King Harvest vs. Toploader | Face Off
In the 11th edition of Face Off (2026), King Harvest and Toploader face off for the best rendition of “Dancing in the Moonlight.”
On Head 2 Head, we pit at least two musicians singing the same song together, comparing and contrasting their performances. Then, after much deliberation, we deliver a verdict of which performance was the best, or at least, subjectively, which performance moved us more.
In the 11th edition of Face Off (2026), King Harvest and Toploader face off for the best rendition of “Dancing in the Moonlight.”
In the 45th edition of Head 2 Head (2025), Motown legends Tammi Terrell and Stevie Wonder contend for the best rendition of “All I Do.”
In the 44th edition of Head 2 Head (2025), Lionel Richie & Diana Ross and Luther Vandross & Mariah Carey contend for the best rendition of “Endless Love.”
In the 43rd edition of Head 2 Head (2025), Funkadelic and Mavis Staples contend for the best rendition of “Can You Get To That.”
In the 42nd edition of Head 2 Head (2025), blink-182 and jxdn contend for the best rendition of “Happy Holidays, You Bastard.”
In the 41st edition of Head 2 Head (2025), Brandy and Mark Wills contend for the best rendition of “Almost Doesn’t Count.”
In the 40th edition of Head 2 Head (2025), James Cleveland and The Rance Allen Group contend for the best rendition of “I Stood On the Banks of Jordan.”
In the 39th edition of Head 2 Head (2025), Mitty Collier and Dusty Springfield contend for the best rendition of “I Had A Talk With My Man.”
In the 38th edition of Head 2 Head (2025), Roger and Charlie Wilson & Fantasia contend for the best rendition of “I Want to Be Your Man.”
In the 37th edition of Head 2 Head (2025), Mitty Collier and The Rance Allen Group contend for the best rendition of “That Will Be Good Enough For Me.”
In the 36th edition of Head 2 Head (2025), Mitty Collier and Shirley Brown contend for the best rendition of “I Had A Talk With My Man.”
In the 35th edition of Head 2 Head (2025), Thelma Houston and The Communards contend for the best rendition of “Don’t Leave Me This Way.”