ββ¦ I feel it after midnight / A feeling that you canβt fight / My one, it lingers when weβre done / Youβll believe God is a woman.β Arguably, Grammy-nominated pop singer Ariana Grande made her boldest statement yet on βGod is a Womanβ (Sweetener). The urban-pop record isnβt about spiritual matters, but rather feminism and sex.Β At the beginning, she establishes a sensual theme on the chorus. She asserts sheβs so good in bed that after making sweet love with her, youβll believe that βGod is a womanβ¦β Thereβs more βsacrilegeβ on the verses, including βBaby, lay me down and letβs prayβ on the first, and βAnd boy, if you confess, you might get blessed.β The best moment of this soaring, slickly-produced urban-pop ballad comes during the outro. Grande delivers her best vocals, ascending to that next level. This heavenly number is among the crΓ¨me de la crΓ¨me of 2018.
6. Drake, βGodβs Planβ
Scorpion Β» Cash Money Β» 2018
Original Ranking: 4
βGod’s plan, God’s plan / I can’t do this on my ownβ¦ / Someone watchinβ this shit close, yep, closeβ¦/ Might go down as G.O.D., yeah, wait / I go hard on Southside G / I make sure that north-side eat.β On the melodic βGodβs Plan,β a number one hit single by Drake (Scorpion), the rapper-singer seems to acknowledge God himself (βI canβt do this on my ownβ). Even so, he still references his share secular ideas. βGodβs Planβ has been one of the biggest hits of 2018, particularly the accompanying music video that finds Drake giving back.
5. Shawn Mendes, βIn My Bloodβ
Shawn Mendes Β» Island Β» 2018
Original Ranking: 5
Canadian pop heartthrob Shawn Mendes masterfully exhibits vulnerability, resolve, and soulfulness on the emotionally-driven, powerful, and resolute βIn My Bloodβ (Shawn Mendes). From the start, he exhibits his best attribute β his voice.Β On the first verse, Mendes shares his struggles: fears, insecurities, and loneliness. Β He casually sings portions of this verse in his lower register, amplifying his vulnerability.Β The second verse is shorter, but a bit more melodic. By the pre-chorus/chorus sections, the full scope of his vocal expressiveness is unleashed. The soulful beastliness of his vocals, plus the ad-libs, arrive in their full, youthful glory on the titular lyric (βIt isnβt in my bloodβ).
4. Drake, βIn My Feelingsβ
Scorpion Β» Cash Money Β» 2018
Original Ranking: N/A
βKiki, do you love me? Are you riding? / Say youβll never ever leave from beside me / βCause I want ya, and I need ya / And Iβm down for you always.β βIn My Feelingsβ is one of three Drake songs appearing within the top ten of the 100 Best Songs of 2018. Sure, the quality ofΒ his double album Scorpion is disputable as a whole, but the hits arenβt.Β The excerpted opening lyrics by Drake are simple, but as ear-catching and infectious as they come.Β While he later changes the girlsβ names, without a doubt itβs Kiki who makes βIn My Feelings.β Additionally, the sample-heavy record integrates New Orleans Bounce music, sampling the late Magnolia Shorty. Also, the City Girls and Lil Wayne, all uncredited, are sampled.Β βIn My Feelingsβ is a prime example of studio wizardry, and definitely intriguing.
3. Janelle MonΓ‘e, βPynkβ
Ft. Grimes
Dirty Computer Β» Bad Boy Β» 2018
Original Ranking: 3
βPynk, like the inside of yourβ¦ baby.β Dirty Computer, the third album by eclectic R&B artist Janelle MonΓ‘e, is by far her boldest and most personal, with highlight βPynkβ leading the charge. On the verses, MonΓ‘e likens pynk to vagina, women in general, and feminism. The theme of the record β feminism and same-sex female attraction/love β earns more attention than the production and sound of the record, which is excellent in its own right. Dirty Computer comes off as MonΓ‘eβs coming out party β she officially came out as pansexual during the album rollout.
2. Hozier, βNina Cried Powerβ
Ft. Mavis Staples
Nina Cried Power (EP) Β» Rubyworks / Columbia Β» 2018
Original Ranking: N/A
βItβs not the wakinβ, itβs the risinβ / It is the groundinβ of a foot uncompromisinβ / Itβs not forgoinβ of the lie / Itβs not the openinβ of eyes / Itβs not the wakinβ, itβs the risinβ.β Irish singer/songwriter Hozier opens his 2018 EP Nina Cried Power βpowerfullyβ with title track βNina Cried Power.β Hozier is in full-on soul mode (think gospel), fitting given his legendary collaborator, Mavis Staples. Here, both musicians pay ode to various musicians who were unafraid to protest via their songs. Β The names include legends like Nina Simone, James Brown, Joni Mitchell, Bob Dylan, and John Lennon. The chorus β with names changing β is the best part of the record:
βAnd I could cry power (power) Power (power) Power, lord Nina cried power Billie cried power Mavis cried power.β
1. Childish Gambino, βThis is Americaβ
This is America [Single] Β» RCA Β» 2018
Original Ranking: 1
Childish GambinoΒ (Donald Glover) returned with a banging 2018 with single βThis is Americaβ.Β While the approach lyrically is simple on this record, the socially-conscious message that Glover makes is pitch-perfect β clearly relevant to the times. Throughout the course of the record, Glover references policing in America and gun violence, important issues in the black community, as well as focusing on excess as a distraction from those truly important matters.Β A stark contrast from the throwback soul of βAwaken,My Love!β, Glover shows incredible giftedness and versatility as a musician.