Totally Awesome LGBTQ+ Songs Beaming with PRIDE | Playlist

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Ben Platt, Brandi Carlile, Cub Sport, Kevin Abstract, and Myylo join familiar faces on “Totally Awesome LGBTQ+ Songs Beaming with PRIDE 🌈.”

Every year, there is a fresh crop of incredible, intriguing songs that incorporate LGBTQ+ themes. Queer elements have appeared in music historically, but the elements are much more overt in the 2010s. The LGBTQ+ community is definitely embraced more now than ever before – their voice is larger and more robust. That said, as with any oft-marginalized community, there’s still plenty ways to go. Totally Awesome LGBTQ+ Songs Beaming with Pride 🌈features songs that incorporate LGBTQ+ issues and themes and/or are performed by LGBTQ+ musicians. Adding musicians to the lists compiled in years past, Ben Platt (“Ease My Mind”), Brandi Carlile (“The Joke”), Cub Sport (“Come Out” & “Party Pill”), Kevin Abstract (“American Problem” & “American Boyfriend), and Myylo (“Jonesing” & “Cyborg”) are some new faces to this PRIDE-filled, gargantuan playlist (77 Songs).

1. Ben Platt, “Ease My Mind”

Sing to Me Instead • Atlantic • 2019

Broadway actor (The Book of Mormon and Dear Evan Hansen), singer, and songwriter Ben Platt ‘shines bright as a beacon’ on his authentic, well-rounded debut album, Sing to Me Instead. Sing to Me Instead comprises of some truly well-written songs that encompass love and open up his sexuality, as well as captivating vocal performances. Among the best of the album is ballad “Ease My Mind”.

“Ease My Mind” is a soaring ballad, something that Ben Platt absolutely slaughters (positively speaking). This is one of those moving, adult contemporary ballads that begins with incredible poise, eventually reaching a fever pitch. That fever pitch occurs as Platt flaunts his masterful pipes, delivering incredible nuances, runs, and showing incredible command of the performance. “Ease My Mind” is about love and specifically being in a relationship. It finds an anxious man being eased and comforted by his lover, who knows just what to do to make him feel better. The chorus is the centerpiece – shouting to the world that love has the power to conquer all.

“Darling, only you can ease my mind

Help me leave these lonely thoughts behind

When they pull me under, and I can feel my sanity start

Darling, only you can ease my mind.”

“Ease My Mind” previously appeared on the playlist 11 Songs Where the Mind is the Focal Point as well as 50 Best Songs of 2019 (So Far).

2. Kevin Abstract, “American Problem”

ARIZONA BABY • RCA • 2019

“I drink, I smoke, I drink, I smoke, I drink until I sleep.” Now that’s definitely could be a problem, though perhaps not specifically an “American Problem” (see what I did there?). Anyways, this playlist’s opener, “American Problem.” actually appears near the end of ARIZONA BABY, the 2019 album by Kevin Abstract of BROCKHAMPTON fame (Iridescence is a must-hear album btw). ARIZONA BABY follows Abstract’s 2016 debut album, American Boyfriend: A Suburban Love Story. So, what exactly does make Abstract an ‘American problem?’ Well…

“American Problem” finds Abstract reflecting on his past, as well as his current reality. Part of that includes being gay, something that has been a prevalent theme in his previous work, not to mention the work of BROCKHAMPTON. On the second verse, he states, “And all my girlfriends, they tell me / ‘Well, you would’ve been better if you picked someone who was just like you’.” He also goes on to say:

“I thought a brother was cut…

I was a flaming faggot, that’s when the principal called me

Not to my face, but I felt when I was stuck in his office

I’m just a, I’m just another American problem…”

Quite a unique listen, the production work is distinct, while Abstract’s vocals are pitch-shifted at times, and there’s singing and rapping. “American Problem” previously appeared on the playlist, 15 Must-Hear, All-American Songs.

3. Cub Sport, “Come Out”

Cub Sport • Cub Sport • 2019

Australian alt-pop collective Cub Sport (Tim Nelson, Dan Puusaari, Sam Netterfield, and Zoe Davis) returned in 2019 with their self-titled, third studio album. Cub Sport certainly doesn’t disappoint, particularly incorporating the process of coming to terms with sexuality and falling in love. “Come Out” is among the biggest moments of the album, finding Nelson addressing his sexuality (“Yeah, I came out and I felt fucking free”). That said, Nelson makes it clear that sexuality isn’t the only thing he struggled with, continuing on the second verse, “But there’s more I keep inside of me.” Interestingly, on the bridge, he reveals some of his struggles (“I struggle with my body and my mind from time to time”).

4. Tyler, the Creator, “New Magic Wand”

IGOR • Columbia • 2019

“New Magic Wand” continues the excellence of IGOR, the ambitious 2019 studio album by Tyler the Creator. In the context of IGOR, ‘matters of the heart’ remain the focal point. Tyler makes it clear that ‘she’ needs to get ‘out of the picture.’ “She really fuckin’ up my frame,” he states at the end of the verse, continuing, “She’s not developed like we are.” Hmm, to quote Amy Winehouse, “what kind of fuckery is this?”.

Tyler, the Creator makes it clear that ‘she’s’ not a ‘he,’ thus, not the same sex, which appears to be his preference… maybe. The second verse further fuels speculation as he asserts, “My brother said I’m on the spectrum…” Sure, maybe he’s referring specifically to remarks made by his step brother but given his ‘flirtation’ with sexuality on Flower Boy and now IGOR, the fact that he could be referring to the sexual spectrum seems very possible. Where does this magic wand come into play? Well, he’s going to remove her from the picture – R.I.P. “New Magic Wand” previously appeared on the playlist 50 Best Songs of 2019 (So Far).

5. Myylo, “Jonesing”

I’m a Nice Boy (EP) • Myylo • 2019

Myylo is one hell of a unique musician, “mixing idiosyncratic lyricism, janky classical guitar, lo-fi saxophone licks, and sky-high falsettos to create something truly special.” The pain of “wanting a boy who’s just too damn far away” is our listening pleasure (quasi-schadenfreude perhaps?) on “Jonesing” (I’m a nice Boy (EP)). Thematically, he’s struggling with the infamous long-distance relationship – this boy is ideal, but the distance is a problem. What isn’t a problem is the ear-catching excellence. The production is brilliant, including keyboards, drum programming, and a fitting saxophone solo appearing at the conclusion of the record. Lovely, warm, and soulful vocal harmonies arrive at the onset, instantly giving “Jonesing” a throwback, R&B vibe. Ultimately, this just adds to the glory of this superb modern pop-soul record.

Theme and production bode well in Myylo’s favor, but so does his voice and his overall performance. He delivers fun, irresistibly delicious, tongue-in-cheek vocals; He has plenty of energy, and excels with his playful, flirty delivery. Melodically, “Jonesing” is quite rhythmic, devoid of dull moments. The catchiest sections are the pre-chorus and chorus, clearly where the ‘bread is buttered.’ Interestingly, the bridge finds him busting out some bars, embracing gimmickry including pitch-shifted vocals (nice nod to hip-hop). Ultimately “Jonesing” is the perfect, love-longing soulful-pop record that shouldn’t only pique the interest of the LGBT community, but pop music enthusiasts everywhere.

6. Mathew V, “Catching Feelings”

Catching Feelings [Single] • 604 • 2019

“This year, I’m going big or going home – and I certainly have no intention on going home!” That is that awesome, ‘go-getter’ attitude expressed by Vancouver pop artist Mathew V in regard to his love of being a musician and spreading and sharing “that with as many people as possible.” Mathew kills it on his 2019 single, “Catching Feelings”, which he envisions listeners recalling their high school crush. Mathew, who’s previously been featured in the Billboard Pride column saw “Catching Feelings” appear on the mag’s monthly LGBTQ playlist, Queer Necessities, for April 2019.

From the onset, the vibe of “Catching Feelings” is killer, in the most positive way possible. He works alongside award-winning songwriter and producer Ryan Stewart whose excellent production includes an infectious groove and sleek synths. This makes “Catching Feelings” ready-made for the dance floor. Mathew V drops absolutely sickening vocals, showing off his sexy, playful lower register on the verses, while ascending higher and packing a mightier punch on the catchy chorus. The production combined with ‘the pipes’ and incredibly fun songwriting makes “Catching Feelings” a can’t-miss PRIDE-beaming bop.

7. Cub Sport, “Party Pill”

Cub Sport • Cub Sport • 2019

“I think I’m gonna love you for a long time / Boy, I can’t go a minute without you on my mind.” “Party Pill” continues the progression that Australian alternative-pop Cub Sport showcase throughout Cub Sport. On “Party Pill,” Tim Nelson describes falling in love for the first time and working toward acceptance and embracement of the reality. This is the perfect record for someone questioning, or who has questioned their sexuality; it’s quite relatable and authentic to the nth degree. In the context of Cub Sport, it’s yet another masterfully performed, produced, and written gem. Arguably, “Party Pill” is the crowning achievement and easily among the best songs of 2019 that many folks have never heard. “Party Pill” previously appeared on the playlist 50 Best Songs of 2019 (So Far).

8. Miley Cyrus, “Cattitude”

Ft. RuPaul

She is Coming (EP) • RCA • 2019

“Cattitude,” from the 2019 EP She is Coming, is much bolder than anything Miley Cyrus included on Bangerz, let alone her tamer, less-well-received 2017 album, Younger Now. In the context of the EP, women continue to be spotlighted by Cyrus (“Mother’s Daughter” opens the EP), with a fierce guest appearance by the one-and-only RuPaul. RuPaul sets the tone on this sexed-up banger that’s all about pussy – literally. On the first verse, RuPaul asserts, “This cat is in heat / Let me ride that beat / My pussy on fire / Pussy five-alarm fire.” As for Cyrus, she comes out roaring on the chorus, stating, “I love my pussy, that means I got cattitude / If you don’t feel what I’m saying, I don’t fuck with you.” Touché. Both RuPaul and Cyrus drops additional verses, chocked-full of attitude – rather, ‘cattitude.’

9. Myylo, “Cyborg”

I’m a Nice Boy (EP) • Myylo • 2019

“I wish that I could make myself a cyborg / Shoot up into space with my jet pack / Bounce around the heavens till I found God / And ask her why I ever let you go, go, go, go…” Matters of the heart continue to affect Myylo on his brief, uniquely-titled single, “Cyborg” (I’m a nice Boy (EP)).

Of course, it’s not every day that a cyborg is referenced in a song, let alone ends up being the song title. The self-described ‘drama king’ (“Oh god, I’m so dramatic”) drops the aforementioned outlandish chorus to convey his feelings of regret regarding an ex-boyfriend that he let go. It’s obviously not just the chorus that is colorful. On the ‘Elton John’, name-dropping first verse, the “Rocket Man” is “Swooping in like a space force cowboy / Tryna get you back.” Yeah, admit it – the lyrics are damn clever. Furthermore, on the second verse, while he’s less outlandish, he still successfully delivers the “we don’t talk about your boyfriend” because “you’d rather be mine.”

10. Brandi Carlile, “The Joke”

By the Way, I Forgive You • Elektra • 2018

“You’re feeling nervous, aren’t you, boy? With your quiet voice and impeccable style / Don’t ever let them steal your joy / And your gentle ways, to keep ‘em from running wild.” The crown jewel of Americana singer/songwriter Brandi Carlile’s 2018 album By the Way, I Forgive You is “The Joke”. There’s nothing funny about the excellence that is “The Joke,” period. The under-appreciated and under-represented folks of the world have quite an anthem, which Carlile delivers with high-flying vocals and an indisputable authentic performance. On the aforementioned excerpt, Carlile magnificently captures the pressure that a more effeminate, less masculine male feels from the ‘stereotypical,’ close-minded world. Notably, Carlile also goes beyond the implied LGBTQ+ angle, referencing the plight faced by women in a man’s world on the second verse.

As masterful as the lyrics of the verses are, it’s the soaring chorus both vocally and instrumentally that seals the deal in all its glory.

“Let ‘em laugh while they can

Let ‘em spin, let ‘em scatter in the wind

I have been to the movies; I’ve seen how it ends

And the joke’s on them.”

“The Joke” has previously appeared on the playlist Recapping 40 Stunning Ballads from 2018, not to mention the aforementioned embedded link from the Music to Atone to playlist.

11. Ryan Beatty, “Camo”

Boy in Jeans • Boy in Jeans • 2018

“Camo print depression / I keep my feelings hidden / No pills, no thrills / I’m not used to winning / But that’s life, that’s life.” Openly gay rising pop artist Ryan Beatty is honest about love and sex throughout the course of his stellar, underrated debut album, Boy in Jeans. Boy in Jeans is an eclectic album, encompassing pop, R&B, and a dash of alternative. Clearly, he has knack for writing love songs about boys. Also, he knows how to express his feelings, as he does superbly on the set’s second single, “Camo”. As the aforementioned lyrical excerpt suggests, as a teen, Beatty tried to ‘blend in’ – play it straight if you will – despite being gay. Obviously, this affected him mentally, before living his truth.

In addition to the theme of the record, “Camo” benefits from fresh production that’s mysterious, slick, and urban-tinged. The beat helps “Camo” to stay afloat with its driving rhythm. Beyond the superb backdrop fueling him, Beatty sounds absolutely terrific. He blesses the track with a mixture of compelling, mid-range tenor and sweet falsetto. The results are a quirky, yet incredibly intriguing and personal record. “Camo” has appeared considerate playlist, 13 Awesome Songs That Highlight Mental Health.

12. King Princess, “Pussy Is God”

Pussy is God – Single • Zelig Music • 2018

“You know that it’s God, baby, when you’re around her / I’ve been praying for hours / You know that it’s God, baby, when you’re around her / She’s God and I’ve found her.” In 2018, genderqueer and gay artist King Princess joined the rank of musicians speaking on behalf of the LGBTQ+ community. She does so in risqué fashion on the distinctly-titled “Pussy is God”. The sound can be characterized as a soulful alternative-pop sound, anchored by a rhythmic beat. On this queer celebratory record, King Princess takes things a step further incorporating spiritual references blasphemously, and of course, private parts and sexual matters.

The first verse is a perfect example, where she sings:

“Your pussy is God and I love it

Gonna kiss me real hard, make me want it…

But I know you feel right so I’m coming.”

The memorable, innuendo-laden, risqué lyrics don’t stop there. On the second verse, she sings:

“…I’ve never been good at this nice shit

But I can try if you like it

It gets hard when you give a fuck

Get knocked down from some other love.”

The message regarding sexuality is loud and clear, not to mention an opportunity to make ‘private parts’ not so private – or at least sing about them openly. “Pussy is God” previously appeared on the playlist 15 Songs That Focus on Private Matters.

13. Years & Years, “Sanctify”

Palo Santo • Universal Music • 2018

British electro-pop band Years & Years brilliantly fuses sexuality and spirituality on “Sanctify”, the promo single from their 2018 album, Palo Santo.The production is bright, despite being set in a minor key (there are some major moments). Anchored by a beat fit for any hip-hop record, plus fine keyboard/synth work, the backdrop sets up Y&Y for a surefire bop. Adding to the glory, frontman Olly Alexander delivers exuberant, expressive vocals, filled with authenticity.

The chorus is the centerpiece, but there are numerous notable lyrics, including the following excerpt with a double meaning:

“You don’t have to be straight with me

I see what’s underneath your mask

I’m a man like you, I breathe the rituals of the dancer’s dance…”

The “straight” lyric is key, as Alexander, who is gay, was inspired with experiences with straight guys. In the linked article from Attitude, Olly asserts said straight guys were “struggling with their sexuality.” He touches upon issues of masculinity in regards to sexuality. “Sanctify,” hence, is a superb addition to the LGBTQ repertoire, as well as socially-conscious music overall.

14. Matt Fishel, “Bored of Straight Boys”

M/F • Young Lust • 2018

“And he can’t help himself from explaining / All the things he does to girls during sex.” Uh oh… We have an anti-straight boy anthem on our hands – nothing boring about that, right? Right! Matt Fishel isn’t feeling the actions and despicable attitude of straight guys. On the infectious chorus he proclaims, “And I’m so bored of straight boys / Who only wanna talk football, down alcohol, and hassle women.”

Fishel also incorporates same-sex references, including, “Somebody didn’t get enough bromance in as a teen, I suppose / Finally getting your chance to enjoy some same sex action with all of your bros.” And to all the straight boys out there, he’s “…Not calling all hetero boys out/…But we all know those bros who act like dickheads.” Colorful joint to say the least… maybe not for straight boys though. “Bored of Straight Boys” previously appeared on the playlists 8 Songs That Certainly Won’t Leave You Bored, 14 Songs That Are About Boys or Girls, and 100 Best Songs of 2018.

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15. Kacey Musgraves, “Rainbow 🌈”

Golden Hour • MCA Nashville • 2018

“Well the sky has finally opened / The rain and wind stopped blowin’ / But you’re stuck out in the same ol’ storm again…” Oh, what beautiful, beautiful lyrics, sigh. At the 61^st Annual Grammy Awards, Kacey Musgraves came out victorious, winning the highly-coveted, prestigious award for Album of the Year (Golden Hour). It was somewhat surprising, yet, critically, Golden Hour was one of the most beloved albums of 2018. A mellow, but well-rounded affair, there are a number of memorable songs, including the gorgeous, colorful ballad on hand, “Rainbow.”

The superb chorus, excerpted above, continues, “You hold tight to your umbrella / Well, darlin’, I’m just tryin’ to tell ya / That there’s always been a rainbow hangin’ over your head.” “Rainbow” doesn’t arrive until the end of Golden Album. Despite this, it caps off this fabulous affair incredibly meaningfully. This is among those totally can’t-miss, expressive piano ballads, period. Her voice, which is consistently ‘on-point’ throughout Golden Hour, is at its very best on “Rainbow.” This record, penned years before Golden Hour, was special to Musgraves – a favorite of her late grandmother’s. Furthermore, “Rainbow” has taken on a new, anthemic role in the LGBTQ community. Pretty cool, right? Arguably, this is one of Musgraves’ very best performances and songs of her career.

16. Ryan Beatty, “Cupid

Boy in Jeans • Boy in Jeans • 2018

“And when we get older / And y’all break up someday / And this is not a secret / Maybe then you’ll say you love me back / But until then I’ll be dreaming about that.” Breaking away from songs that explicitly feature ‘heart’ within their respective titles, “Cupid” still addresses the ‘bigger’ theme at hand – matters of the heart. Sweetening the excellence of “Cupid,” a standout from Boy in Jeans, is the fact that Ryan Beatty does a great job singing about boys. As aforementioned, Beatty is ‘out and proud’ with nothing to hide. “Cupid” finds him singing to a high school, closeted boy crush.

Filled with vocals featuring unique effects, he begins addressing his desires:

“He’s the only one on my mind

He’s the only one I call when I’m feeling reckless

Tell me that you’re mine.”

The second verse is particularly telling:

“Press your lips against my neck

With me you don’t pretend like you’re with your girlfriend

She’s nice but she’s not me

She’s nice but hates me

Date me, I’m just playing

Didn’t mean to say that…

But if you’re down, so am I

I can’t lie.”

“Cupid” has appeared on multiple playlists, including 15 Songs Where Guys Sing About Guys and 11 Awesome Valentine Songs for Every Day of the Year.

17. Janelle Monáe, “Pynk”

Ft. Grimes

Dirty Computer • Bad Boy • 2018

“Pynk, like the inside of your… baby.” Dirty Computer, the third album by eclectic R&B artist Janelle Monáe, is by far her boldest and most personal, with highlight “Pynk” leading the charge. On the verses, Monáe likens pynk to vagina, women in general, and feminism. The theme of the record – feminism and same-sex female attraction/love – earns more attention than the production and sound of the record, which is excellent in its own right. Dirty Computer comes off as Monáe’s coming out party – she officially came out as pansexual during the album rollout.

“Yeah, somethin’ like that

Owwww! Somethin’ like thar

Yeah, somethin’ like that

‘Cause boy, it’s cool if you got blue

We got the pynk.”

Dirty Computer serves as Monáe’s coming out party – she officially came out as pansexual during the album rollout. “Pynk” was selected as the third best song on the 100 Best Songs of 2018. It also appears on a pair of LGBTQ-themed lists: 15 Notable LGBTQ Songs From 2018, as well as the previous edition of this particular list.

18. Troye Sivan, “Bloom”

Bloom • Capitol • 2018

“And it’s true, baby / I’ve been saving this for you, baby.” Alternative pop musician Troye Sivan has been honest about his life as an openly gay man, highlighted by his superb debut album, Blue Neighbourhood. He continues such honesty and openness on “Bloom”, the title track from his sophomore album.

On the first verse, he takes us on a trip:

“Take a trip into my garden

I’ve got so much to show ya

The fountains and the waters

Are begging just to know ya.”

Following the first verse, the refrain provides more perspective as to where Sivan is going – He’s seems willing to bloom sexually. The innuendo is ‘out of the roof.’ Even though “Bloom” encompasses the physical, Sivan also highlights the emotions of the experience, which is what separates this from songs merely about empty sex. On the pre-chorus, he sings, “Hold my hand if I get scared now,” which represents vulnerability, a legitimate emotion associated with losing one’s virginity. On the chorus, Sivan exhibits dedication to his boyfriend, willing to ‘give it up’ because he truly ‘feels some type of way’ about him.

19. Dom McAllister, “Prospects”

Prospects [Single] • Dom McAllister • 2018

“I’m thinking that you want it / Sitting by the fire with your wet shirt in the dryer / Maybe you can make a move any minute.” Rising London R&B singer/songwriter Dom McAllister brilliantly showcases vulnerability on his authentic, honest & incredibly relatable 2018 single, “Prospects”. “Prospects” can be described as a “new freedom of expression for him – experiences with sexuality, anxiety, and the maelstrom of emotions that comes with it.”

“Got my patience on the line … / Boy or girl this time, man you can’t make up your mind / Your preference ain’t my business / But you leave me on the side it ain’t right.” There’s lots to love about “Prospects,” which is smooth and sensual in sound. Dom McAllister has a truly distinct voice, and he shines like a beacon throughout. Specifically, his performance is beautiful and intimate – it’s clear that he’s being authentic, honest, and incredibly open. Listening to his experiences with sexuality, he’s so highly effective in his delivery that you can personally feel the emotions that he’s conveying.

While Dom does awesome bearing his soul and exhibiting vulnerability that so many artists lack, he’s also pretty damn cool as well. He serves up the rhythmic melody on the second verse with a great swagger. The same can be said of the ‘pop-rap oriented’ sound of the bridge, clearly idiomatic of modern R&B and urban contemporary music. As cool as those two specific sections are, the meaningful, catchy chorus is where his ‘bread is buttered.’ The falsetto is on-point, while dropping the f-bomb only adds bite and intensifies the feelings he releases to the world.

“It’s not even about my fucking respect

The lack you give when you get lonely

Your place or mine, I’ll pick up this time

Pay me back, story of your life.”

20. Hayley Kiyoko, “What I Need”

Ft. Kehlani

Expectations • EMPIRE • 2018

Hayley Kiyoko, also nicknamed “Lesbian Jesus,” enlists Grammy-nominated, bisexual R&B singer Kehlani on “What I Need,” one of many highlights from her debut album, Expectations. The chorus is incredibly infectious, easily getting stuck in one’s head. Perhaps more important than the catchiness of the record is that it’s a perfect example of being fearless when it comes to sexuality. “When we’re alone, girl, you wanna own it,” Kiyoko sings on her verse.

21. ZEE MACHINE, “Brainchemistry”

Brainchemistry – EP • ZEE MACHINE • 2018

Brainchemistry marks the debut EP from up-and-coming California pop artist ZEE MACHINE. On the spirited, minor-key title track “Brainchemistry,” ZEE MACHINE asserts he can’t change the way he is wired. How is he wired exactly? Well, he’s gay, and nothing that anybody says is going to change that. Sounds sensible. This is a fast-paced, ‘out and proud’ anthem, and nothing’s gonna kill his vibe. To quote Adam Lambert, ZEE MACHINE doesn’t seem to give “Two Fux” what anybody thinks about him.

22. Brandi Carlile, “Every Time I Hear That Song”

By the Way, I Forgive You • Elektra • 2018

“By the way, I forgive you / After all, maybe I should thank you / For giving me what I’ve found / ‘Cause without you around / I’ve been doing just fine / Except for any time I hear that song…” Everybody knows that the crown jewel of By the Way, I Forgive You, the Grammy-winning 2018 album by Brandi Carlile, is “The Joke”. That said, opener “Every Time I Hear That Song” not only kicks off By the Way, I Forgive You with a bang, but there’s also a key LGBTQ+ element (more on that later).

The titular album lyric appears on the intriguing opener (excerpted above), encompassing a previous relationship. Apparently, the relationship was quite one-sided (“Because I gave you all I had and got the worst of you”), yet Carlile takes the high road, forgiving her ex. The titular lyric also has a deeper meaning, as Carlile, who is both a lesbian and Christian, forgives her pastor for not baptizing her as teen, due to her sexuality.

23. Matt Fishel, “I’m Totally Obsessed with Him”

M/F • Young Lust • 2018

“He’s in my heart, he’s in my lungs / He’s in everything that I touch / And I don’t know if I’m his salvation / But he feels like a savior to me.” That’s infatuation to the nth degree. Rock singer/songwriter Matt Fishel simply can’t stop thinking about this particular guy. Throughout “I’m Totally Obsessed with Him,” he keeps his feelings 100. On the first verse, Fishel asserts, “He wakes me up in a sweat on a Sunday morning / With the prettiest smile I think I’ve ever seen.” Later, in the same verse, he sings, “He’s just too beautiful to let out of my grip / That boy’s so damn perfect, all the other guys hate him.”

Expectedly, given the ‘obsession’, on the second verse, Fishel is even more descriptive, taking fan-boy to the next level. “He’s got that chiseled jaw and cute freckles on both of his cheeks,’ he sings, continuing, “How I ache when he’s dressed in that chest-hugging vest with his guns out.” Despite as thirsty as Fishel feels, he surprisingly doesn’t cross the line. Notably, “I’m Totally Obsessed with Him” previously appeared on the playlists 15 Songs Where Guys Sing About Guys and 14 He, She, Her, or Him Songs.

24. MNEK, “Tongue”

Language • Virgin • 2018

Rising English dance, pop, and R&B artist MNEK showcases massive potential on his utterly infectious single, “Tongue”. “Tongue” begins abruptly with MNEK showcasing the beauty of his voice. He possesses a gorgeous tone and a compelling falsetto, particularly on the pre-chorus section. A surprising change of pace occurs on the chorus, where he begins singing in his lower register, in somewhat tongue in cheek fashion. Ultimately, it’s this part of the song that’s the crowning achievement of “Tongue.”

“So, I’m putting both hands over my mouth
I can only hope nothing’s gonna come out
But there it is on the tip of my tongue
(I think I love you)
I think you’re the one.”

In the music video, MNEK is true to self, giving the visual a clear, unapologetic LGBTQ+ vibe.

25. Carlos Vara, “Numb”

Numb [Single] • Carlos Vara • 2018

“You fill me up to pour me up / You build me just to break me down.” “Numb” is the debut single by 20-year old, Nashville-based pop-soul newcomer, Carlos Vara. It blends old-school soul with some modern pop and urban contemporary trickery. Among the superb sounds are the vintage guitar chords, dusty, hard-hitting drums, a dash of trumpet, and synths. Narratively, Vara’s lover has him completely out of sorts.

With his expressive, robust pipes, he sums up his feelings, particularly on the chorus, the record’s centerpiece.

“You make me go numb

Hypnotized, I know it’s dangerous

Don’t speak, just make me come down.”

Discussing the viral success of “Numb,” Vara tells Patrick Crowley (Billboard):

“‘Numb’ is written in a way where it sounds very relationship-y, but it was really written at a time in my life when there were just so many emotions going on with a bunch of different relationships and I felt, well, numb to it all.”

26. cupcakKe, “Crayons”

Ephorize • cupcakKe • 2018

“Yeah, in conclusion, the gays ain’t losing / Like boomerang ‘cause I’m all about the movement.” CupcakKe is ‘one of a kind’ – there’s really no other way to describe the risqué, unapologetic rapper. On “Crayons,” she cools off her oft oversexed rhymes in favor of a truly respectable LGBTQ anthem. Perhaps “Crayons” isn’t amongst the most heavyweight anthems of “love is love,” but it successfully conveys a socially relevant message. This isn’t the first anthem by cupcaKke, who released “LGBT” back in 2016.

27. Hayley Kiyoko, “Curious”

Expectations • EMPIRE • 2018

Hayley Kiyoko shines on “Curious”, one of many standouts from her debut album Expectations. She is exuberant, sparkling in her upper register on the infectious pre-chorus. She follows up with incredibly rhythmic vocals on the chorus, where her attitude and feistiness are a pro. Sexuality plays a pivotal role here (and on Expectations as a whole), as Kiyoko is curious about a previous relationship with a girl who is now with a boy. This fun, well-produced record that builds a strong case for Kiyoko artistically.

28. Ezra Furman, “Suck the Blood from My Wound”

Transangelic Exodus • Bella Union • 2018

Gender-fluid rock musician Ezra Furman maintains something of cult-following. Self-described as a ‘Queer Outlaw Saga,’ Furman’s 2018 album Transangelic Exodus is incredibly underrated as well as incredibly special. “I woke up bleeding in the crotch of a tree,” Furman sings on phenomenal opening highlight, “Suck the Blood from My Wound.” Furman sings with incredible grit, delivering his concept of transangelicism.

“Blood on my angel’s lips blends with his make-up

… Peeling off bandages to unfold his wings

The doctors said they’d have to stay on for another three weeks

Fuck it baby, let ‘em bruise, let ‘em break

But bleed, let ‘em bleed.”

Sure, Furman has a concept in mind, but more relatable, “Suck the Blood from My Wound” encompasses body transformation, a prevalent social issue generally, and specifically to the trans community.

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29. Rita Ora, “Girls”

Ft. Cardi B, Bebe Rexha & Charli XCX

Phoenix • Atlantic UK • 2018

“I ain’t one-sided, I’m open-minded / I’m fifty-fifty and I’m never gonna hide it.” Perhaps, her heart was in the right place, but Rita Ora falls far short on her star-studded bisexually-driven anthem, “Girls” (Phoenix), which features Cardi B, Charli XCX, and Bebe Rexha. Typically, socially-charged songs, particularly those with a LGBTQ tilt, are applauded. That has NOT been the case with “Girls,” which has received widespread criticism. Does this record, also considered to be among the worst songs of 2018 deserve a spot on this list? It’s debatable, but to Ora’s credit, she is making a statement about sexuality, albeit poorly stated.

On the aforementioned Rita Ora excerpt from the first verse, she seems to be admitting that she’s bisexual, or at least not merely heterosexual. Charli XCX follows up with the pre-chorus encompassing a lesbian relationship, ménage trois, and kush – hmm. On the chorus, both admit, “I just wanna kiss girls.” Rexha joins on the second verse, focusing on same-sex attraction with Cardi B capping things off: “I steal your bitch, have her down with the scissor / Tonight, I don’t want a dog, I want a kitten.” Again, Ora and company oversimplify bisexuality, same-sex attraction, and sexuality in general. This is a misguided pop record through and through, that had it been executed properly, could’ve packed a mightier punch.

30. ZEE MACHINE, “If You Were My Boyfriend”

Brainchemistry – EP • ZEE MACHINE • 2018

“I could be your one and all / Pin you up against the wall / And I’d make you feel so safe and sound / Take your picture secretly / Make it dirty just for me / And I’d use it when nobody’s around.” Ooh la la – someone’s crushing hard! Brainchemistry (2018) marks the debut EP from rising California pop artist ZEE MACHINE. On the silky-smooth, urban-pop ballad “If You Were My Boyfriend,” ZEE MACHINE tells his potential man everything he’s willing to do to be a good partner to him. Clearly, he’s made mistakes, something he highlights on the bridge, where he delivers some of his best vocals. Here, despite ample flaws (a wandering eye and beyond), he ultimately believes, “If you were my boyfriend,” he’d be a better person and fully committed. Regardless where your sexuality lies, “If You Were My Boyfriend” is an incredibly relatable, superbly conceived record.

“If You Were My Boyfriend” previously appeared on the playlist 10 Alluring Boyfriend or Girlfriend Songs.

31. Ryan Beatty, “God in Jeans”

Boy in Jeans • Boy in Jeans • 2018

“God is real, he was sleeping in my bed last night / We were naked with the radio on / Played him my favorite song.” Ryan Beatty gets blasphemous on the chorus of “God in Jeans,” one of a countless number of highlights from his debut album, Boy in Jeans. Sorry God… but it’s difficult not to “yield to temptation” for this bop. “God in Jeans” features a sick, hard-hitting, soulful beat. This provides as a great anchor to the alt-pop/rock sound. Notably, it’s different from anything else on Boy in Jeans. Besides the aforementioned, there are more spiritual references on the verses including prayer, joy, preaching, and choir.

On the second verse, he seems to address both his boyfriend, and judgmental people as he sings, “Oh my God, you know I need ya / If I’m going to hell, I’m taking you with me.” There are Christians (not all) who don’t approve of homosexuality and consider it a ticket to hell. We don’t have a visual, unfortunately, but the boy definitely wears those jeans well – at least if we go by the audio. “God in Jeans” has appeared on numerous playlists including 15 Songs Where Guys Sing About Guys and God is in the Midst of These 11 Secular Songs.

32. Janelle Monáe, “I Like That”

Dirty Computer • Bad Boy • 2018

Janelle Monáe characterizes herself throughout the course of the soulful “I Like That”, among many highlights from her third studio album, Dirty Computer. On the verses, she paints a picture of eclecticism and nonconformity. On the second verse, she asserts, “Take a different type of girl to keep the whole world afloat.” There’s dualism about the particular lyric. In one token, Monáe is revealing more about her sexuality to the world. In another token, she simply seems to be asserting she’s a special, truly unique person who can’t be pigeonholed. On the pre-chorus, she continues this characterization, while she snarls on the chorus.

“And I like that

I don’t really give a fuck if I was just the only one

Who likes that

I never like to follow, follow around, the chase is on.”

33. Troye Sivan, “My My My!”

Bloom • Capitol • 2018

Troye Sivan has a winning record on hands with “My My My!” (Bloom), which is groovy, honest, and sexy. The record features sleek, modern production work, a sound that perfectly matches the low key, mid-register vocals of Sivan on the verses and pre-chorus. Despite the fact that Sivan keeps things ‘cool, calm, and collected,’ “My My My!” packs a punch. Lyrically and vocally, Sivan gives off a sexy vibe. On the first verse, he sings, “Don’t make me wait another day / ‘Cause passion is passion / You know it just as well as me.” He goes on to say, “Now, let’s stop running from love / Let’s stop, my baby.” The arrival point is the chorus, which amps up the energy level. He’s not one who opts for gospel histrionics, but still, his passion and authenticity are indisputable.

34. Hayley Kiyoko, “He’ll Never Love You (HNLY)”

Expectations • EMPIRE • 2018

Hayley Kiyoko, also known as “lesbian Jesus,” came out roaring on her debut album, Expectations. Throughout the course of Expectations, Kiyoko isn’t afraid to speak from a queer perspective. On “He’ll Never Love You (HNLY),” she encourages her ex-girlfriend to come back to her and ditch her boyfriend. While “He’ll Never Love You” isn’t particularly complex, it does shed light on a relevant bisexual or perhaps even “hetero-curious” situation.

35. Jesse Saint John, “FAKE IT”

FAKE IT – Single • We Are: The Guard • 2018

According to Out, Jesse Saint John, “that blonde L.A. wild child with a taste for bombast and badassery – has finally emerged with some music of his own.” Jesse Saint John, hence, takes the reins as a solo artist on the enjoyable, 80s-infused “Fake It”, his second career single. Providing further insight into the ‘decorated newbie,’ Billboard states Saint John “has collaborated with the likes of Britney Spears, Camila Cabello, Sia, and Charli XCX.” Decorated indeed.

“Fake It” commences enigmatically, before the 80s are reborn right before our eyes incorporating rhythmic synths, lush pads, and that signature, boxy drum programming. Even though 80s pop and new wave has a big influence, there are also some modern touches (808s), keeping things fresh. Overall, the sound is fitting for Saint John, who delivers relatively cool vocals, packing more punch on the chorus. “Fake It” is about vibe, and he slays in that department.

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36. Tyler, the Creator, “OKRA”

OKRA – Single • Columbia • 2018

We conclude this edition of the list with arguably the most controversial choice yet. For the most part, “OKRA” is a song that certainly doesn’t sound like it fits the LGBTQ bill in the least. Maybe it doesn’t, however, the third verse raises curious case of the potentially ambiguous sexuality of Tyler, the Creator.

Tyler seems to join the bandwagon in admiration for young, burgeoning, Academy Award-nominated actor, Timothée Chalamet.

“Tell Tim Chalamet to come get at me

Skin’ glowing, clear of acne.”

Looking back on his 2017 Grammy-nominated album, Flower Boy, he did admit to “kissing white boys.” Even with a fancy for Chalamet, he later references his “bitch mixed like jambalaya.” Perhaps he really is just complimenting Chalamet’s skin… who knows with Tyler. Regardless, isn’t it possible “Okra” dabbles in sexual fluidity, whether intentionally or merely for shock value?

37. Tove Lo, “bitches”

Ft. Charli XCX, Icona Pop, Elliphant & ALMA

Bitches – Single • Universal • Release: 2018

Swedish artist Tove Lo always seems to ‘push the envelope.’ A perfect example arrives via “bitches”, the seventh track from her 2017 album, BLUE LIPS (lady wood phase II). In 2018, Tove Lo returned with a remix of the record, featuring Charli XCX, Icona Pop, Elliphant, and ALMA. The song explores lesbianism (Tove Lo is bisexual). She starts things off bluntly with lines like “Know your own love, I don’t fuck with no glove” and “Let me be your guide when you eat my pussy out.” Charli XCX, drops in for the pre-chorus asserting, “All the girls stare at me, drop lip / Dripping in harmony, like Fifth.” Joined by Tove Lo, they deliver the ‘filter-less’ hook: “Bitches, I don’t trust ‘em / But they give me what I want for the night / Bitches, I don’t trust ‘em / But I tell ‘em and they do what I like.”

Icona Pop arrives for the second verse, ending with a bang: “So, baby, spread your legs, I’ll do the same, already cumming.” On the third verse, Elliphant and ALMA trade solo lines, while also performing alongside Tove Lo. So, what does one make of this blunt record? Depends on who you are, where you are, and what your perspectives are. What is clear is that Tove Lo isn’t afraid to speak about her sexuality and manages to get unique pop single out of it.

38. Ezra Furman, “Compulsive Liar”

Transangelic Exodus • Bella Union • 2018

“I’ve got one fatal flaw: I’m a compulsive liar.” Gender-fluid rock musician Ezra Furman delivered a masterpiece with Transangelic Exodus. Among the highlights is “Compulsive Liar,” the sixth song off the album On “Compulsive Liar,” Furman discusses about hiding and lying about his sexuality. Speaking about the act of lying and his feelings, he sings, “And I can trace the habit / To when I was eleven / And I thought boys were pretty / And I couldn’t tell no one.”

He continues to impart his story, singing about that “all-protective closet”:

“It opens at a young age:

That all-protective closet

Just lock the door

And settle in among the raincoats

The longer you stay in there

The More you’ll get distorted

The more contorted all your lies will have to be.”

Deep. Obviously, Furman’s solution is to be honest and tell the truth: “Stand up and turn the doorknob.”

39. Ryan Beatty, “Powerslide”

Boy in Jeans • Boy in Jeans • 2018

“He gave me pleasure underneath the water / And it felt so good / Now we’re power sliding till the flood spurts stop us…” Wow, the lust – or more accurately, the pleasure – is real for Ryan Beatty on “Powerslide”, a standout from his stellar, eclectic 2018 debut album, Boy in Jeans. The openly gay, former teen-pop artist is honest about love and sex throughout the album. The Fader says it best – “Ryan Beatty writes really good pop songs about boys.”

“Powerslide” plays up the soulful summer, West Coast vibes. It screams infatuation and sex, including the aforementioned ‘pool job’. On the second verse, he’s playful with words, while being explicit at the same time:

“Now we share a couple of cigarettes before we go to bed and you

Got the plastic

That’s fucking fantastic.”

Clearly, the relationship between Beatty and his boyfriend is LIT. Also, pretty ‘lit’ is the fact that “Powerslide” also appears on an incredibly powerful playlist, 10 Songs Overflowing with Power as well as the lustful 21 Songs That Dabble in Lust & Carnal Matters.

40. MNEK, “Crazy World”

Language • Virgin • 2018

“Crazy World” features unique, quirky, and somewhat gimmicky production. The record sounds different from the norm, keeping things both fresh and interesting. “Crazy World” features a busy groove, colorful synths, and epic backing vocals. MNEK delivers a fantastic vocal performance, sounding distinct, pure, soulful, and beautiful on this highlight from Language.

One of his best moments arrives on the third verse, where he not only delivers those sensational and expressive runs, but also speaks on the homophobia of a father towards his gay son:

“A father is disappointed by his son…

He’s told him that he’s in love with someone

Less her and more him

He’s coming out, he can’t keep it in.”

It is this specific verse that earns “Crazy World” a spot on Totally Awesome LGBTQ+ Songs Beaming with PRIDE. Even so, MNEK is a member of the LGBTQ+ community.

41. Jeff Carl, “Buried in New York”

Buried in New York [Single] • Jeff Carl • 2018

Jeff Carl is an eclectic singer/songwriter based in Nashville, Tennessee. Stylistically, his musical tastes encompass alternative, pop, ballad, acoustic, and more. On his single “Buried in New York”, Carl contributes another fine addition to a growing number of LGBTQ-oriented relationship songs. “Buried in New York” was premiered by Billboard Pride and features a compelling accompanying music video. Regardless of your sexuality, “Buried in New York” is relatable on a number of levels.

The record features moody vibes from the onset, embodying the heartbreak. A sound palette of electronic sounds – synths, pads, and keyboards – helps to construct the moody backdrop. Another pro is the thoughtful, memorable songwriting. Vocally, Jeff Carl stands out instantly with his beautiful, distinct tone. His approach helps to make the record captivating. He maintains poise throughout much of the record, avoiding histrionics, benefitting ultimately from his subtlety. He does bring more oomph towards the end of the record, intensifying the emotions.

42. Sufjan Stevens, “Mystery of Love”

Call Me by Your Name • Madison Gate • 2017

“Hold your hands upon my head / Till I breathe my last breath.” Sufjan Stevens is poetic throughout the course of “Mystery of Love,” a song appearing from the soundtrack to the Academy-Award-nominated film, Call Me by Your Name. Call Me by Your Name is a film depicting a gay coming of age story. Stevens performs in his usual hushed manner, depicting new love as well as the hardships and plights of love.

Clever throughout its course, some of the cleverest Sufjan Stevens lyrics occur in the second verse, which references Hephaestion and Alexander, the Great.

“Lord, I no longer believe

Drowned in living waters

Cursed by the love that I received

From my brother’s daughter

Like Hephaestion, who died

Alexander’s lover

Now my riverbed has dried

Shall I find no other?”

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43. Sam Smith, “HIM”

The Thrill of It All • Capitol • 2017

Much of The Thrill It All sounds familiar in regards to Sam Smith establishing a sound and vibe. “HIM” maintains that familiarity, but also exhibits a ‘different look.’ That different look goes beyond the high-flying, robust choral vocals backing him. Smith is both spiritual, praying to God, and opens up about his sexuality.

“Holy father, we need to talk / I have a secret that I can’t keep / I’m not the boy that you thought you wanted / Please don’t get angry, have faith in me.”

The message goes beyond Smith’s own status as a gay man; it’s all encompassing. This is crystal clear on the chorus.

“Don’t you try and tell me that God doesn’t care for us / It is him I love, it is him I love.”

44. Trey Pearson, “Love is Love”

Love is Love • Trey Pearson • 2017

Trey Pearson, the former frontman of Christian rock band Everyday Sunday, shocked the world when he came out as a gay man in 2016. Homosexuality is far more widely accepted than it once was, but the Christian/Christian music community is a bit of a different situation. Unsurprisingly, Pearson exited the band as well as left the Christian rock scene. According to a Huffington Post article written by Curtis M. Wong, Pearson states: “When I came out, I lost a lot of people in my life…I had to just completely start over and rebuild relationships and figure out my life as an out gay man.” Pearson may have had to rebrand and rebuild himself, but he certainly didn’t quit music. On November 17, 2017, he released his brief debut album, Love is Love.

“And I never believed before now / Maybe tonight we’ll find out / Don’t wanna leave / Can’t get enough / I know that love is love.” Title track “Love is Love” beams with pride for many reasons. Firstly, the song arrived on October 11, which is National Coming Out Day. Secondly, via his conversation with Billboard, Pearson describes the song as “an anthem celebrating the freedom to love each other, without fear, because all you need is love.” In the aforementioned Huffington Post article, regarding the music video for “Love is Love,” Pearson states, “I really wanted to capture the range of emotions I’ve felt in the past year… I felt like I was able to feel completely vulnerable.”

45. Logic, “1-800-273-8255”

Ft. Alessia Cara & Khalid

Everybody • Def Jam • 2017

With the release of the Grammy-nominated “1-800-273-8255” (Everybody), Logic released the biggest, heaviest, and most meaningful song of his career. What makes “1-800-273-8255” so heavy? The title is the phone number for the National Suicide Prevention Lifeline. Logic approaches the song as a progression, starting from the suicidal perspective, encouraging the suicidal person to embrace life, and the suicidal person coming to the desire to live. He’s assisted by an angelic Alessia Cara and Khalid, who provides the punctuation mark, as the suicidal person who’s seen the light. What’s the significance of the song, and suicide itself to the LGBTQ community? Suicide is a major issue. While the song doesn’t explicitly mention homosexuality or sexuality whatsoever, it’s a key component of the accompanying music video, which focuses on a black gay teen struggling with his sexuality. He contemplates suicide, but gets the proper help, as well as acceptance, a driving factor in his suicidal endeavors.

46. Tyler, the Creator, “Garden Shed”

Flower Boy • Columbia • 2017

Before there was “Okra”, there was a slow jam named “Garden Shed.” “Garden Shed” is a highlight from Flower Boy, the 2017 Grammy-nominated album by Tyler, the Creator. The record at hand is potential source suggesting that the rappers is/has coming out / came out. On the chorus, Estelle (famous for “American Boy”) provides potential imagery that hints at this: “Don’t kill a rose / Before it could bloom / Fly, baby, fly / Out the cocoon.” Later, Tyler seems to address his sexuality himself, without explicitly saying he’s gay, bisexual, or otherwise.

“Truth is, since a youth kid, thought it was a phase

Thought it’d be like the phrase; ‘poof,’ gone

But it’s still goin’ on.”

To quote Kacey Musgraves, “Follow Your Arrow”.

47. Halsey, “Strangers”

Ft. Lauren Jauregui

hopeless fountain kingdom • Astralwerks • 2017

Alt-pop artist Halsey, who is bisexual, tackled a lesbian relationship on her 2017 hit, “Strangers”, which appears on her sophomore album, Hopeless Fountain Kingdom. Its content is different from most of the songs featured on the album. Early on, it establishes itself as an LGBTQ song. On the first verse, she sings: “She doesn’t kiss me on the mouth anymore / ‘Cause it’s more intimate, than she thinks we should…”

The chorus confirms the LGBTQ tilt:

“Said that we’re not lovers, we’re just strangers

With the same damn hunger

To be touched, to be loved, to feel anything at all.”

Lauren Jauregui, a member of Fifth Harmony (also bisexual), similarly shares her side of the story on the second verse. Both unite on the bridge:

“I miss the mornings with you laying in my bed

I miss the memories replaying in my head

I miss the thought of a forever, you and me

But all you’re missing is my body.”

48. Superfruit, “GUY.exe”

Future Friends • RCA • 2017

Both members of Superfruit, Mitch Grassi and Scott Hoying – also members of Pentatonix – are openly gay. Notably on “GUY.exe.,” Mitch and Scott fearlessly lay out what they look for in the perfect MAN. More and more, pop music has become more open-minded, exploring beyond exclusively heterosexual love scenarios. What stands out about “GUY.exe.” is that essentially, Superfruit looks for some of the same characteristics as the heterosexual crowd.

“Oh I, wish I could synthesize

A picture perfect guy

Oh I, oh I

Six feet tall and super strong

We’d always get along

Alright, alright

Oh, he’d pick me up at eight

And not a minute late

Cause I don’t like to wait, no

Kind and ain’t afraid to cry

Or treat his momma right

That’s right, that’s what I like.”

49. Young M.A., “OOOUUU”

Herstory • M.A Music • 2017

Normally, a rap song titled “OOOUUU” doesn’t seem fitting to appear on a serious, socially-conscious playlist. However, when the respective rapper is a member of the LGBT community and is unafraid to show it, it amplifies the significance of said song. Young M.A., who is openly gay, raps about sexual endeavors numerous times throughout the course of this banger.

She’s as bold with sexual references directed towards women, as her male counterparts are.

“Baby gave me head, that’s a low blow

Damn she make me weak when she deep throat

I need a rich bitch not a cheap ho

They be on that hate shit, I peep though.”

There’s also this:

“If that’s your chick, then why she texting me?

Why she keep calling my phone speaking sexually

Every time I’m out, why she stressing me?

You call her Stephanie? I call her Head-phanie (OOOUUU).”

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50. Declan McKenna, “Paracetamol”

What Do You Think About the Car? • Columbia • 2017

“Paracetamol” is arguably most moving song from What Do You Think About the Car? the debut album by British singer/songwriter Declan McKenna. Situational, numerous relevant topics are covered throughout the song, including suicide.

“…A boy, fifteen with a gun in his hand / And the people with no audience say should be hanged /…A girl, fifteen, with her head in a noose / because she’s damned to live, well she’s damned to choose.”

The significance of the girl leads to the subject of love, which takes on a number of meanings contextually, including acceptance, embracement, and various relationships. “Paracetamol” was influenced by the death of Leelah Alcorn, an Ohio transgender teen whose story affected the world. This record is aimed at building respect and acceptance of the LGBT community. Paracetamol is a pain reliever. McKenna seeks to ease the pain of a troubled community.

51.Caleb De Casper, “Good Boy”

Good Boy – single • Caleb De Casper • 2017

“Tell me I’m the only one who can make you scream / When we’re lying underneath the sheets and you’re not being mean.” Caleb De Casper is a songwriter, performing/recording artist based in Austin, Texas who blends ‘horror cabaret’ and ‘full-band theatrical glam rock.’ For his colorful single “Good Boy”, De Casper has a clear set of objectives he wants the listeners to takeaway. Among those objectives is the concept of the song. According to De Casper, “the lyrics tell the story of a fatal same-sex attraction.” Lyrically, he accomplishes his tale, with nuanced vocals to match.

The Fatal Attraction hits listeners early on in the first verse, as De Casper sings:

“Tell me I’m the only one, who can turn you on

Even though we always ride around with your feelings off.

Tell me I’m the only one who can light your fire

Even though the way that you act, leaves my matches tired.”

Killed it. That obsessiveness continues on the second verse, growing more intense and suggestive. He brings it all together on the chorus, which is infectious…in a somewhat creepy, sort of way!

“I can be your good boy (I can be your good boy)

You make me a bad boy (you make me a bad boy).”

52. Frank Ocean, “Chanel”

Chanel – Single • Blonded • 2017

From the start of “Chanel”, Frank Ocean keeps it real, referencing sexuality, specifically, bisexuality: “My guy pretty like a girl / And he got fight stories to tell / I see both sides like Chanel / See on both sides like Chanel.” Before releasing Channel Orange in 2012, Ocean revealed he was bisexual, a rarity in hip-hop music and culture. Here, he is comfortable sharing his sexual preferences, likening it to Chanel. There are more references to sex as well, particularly the male member (catch the drift?).

“Dick could roll the eyes back in the skul

Rolling when you ride, poppin’

Rolling when you ride

Ride the Rodman

Got one that’s straight acting

Turnt out like some dirty plastic.”

The most fascinating part of the aforementioned is the reference to roles in the gay community (‘straight acting’). His boyfriend is gay, but publicly presents himself as a straight male. In addition to his sexuality, Ocean also references cars and his career. “Chanel” is most powerful because it is personal, finding Ocean sharing his innermost thoughts and philosophies.

53. Kevin Abstract, “American Boyfriend”

American Boyfriend: A Suburban Love Story • QUESTION EVERYTHING, INC. / EMPIRE • 2016

“Burn bridges, American boyfriend / No one knows, no one calls home / American boyfriend.” Kevin Abstract is best known as a member of hip-hop collective, BROCKHAMPTON. That said, prior to the breakout success of the band (IRIDISCENT), and even before the three SATURATION LPs, Abstract released a solo album, American Boyfriend: A Suburban Love Story, in 2016. Also, worth noting, Abstract is out and proud, and doesn’t shy away from referencing his sexual orientation. Fittingly, we include “American Boyfriend,” the title track, and 14^th overall track from American Boyfriend: A Suburban Love Story.

“American Boyfriend” definitely doesn’t sound like your stand urban contemporary record. The sound of this slow jam is idiomatic of alternative R&B, incorporating elements of alternative rock. Safe to say, the record is very much a vibe. Lyrically, Kevin Abstract keeps things simple, yet, there’s another level of complexity given the effect sexuality has on his career and life. On the second verse, which references dying, Abstract asserts, “My parents wanna kill me, let them kill me / I’ll finally be on TV.” He never says it outright on this record, but clearly, it’s a reference to his parents’ disapproval of homosexuality. “American Boyfriend” previously appeared on the playlists 15 Must-Hear, All-American Songs and 10 Alluring Boyfriend or Girlfriend Songs.

54. Tyler Glenn, “G.D.M.M.L. GRLS”

Excommunication • Island • 2016

“Gay’s not a challenge that I’ll overcome / Not a thing to be tolerated / If I kiss a boy, I’m gonna kiss, that cool? / Am I fucking up your day? Now that’s just rude…” “G.D.M.M.L. GRLS” (Excommunication) definitely sounds like something that Neon Trees frontman Tyler Glenn needed to get out of his system. He gets personal about his sexuality and the hurdles associated with it. This heavily produced, intense record, showcases Glenn’s disillusionment with the Mormon church, who denounce homosexuality.

On the chorus, he asserts inability to change his sexual preference:

“I keep on hearing evil voices, voices

… They keep on messing with my choices, choices

… God didn’t give me alternative, no

When she put me on the earth

God didn’t make me like girls…”

Numerous churches and religions denounce homosexuality. Many cite Biblical text as the source, with Sodom and Gomorrah leading the charge. Swap out Mormonism for various religions or communities, and homophobia occurs. His message resonates with numerous members of the LGBT community, and others.

55. Alicia Keys, “Where Do We Begin Now”

Here • RCA • 2016

“How many know this love song? / How many times it goes wrong?” Unfortunately for Alicia Keys, her sixth LP, HERE, didn’t exactly ignite up the charts. Nonetheless, the album has some compelling moments, including her socially-conscious “love is love” anthem, “Where Do We Begin Now.” Perhaps another socially-conscious gem, “Blended Family (What You Do for Love)” drew attention away from “Where Do We Begin Now,” which is clearly about a same-sex relationship. “What they gon do ‘cause we the same sex? / And we spendin’ all this time / This could be the love we ain’t made yet…”

Keys goes on to place emphasis on the love that ultimately, “feels right”:

“I had a dream about you last night

Then it kinda blow my mind

All I really know is that it feels right

And I gotta live my life.”

56. Tegan and Sara, “Boyfriend”

Love You to Death • Warner Bros. • 2016

Twin sisters Tegan and Sara are both openly gay. On “Boyfriend,” the duo is able to maneuver the heterosexual pop world, while making a notable statement in LGBTQ circles. “Boyfriend” seems cliché from the surface, built on platitudes that have been lyricized for years. However, given the homosexuality of Tegan and Sara adds a deeper, more meaningful social message. The messaging entails a numerous scenarios encompassed within the LGBT community: relationship roles (best friend vs. boyfriend or girlfriend) and balancing the transition from hetero- to homosexuality. Hence, it explores closeted vs. being out of the closet.

“You treat me like your boyfriend

And trust me like a… like a very best friend

You kiss me like your boyfriend

You call me up like you want your best friend

You turn me on like you want your boyfriend

But I don’t want to be your secret anymore.”

Ultimately, “Boyfriend” paints a picture of unfairness within relationships. One person is undecided on being “in” or “out,” toying with the feelings of person who’s “in” but being wronged. Complicated!

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57. Tyler Glenn, “Devil”

Excommunication • Island • 2016

“Sunday mornings make me nervous / They don’t feel like they used to feel / My religion feels wrong, but I can’t tell my mom / I’m afraid that my words would kill.” Cutting to the chase, Tyler Glenn was pretty pissed off on his debut solo album, Excommunication. The album focused on his break with the Church of Jesus Christ of Latter Day Saints, aka the Mormon Church. The main reason for this break was Glenn’s homosexuality. Disappointed by being unaccepted by the church as a gay man, naturally, he left. One of the biggest instances of his newfound skepticism towards religion comes at the end of Excommunication, “Devil.”

“I think I still believe in Jesus

He’s a friend when I choose to pray

But my demons get me high, ‘til I’m burning all the time

Yeah, they never wash my sins away.”

One never gets the impression that Glenn is an atheist now – there’s still something there. But, he has clearly lost faith.

“I swear I still believe in something

But I couldn’t pray the gay away.”

58. Halsey, “New Americana”

Badlands • Astralwerks • 2015

On “New Americana,” Halsey paints a portrait that doesn’t look like your parents’ America: “We are the new Americana / High on legal marijuana / Raised on Biggie and Nirvana / we are the new Americana.” Beyond marijuana and gangsta rap, she tackles same-sex marriage, breaking stereotypes.

“Young James Dean, some say he looks just like his father

But he could never lover somebody’s daughter

Football team loved more than just the game

So he vowed to be his husband at the altar.”

A good-looking dude on the football team who is also gay and eventually marries a guy? All part of “The new Americana.”

59. Steve Grand, “All-American Boy”

All American Boy • Grand Nation • 2015

A male country artist who is gay? Do those even exist? Yes, there are, and they have nothing to be ashamed of. In this case, the openly gay country musician we are referencing is the hunky Steve Grand. Grand did something that no mainstream country artist would dare do – he recorded a same-sex love song, “All-American Boy,” released in 2013. “All-American Boy” would eventually appear on his 2015 album, All-American Boy.

Love songs are commonplace in country music, where hunky male artists sing about wooing girls. While Grand has the “hunky” part covered, the fact that the object of his affection is a male shocked the world at the time: “Ripped jeans, only drinks whiskey / I find him by the fire while his girl was getting frisky, oh / I say we go this road tonight…” All said and done, the one thing that truly separates “All-American Boy” from any other country love song is sexual preference. Few country songs address the LGBTQ community. Grand filled a gap and initiates the discussion. He does a damn good job of doing so too.

“Be my all-American boy tonight

Where every day’s the fourth of July

And it’s alright, alright

And we can keep this up ‘til the morning light

And you can hold me deep in your eyes

It’s alright, alright

So be my, be my

My all-American boy.”

60. Demi Lovato, “Cool for the Summer”

Confident • Hollywood / Island • 2015

“Tell me what you want / What you like / it’s okay / I’m a little curious too…I can keep a secret, can you?” Open-minded pop star Demi Lovato courted some controversy (for lack of a better word) with her hit single, “Cool for The Summer.” What makes the record bold are references to bi-curiousness and lesbianism, insinuated in the aforementioned lyrics.

The lustfulness is clear, with a reference to “cherry” fueling the same-sex tilt.

“Got my mind on your body and your body on my mind

Got a taste for the cherry, I just need to take a bite.”

The chorus continues the curiousness:

“Take me down into your paradise

Don’t be scared, cause I’m your body type

Just something that we wanna try

Cause you and I

We’re cool for the summer.”

“Cool for the Summer” brings light to the existence of a sexual spectrum that goes beyond being exclusively straight, exclusively gay, or bisexual. Interestingly, there’s a Purple-Red Scale for determining sexuality. Since it’s only “cool for the summer,” clearly Lovato considers this to be a fling as opposed to a serious relationship. Nonetheless, a sexually awakening experience.

61. Troye Sivan, “BITE”

Blue Neighbourhood • Capitol • 2015

“Don’t you wanna see a man up close? / A phoenix in the fire.” Troye Sivan delivered a gem with his debut album, Blue Neighbourhood. Blue Neighbourhood masterfully captures his experiences as a gay male coping with being different. One of the most distinct records is “BITE,” which literally has a bite about it, sounding suspect. According to an interview with Pop Buzz, Sivan stated, “‘BITE’ is about my first time in a gay club.” He goes on to describe the chaotic atmosphere, asserting he “wanted to capture the chaos”: “… [I was] taken aback by the sticky floor, the shirtless men, and everything else.”

Lyrically, “BITE” grows progressively sketchier.

“The rapture in the dark puts me at ease

The blind eye of the storm

Let’s go for a walk down Easy street

Where you can be reborn.”

“BITE” is a statement about losing virginity in regards to a life experience. For Sivan, it marks a rite of passage in his life as a gay man – another part of his sexual awakening. It parallels a number of first experiences.

62. A Great Big World, “Hold Each Other”

Ft. Futuristic

When the Morning Comes • Epic • 2015

“Hold Each Other” isn’t the first foray into LGBTQ related songs for A Great Big World. On debut album Is There Anybody Out There? the pop duo dropped “Everyone Is Gay”. Although corny, the song came from a good place. “Hold Each Other” is more meaningful, particularly for Chad King, who is gay.

King embraces his sexuality on the second verse, fearlessly using the pronoun he.

“Everything looks different now

All this time my head was down

He came along and show me how to let go…

Something happens when I hold him

He keeps my heart from getting broken.”

Playing devil’s advocate, perhaps “Hold Each Other” makes a subtle statement. BUT, the statement is notable considering the few instances in pop references same-sex male relationships.

63. Troye Sivan, “Heaven”

Ft. Betty Who

Blue Neighbourhood • Capitol • 2015

Throughout his 2015 debut album, Blue Neighbourhood, South African born, Australian-bred pop musician Troye Sivan showed off indisputable talent as well as an authentic peek into his world. “Heaven,” featuring Betty Who is among the deepest songs from Blue Neighbourhood. It reeks of vulnerability, finding Sivan questioning his sexuality and salvation. “Without losing a piece of me / How do I get to heaven,” he sings on the chorus, continuing, “Without changing a part of me / How do I get to heaven?”

Thematically, this is something of a grey area in music – how many songs have been written about this emotion or issue? It’s often discussed, but to be portrayed musically, it’s fresh and definitely piques both brain and heart. “Heaven” has previously appeared on the playlists 13 Songs Associated with Heaven and/or Paradise and 18 Songs About Angels & All Things Angelic.

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64. Hozier, “Take Me to Church”

Hozier • Columbia • 2014

“Take Me to Church” was a no. 2 hit on the Billboard Hot 100. Furthermore, the song was nominated for the Grammy for song of the year. Listening emptily, it’s easy to see why it was a massive hit. Who doesn’t enjoy a song that references sex? Considering the depth of its subject matter analytically, it’s almost unbelievable it achieved the commercial accolades it did. In a NY Mag interview, The Irish singer/songwriter describes the song as being about sex, humanity, and disdain for the church “teaching shame about sexual orientation.”

The lyrics of the song confirm those strong feelings:

“My church offers no absolutes

She tells me ‘worship in the bedroom’

The only heaven I’ll be sent too

Is when I’m alone with you.”

Furthermore, in the interview, he tackles the influence of church in Ireland, and homophobia in Russia. Key lyrics, such as “We were born sick, you heard them say it,” confirms this. Throughout its course, “Church” amplifies blasphemous references to make a statement. Ultimately, that statement is that all humans, regardless of sexuality, should be able to love and be with whomever they’d like.

65. Mary Lambert, “Secrets”

Heart on My Sleeve • Capitol • 2014

Singer/songwriter Mary Lambert doesn’t give a flip about “Secrets”: “I don’t care if the world knows what my secrets are.” Lambert is honest about her status in life and the world. Rather than hide her problems, quirks, and personal matters, she embraces and shares them, going against the grain.

“They tell us from the time we’re young

To hide the things that we don’t like about ourselves

I know I’m not the only one

Who spent so long attempting to be someone else / Well, I’m over it.”

She’s blunt about her sexuality, asserting on the second verse, “I can’t think straight / I’m so gay.” “Secrets” isn’t explicitly about the LGBT community, but the messaging is applicable, specifically in reference to the closet.

66. Sam Smith, “Lay Me Down”

In the Lonely Hour • Capitol • 2014

On In the Lonely Hour, Sam Smith dabbles in the plight called love, specifically unrequited love. Openly gay, he implies his sexuality throughout the album. Understanding his perspective, it fills in the blanks for the listener, revealing a larger significance. On “Lay Me Down,” Smith is particularly devastated. His love is gone, and he misses everything about him.

“Told me not to cry when you were gone

But the feeling’s overwhelming, it much too strong.”

He tugs at the heartstrings on the chorus. It’s relatable to anybody who’s experienced heartbreak:

“Can I lay by your side, next to you, you?

And make sure you’re alright

I’ll take care of you

I don’t want to be here if I can’t be with you tonight.”

The music video amplifies the significance from the LGBTQ perspective. Initially set as a funeral, it ends in a same-sex marriage at a London church. The Church of England is notably divided about homosexuality. The funeral scene seems to be symbolic – subject to interpretation. Perhaps Smith lays his past to rest and embraces the present. Perhaps it represents the death of the old guard and birth of the new – freedom to marry whoever. Regardless, he makes a statement which serves as a catalyst for conversation, debate, and discussion.

67. Against Me!, “True Trans Soul Rebel”

Transgender Dysphoria Blues • Total Treble • 2014

On “True Trans Soul Rebel,” a highlight from Transgender Dysphoria Blues, frontwoman Laura Jane Grace is frank about being transsexual, best evidenced by the refrain: “Who’s gonna take you home tonight? / Who’s gonna take you home? / Does God bless your transsexual heart, true trans soul rebel?” If the refrain wasn’t confessional enough, the bridge highlights Grace’s feelings of being ‘built wrong’ essentially: “You should’ve been a mother / You should’ve been a wife / You should’ve been gone from here years ago / You should be living a different life.” Heavy, yet rocking, “True Trans Soul Rebel” is nothing short of awesome.

68. Perfume Genius, “Queen”

Too Bright • Matador • 2014

“No family is safe / When I sashay.” Perfume Genius delivers quite the LGBTQ gem with “Queen,” the second track off his 2014 album, Too Bright. Thematically, the lyrics encompass fierceness as well as false, often homophobic perceptions of the gay community. On the first verse, he references AIDS and its perceived connection to the LGBTQ community, singing, “Don’t you know your queen? / Cracked, peeling / Riddle with disease / Don’t you know me?” On the second verse, he seems to reference Silence of the Lambs, ‘Don’t Ask, Don’t Tell’, and perceived negative gay influence. Clearly, “Queen” is a must-hear.

69. Arcade Fire, “We Exist”

Reflektor • Arcade Fire • 2013

Much ado was made about “Reflektor”, the title track from the fourth studio LP by Arcade Fire. “We Exist,” however, features the more transcendent message. According to the band, “We Exist” “is a reaction to [Jamaica’s] notoriously antigay culture.” It’s taken from the perspective a boy who realizes he’s different (gay). He struggles with acceptance from the world and fears the reaction of his father.

“But we exist

Daddy it’s true

I’m different from you

But tell me why they treat me like this?

If you turned away

What would I say?

Not the first betrayed by a kiss.”

His father’s reaction seems supportive, giving his son sound advice:

“Maybe it’s true

They’re staring at you

When you walk in the room

Tell ‘em it’s fine

Stare if you like.”

The protagonist goes on to depict discrimination. Still, he’s most concerned about losing his father’s support. While Jamaican homophobia is the inspiration, the scenario is unspecific ultimately. Homophobia exists throughout the world; it’s a cruel, unfair reality within the LGBTQ community. The accompanying music video received plenty of criticism. Laura Jane Grace led the charge, criticizing Andrew Garfield for playing a transgendered person.

70. Kacey Musgraves, “Follow Your Arrow”

Same Trailer Different Park • Mercury • 2013

Country music is among the least tolerant musical genres in regards to the LGBTQ community. Even so, neo-traditionalist country artist Kacey Musgraves gives a liberal, open-minded spill on “Follow Your Arrow.” In effect, she embraces “YOLO”. Before delivering a ‘bullet’ about sexuality, she opens the record brutally honest in reference to pre-marital sex.

The chorus grows more progressive:

“So, make lots of noise

Kiss lots of boys
Or kiss lots of girls if that’s something you’re into
When the straight and narrow gets a little too straight

Roll up a joint, or don’t

Just follow your arrow wherever it points…”

Unsurprisingly, it created a stir upon its release. Regardless, Musgraves claims that her fan base has embraced it. Apparently, the record wasn’t controversial initially, but expanded to include the bi-curious, lesbian reference.

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71. Panic! At the Disco, “Boys/Boys/Girls”

Too Rare to Live, Too Young to Die • Fueled by Ramen • 2013

Brendon Urie and Panic! At the Disco delivered one of his most risqué singles of its career with “Girls/Girls/Boys.” The single, not to mention Urie’s revelation of sexual experimentation caused the media to incorrectlyhim as bisexual. He isn’t a gay or bi-, but he’s onboard with the freedom to be and do what you’d like.

“Girls/Girls/Boys” embraces bisexuality, from a girl’s perspective:

“And never did I think that I

Would be caught in the way you got me

But girls love girls and boys

and love is not a choice.”

Later on, Urie admits to interfering with his love interest’s preferences:

“I’m just a villain vying for attention from a girl

A girl who can’t decide

And here’s the reason why

Girls love girls and boys.”

While he proclaims himself as the villain in this case, he’s ultimately thinking bigger. Since “Girls/Girls/Boys” is bisexual anthem, he suggests those interfering with people choosing who to love – judgmental or otherwise – are the villains. Also, worth mentioning, Brendon Urie came out as pansexual in 2018.

72. Sara Bareilles, “Brave”

The Blessed Unrest • Epic • 2013

“And since your history of silence / Won’t do you any good / Did you think it would? / Let your words be anything but empty / Why don’t you tell them the truth.” “Brave” (This Blessed Unrest) is among the most inspirational songs on this list. It was specifically written about coming out. It’s not about Sara Bareilles coming out, but a friend, according to The Huffington Post. Regardless, it’s an anthem applicable to any number of situations.

“Say what you wanna say

And let the words fall out

Honestly, I wanna see you be brave.”

Beyond the aforementioned chorus, the verses yield their own fair share of uplifting, empowering lyrics of overcoming adversity:

“Everybody’s been there

Everybody’s been stared down by the enemy

Fallen for the fear

And done some disappearing…maybe there’s a way out of the cage where you live

Maybe one of these days you can let the light in

Show me how big your brave is.”

73. Frank Ocean, “Thinkin Bout You”

Channel Orange • Def Jam • 2012

Frank Ocean took a risk coming out as bisexual during the run of 2012 debut LP, Channel Orange. The black community is a work in progress in regards to LGBTQ friendliness. Ocean didn’t suffer in the least commercially. Channel Orange went on to be nominated for the Grammy for album of the year. One of the reasons for its success was single “Thinkin Bout You.” “Thinkin Bout You” straddles a line. Without knowledge of Ocean’s sexuality, the naïve listener won’t necessarily pick up any LGBT references.

Explicitly, there’s just one, and it’s relatively subtle:

“My eyes don’t shed tears, but boy, they pour when… I’m thinkin’ ‘bout you…do you think about me still?”

“Thinkin Bout You” is about being in love for the first time and for Frank Ocean, that experience occurred with a guy.

“Yes of course I remember, how could I forget how you feel?

You know you were my first time, a new feel…”

74. Macklemore & Ryan Lewis, “Same Love”

Ft. Mary Lambert

The Heist • Macklemore • 2012

Rap music isn’t the go-to for LGBTQ friendly music. Arguably, hip-hop is less receptive than country music. Macklemore & Ryan Lewis, with the help of gay singer/songwriter Mary Lambert, aimed to shift the perception with “Same Love.” Macklemore isn’t gay but supports the LGBTQ community wholeheartedly.

“For those that like the same sex had the characteristics

The right-wing conservatives think it’s a decision

And you can be cured with some treatment and religion

Man-made, rewiring of a predisposition, playing God.”

Throughout the song, he references the fears that folks have about same-sex relationships and how hip-hop is on the wrong-side of the issue.

“America the brave still fears what we don’t know

And ‘God loves all his children’ is somehow forgotten

But we paraphrase a book written thirty-five hundred years ago

I don’t know.”

Lambert locks down “Same Love” on the hook, specifically the lyric, “She keeps me warm.” Interestingly, Lambert – who appears earlier on this list – has her own expansion of “Same Love,” “She Keeps Me Warm”.

75. Marsha Ambrosius, “Far Away”

Late Nights & Early Mornings • J • 2011

Lyrically, “Far Away” tackles suicide. In the context of the song, there aren’t any direct references to homosexuality. What the listener takes away is that Marsha Ambrosius is heartbroken after her friend commits suicide. As sad as the situation is, “Far Away” finds Ambrosius depicting her emotions in the aftermath. The accompanying music video takes things a step further, incorporating homosexuality and homophobia.

The homophobic component drives the male to commit suicide.

“If I had known Sunday morning, that you would be gone

I would’ve never come home

I wouldn’t have answered my phone to hear the voice had a tone

I knew that something was wrong

The cop’s the one who had told me that you were alone inside

An empty room

Identified you as my baby

Oh my baby, so far away.”

What further amplifies the significance of the video is the use of black characters. Homophobia is more pronounced in the black community, so Ambrosius took a bigger risk with “Far Away” given the storyline and social implications. A Think Progress article (from February 2016) by Zack Ford suggests black homophobia is a myth, based on a Public Religion Research Institute survey.

76. Lady Gaga, “Born This Way”

Born This Way • Interscope • 2011

Lady Gaga says it best at the top of “Born This Way”: “It doesn’t matter if you love him, or capital H-I-M / Just put your paws up / ‘Cause you were born this way.” Ultimately, “Born This Way” is an anthem that celebrates every person being special, regardless of sexual preference or otherwise.

“I’m beautiful in my way / Cause God makes no mistakes / I’m on the right track, baby / I was born this way / Don’t hide yourself in regret / Just love yourself and you’re set / I’m on the rick track baby / I was born this way.”

77. Rise Against, “Make It Stop (September’s Children)”

Endgame • DGC • 2011

“Make it stop / Let this end / Eighteen years pushed to the ledge / It’s come to this a weightless step / On the way down singing / whoa, whoa.” Punk-rock band Rise Against heavy and serious on “Make It Stop (September’s Children).” On this standout from 2011 album Endgame, frontman Tim McIlrath stands up against bullying, specifically in regards to homosexuality, that ultimately leads far too many kids to commit suicide. Clearly, he encourages those feeling like it’s not worth living to stay strong – It gets better.

“It’s always darkest just before the dawn
So stay awake with me, let’s prove them wrong.”

By the end, the new day with new hopes has come to pass.

“Make it stop

Let this end

This life chose me, I’m not lost in sin

And proud I stand, of who I am

I plan to go on living.”

[Photo Credits: 604, Arcade Fire, Astralwerks, Atlantic, Bad Boy, Bella Union, Blonded, Boy in Jeans, Caleb De Casper, Capitol, Carlos Vara, Columbia, Cub Sport, cupcakke, Def Jam, DGC, Dom McAllister, Elektra, EMPIRE, Epic, Fueled by Ramen, Grand Nation, Hollywood, Interscope, Island, Jeff Carl, M.A. Music, Macklemore, Madison Gate, Matador, MCA Nashville, Mercury, Myylo, Pexels, Pixabay, Polydor, QUESTION EVERYTHING INC. / EMPIRE, RCA, Total Treble, Trey Pearson, Universal, Virgin, Warner Bros., We Are: The Guard, Young Lust, ZEE MACHINE, Zelig Music]

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