15 Ear-Catching, Eye-Opening Songs features songs by Beartooth, Ethel Cain, Future, Justin Bieber, Kim Carnes, and The Platters.
1. Beartooth, “Eyes Closed”
Pure Ecstasy → Beartooth Band, LLC / Fearless Records → 2026
If nothing else, “Eyes Closed” is a spirited track. The boisterous, distorted, and jagged guitars kick ass and take names. Rock on 🤘! Also, the bass holds it down on the low end, while the drums pummel the absolute shit out of you, ooh-wee! The ‘source of controversy’ himself, Caleb Shomo, puts on a show, PERIODT! His voice is powerful, showcasing grit, an impressive upper register, and a commanding performance from start to finish. “Is there anything to say to take me straight to Heaven? / To know I’ve been forgiven?” he asks in the first verse. In the second, he asserts, “‘Cause I’m waiting for a sign, I need it more than ever / Is the wrong mistake gonna last forever?” Despite being rough around the edges, “Eyes Closed” is quite the melodic metal cut. The verses are melodic overall, while the chorus is incredibly tuneful:
“But now I’m dying to live with my eyes closed
Trying to fly with no halo
Maybe I don’t wanna know
If I’m gonna lose it all, I’m gonna lose it all with my eyes closed
Eyes closed.”
Hell yeah! The breakdown section is nasty – malicious to the nth degree! “Oof / Yeah / Can’t be forgiven, but I’ll hold my breath / So close to Heaven, all I see is death.” The dissonance during the breakdown is epic and metal to the core. From my perspective, there is lots to like about “Eyes Closed”; it packs a mean punch. Hopefully, the criticism being laid at Shomo’s feet isn’t because of homophobia, as that’s just not cool.
~ Table of Contents ~
2. JISOO & ZAYN, “EYES CLOSED”
“EYES CLOSED” → Warner → 2025
~ Table of Contents ~
3. Future, “Eye To Eye”
The Real Me → Sahluna Management Company, Inc. / Epic Records → 2026
“Eye To Eye” has a brief runtime at shy of two-and-a-half minutes long. Future is accompanied by a dramatic, sophisticated instrumental including keys and strings, and is anchored by a strong beat 💪. He is assertive on this track. He flexes with his rhythmic flow. Notably, he gives us one big, jam-packed verse. “I got a mill’ and chopped it up with the niggas who rolled with me,” he spits, and continues, “You keepin’ it real with a nigga like me, you know you can roll with me.” 💯 – what more can you say? Of course, there are more intriguing lyrics like, “I had to kick a few to the curb just like LaTavia / I wasn’t playin’ ‘round on the curb, I was movin’ tilapia.” Hopefully Latavia Roberson wasn’t listening 😳🤞. Cocky and confident, Pluto declares, “I’m on another level with the paper,” and adds “I gave you drip, taught you how to test, gave niggas lifestyles / I’m the reason you had bossed up and brought your dope with you.” Noted. After Future talks his shit, I love how “Eye To Eye” fades out, letting that marvelous production shine. While it’s nothing groundbreaking, it’s enjoyable enough.
~ Table of Contents ~
4. Ethel Cain, “Fuck Me Eyes”
Willoughby Tucker, I’ll Always Love You → Daughters of Cain → 2025
“Fuck Me Eyes” is accomplished is so many ways. The production and sound of the record are sublime. It begins with lighthearted synths and warm production – a pop-oriented vibe. As the song progresses, the sound grows better. Cain’s performance matches the dynamic, expanded sound palette. Early on, her vocals are smooth. Not only is her tone lovely, but the vocal production is top-notch. Adding to the beauty are select, harmonized vocal moments. The chorus is memorable – one of the best moments of “Fuck Me Eyes.”
“Nowhere to go, she’s just along for the ride (She’s just along)
She’s scared of nothing but the passenger’s side
Of some old man’s truck in the dark parking lot (Parking lot)
She’s just tryna feel good right now
They all wanna take her out
But no one ever wants to take her home.”
Backtracking, all of the songwriting is captivating. A perfect example of characterization, Cain puts in the work to describe this complex, polarizing girl. “She’s got hair up to God, she’s gonna get what she wants,” she sings in the first verse, continuing, “Her nails are heartbreak red ‘cause she’s a bad motherfucker.” In the second verse, she’s a contradiction, going to church after going to the club… But, despite being confident and fearless (“Boy, if you’re not scared of Jesus, fuck around and come find out”), it’s ultimately a façade (“And when she leaves, they never see her wiping her fuck me eyes”). In the bridge, Ethel has mixed views about her, asserting, “I’ll never blame her, I kinda hate her / I’ll never be that kind of angel / I’ll never be kind enough to me.” Ultimately, “Fuck Me Eyes” is a brilliant, thought-provoking song by Ethel Cain. There is plenty to unpack, yet the poppier vibes, including the chorus, make this alternative singer-songwriter record accessible.
| Appears in 🔻: |
~ Table of Contents ~
5. Justin Bieber, “Eye Candy”
SWAG II → ILH Production Co. LLC. / Def Jam Recordings → 2025
“Eye Candy” shines from the jump. The mellow introduction (keys and synth) sets the tone. When the rhythmic beat enters, it packs a mean punch – adds another dimension. You know who else adds another dimension? Justin Bieber, of course. His voice is incredibly beautiful and filled with soul. He exudes swagger. “Ooh, the first one’s free, the second’ll cost you,” he sings in the first verse, and adds, “And if you look too close, you’ll lose your mind.” Oh, snap 🫰! In the second verse, he asserts, “Beauty is in the eye of the beholder / So I’ma hold you, baby / You can’t let a sweet thing pass you by.” Ooh-wee, J.B.! Beyond his fine singing, the melodies are chill, easygoing, and tuneful. The chorus is a surefire vibe. It represents the very best moment of the song.
“Eye candy, eye candy
‘Cause you taste so sweet, uh (Sweet)
When you’re looking at me, uh
Baby, I wanna know why can’t we eye candy
Just a little bit closer and a little bit longer?
I’m looking at you, eye candy, eye candy
Can you look me in the eye? Candy.”
All told, “Eye Candy” is a big-time, surefire vibe from Justin Bieber. Bruh ate and left no crumbs! It’s electrifying in a cool sort of way. Also, it’s sensual and soulful. It wouldn’t be far-fetched to name this one of Bieber’s best songs.
| Appears in 🔻: |
~ Table of Contents ~
6. Survivor, “Eye of the Tiger”
Eye of the Tiger → Volcano Entertainment, III, L.L.C. → 1982
“Eye of the Tiger” provides motivation musically and thematically. The instrumental is epic with driving, rhythm guitar, prominent bass, sweet keys, and an infectious groove. With an excellent build-up during the intro, those heavy-handed, distorted guitar hits are crucial to the song’s success. Another reason for “Eye of the Tiger’s” success are dynamic vocals by Dave Bickler, the lead singer from 1978 – 1983. He brings the tuneful melodies and unforgettable chorus to life. “Don’t lose your grip on the dreams of the past,” Bickler encourages in the first verse, adding, “You must fight just to keep them alive.” The keyword is FIGHT. In the second verse, he’s “Hangin’ tough, stayin’ hungry,” adding, “They stack the odds ‘til we take to the street / For the kill with the skill to survive.” Maybe the most motivational lyric comes from the end of the third and final verse: “Went the distance, now I’m not gonna stop / Just a man and his will to survive.” 40+ years later, Survivor continues to lift and motivate us with “Eye of the Tiger”. It NEVER grows old.
| Appears in 🔻: |
~ Table of Contents ~
7. Imagine Dragons, “Eyes Closed”
LOOM → KIDinaKORNER / Interscope → 2024
“Lock me up in a maze
Turn out, turn out the lights
I was born, I was raised for this…”
Word! In the post-chorus, Reynolds utters the opening lyric once more: “I could do this with my eyes closed.” The bridge is kinder and gentler, separating itself from everything else. “Eyes Closed” is tried-and-true Imagine Dragons but also a fresh, reinvigorating change of pace for the veteran, Grammy-winning band.
| Appears in 🔻: |
~ Table of Contents ~
8. Tove Lo, “Elevator Eyes”
Dirt Femme (Extended Cut) → Pretty Swede → 2023
Throughout the record, the listener is blessed with beautiful, well-produced vocals by Tove Lo. Adding to the strength of her lead vocals are harmonized backing vocals. Oh, the ear candy! The production is marvelous – smooth, slick, and alluring to the ears. The sound is hypnotic, which seems intentional given the lust and heavy dose of ogling. See the tuneful centerpiece, the chorus, for confirmation:
“Elevator eyes
Elevator eyes
I’m not surprised
You’re hypnotized
Goin’ up and down
Elevator eyes
Elevator eyes
If looks could touch
No need to rush
Goin’ up and down.”
Ooh-wee! Where the first verse and chorus were tamer, the second verse is a bit more risqué. “Go get a rubber,” she tells him, though she changes her mind regarding safe sex 👀. “No, never mind that / Cooked your boys in a jacuzzi / Let’s risk it, it’s worth it.” Wow… I’m speechless 😶! Moving on, there’s a fabulous contrast during the bridge section, though it is still related to the verse/chorus. It’s still sexual too (“Our position’s always sittin’ in the back of my head”). Tove Lo has a knack for delivering epic sex songs. “Elevator Eyes” is no exception.
| Appears in 🔻: |
~ Table of Contents ~
9. Khamari, “Doctor, My Eyes”
A Brief Nirvana → RCA → 2023
| Appears in 🔻: |
~ Table of Contents ~
10. The Weeknd, “In Your Eyes”
After Hours → The Weeknd XO, Inc. / Republic Records → 2020
“In your eyes
I see there’s something burning inside you
Oh, inside you
In your eyes
I know it hurts to smile, but you try to
Oh, you try to
You always try to hide the pain
You always know just what to say
I always look the other way
In your eyes
You lie, but I don’t let it define you
Oh, define you.”
After Hours = one of the truly great albums of the 2020s. “In Your Eyes” = another The Weeknd bop!
~ Table of Contents ~
11. Kelly Clarkson, “Behind These Hazel Eyes”
Breakaway → 19 Recordings Ltd. / RCA/JIVE Label Group → 2004
“Behind These Hazel Eyes” opens epically, with pummeling drums and boisterous, distorted, juicy electric guitar and bass. The sound doesn’t soar; it ROARS 🤘! Kelly Clarkson blesses the track with her marvelous pipes. Typically, a soulful singer, Clarkson changes course here, doing her best Avril Lavigne, who was huge in the 2000s. She channeled her inner pop-rocker with awesome results. Of course, those pipes are still powerful and robust to the nth degree! The verses are tuneful, with their fair share of memorable lyrics. “I told you everything / Opened up and let you in,” she sings in the second verse, and adds, “Now all that’s left of me / Is what I pretend to be.” Big-time bummer, Kelly! The crowning achievement should come as no surprise – the high-flying, sing-along-able chorus!
“Here I am, once again
I’m torn into pieces
Can’t deny it, can’t pretend
Just thought you were the one
Broken up, deep inside
But you won’t get to see the tears I cry
Behind these hazel eyes.”
Perhaps the best way to describe “Behind These Hazel Eyes” is Kelly Clarkson doing her best version of Avril Lavigne. In other words, she channeled her inner pop-rocker with awesome results. Although it wasn’t the biggest hit of Breakaway, it was certainly in contention, for good reason. “Behind These Hazel Eyes” is a pop banger, PERIODT!
| Appears in 🔻: |
~ Table of Contents ~
12. Lauryn Hill, “Can’t Take My Eyes Off of You – (I Love You Baby)”
The Miseducation of Lauryn Hill → Ruffhouse → 1998
Hill makes “Can’t Take My Eyes Off of You” her own, period. It sounds starkly different from the original, which has a traditional pop sound and vibe. One reason Hill’s version is distinct is the banging hip-hop soul beat. That beat easily carries this ‘67 classic to the late ‘90s. Also, the beatboxing is epic too. The sound is modernized, thanks to the production of Ms. Hill! Besides the beat, a sickening bass line, and colorful keys, ‘up the ante.’ Hill captivates with her stunning voice, blessing our ears with that gorgeous tone. She’s particularly on fire during the chorus. She asserts, expressively:
“I need you, baby, and if it’s quite alright
I need you, baby, to warm a lonely night
I love you, baby, trust in me when I say, ‘It’s okay’.”
Beyond the chorus, Lauryn brings a swagger, solidifying the hip-hop influence (those chill but potent ad-libs). Ultimately, “Can’t Take My Eyes Off of You” by Lauryn Hill remains the sugar, honey, iced tea to this day. Oh, Lauryn, why couldn’t you have released another album?!
~ Table of Contents ~
13. Rick James & Smokey Robinson, “Ebony Eyes”
Cold Blooded → Motown → 1983
“Ebony Eyes” commences with a great drum groove, setting up the awesome balladry. The production is characteristic of the 1980s, with ample lush, electronic, and synthesizer-dominated sounds. Also, upping the ante from a musical underpinnings standpoint is the harmonic progression. However, it is the duet that you came for. Smokey Robinson draws first blood, singing the first half of the first verse. Ultra-refined, Smokey’s tone is buttery smooth and pure (“Wind in your hair, sun on your skin / You’re looking good, girl, all over again”). Rick James sings the second half of the verse. After beginning similarly to Smokey, he delivers more overt, powerful pipes (“Ooh, we, baby, girl, you’re such a score / And I want you to know that”). James brings it on home in the song’s centerpiece, the chorus:
“I love you
I bet you didn’t know that, girl
You didn’t know that
I need you
Right now, baby, right now, baby
And I bet you didn’t know that ebony eyes.”
Following an interlude between the chorus and the second verse, Robinson takes on the first half of the second verse, with a similar approach to the first. James returns for the second half, beginning poised, before gradually upping the ante, once more (“You’re such a queen, woman, you’re such a prize”). Expectedly, he’s even more powerful in the second chorus. James flexes in the extended chorus, giving his all with his soaring pipes. The inspiration remains the same: L-O-V-E! Robinson also gets into the mix, singing passionately and romantically with his cool, calm, collected, and celestial ad-libs. All told, Rick James and Smokey Robinson make a formidable duo on “Ebony Eyes”. They complement and contrast each other superbly. Beyond the amorous vocals and songwriting, the musical accompaniment incites love, too 😍!
| Appears in 🔻: |
~ Table of Contents ~
14. Kim Carnes, “Bette Davis Eyes”
Mistaken Identity → Capitol → 1981
“She’ll take a tumble on you / Roll you like you were dice 🎲.” Word! Kim Carnes eats on “Bette Davis Eyes”. Her distinct, raspy vocals perfectly capture the memorable, novel lyrics and tuneful melodies. It’s not all about pitch on “Bette Davis Eyes.” Sometimes, there’s playful, talk-singing. Among the playful moments are “She’s precocious and she knows just / What it takes to make a pro blush,” as well as the variation, “She’s ferocious…” Both lyrics appear from the unforgettable, varied choruses:
“And she’ll tease you
She’ll unease you
All the better just to please you
She’s precocious, and she knows just
What it means to make a pro blush
She got Greta Carbo stand off sighs
She got Bette Davis eyes.”
Beyond her memorable vocal performance, the musical accompaniment shines too. This superbly produced record thrives on its quintessential 1980s music cues: guitars, keyboards (synths), drums, drum programming, etc. The minute you hear that riff, you know you’re listening to those Bette Davis eyes! A striking instrumental for a striking oldie! “Bette Davis Eyes” is one of the best pop songs ever.

| Appears in 🔻: |
~ Table of Contents ~
15. The Platters, “Smoke Gets In Your Eyes”
Remember When? → Mercury → 1959
“When your heart’s on fire, you must realize
Smoke gets in your eyes.”
“Smoke Gets In Your Eyes” was NOT an original by The Platters even though the collective made it sound that way – speaks to their tremendous musicianship. The tune is a jazz standard, from the 1933 musical, Roberta, written by Jerome Kern and Otto Harbach in 1933. While The Platters owe Kern and Harbach for a stellar song, they made it even bigger.
| Appears in 🔻: |
~ Table of Contents ~ → ~ intro ~
15 Ear-Catching, Eye-Opening Songs (2026) [📷: Brent Faulkner / The Musical Hype; 19 Recordings Ltd., Beartooth Band, LLC, Capitol, Daughters of Cain, Epic Records, Fearless Records, ILH Production Co. LLC., Def Jam Recordings, Interscope Records, KIDinaKORNER, Mercury, Motown, Pretty Swede, RCA, RCA/JIVE Label Group, Republic Records, Ruffhouse, Sahluna Management Company, Inc., The Weeknd XO, Inc., Volcano Entertainment, III, L.L.C., Warner; Anna Shvets,Володимир Олейніков, Emiliano Vittoriosi, Mikhail Nilov, Pegah Sharifi, Ron Lach, Uncle mom’s, Wallace Castro from Pexels; Gordon Johnson from Pixabay; from Unsplash] |
![Beartooth, Pure Ecstasy [📷: Beartooth Band, LLC / Fearless Records] Beartooth, Pure Ecstasy [📷: Beartooth Band, LLC / Fearless Records]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/05/beartooth-pure-ecstasy.jpg?resize=125%2C125&ssl=1)
![JISOO & ZAYN, EYES CLOSED [📷: Warner] JISOO & ZAYN, EYES CLOSED [📷: Warner]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/10/jisoo-zayn-eyes-closed.jpeg?resize=125%2C125&ssl=1)
![Future, The Real Me [📷: Sahluna Management Company, Inc. / Epic Records] Future, The Real Me [📷: Sahluna Management Company, Inc. / Epic Records]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/07/future-the-real-me.jpeg?resize=125%2C125&ssl=1)
![Ethel Cain, Willoughby Tucker, I’ll Always Love You [📷: Daughters of Cain] Ethel Cain, Willoughby Tucker, I’ll Always Love You [📷: Daughters of Cain]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/07/ethel-cain-willoughby-tucker-ill-always-love-you.jpg?resize=125%2C125&ssl=1)
![Justin Bieber, SWAG II [📷: ILH Production Co. LLC. / Def Jam Recordings] Justin Bieber, SWAG II [📷: ILH Production Co. LLC. / Def Jam Recordings]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/07/justin-bieber-swag-ii.jpeg?resize=125%2C125&ssl=1)
![Survivor, Eye Of The Tiger [📷: Volcano Entertainment, III, L.L.C.] Survivor, Eye Of The Tiger [📷: Volcano Entertainment, III, L.L.C.]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/07/survivor-eye-of-the-tiger.jpeg?resize=125%2C125&ssl=1)
![Imagine Dragons, LOOM [📷: KIDinaKORNER / Interscope] Imagine Dragons, LOOM [📷: KIDinaKORNER / Interscope]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/07/imagine-dragons-loom.jpeg?resize=125%2C125&ssl=1)
![Tove Lo, Dirt Femme (Extended Cut) [📷: Pretty Swede] Tove Lo, Dirt Femme (Extended Cut) [📷: Pretty Swede]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/03/tove-lo-dirt-femme-extended-cut.jpeg?resize=125%2C125&ssl=1)
![Khamari, A Brief Nirvana [📷: RCA] Khamari, A Brief Nirvana [📷: RCA]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/04/khamari-a-brief-nirvana.jpeg?resize=125%2C125&ssl=1)
![The Weeknd, After Hours [📷: Republic] The Weeknd, After Hours [📷: Republic]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2020/02/the-weeknd-after-hours-republic.jpg?resize=124%2C124&ssl=1)
![Kelly Clarkson, Breakaway [📷: 19 / RCA] Kelly Clarkson, Breakaway [📷: 19 / RCA]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2018/02/kelly-clarkson-breakaway-rca.jpg?resize=125%2C125&ssl=1)
![Lauryn Hill, The Miseducation of Lauryn Hill [📷: Ruffhouse/Columbia] Lauryn Hill, The Miseducation of Lauryn Hill [📷: Ruffhouse/Columbia]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2018/06/lauryn-hill-the-miseducation-of-lauryn-hill-ruffhouse.jpg?resize=125%2C125&ssl=1)
![Rick James, Cold Blooded [📷: Motown] Rick James, Cold Blooded [📷: Motown]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/01/rick-james-cold-blooded.jpg?resize=127%2C125&ssl=1)
![Kim Carnes, Mistaken Identity [📷: Capitol] Kim Carnes, Mistaken Identity [📷: Capitol]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/07/kim-carnes-mistaken-identity.jpeg?resize=125%2C125&ssl=1)
![The Platters, Remember When? [📷: Mercury] The Platters, Remember When? [📷: Mercury]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/01/the-platters-remember-when.jpg?resize=125%2C125&ssl=1)
![Beartooth, Pure Ecstasy [📷: Beartooth Band, LLC / Fearless Records] Beartooth, Pure Ecstasy [📷: Beartooth Band, LLC / Fearless Records]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/05/beartooth-pure-ecstasy.jpg?resize=300%2C300&ssl=1)
![JISOO & ZAYN, EYES CLOSED [📷: Warner] JISOO & ZAYN, EYES CLOSED [📷: Warner]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/10/jisoo-zayn-eyes-closed.jpeg?resize=300%2C300&ssl=1)
![Future, The Real Me [📷: Sahluna Management Company, Inc. / Epic Records] Future, The Real Me [📷: Sahluna Management Company, Inc. / Epic Records]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/07/future-the-real-me.jpeg?resize=300%2C300&ssl=1)
![Ethel Cain, Willoughby Tucker, I’ll Always Love You [📷: Daughters of Cain] Ethel Cain, Willoughby Tucker, I’ll Always Love You [📷: Daughters of Cain]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/07/ethel-cain-willoughby-tucker-ill-always-love-you.jpg?resize=300%2C300&ssl=1)
![Justin Bieber, SWAG II [📷: ILH Production Co. LLC. / Def Jam Recordings] Justin Bieber, SWAG II [📷: ILH Production Co. LLC. / Def Jam Recordings]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/07/justin-bieber-swag-ii.jpeg?resize=300%2C300&ssl=1)
![Survivor, Eye Of The Tiger [📷: Volcano Entertainment, III, L.L.C.] Survivor, Eye Of The Tiger [📷: Volcano Entertainment, III, L.L.C.]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/07/survivor-eye-of-the-tiger.jpeg?resize=300%2C300&ssl=1)
![Imagine Dragons, LOOM [📷: KIDinaKORNER / Interscope] Imagine Dragons, LOOM [📷: KIDinaKORNER / Interscope]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/07/imagine-dragons-loom.jpeg?resize=300%2C300&ssl=1)
![Tove Lo, Dirt Femme (Extended Cut) [📷: Pretty Swede] Tove Lo, Dirt Femme (Extended Cut) [📷: Pretty Swede]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/03/tove-lo-dirt-femme-extended-cut.jpeg?resize=300%2C300&ssl=1)
![Khamari, A Brief Nirvana [📷: RCA] Khamari, A Brief Nirvana [📷: RCA]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/04/khamari-a-brief-nirvana.jpeg?resize=300%2C300&ssl=1)
![The Weeknd, After Hours [📷: Republic] The Weeknd, After Hours [📷: Republic]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2020/02/the-weeknd-after-hours-republic.jpg?resize=300%2C300&ssl=1)
![Kelly Clarkson, Breakaway [📷: 19 / RCA] Kelly Clarkson, Breakaway [📷: 19 / RCA]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2018/02/kelly-clarkson-breakaway-rca.jpg?resize=300%2C300&ssl=1)
![Lauryn Hill, The Miseducation of Lauryn Hill [📷: Ruffhouse/Columbia] Lauryn Hill, The Miseducation of Lauryn Hill [📷: Ruffhouse/Columbia]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2018/06/lauryn-hill-the-miseducation-of-lauryn-hill-ruffhouse.jpg?resize=300%2C300&ssl=1)
![Rick James, Cold Blooded [📷: Motown] Rick James, Cold Blooded [📷: Motown]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/01/rick-james-cold-blooded.jpg?resize=304%2C300&ssl=1)
![Kim Carnes, Mistaken Identity [📷: Capitol] Kim Carnes, Mistaken Identity [📷: Capitol]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/07/kim-carnes-mistaken-identity.jpeg?resize=300%2C300&ssl=1)
![The Platters, Remember When? [📷: Mercury] The Platters, Remember When? [📷: Mercury]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/01/the-platters-remember-when.jpg?resize=300%2C300&ssl=1)
0 Comments