13 Electrifying Animal Songs features songs by Billie Eilish, Doechii, Lucille Bogan, Megan Thee Stallion, Shaboozey, and Sufjan Stevens.
[otw_shortcode_dropcap label=”C” size=”large” border_color_class=”otw-no-border-color” shadow=”shadow” square=”square”]utting straight to the chase, 13 Electrifying Animal Songs is all about the animals⊠well, not really! Yes, animals are named in the titles of the 13 songs that appear on this musical compendium but often, the songs are about other stuff. Sex is a popular topic, for example. I mean, who doesnât love sex songs? Itâs not all dirtiness and explicitness, though đ. 13 Electrifying Animal Songs features songs by Billie Eilish, Doechii (twice), Lucille Bogan, Megan Thee Stallion (twice), Shaboozey, and Sufjan Stevens. So, without further ado, letâs embrace the animals, shall we?![/otw_shortcode_dropcap]
~ Table of Contents ~
1. Billie Eilish, âBIRDS OF A FEATHERâ
3. King Willonius, âTheyâre Eating The Dogsâ
4. Megan Thee Stallion, âCOBRAâ
5. Megan Thee Stallion, âBOAâ
6. Survivor, âEye of the Tigerâ
7. Shaboozey, âHorses & Hellcatsâ
8. Sufjan Stevens, âMy Red Little Foxâ
11. Lamont Dozier, âFish Ainât Bitinââ
12. Lucille Bogan, âTill the Cows Come Homeâ
13. Harry Roy, âMy Girlâs Pussyâ
1. Billie Eilish, âBIRDS OF A FEATHERâ
HIT ME HARD AND SOFT // Darkroom / Interscope // 2024
âI want you to stay / âTil Iâm in the grave / âTil I rot away, dead and buried / âTil Iâm in the casket you carry.â The love that a hypnotic Billie Eilish sings about on âBIRDS OF A FEATHERâ is special â once-in-a-lifetime. A more subdued vocalist, Eilishâs approach and style are mesmerizing. On the fourth track from her commercially successful and critically acclaimed third album, HIT ME HARD AND SOFT, Billie never forces things, delivering sweet, easygoing, and amorous vocals. As usual, her right-hand man, brother, and fellow Grammy and Academy Award winner, FINNEAS (Finneas OâConnell), co-wrote and produced âBIRDS OF A FEATHER.â Ear-catching, âBIRDSâ is groovy from the onset and never lets up.
With her angelic lead vocals, Billie Eilish delivers tuneful melodies during the verses and chorus. Furthermore, she delivers memorable lyrics. âBut youâre so full of shit, uh / Tell me itâs a bit,â she sings in the second verse, âSay you donât see it, your mindâs polluted / Say you wanna quit, donât be stupid.â The chorus is the section to beat, of course:
âBirds of a feather, we should stick together, I know (âTil the day that I die)
I said Iâd never think I wasnât better alone (âTil the light leaves my eyes)
Canât change the weather, might not be forever (âTil the day that I die)
But if itâs forever, itâs even better.â
Besides those refined lead vocals, the harmonized background vocals are sweet, too. A big-time hit for Eilish, âBIRDS OF A FEATHERâ peaked at no. 2 on the Billboard Hot 100, among her highest-charting singles. âI donât think I could love you more.â So, so sweet!
Appears in đ»:
~ Table of Contents ~
2. Doechii, âBULLFROGâ
Alligator Bites Never Heal // Top Dawg Entertainment / Capitol // 2024
âTitties sitting up high, Miss Nigga, tough guy / Sipping on Mai Tai, money on a uprise.â And thus begins âBULLFROGâ the second track from Alligator Bites Never Heal, the debut mixtape by Doechii (Jayah Hickmon). âBULLFROGâ is brief, running a little over a minute and a half. Regardless, Doechii slays, kicking ass, and taking names. Sheâs accompanied by a hard-hitting beat and ear-catching minimalist production courtesy of Stoic & Mai. Ms. Hickmon is confident and unapologetic with her rhymes, serving up a compelling flow. What are some of the most memorable moments from âBULLFROG?â Why, the frog-related rhymes, of course! See the chorus for some froggy-ness!
âLike a cable, we jump hoes
If a bitch feeling froggy, tell her, âHop out, bitchâ
Like a cable, we jump hoes
Twitter fingers get your whole life logged out, bitch.â
Ooh-wee! For good measure, at the end of the second verse, Doechii asserts, âAll yâall frog-ass hoes should hop off my â.â Oh, snap! âBULLFROGâ is a surefire vibe that Kermit đž can get behind.
~ Table of Contents ~
3. King Willonius, âTheyâre Eating The Dogsâ
âTheyâre Eating The Dogsâ // Delicious Bath Water // 2024
At the ABC Presidential Debate held on September 10, 2024, former President Donald Trump said a lot of outlandish things. Baited by Democratic presidential candidate Kamala Harris, Trump took the bait every time, making for an unhinged yet entertaining television experience. The most memorable, outlandish, and racist thing Trump uttered was about Haitian immigrants stealing and eating pets â cats and dogs â in Springfield, Ohio. Rightfully, the former POTUS received criticism from everywhere. Beyond criticism, the memes, reels, shorts, and TikToks have been abundant. From frightened cats and dogs hearing the âfake news,â to Gen-Z guys dancing to killer songs remixing Trumpâs words, the internet has won. King Willonius gets into action via AI (artificial intelligence, if youâre living under a rock) with his soulful, 1970s-sounding single, âTheyâre Eating The Dogsâ. I found myself giggling like a schoolgirl listening to the song. As shocked as everybody was hearing Trumpâs unfounded claims about pets being stolen and eaten, AI storyteller, comedian, and showrunner King Willonius captures it perfectly in this two-minute, old-school-sounding gem. What makes it sound vintage? Itâs the biting, articulated horns, the dusty, soulful groove, the piano and guitar riffs, and the prominent bass line. The vocals rival the big-voiced, gritty soul icons of old, filled with the blues. âTheyâre eating the dogs /⊠Theyâre eating the cats / What the hell goinâ on? / What the hellâs goinâ on? â Thatâs about the size of it. King Willonius captures our show in the most entertaining way possible. âTheyâre Eating The Dogsâ = AI gold.
Appears in đ»:
- King Willonius, Theyâre Eating The Dogs: Bangerz N Bopz đ„ 75 (2024)
- Bops That Pop: September 2024Â
~ Table of Contents ~
4. Megan Thee Stallion, âCOBRAâ
MEGAN // Hot Girl Productions LLC // 2024Â
âIâm killinâ myself when bitches would die to be me.â Now thatâs a mic-drop moment, Megan Thee Stallion. Produced by Bankroll Got It, Shawn âSourceâ Jarrett, and Derrick Milano, âCobraâ features intense production, which blends hip-hop and some rock cues. The fuel is there for the fire! Thee Meganâs flow is agile on this standout from MEGAN. More notable than the flow, however, is what she raps about. Megan opens up about being depressed even though sheâs blessed financially (âHow can somebody so blessed wanna slit they wristâ). In the second verse, she continues to reflect on her pain and depression: âNever thought a bitch like me would ever hit rock bottom.â Also, in the same verse, furthering the pain, she âPulled up, caught him cheatinâ, gettinâ his dick sucked in the same spot Iâm sleepinâ / Lord, give me a break, I donât know how much more of this shit I can take.â Thereâs a lot to take in on the verses, but the chorus embraces that cobra mindset: âThis pussy depressed, hmm, Iâm about to stress him, yeah / Pink nails âround his neck, huh, but this ainât domestic.â The personal nature of âCobraâ helps to make it incredibly successful. She doesnât sacrifice her bite or toughness, but she also shows a more vulnerable side â she has feelings and pain, too, celebrity be damned!   Â
âŻÂ Â
Appears in đ»:
- Awesome Songs: November 2023
- 51 Best Songs of 2023
- 15 Songs Where the Titles Arenât Part of the Lyrics (2024)Â
~ Table of Contents ~
5. Megan Thee Stallion, âBOAâ
MEGAN // Hot Girl Productions LLC // 2024Â
âI be showinâ my ass, they mad, huh? / Bitches is bitter, they thought it was sweet / All the sudden, they vegan, they don’t want beef / Talkinâ outta veneers, I’m knockinâ out teeth.â From the beginning of âBOAâ, Grammy-winning rapper Megan The Stallion comes out swinging. âBOA,â the ninth track from MEGAN, is short but utterly sweet, running just over two-and-a-half minutes. Produced by LilJuMadeDaBeat, the minor-key instrumental is anchored by a banging beat. Thee Stallion eats. Her flow and bars are aggressive AF. She gives no fucks, asserting, âHoes do all of that typinâ / But never once did I get pressed / Itâs obvious bitches obsessed / If itâs fuck me, then we havinâ sex (ah).â Boom! The chorus is the section to beat. Notably, âBOAâ samples the 2004, Gwen Stefani classic, âWhat You Waiting Forâ. Specifically, during the chorus, the famous clock sounds are integrated in (âTick-tock, tick-tock, tick-tock, tick-tock / These bitches only hot on Tick-tock, tick-tock, tick-tock, tick-tockâ). Megan states sheâs popping beyond TikTok â âIâm really hip-hop.â Word! The second verse offers more of the same jabs, where Meg âJust crossed another opp off the checklist / Spankinâ these rap bitches, yeah, thatâs my fetish.â Oh, snap! Megan The Stallion kicks ass and takes names on âBOAâ slaughtering the competition.
Appears in đ»:
~ Table of Contents ~
6. Survivor, âEye of the Tigerâ
Eye of the Tiger // Volcano Entertainment, III, L.L.C. // 1982
âItâs the eye of the tiger, itâs the thrill of the fight / Risinâ up to the challenge of our rival.â YES, YES, YES đȘ! More, please! âAnd the last known survivor stalks his prey in the night / And heâs watching us all with the eye of the tiger.â Woo! Although Survivor earned five top 10 hits, âEye Of The Tigerâ was their sole no. 1 hit. It spent six weeks at no. 1 on the Billboard Hot 100. In 2018, the single was certified octuple platinum. Eye of the Tiger (the LP) peaked at no. 2 on the Billboard 200. It secured a platinum plaque. âEye of The Tigerâ also appeared as the theme song from Rocky III as well as the opener from the soundtrack (1982). It was written and produced by Jim Peterik and Frankie Sullivan.
âEye of the Tigerâ provides motivation musically and thematically. The instrumental is epic with driving, rhythm guitar, prominent bass, sweet keys, and an infectious groove. With an excellent build-up during the intro, those heavy-handed, distorted guitar hits are crucial to the songâs success. Another reason for âEye of the Tigerâsâ success are dynamic vocals by Dave Bickler, the lead singer from 1978 â 1983. He brings the tuneful melodies and unforgettable chorus to life. âDonât lose your grip on the dreams of the past,â Bickler encourages in the first verse, adding, âYou must fight just to keep them alive.â The keyword is FIGHT. In the second verse, heâs âHanginâ tough, stayinâ hungry,â adding, âThey stack the odds âtil we take to the street / For the kill with the skill to survive.â Maybe the most motivational lyric comes from the end of the third and final verse: âWent the distance, now Iâm not gonna stop / Just a man and his will to survive.â 40+ years later, Survivor continues to lift and motivate us with âEye of the Tigerâ. It NEVER grows old.
Appears in đ»:
~ Table of Contents ~
7. Shaboozey, âHorses & Hellcatsâ
Where Iâve Been, Isnât Where Iâm Going // American Dogwood / EMPIRE // 2024
âWe ride palominos đ like theyâre SRTs đïž / Once I pick up speed, ainât no catchinâ me.â Sure, Shaboozey (Collins Chibueze), if you say so, man! In the lyric excerpted from the chorus of âHorses & Hellcatsâ, the multifaceted artist references palomino horses and the SRT (street and racing technology) lineup associated with Dodge most notably. He continues singing in the chorus of the opener from his 2024 album, Where Iâve Been, Isnât Where Iâm Going, âLookinâ for me, I be out in Tennessee / I donât stay the night, grab the cash and leave.â Seems reasonable given all that horsepower. âHorses & Hellcatsâ was written by Chibueze, Gowa Gibbs, and producers Sean Cook, Nevin, and Dave Cohen.
âFoot on the gas, out on the road / Goinâ for broke, plottinâ on gold.â Word! A relatively brief cut, âHorses & Hellcatsâ catches the ear. âHorses & Hellcatsâ is anchored by a sick beat. The country vibes are strong from the beginning: guitars, lyrics, and vocals.  Per Chibueze, âIâm in Dan Post đ€ đ„Ÿ, everyone lookinâ, the shit I put on different.â Fittingly, horses đ are neighing in the background in âHorses & Hellcats.â Additional selling points include the rhythmic, syrupy, and tuneful melody sung by Shaboozey. âI love my rifle, cross my heart, that will not change,â he sings in the second verse, continuing, âTook a little bit of peyote, why the hell am I still in space?â Oh my đ”âđ«! âHorses & Hellcatsâ is quite a trip â literally with a hallucinogenic involved!
Appears in đ»:
~ Table of Contents ~
8. Sufjan Stevens, âMy Red Little Foxâ
Javelin // Asthmatic Kitty // 2023
âMy Red Little Foxâ marks a moving moment from Javelin, the 10th studio album by Academy and Grammy award-nominated singer/songwriter, Sufjan Stevens. Stevens sings, âSo kiss me as I am lost / Kiss me from within / Jump in, my red little fox / Yellow paper folded off.â His pen game is robust. It seems that he is referencing his late partner, Evans Richardson, metaphorically â the little red fox. Besides the fox, Stevens also mentions Pentecost, celebrated on the 50th day of Easter. âLetâs not be for want / Wanting is a sin / I donât want anything at all,â he sings in the third verse, adding, âLetâs drink âtil itâs Pentecost / Drink unto the wind.â That sounds like a lot of drinks. In addition to the lyrics, âMy Red Little Foxâ benefits from piano accompaniment initially (of course, it evolves into more), a tuneful, rhythmic melody, and exceptional layered vocals.
~ Table of Contents ~
9. Doechii, âCATFISHâ
Alligator Bites Never Heal // Top Dawg Entertainment / Capitol // 2024
âTell a bitch, âHoorahâ / Step up in this bitch, I look too fly / Copped the Dior shit on Ventura / Took a midnight swim in my jeweler.â Ooh-wee, Doechii (Jayah Hickmon) is the sugar honey iced tea! After electrifying with âBULLFROGâ earlier on this playlist and her mixtape, Alligator Bites Never Heal, she brings on the âCATFISHâ! âCATFISHâ clocks in at two-and-a-quarter minutes long. Per usual, Doechii drops confident, energetic, and sickening rhymes. Impressing with her cadence and flow, she rhymes over the dusty, soulful beat, produced by monte booker, like a champ. The catchy chorus, excerpted above, is the section to beat (âDoechii the Don, Doechii the Dean / Doechii supreme, the Swamp Rulerâ). The question is, does she mention catfish explicitly? Yes, but not in a context for pescatarians! âBody so attractive / Yâall be giving catfish / Log âem off the web and every gangstaâs giving actress.â Woo! So, the catfish is more MTV show than delicious meat filled with Omega 3. More interesting than the catfish line are the likes of âNiggaâs ride dick, the dick-riders gonâ dick ride / Make a few bands and switch tribes they switch sides.â Word, more like, wordplay! Safe to say, thereâs nothing fishy about âCATFISH!â
~ Table of Contents ~
10. Lil Wayne, âKat FoodâÂ
Tha Fix Before Tha VI // Young Money / Republic // 2023
âI just put it all up in her face, woah, Noxzema /⊠Woah, I eat her, like, hyenaâŠâ đł đł đł!!! Grammy-winning rapper Lil Wayne has always had a way with words, particularly when it comes to sex. The sex is pronounced on âKat Foodâ, the fourth track from his 2023 mixtape, Tha Fix Before Tha VI.⯠The cat that Weezy references is not a feline: âCome here, girl, I got that cat food, ooh, Purina / Ooh, Purina, itâs wet, Katrina.â Holy shit đł! Charlie Handsome, FNZ, and RogĂ©t Chahayed produced the carnal-sounding backdrop fueling the rapperâs fire.âŻâŻDepth is NOT the modus operandi.⯠In the chorus, Lil Wayne is thinking with his natural gun. However, Weezy does offer up some fun, non-sexual rhymes in the first half of the first verse.⯠But, after the wordplay and confident bars, he returns the focus to S-E-X.⯠âI eat her like a shark and I still ainât learn how to swim yet / I still ainât fuck her friend yet, once I do, Iâm a dip set,â he asserts. In the second, heâs âfuckingâ nasty, referencing cunnilingus (âDiamonds in my mouth, I eat her out and now her pussy glowinââ), fellatio (âDick up in her mouth, canât pull it out, itâs like a power cord đâ), and ass-shaking/drug use (âLet me see that ass jump for me up and down, jump around, wait / Pop that pussy, shake that ass / I pop a Percâ and take a Xanâ). Honestly, thereâs nothing more to say but, meow when it comes to⯠âKat Foodâ.
Appears in đ»:Â
~ Table of Contents ~
11. Lamont Dozier, âFish Ainât Bitinââ
Out Here On My Own // Geffen // 1973
âIâm out here fighting, hungry / The fish ainât bitinâ / Lifeâs so frighteninâ / Iâm out here stumblinââŠâ âFish Ainât Bitinââ is the fourth track on Out Here On My Own, the 1973, solo debut by the late, great Lamont Dozier. Dozier is best known for his songwriting and production skills, collaborating with the Holland brothers. On âFish Ainât Bitinâ,â he is solely the singer. The song was written by James Reddick and Mckinley Jackson who also produced. Dozier earned his second and final top 40 hit with the single, which peaked at no. 26 on the Billboard Hot 100. The music is superb, featuring a fat but active bass line, soulful groove, and celestial orchestration. Digging into the underpinnings, the harmonic progression is sweet too. Dozier matches the instrumental excellence with commanding, gritty lead vocals. The authenticity and expression he brings are fabulous. The struggle is real as he is âTrying to fight with no defense / And I canât win with no confidence.â Dozier keeps it political and socially charged, idiomatic of soul music of the era. Specifically, he references the POTUS (Richard Nixon): âTricky Dick is trying to be slick / And the short end of the stick / Is all Iâm going to get.â At the end of the second verse, Dozier is censored with a beep, pleading, âIâm on my knees, begginâ please / Tricky Dick, stop your shit.â Oh, snap! Lamont Dozier and the message he articulated in âFish Ainât Bitinââ is timeless.
Appears in đ»:
~ Table of Contents ~
12. Lucille Bogan, âTill the Cows Come Homeâ
Shave âEm Dry: The Best of Lucille Bogan // Sony Music Entertainment, Inc. // 2004Â
âI got a man I love / I got a man I like / Every time I fuck them mens / I give âem the doggone clap đ.â Lucille Bogan đ€ą đ€ź đ„Ž đ„Ž đ„Ž! According to the late blues singer, also called Bessie Jackson, âThatâs the kind of pussy that they really like.â Bogan was risquĂ© AF â ahead of her time. Nothing about âTill the Cows Come Homeâ, recorded in 1934, is family-friendly or innocent. The excerpted lyrics are only the surface of the sexually charged lyrics that Bogan sings. âYou can fuck my cock or suck my cock / Or leave my cock alone.â What more can you say but âCock-a-doodle-doo đ!â Singing about penis in the 1930s? Savage! She adds in the colorful second verse, âHoney, I piss all night long / You can fuck my cock or suck my cock / Baby until the cows come home.â MOO đź! Even after the second verse, she remains brutally honest and filthy. âYou know both of my mens / They are tight like that / They got a great big dick just like a baseball bat / Ooh, fuck me.â Wow! She describes herself in the fourth verse as âa bitch from Baltimore,â adding, âIâve got spunk from them hairs that will shut the door.â In the fifth verse, sheâs âgot a big broad ass.â In the sixth, sheâs all about reciprocation, men: âIf you suck my pussy / Baby, Iâll suck your dick / Iâll do it to you, honey, âtil I make you shit.â Yikes! Lucille Bogan brings ample personality to one of the nastiest songs youâll ever hear.
Appears in đ»:
~ Table of Contents ~
13. Harry Roy, âMy Girlâs Pussyâ
Fox Trot Master â the British Swing Sound of Harry Roy and His Orchestra // Das Stimmt // 2022
âThereâs one pet I like to pet / And every evening we get setâŠâ What does evening have to do with it, Harry Roy (1900 â 1971)? The British bandleader, clarinetist, composer, and vocalist continues singing, âI stroke it every chance I get / Itâs my girlâs pussy.â Holy sugar honey iced tea! Things escalate on âMy Girlâs Pussyâ which was recorded by Harry Roy & His Orchestra back in 1931 đ€Ż. As seen with Lucille Bogan on âTill the Cows Come Homeâ, innuendo-heavy, highly sexual music, isnât brand new. âMy Girlâs Pussyâ features cat sounds (meow) near the beginning đł. Roy references both kinds of cats. Gotta love a mean double entendre! Still, he takes the most pleasure from her pussy. âSeldom plays and never purrs / And I love the thoughts it stirs,â he sings, adding, âBut I donât mind because itâs hers / My girlâs pussy.â Oh my! Other eyebrow-raising lyrics include the catâs âconsistencyâ â âItâs always nice and warm.â Also, this catâs âthe best Iâve ever seen,â hence the stroking at every given opportunity. MEOW!
Appears in đ»:
~ Table of Contents ~ // ~ intro ~
13 Electrifying Animal Songs (2024) [đ·: Brent Faulkner / The Musical Hype; American Dogwood, Asthmatic Kitty, Capitol, Darkroom, Das Stimmt, Delicious Bath Water, EMPIRE, Geffen, Hot Girl Productions LLC, Interscope, Republic, Sony Music Entertainment, Inc., Top Dawg Entertainment, Volcano Entertainment, III, L.L.C., Young Money; Tazz Vaughn from Pexels; Agung Setiawan, Angela, Ann-Marie, Badrudin ,, Clker-Free-Vector-Images, G.C., Gordon Johnson, Melanie, No-longer-here, Omar ramirez, Rebecca Scholz, ZdenÄk ChalupskĂœ from Pixabay]

![13 Electrifying Animal Songs (2024) [đ·: Brent Faulkner / The Musical Hype; Tazz Vaughn from Pexels; Agung Setiawan, Angela, Ann-Marie, Badrudin ,, Clker-Free-Vector-Images, G.C., Gordon Johnson, Melanie, No-longer-here, Omar ramirez, Rebecca Scholz, ZdenÄk ChalupskĂœ from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/11/13-electrifying-animal-songs.jpg?fit=300%2C300&ssl=1)

![13 More Songs That Encompass Unrequited Love (2026) [đ·: Brent Faulkner / The Musical Hype; Sofi Polishchuk fromâŻPexels; Gordon Johnson fromâŻPixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/13-more-songs-that-encompass-unrequited-love.jpg?fit=640%2C640&ssl=1)
![James Blunt, Youâre Beautiful: The Flops No. 17 (2026) [đ·: Brent Faulkner / The Musical Hype; Warner Music UK Limited; Will Oliveira from Pexels; Gordon Johnson, OpenClipart-Vectors from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/11/james-blunt-youre-beautiful-the-flops-17-2026.jpg?fit=640%2C640&ssl=1)
![2 Chainz, Playaz Only Live Once [đ·: Million Dollar Habits / EMPIRE]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/11/2-chainz-playaz-only-live-once.jpg?fit=640%2C640&ssl=1)