â13 Songs Associated with Heaven and/or Paradiseâ features music courtesy of Bazzi, Bruno Mars, Khalid, Julia Michaels, and MARINA.Â
Folks who subscribe to Christianity or Catholicism believe in an afterlife following physical death. Those who arenât too keen on religious things tend to believe that nothing happens. Regardless of your stance, the afterlife has been covered throughout musically historically, and remains a prevalent topic in the 2010s. Hell (no pun intended), weâve covered the afterlife and things associated with it on a number of playlists on The Musical Hype, including 11 Songs That Explore the Afterlife, Inferno: 13 Songs Representing the 9 Circles of Hell, and 18 Songs About Angels & All Things Angelic.
13 Songs Associated with Heaven and/or Paradise focuses specifically on the most coveted afterlife destination. Yeah, itâs a âhellâ of a lot more celestial than hellâŠsomething like that. 13 Songs Associated with Heaven and/or Paradise features music courtesy of Bazzi (âParadiseâ), Bruno Mars (âLocked Out of Heavenâ), Khalid (âParadiseâ and âHeavenâ), Julia Michaels (âHeavenâ), and MARINA (âHandmade Heavenâ) among others.
1-2. Khalid, âParadiseâ & âHeavenâ
Free Spirit âą RCA âą 2019
After wowing with his debut album, American Teen in 2017, and tiding over fans with his EP, Suncity in 2018, Grammy-nominated R&B artist Khalid returned with his sophomore LP, Free Spirit. Given the uniqueness of his instrument, it was unsurprising that Free Spirit was a highly-anticipated album release. While Free Spirit lacks the âfree-spiritednessâ that its title or 21-year old singer touts, it delivers too âheavenlyâ moments, perfectly suited for this playlist: âParadiseâ and âHeaven.â
âYou go searching for paradise / You sit back and close your eyes / Weâre burning, yet so alive.â âParadiseâ successfully blends urban contemporary, alternative R&B, and classic soul cues. John Hill and DJ Dahi kill it on the production end, particularly using detuned synths. Khalid flaunts his vocal prowess. There are some respectable lyrical moments as well, many of which are reflective â introspective.
âAnd Iâve been thinking a little deeper Contemplation, getting cleaner See no leaders, need more teachers Iâm in shambles, I donât sleep much.âÂ
âEven if we donât survive / We were right by being wrong / Donât look back to the wreck / Stay with me, turn your head.â The more âheavenlyâ cut of the two, âHeaven,â contextually within Free Spirit, is a great companion cut to âAliveâ which precedes it. Also, like âParadise,â itâs quite reflective. Also, given its status as a place for the departed soul, âHeavenâ naturally references âthe end.â
âHeaven, make me an offer Lord, thereâs nothing for me left out here Heaven, if you come over Oh, I know how to make us disappear.â
This Father John Misty co-write appears in the right spot on Free Spirit, arriving as the penultimate record.
3. MARINA, âHandmade Heavenâ
LOVE + FEAR âą Atlantic UK âą 2019
âI carry along a feel of unease / I want to belong like the birds in the trees.â Hmm, sounds like a perfect example of escapism, a common topic in music of various genres.  MARINA drops the name Marina and the Diamonds for her 2019 studio album, LOVE + FEAR. Initially, the Welsh pop singer released LOVE only, from which our song at hand, âHandmade Heavenâ appears. Even on LOVE + FEAR, âHandmade Heavenâ serves as the opening record.
MARINA sounds fantastic on âHandmade Heaven,â flaunting her lovely, upper register, and singing with incredible ease while still packing a punch.  Amplifying her performance is warm production work, thatâs also pretty epic at the same time. The most dynamic moment arrives on the chorus, which is also the most memorable moment of the âHandmade Heaven.â
âBut in this handmade heaven, I come alive Bluebirds forever color the sky In this handmade heaven, we forget the time âCause birds of feather fly together.â
During the stellar chorus, the vocal production is âon fleekâ and the instrumental palette is incredibly rich â synths, drums, strings, etc. Another noteworthy moment? The bridge, where MARINA sings:
âAnd I could no longer ignore The ivy growing tall This life donât suit me anymore The writingâs on the wall.â
4. Bazzi, âParadiseâ
Paradise [Single] âą 2019
âLetâs go to (Paradise) / This shit feels like Friday nights / This shit make me feel alive / I feel like we in paradise, paradise.â Thatâs a pretty compelling picture of paradise, donât you think? After wowing with his debut LP, COSMIC, in 2018, pop/R&B singer Bazzi returned with brand-new music in 2019 in advance of his sophomore LP. Among his new songs comes âParadise,â just in time to lock down a spot on this playlist, sigh.  For the 21-year old musician, the vibes are good â the optimism is through the roof.
âIâm gettinâ lucky like coins in the well / Goodbye to my haters, Iâm wishinâ you well.â Bazziâs idea of paradise encompasses love/sex (âHands on your body, Iâm grabbinâ your assâ) and partying and popping drinks (âWell, my drink is almost out and Iâm about to pour anotherâ). A good way to sum up âParadiseâ â the drip is real. Friday night, totally carefree vibes. The weekend! Additionally, the âParadiseâ is respectably and effectively produced, shining brightest during the chorus section (excerpted at the beginning of the blurb).
5. Julia Michaels, âHeavenâ
Fifty Shades Freed âąÂ Republic âą 2018
âLoveâs my religion / But he was my faith / Something so sacred / So hard to replace.â Grammy-nominated pop singer-songwriter Julia Michaels gets heavenly with âHeavenâ, one of the highlights from the Fifty Shades Freed soundtrack released in 2018. âHeavenâ commences enigmatically â thereâs a âsketchiness.â The vibe of this record fits the perception and sensibilities of the Fifty Shades of Grey franchise.
Vocally Michaels sings expressively, showcasing the beauty of her voice sans over-singing. The production keeps things light â a selling point. Another selling point is the memorable chorus.
âNo need to imagine âCause I know itâs true They say âall good boys go to heavenâ But bad boys bring Heaven to you Itâs automatic Itâs just what they do They say âall good boys go to heavenâ But bad boys bring heaven to you.â
âHeavenâ also appears on the playlists, 11 Songs That Explore the Afterlife and 18 Songs About Angels & All Things Angelic.
6. Fall Out Boy, âHeavenâs Gateâ
M A N I A âą Island âą 2018
âWould you give me, give me, give me, give me a boost / A boost over heavenâs gate, yeah / ⊠âCause everything else is a substitute for your love.â M A N I A, the (surprisingly) Grammy-nominated, seventh studio album by Fall Out Boy, wasnât the most well-received album by the collective. Nonetheless, the LP has its share of moments including the soulful âHeavenâs Gate.â  Contextually, âHeavenâs Gateâ follows another âspiritualâ number, âChurch,â ultimately contrasting everything in the Fall Out Boy catalogue up to this point.
Call âHeavenâs Gateâ Patrick Stumpâs stab at R&B within the band (he already done that himself on his solo album, Soul Punk). Itâs not soul-saving, spiritual food, but it definitely nourishes the ears. Does God sit upon a throne on this celestial track? Meh â he has bigger fish to fry and better things to do. âHeavenâs Gateâ also appears on the playlists, 11 Songs That Explore the Afterlife and 18 Songs About Angels & All Things Angelic.
7. George Ezra, âParadiseâ
Staying at Tamaraâs âą Columbia âą 2018
âIf it feels like paradise running through your bloody veins / You know itâs love heading your way.â George Ezra, known for hits, including âBudapestâ, âCassy Oââ, and âListen to the Manâ (Wanted on Voyage), shows off tremendous energy, enthusiasm, and personality on âParadiseâ, the second single from his sophomore album, Staying at Tamaraâs.
From the jump, âParadiseâ is fun and light-hearted, with a heaping spoonful of tongue-in-cheek. George Ezra delivers a charming, playful vocal performance, stretching out monosyllabic words into multisyllabic ones (âmindâ and âtimeâ). He showcases his signature deep, robust vocals, but also drops some impressive falsetto. The production work matches his enthusiasm and big personality, making âParadiseâ a pleasure from start to finish. Clearly, Ezra is âfeeling the feelsâ of love, and itâs nothing short of celestial.
8. Marilyn Manson, âHeaven Upside Downâ
Heaven Upside Down ⹠Loma Vista ⹠2017
âI can hear the scream of trumpets / Smell the ash and sulfur / Talons of battalions scratch at the sky / Like black feathers and scorpion eyes.â Marilyn Manson, the ripest of shock rockers, dropped an exhilarating tenth studio album in 2017, Heaven Upside Down. Despite being past his most lucrative prime, Brian Hugh Warner does his best to keep the controversy alive and well.
Thereâs plenty to love about Heaven Upside Down, including âHeaven Upside Down,â the record on hand. Arriving as the penultimate track, âHeaven Upside Downâ is consistent and enjoyable â in the most damning way possible. Despite featuring âheavenâ in its song title, this recordâs not very heavenly or angelic in the least. On an album where Marilyn Manson consistently reverses things, âHeaven Upside Downâ proves to be a perfect example.
âHold my hand and spin around This is heaven upside downâŠâ
âHeaven Upside Downâ also appears on the playlists, 11 Songs That Explore the Afterlife and 18 Songs About Angels & All Things Angelic.
9. Troye Sivan, âHeaven
Ft. Betty Who
Blue Neighbourhood ⹠Capitol ⹠2015
Throughout his 2015 debut album, Blue Neighbourhood, South African born, Australian-bred pop musician Troye Sivan showed off indisputable talent as well as an authentic peek into his world. âHeaven,â featuring Betty Who is among the deepest songs from Blue Neighbourhood. It reeks of vulnerability, finding Sivan questioning his sexuality and salvation. âWithout losing a piece of me / How do I get to heaven,â he sings on the chorus, continuing, âWithout changing a part of me / How do I get to heaven?â
Thematically, this is something of a grey area in music â how many songs have been written about this emotion or issue? Itâs often discussed, but to be portrayed musically, itâs fresh and definitely piques both brain and heart. âHeavenâ also appears on the playlist 18 Songs About Angels & All Things Angelic.
10. Bruce Springsteen, âHeavenâs Wallâ
High Hopes âą Columbia âą 2013
âCome on men of Gideon / Come all mean of Saul / Come all sons of Abraham / Waiting outside heavenâs wall.â Some Biblical references here⊠interesting! In 2013, âThe Boss,â Grammy-winning rock icon Bruce Springsteen, released an album comprised of previously unreleased, unheard material, and reinterpretations of his work. High Hopes didnât supersede or supplant his best work, but he still delivered some terrific, noteworthy moments. The heavenly song at hand, âHeavenâs Wall,â is a prime example.
Bruce Springsteen opens âHeavenâs Wallâ with a bang. It features an infectious, ruckus percussive groove, as well as inspired, backing vocals singing âRaise your hand.â âRaise your handâ marks a recurrent, key lyric, specifically on the chorus:
âRaise your hand, raise your hand, raise your hand Raise your hand, raise your hand, raise your hand And together weâll walk into Canaan land Raise your hand, raise your hand, raise your hand.â
Tom Morello, who appears on a couple of songs throughout High Hopes, impresses on lead guitar, adding even more punch to this upbeat cut. Perhaps âHeavenâs Wallâ doesnât possess Springsteenâs career-best songwriting, but it remains infectious and feel-good.
11-12. Coldplay, âHurts Like Heavenâ & âParadiseâ
Mylo Xyloto âą Parlophone âąÂ 2011
Depending on who you ask, thereâs a debate on the quality of Coldplay after a certain point in their career.  Often that point follows their 2008 Grammy-winning album, Viva La Vida. Chris Martin and company would return in 2011 with Mylo Xyloto, an album that didnât quite receive the same critical praise, and found Coldplay tweaking their sound to incorporate more synths and more pop cues. Regardless, I personally vouch for at least two songs on Mylo Xyloto, both of which perfectly fit this heavenly, paradise-centric playlist.
âOh, you used your heart as a weapon / And it hurts like heaven.â The first song of the duo is âHurts Like Heaven,â which arrives as the second track on Mylo Xyloto, and the first full-length track overall. Obviously, the song title stands out on its own, changing a common phrase (âHurts like hellâ) around (âHurts Like Heavenâ).  As referenced earlier, âHurts Like Heavenâ is a specific example of the band departing from its sound â something of a shocking opener. Even with Martin and crew experimenting, including exhibiting arguably their brightest sound yet, the production is a selling point, particularly the lushness. Additionally, Chris Martin sounds compelling, delivering a lovely vocal performance overall.
âWhen she was just a girl / She expected the world / But it flew away from her reach / So she ran away in her sleep / And dreamed of para-para-paradise.â Following up âHurts Like Heavenâ is some serious âear candyâ with âParadise.â Once again, the sound is a bit of a departure for Coldplay. Even so, the sound palette and production work are stellar â lovely strings, synths, and sick, anchoring pop-leaning drum groove. What more can you ask for? Martin continues to shine in the vocal department, ever the alluring frontman. While there are arguably better Coldplay songs, one thing âParadiseâ has compared to some of them is that itâs definitely catchy, particularly the chorus (even if itâs simple AF).
âAnd dream of para-para-paradise Para-para-paradise Para-para-paradise Oh-oh-oh-oh-oh-oh-oh-oh.â
13. Bruno Mars, âLocked Out of Heavenâ
Unorthodox Jukebox âą Atlantic âą 2011
ââCause you make me feel like / Iâve been locked out of heaven / For too lo-o-ong, for too lo-o-ongâŠâ The brilliant urban-pop cut âLocked Out of Heavenâ appears as the second track off of Unorthodox Jukebox, the Grammy-winning sophomore album by Bruno Mars. Initiated by a clichĂ© count off (â1-2, 1-2-3-4â), a killer groove is established from the jump. The production is solid â not under- or over-produced by any means.
âYou bring me to my knees, you make me testify / You can make a sinner change his ways.â Hmm, seems a bit blasphemous if examined in a religious context as opposed to a pop context⊠Anyways, the songwriting is catchy, particularly the well-written pre-chorus (âCause your sex takes me to paradiseâŠâ) and the aforementioned chorus at the top of the blurb. To prevent any monotony, the half-time switch up towards the end is a smart musical change.
[Photo Credits: Atlantic, Capitol, Columbia, Island, Loma Vista, Parlophone, Pexels, Pixabay, RCA, Republic]