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101 Best Songs of 2018 | Playlist 🎧

101 Best Songs of 2018: Year in Review 🎧
Reading Time: 56 min read

Childish Gambino, Hozier, Drake, Janelle Monáe, Drake, and Shawn Mendes earn songs in the top-five of the 101 Best Songs of 2018.”

That time of year has come! What time? Time to attempt to assemble a list of the best songs of 2018. Assembling the ‘best’ songs is nothing short of a daunting task that seems to get tougher year after year. Records and songs are > than albums these days, which makes compiling a list of only 100 songs that made some sort of impact in 2018 incredibly tough. This list has evolved from the original, with numerous additions and some shifting around regarding rankings. Just because songs from the original might have moved down doesn’t mean they aren’t great songs – there are just other great songs as well. Without further ado, here are the 101 Best Songs of  2018 in my humble opinion.  You may or may not agree, but here should be something for just about everybody here.

101. Matt Fishel, “Bored of Straight Boys”

M/F » Young Lust » 2018

Original Ranking: N/A

“And he can’t help himself from explaining / All the things he does to girls during sex.” Just earning a spot on the 100 Best Songs of 2018 is an anti-straight boy anthem, “Bored of Straight Boys.” Openly gay English rock/pop singer/songwriter Matt Fishel isn’t feeling the actions and despicable attitudes of straight guys.  On the infectious chorus he proclaims, “And I’m so bored of straight boys / Who only wanna talk football, down alcohol, and hassle women.” He also incorporates same-sex references, such as, “Somebody didn’t get enough bromance in as a teen, I suppose / Finally getting your chance to enjoy some same sex action with all of your bros.”  And to all the straight boys out there, he’s “…Not calling all hetero boys out /…But we all know those bros who act like dickheads.” Perhaps you’ve never heard it, and if that’s the case, this is must-hear.  It also appears on the playlist 14 Songs That Are About Boys or Girls.

100. Yellow Claw, “To the Max”

Ft. MC Kekel, Lil Debbie, Bok Nero & MC Gustta

New Blood » Barong Family » 2018

Dutch producer/DJ duo Yellow Claw has dropped numerous singles in 2018, prepping for their third album, New Blood. Among the most electrifying singles was “To the Max”, featuring a star-studded cast including American rappers Bok Nero and Lil Debbie, as well as Brazilian rappers MC Kekel and MC Gustta. With four rappers on the track, it’s safe to say rap is the prevalent style on the record, but it’s also fused with a dash of Latin-tinged, Brazilian flavor. The two American rappers dominate the first part of the record. Both rappers slay, with Lil Debbie serving up a show-stopping hook. As for the second half the song, it’s dominated by the two Brazilian rappers, MC Gustta and MC Kekel, who drops bars in Portuguese.  Translate the lyrics to English, and the rhymes by Gustta and Kekel look pretty standard on paper – slang and profanity included.

99. Carly Rae Jepsen, “Party for One”

Party for One [Single] » School Boy / Interscope » 2018

Original Ranking: N/A 

“You don’t want my love / If you don’t care about me / I’ll just dance for myself / Back on my beat / Party for one / If you don’t care about me / Making love to myself / Back on my beat…” Carly Rae Jepsen proved she’s not a ‘one-hit wonder’ on her 2018 single, “Party for One”. “Party for One” is a hella catchy anthem of self-love. Jepsen keeps things ‘short and sweet,’ featuring bright, shimmering, driving production.  Naturally, this bubbly sounding pop suits her, recalling the brilliant sounds of her debut sophomore album, Kiss.  Even though the ‘party’ is modern, it also incorporates 80s vibes. The best moment of the record is the aforementioned catchy, powerful, and enthusiastic chorus, where the production becomes more robust, as do Jepsen’s vocals. Her vocal performance is enjoyable, and she exhibits great personality on this record.

98. James Bay, “I Found You”

Electric Light » Republic » 2018

Original Ranking: N/A 

“I found you / I can’t believe I get to know you / Whoa, I can’t believe I get to show you / I had no one ‘til I found you / ‘Til I found you.” “I Found You” gives English singer/songwriter James Bay one of the most soulful songs of his career.  This gospel-infused number may be the most pleasant surprise of Electric Light. That said, why should anyone be surprised? Bay broke into the game with a degree of soulfulness.  Clearly, upon recording this cut, backed by choral vocals, he was listening to some soul.  He slays – that is all!

97. Kane Brown, “American Bad Dream”

Experiment » Sony » 2018

Original Ranking: N/A

“I remember goin’ 10 over the limit would just get you a ticket / Just an inconvenience / Bad cops played the jury, made the good ones worry / About showin’ up and doin’ their job.” Yeah, ‘shit just got totally real’ on “American Bad Dream,” the 11th track from Experiment, the sophomore album by country standout Kane Brown. “Remember when ninth grade was about gettin’ laid / Skippin’ class tryin’ not to get caught,” Brown sings prior to the aforementioned excerpt on the first verse, continuing, “Now you gotta take a test in a bulletproof vest / Scared to death that you might get shot.” On this minor-key crossover country joint, Brown discusses the more unfortunate aspects of America, and criticizes folks for “fallin’ for the Devil’s disguise.” One of the most relatable, honest lyrics appears on the chorus: “I’m becomin’ numb to all this tragedy.”

96. Charlie Puth, “Done for Me”

Ft. Kehlani

Voicenotes » Atlantic » 2018

“Done for Me” keeps the hits right on coming for Charlie Puth, who really ‘steps up his game’ on his sophomore album, Voicenotes.  “Done for Me” embraces urban contemporary music, an excellent look for Puth.  The beat – the groove – makes this record perfect for dancing. Vocally, he continues to be more compelling, possessing an enviable tone. Assisted by Grammy-nominated artist Kehlani, she sounds terrific, never over-singing, delivering a balanced, nuanced vocal performance.  The chemistry between Kehlani and Puth is great towards the end of the record, where they harmonize and provide ad-libs.

95. Felix Jaehn, “Cool”

Ft. Marc E. Bassy & Gucci Mane

I » Universal » 2018

Original Ranking: 26

German DJ Felix Jaehn shines as ‘bright as a beacon’ on “Cool”, the opening gem from his debut album I. Jaehn, who serves up bright, sunny, and smooth production work with some serious vibes, gets the assist from urban-pop singer Marc E. Bassy and mush-mouthed, ubiquitous Southern rapper Gucci Mane.  Bassy delivers soulful, tropically-infused vocals showcasing his beautiful tone.  He gets the honors of dropping the centerpiece of “Cool,” the chorus.  As for Gucci Mane, he drops ‘characteristic,’ southern rap rhymes on the third verse.  He’s accompanied by Jaehn’s sunny-sounding, triumphant horns.

94. $uicideBoy$, “Carrollton”

I Want to Die in New Orleans » G*59 » 2018

Original Ranking: N/A 

After releasing numerous projects, cousin rap-duo $uicideBoy$ (Scott Arceneaux, Jr. and Aristos Pertrou) release their debut album, I Want to Die in New Orleans, in 2018.  One of the highlights from the project is hard-nosed banger “Carrollton” where both exhibit an ‘IDGAF’ attitude. “Carrollton” features sick production work – bass-heavy 808s and the sound of utter, minor-key maliciousness. Lil Cut Throat (aka $crim aka Arceneaux, Jr.) raps the first verse, setting the tone by initially performing in a low-key, yet grimy fashion, before becoming totally amped-up.

His rhymes are tough-minded and unapologetic to the nth degree:

 
“Smoke leaking from the sticky that we smoking, boy
Fuck a backwood, Swisher’s what I used boy
Smoke what I choose, do what I wanna do
Mother-fuck you and your punk friends too.”

Ruby da Cherry (Pertrou) blesses the second verse, beginning more low-key, before getting totally wild.  His own colorful verse closes as follows:

 
“‘I don’t give a fuck’ is my fucking epithet
Lace up my Nike Decades, meet me at Heaven’s Gates
7th Ward by the lake ‘till my death.”

93. Mac Miller, “Self Care”

Swimming » Warner Bros. » 2018

Original Ranking: N/A

“I switched the time zone, but what do I know? / Spending nights hitchhikin’, where will I go?” Some of rapper Mac Miller’s life experiences seem to fuel “Self Care”, a highlight from his final studio album released while he was alive, Swimming. Following the moody instrumental intro, he delivers the aforementioned, sung chorus, which is mysterious and quirky, partially because of the imperfect pitch.  For half of the first verse, he drops straight, unpitched bars, though the pitch returns.  While his singing isn’t as strong as his rapping, it adds to the vulnerability characterizing this particular song, partially referencing a break-up. On the second verse, he mentions his DUI: “That Mercedes drove me crazy, I was speedin’.” Prior to the third verse, there’s a beat switch, with the tempo slackening as Miller speaks on his state of oblivion (“I was, thinking too much, got stuck in oblivion”). To be relatively simple lyrically, “Self Care” is complex at the same time. All in all, this is an emotional record that successfully captured Miller’s headspace and status in rap prior to his tragic death at the age of 26.

92. Shakira & Maluma, “Clandestino”

Clandestino – Single » Sony Latin » 2018

Original Ranking: N/A

“Lo nuestro es ilegal y no te voy a negar / Que yo pago la condena por besarte.” Iconic Colombian singer/songwriter Shakira (“Hips Don’t Lie”) and rising, 24-year old Columbian reggaetón singer Maluma (“Felices los 4”) make a showcase terrific chemistry as ‘secret lovers’ on “Clandestino”, a song sung exclusively in Spanish. “Clandestino” translates into the word clandestine with the key part of its definition being secrecy. As both standout artists sing about this clandestine love affair they’re backed by an appealing reggaetón backdrop, comprised of slick drums, a robust bass line, wavy keyboard, and of course, synths.

91. Diplo, “Look Back”

Ft. Dram

California (EP) » Mad Decent » 2018

Original Ranking: N/A

It’s always special when two unlikely musicians join forces.  That’s the case on “Look Back”, where producer Diplo enlists the services of rapper/singer DRAM. “Look Back” features dynamic production with touches of guitar, keyboards, bass, and big drums.  The sound stylistically can be described as a mix of pop, rock, and soul.  As with many productions with Diplo on the boards, the result is a distinct sounding record. DRAM blesses the record with truly expressive, soulful vocal, spoiling us with falsetto.  There’s also a killer chorus, where he ‘kills it’ with biting vocals and sick runs.

90. Nicki Minaj, “Barbie Dreams”

Queen » Cash Money » 2018

Original Ranking: N/A

Nicki Minaj didn’t quite ‘hit the mark’ with her fourth studio album, Queen.  That said, she nailed it on the unapologetic, utterly hilarious third track from the LP, “Barbie Dreams.” Beginning with an old-school hip-hop beat, Nicki Minaj kills it on her disrespectful, bars, dissing numerous male hip-hop artists including 50 Cent, Young Thug, and DJ Khaled among them. 

“I tried to fuck 50 for a powerful hour
But all that nigga wanna do is talk Power for hours...
Used to fuck with Young Thug, I ain’t addressin’ this shit
C-caught him in my dressing room, stealin’ dresses and shit...
Had to cancel DJ Khaled, boy, we ain’t speakin’
Ain’t no fat nigga tellin’ me what he ain’t eatin’.”

Phew, if that isn’t hot enough, “Barbie Dreams” gets the switch-up treatment, and ‘the queen’ bites even more. The second part is hypersexual – surprise, surprise.

89. Echosmith, “Over My Head”

Over My Head [Single] » Warner Bros. » 2018

Original Ranking: N/A

L.A. alt-pop band Echosmith (comprised of the siblings: Sydney, Noah, and Graham Sierota), returned in 2018 with an underrated, but supremely compelling single, “Over My Head”. The production is quite alluring, incorporating a prominent bass line, keyboard ostinato, synths, and an old-school drum groove. Frontwoman Sydney drops feisty lead vocals, depicting the plights of love.  Ultimately, everything ‘he says’ simply goes “over my head” and she’s totally over it.  Despite the fact that Sydney’s boo (or soon to be ex) is giving her a serious headache, her displeasure is the listener’s pleasure.  How’s that for schadenfreude?

88. Alessia Cara, “Not Today”

The Pains of Growing » Def Jam » 2018

Original Ranking: N/A

Alessia Cara kept things ‘short and sweet’ on “Not Today”, a highlight from her sophomore album, The Pains of Growing. Despite being brief, “Not Today” is a soulful, thrilling two-and-a-half-minute gem.  The production blends old (classic soul palette) and new (sleek, modern drum programming, and some synths). Vocally, Cara sounds superb, never over-singing, yet packing a punch with commanding, nuanced, and powerful vocals; her performance is captivating and mesmerizing.  Adding to the greatness of “Not Today” are the authentic, honest lyrics, including the most memorable, “I’ll be the king of misery management.” Adding to that authenticity and honesty is memorability and catchiness, particularly on the chorus.

87. Billie Eilish & Khalid “Lovely”

“Lovely” [Single] » Darkroom / Interscope » 2018

Original Ranking: 30

Rising pop artist Billie Eilish and Grammy-nominated R&B artist Khalid exhibit superb vocal chemistry on the radiant “Lovely”. “Lovely” opens with mysterious, rhythmic piano, followed by moody, lush strings. Ultimately, “Lovely” features beautiful, relatively simple and subtle production.  Eilish takes the lead on the first verse, while Khalid serves up subtle contributions before becoming a full-fledged duet partner on the second half of the verse. On the second verse, the two flip-flop roles.  The pre-chorus, following both verses, is more intense than the chorus itself, arguably the crowning achievement of “Lovely.” Still, the chorus is chilling and haunting in its subtlety serving as a key example of the marvelous vocal chemistry that characterizes “Lovely.”

86. Trippie Redd, “Topanga”

A Love Letter to You 3 » TenThousand Projects, LLC » 2018

Original Ranking: N/A

Melodic rapper Trippie Redd strikes gold with “Topanga” a single that appears on his second project of 2018, A Love Letter to You 3.  Redd raps about Topanga, a city in California.  This beautifully-produced record (ChopSquad DJ) incorporates a contemporary gospel sensibility, amplified by a sample of the Maurette Brown Clark contemporary gospel record, “It Ain’t Over”. Furthermore, gorgeous piano, rhythmic drum programming, and angelic sounds help to make “Topanga” shine. While there’s a sense of ‘church,’ ultimately, there’s nothing religious about the profane record that mentions guns and violence. 

“Don’t talk to strangers
Since a youngin’ I’ve been totin’ bangers
I might take that lil bitch to Topanga
I said, ‘Stop, little bitch, you in danger’...
Know I tote bangers, boom-boom-boom-boom
Stop, you in danger.”

85. Hayley Kiyoko, “Curious”

Expectations » EMPIRE / Atlantic » 2018

Original Ranking: 37 

Hayley Kiyoko shines on “Curious”, one of many standouts from her debut album Expectations.  She is exuberant, sparkling in her upper register on the infectious pre-chorus. She follows up with incredibly rhythmic vocals on the chorus, where her attitude and feistiness are a pro. Sexuality plays a pivotal role here (and on Expectations as a whole), as Kiyoko is curious about a previous relationship with a girl who is now with a boy.  This fun, well-produced record that builds a strong case for Kiyoko artistically.

84. Lykke Li, “deep end”

So sad so sexy » RCA » 2018

Original Ranking: N/A 

Following a four-year hiatus, alternative singer/songwriter Lykke Li returned in 2018 with her fourth studio album, so sad so sexy.  At 34 minutes, she kept things short and sweet. The crème de la crème of the project is “deep end,” an instant hit that screams ‘pop’ as opposed to ‘alt.’  Produced by T-Minus, Malay, and Jeff Bhasker, it’s not surprising how hip, slick, and thoroughly modern the record sounds. Beyond the killer, minor-key, the Swedish singer successfully performs this well-written number, characterized most by the feisty, infectious chorus.

 
“Swimming pool, swimming pool
Swimming pool, swimming pool
Indigo, deep blue, deep blue
Oh, baby I know where you’ve been
I know where you been, in the deep end.”

83. Lord Huron, “When the Night is Over”

Vide Noir » Republic » 2018

Original Ranking: N/A

“When the Night is Over” ranks among the best of Vide Noir, the conceptual, third studio album by indie-rock collective Lord Huron. Old-school vibes are alive in well, capped off by the lilting six-eight meter.  Overall, the production is simple, yet highly effective.  Ben Schneider has plenty of room for his voice to breathe, never impeded by too many instruments or effects.  He shines without being incredibly flashy vocally. Lyrically, the record is thoughtful and beautifully-penned.  Thematically, the protagonist is distressed about potentially never finding his lost love.

82. Shawn Mendes, “Why”

Shawn Mendes » Island » 2018

Original Ranking: N/A

“Why” isn’t only one of the biggest surprises of Shawn Mendes, but also one of the album’s biggest triumphs. Shawn Mendes gives a chill-inducing vocal performance, showing off his gorgeous tone.  The chorus is simply stunning, filled with reflective questions about the relationship. 

“I pretend that
I’m not ready
Why do we put eat other through hell?
Why can’t we just get over ourselves?
And you say ‘hi’ like
You just met me.”

Beyond the excellence of the lead vocals, “Why” is a production showcase.  The way the background vocals are used to accentuate the lead, the addition of vocal effects for a cool change of pace – there’s some awesome, thoughtful touches.

81. Migos, “Stir Fry”

Culture II » 300 Entertainment / Capitol / Motown » 2018

Original Ranking: 35

“In the kitchen, wrist twistin’ like it’s stir fry.” Migos’ Culture II was an album excessive in length – one hour and 45 minutes! Nonetheless, the album yielded one of the better songs of the collective’s career in “Stir Fry”.  Prepare to get nourished with this irresistibly delicious banger. The production plays a huge role in its success, with an alluring, rhythmic groove as well as the synths.  This definitely propels the Migos, who sound more invested than usual. They certainly owe Pharrell Williams big money for that backdrop.

80. Badflower, “x ANA x”

OK, I’M SICK » Big Machine » 2019

Original Ranking: N/A

“I can’t feel my toes or my fingertips / My chest if pounding so fast I can’t keep up with it / I’m losing it – fuck! I just want to quit it.” Ah, rising Los Angeles alternative band Badflower delivers an energetic, anxiety-driven single on “x ANA x” (a stylization of the sedative, Xanax), the second advance single from their highly-anticipated, 2019 debut album, OK, I’M SICK.  Frontman Josh Katz delivers plenty of ‘sickness’ throughout the course of this four-and-a-half minute record, detailing his dependency on Xanax (‘Ana’) as if it were like a serious, sexual relationship – “Judging my fucking sex ANA x ANA x / And I’m faking just to stay in my body / I’m nervous, I can’t fucking stand it.” The lyrics, throughout the course of the song, reflect Katz’s anxiety, while the high-energy, instrumental backdrop also matches the anxiousness.  As the song continues, the listener is invited more and more into the suspect mindset of the protagonist, which is nothing short of an ear-catching pleasure.

79. Teyana Taylor, “Rose in Harlem”

KTSE » GOOD / Def Jam » 2018

Original Ranking: N/A

“Rose in Harlem” is the crème de la crème of K.T.S.E., the sophomore album by R&B singer and actress Teyana Taylor. A marvelous sample (“Because I Love You, Girl” ), courtesy of The Stylistics, fuels the fire. Vocally, Teyana is in her zone, particularly on the gritty refrain:

 
“It be the ones who say they ride for you
It be the one, the one you love, them too
It be the ones who swear they real, not true
It be them ones, it be them ones
Don’t get caught up.”

Rewind back, Taylor thrives off of a fierce attitude that exemplifies the rough-and-tumble Harlem.  On the first verse, she focuses on her perceived lukewarm success at best – “Oh no, what a shame /10 years in the game / Niggas like ‘You ain’t hot? You ain’t pop yet? / What’s up wit’ you and Ye?’” There’s more fire on the second verse.  Call “Rose in Harlem” what it is – Teyana Taylor ‘talking her shit.’

78. KIDS SEE GHOSTS, “Freeee (Ghost Town, Pt. 2).”

KIDS SEE GHOSTS » GOOD / Def Jam » 2018

 Original Ranking: N/A

“Freeee (Ghost Town, Pt. 2)” is arguably the best song from KIDS SEE GHOSTS, the collaborative project between Kanye West and Kid Cudi. Following a fitting Marcus Garvey sample, West explodes with a hook sure to make you giggle the first time you hear it.  It’s a bit dramatic – perhaps even a wee bit outlandish – but he makes his point crystal clear with honesty.  “I don’t feel pain anymore / Guess what, baby? I feel freeee (scoop!)” Beyond the chorus, he’s assisted on a left-of-center, yet pleasing verse by Kid Cudi, and more frequently Ty Dolla $ign.  It’s weird mind you, but Ty’s unique tone is a perfect fit.  Throw in contributions from Anthony Hamilton alongside Ty and things grow even more soulful.  Also, worth noting, Cudi gets his own chorus and bridge to testify: “Died and came back twice / Now I’m freeee.”

77. Mary J. Blige, “Only Love”

Only Love [Single] » Republic » 2018

 Original Ranking: N/A

Post-divorce (and post album-flop), Grammy-winning R&B singer Mary J. Blige returned strong in 2018 with the groovy, throwback gem, “Only Love”. “Only You” was not only an unexpected new single from the ‘Queen of hip-hop soul,’ but also an incredibly worthwhile one. While Blige is known for articulating and infusing pain with her brand of R&B, “Only Love” is enthusiastic, jubilant, and optimistic.  After experiencing her share of love pains in her own divorce, as well as Strength of a Woman, love actually comes through (for the most part) on “Only Love.” 

“It’s crazy
The way you’ve got the beat of my heart racing
Only love (Only love!)
It will build you up
Bring you down
Only love.”

This energetic, neo-disco joint is a good look for Blige, even being a bit smoother than usual for the pain-fueled diva.

76. JMSN, “Talk is Cheap”

Velvet » White Room » 2018

Original Ranking: N/A

Texas-born, Michigan-bred R&B singer Christian Berishaj – better known as JMSN – shines on his incredibly soulful, sexy new album Velvet.  JMSN takes his time setting up standout “Talk is Cheap”. The groovy, soulful instrumental dominates the first minute and fifteen seconds of the record.  The sound is delightful and refreshing, hearkening back to the smooth R&B of old.  Speaking of smooth, JMSN is silky smooth once he begins singing, chocked-full of soul and talent.  His falsetto is commanding and ripe on the background vocals of the chorus.  He superbly ad-libs and riffs using his chest voice (regular voice), providing a superb contrast. The chorus is the centerpiece of “Talk is Cheap.”

 
“Talk is cheap
You got to show me it’s real
‘Cause I ain’t got time to waste, no
I don’t sleep
I think you know what the deal is
So, don’t you feed that stuff to me
Talk is cheap.”

75. Muse, “Pressure”

Simulation Theory » Warner Bros. » 2018

Original Ranking: N/A

“Don’t push me / Don’t push me / Let me get off the ground / To you I’m not longer bound.” “Pressure” sports groovy vibes from the jump.  The brass hits, combined with the biting guitar, definitely provides a kick ass listening experience. Set in a minor key, “Pressure” also manages some major key moments. Pummeling drums add intensity to the ear-catching start. Matthew Bellamy’s vocals are solid, incorporating full voice and falsetto.  The lyrics are intense, including highlights such as, “I’m grinding it out, no one can see /The pressure’s growing exponentially” and, “I see your corruption / I’m not blind / I’ll carry the burden and take the strain / And when I am done I will make you pay.” Also, worth mentioning are the awesome whispered vocals during the pre-chorus, singing the titular lyric. Ultimately, “Pressure” thrives off those symphonic, neo-prog rock vibes that Muse has been known for over the years, while also incorporating pop elements.  It’s among the crème de la crème of Simulation Theory, as well as one of the best songs of 2018.

74. Allen Stone, “Brown Eyed Lover”

Brown Eyed Lover » ATO » 2018

Original Ranking: N/A 

Washington contemporary soul singer Allen Stone returned in 2018 with a compelling, thoughtful new single, “Brown Eyed Lover”,  which centers around a successful, enduring relationship. A soulful groove kicks in early on, followed by compelling, well-produced vocals characterized by their ‘finesse.’ From a musical perspective, a superb harmonic progression keeps things interesting. The songwriting is excellent, exploring love and experiencing a successful, enduring relationship. On the first verse, Allen Stone hopes, yet wonders if his relationship will ultimately last (“Oh, she’s got everything you want / Wardrobe bought at the thrift shop / All my friends adore her / She reminds me of my mother.”) Later, on the second verse, he worries she’ll find someone with more time, then, much like the first verse, lists all of her selling points.  Safe to say, ‘she’s a keeper.’ Between the verses, a simple, but incredibly effective chorus serves as the centerpiece. Stone doesn’t overcomplicate things, singing his heart out.

 
“I’ve got a brown eyed lover
On the other side of town
I don’t wanna keep her waiting
(I don’t wanna keep her waiting, waiting)
She’s got me upside tongue-tied
Twisted all around
I don’t wanna keep her waiting
(I don’t wanna keep her waiting, waiting).”

73. Sofi Tukker, “Batshit”

Treehouse » Ultra » 2018

Original Ranking: 17

From the get-go, the Sofi Tukker hit “Batshit” is chocked-full of fun.  It’s danceable, infectious, and undoubtedly irresistible. Is it “batshit crazy?” A little bit.  Notably, Tucker Halpern has a much more substantial vocal role compared to other songs from the duo.  Sophie Hawley-Weld also gets in on the action, with arguably the most important part of the song – drum roll please – the titular lyric! Yes, Hawley-Weld holds “batshit” down like a champ, while Halpern follows-up with “I’m batshit crazy.”  Notably, “Batshit” incorporates an interpolation of the narcissistic classic, “I’m Too Sexy”.

72. The Weeknd, “Call Out My Name”

My Dear Melancholy, [EP] » Republic » 2018

Original Ranking: 41 

The Weeknd opens My Dear Melancholy, (EP) in moody fashion with “Call Out My Name,” which is also set in a minor key. The production work by Frank Dukes helps to establish the vibe, particularly the piano, dark synths, and the soulful drum groove.  After exhibiting more poise and restraint on the first verse, the chorus soars, incorporating some distorted vocals, expanded vocal range, and more oomph all around.  Listening to the opener, the authenticity and emotion shown by The Weeknd is indisputable.

71. Justin Timberlake, “Say Something”

Ft. Chris Stapleton

Man of the Woods » RCA » 2018

Original Ranking: 24

“Say Something” comes closest to the characterization that Justin Timberlake provided regarding Man of the Woods.  The guest appearance and co-write by Chris Stapleton confirms the country influence, but it’s also perceptible within the production, specifically rhythm guitars, vocal harmonization, and other intentional cues.  Still, Timberlake doesn’t shy away from the pop, vocally and percussively. The repetition of the chorus perfectly exemplifies modern pop, and urban music. Timberlake and Stapleton deliver compelling performances, particularly when they join forces. Repetition bodes in Timberlake’s favor here, particularly the infectious, memorable chorus.

70. Mariah Carey, “GTFO”

Caution » Epic » 2018

Original Ranking: N/A 

“How ‘bout you get the fuck out?” Mariah Carey made an aggressive return in the ‘coolest’ way possible on “GTFO”. Clearly a woman scorned, on the first verse of the Caution gem, she asserts, “You took my love for granted / You left me lost and disenchanted / Bulldozed my heart as if you planned it.”  On the second, she basically states she should’ve listened to her friends who warned her that her man was no good. Ultimately, all the anger percolates on the explicit chorus. Vocally, she sounds smooth, singing in calm and collected fashion as opposed to belting or opting for extreme high notes. “GTFO” is ultimately a good fit for Mimi that’s hella enjoyable.

69. Joji, “No Fun”

BALLADS 1 » 88rising / 12Tone Music » 2018

Original Ranking: N/A 

“Fuck my friends, they’re gone / They all left one by one.” “No Fun” is among the groovier, more memorable records from BALLADS 1, the full-length debut studio album from alternative R&B artist Joji.  In the context of BALLADS 1, “No Fun” provides a necessary spark. While Joji is the ultimate pessimist here, his pain is the listener’s pleasure. The production is bright, the tempo is moderately quick, and the vocals are among the most assertive of the album.

 

“And I keep to myself
Fuck with no one else
And I know it’s my fault
But I don’t care
And I keep to myself
Who are you to pretend?
And I know it’s my fault
It’ll never end
Yeah, all my friends no fun...”

 

68. 88rising, “Peach Jam”

Ft. Joji & BlocBoy JB

Head in the Clouds » 88rising / 12Tone Music » 2018

Original Ranking: N/A

“Take you on a picnic then for a ride / Ride it all, ride it alright / Hold the door open, baby, let me come inside / Spoon full of love in your peach jam.” One of the best songs from the 88rising compilation, Heads in the Clouds, and among the best of 2018, arrives with the infectious, sunny-sounding “Peach Jam”. “Peach Jam” is performed by alternative R&B singer Joji and rapper BlocBoy JB.  This is the perfect summer song, thriving off its chill, sexy, and soulful vibes.  This short little gem ‘gets down to business,’ if you catchy my drift.

67. Years & Years, “If You’re Over Me”

Palo Santo » Polydor » 2018

Original Ranking: N/A

British electro-pop collective Years & Years shine on “If You’re Over Me”, the second single from their sophomore album, Palo Santo.  “If You’re Over Me” features bright, exuberant production work.  Set in a major key, the optimism of the sound is nothing short of awesome.  Singer Olly Alexander is on autopilot from the start, further endearing himself stateside with his charming British accent.  His vocals are clear, commanding, and relatively easygoing and unforced.  The man is truly ‘the man’ with his stunning vocal tone.  Although bright and bubbly, thematically, Olly sings about a previous relationship where his ex-boyfriend doesn’t seem to be over him.  “You tell everyone our love went cold,” he sings on the pre-chorus, continuing, “If that’s how you feel then you should go / Don’t come around saying, ‘I still want you.’” On the chorus, Alexander continues the tale of his ex-, who’s giving mixed signals.

 
“One minute you say we’re a team
When you’re telling me you can’t breathe
Well you should set me free
Baby, if you’re over me.”

66. J. Cole, “ATM”

KOD » Roc Nation » 2018

Original Ranking: 45

The trap is alive on “ATM,” a highlight from the surprise 2018 J. Cole LP, KOD. Notably, elements from the album intro also return – “There are many ways to deal with this pain / Choose wisely.” “ATM” at its simplest is about money.  J. Cole seems to reference his own excess of the past, potentially shades the new crop of rappers about their greed, and also discusses money issues within the black community.

65. ZAYN, “Let Me”

Icarus Falls » RCA » 2018

Original Ranking: 38

“Sweet baby, our sex has meaning.” Ooh la-la ZAYN.  It’s certainly not shocking that the urban-pop star addresses sex on “Let Me,” arguably the best single from his 2018 sophomore album, Icarus Falls. Compared to his former number one single, “Pillowtalk”, “Let Me” is less explicit, smoother, and much more tasteful. The backdrop is smooth, urban-pop at its best.  It’s incredibly uncluttered, with ample space for the production to ‘breathe’ you might say.  ZAYN delivers some superb vocals, particularly when he sings in falsetto. Further amplifying the excellence of “Let Me” are the lovely vocal harmonies on the chorus.

64. Camila Cabello, “Be the Same”

Camila » Epic » 2018

Original Ranking: 25

Hard drums anchor “Never Be the Same”, the opening song from Camila, the debut studio album from Camila Cabello.  On the verses, Cabello never pushes her voice much. Her stunning falsetto shows up, in all its sexiness and sweetness, beginning on the pre-chorus. She exhibits the most vocal oomph during the high-flying chorus. 

“It’s you babe
And I’m a sucker for the way that you move, babe
And I could try to run, but it would be useless
You’re to blame
Just one hit of you, I knew I’ll never be the same.”

Although somewhat casual, “Never Be the Same” proves to be a solid start to Camila, and among the better songs of 2018.

63. Mariah Carey, “With You”

Caution » Epic » 2018

Original Ranking: N/A

“She was full of such trepidation / There in front of the whole damn nation.” Hmm, definitely one of the more ‘intellectual’ moments that Mariah Carey serves up on the gorgeous ballad “With You”, surprisingly produced by DJ Mustard. For the majority of the Caution standout, she doesn’t do anything too ‘crazy’ with her voice.  The melody sits in a comfortable range and register though by the end, there are savvy ad-libs and her signature, playful whistle tones. Perhaps the songwriting yields no ‘award-winning narrative,’ but there’s definitely a sexy vibe. Also, she drops some pop cultural references (Bone Thugs and Usher’s Confessions), not to mention a f-bomb.

 
“Ooh, shots of Remy
Playing Confessions, and our bodies blendin’
Oooh, I’m in love, it’s true
Yeah, damn, I fucks with you
And we all make mistakes sometimes
But we muddle through
I don’t know what I’m supposed to do (boy)
Oh, baby, I’m in love, it’s true
With you, you, you...”

62. Anderson . Paak, “Tints”

Ft. Kendrick Lamar

Oxnard » Aftermath / 12Tone Music » 2018

Grammy-nominated rapper/singer Anderson .Paak returned strong in 2018 on the hella groovy, soulful single, “Tints”. On the highlight from Oxnard, he enlists Grammy-winning Compton rapper, Kendrick Lamar. Paak sings the first verse, asserting he’s “been feelin’ kinda cooped up,” by the effects of fame.  Within the same verse, he ties everything into his feelings, referencing California weather, the dangers of the Paparazzi, and the socially-charged lyric, “Niggas dyin’ for less, I hear.” Paak goes on to talk about his blessings on the pre-chorus, before emphasizing the necessity of “tints” given his fame and various activities. Lamar shines on the second verse, continuing the fame sentiment captured by Paak.  He continues to reference the need for tints, including “…So I can look at the snakes and posers.”  Paak drops a third verse, referencing “presidential” status and cleverly, “Niggas never see me comin’.” “Tints” is well-produced, well-written, and well-performed.

61. XXXTENTACION, “sad”

? • Bad Vibes Forever • 2018

Original Ranking: N/A

“I gave her everything / She took my heart and left me lonely / I’ve been broken, heart’s contentious / I won’t fix, I’d rather weep.” When a tragedy takes a musician’s life unexpected, the songs often grow a bit more meaningful.  That’s the case with “SAD!” by the late XXXTENTACION (Jahseh Dwayne Onfroy) who was shot and killed at just 20 years old.  Prior to death, “SAD!” was already the crème de la crème of his no. 1 album, ?. “SAD!” keeps things ‘short and sweet,’ clocking in at 2:47. The production is moody and mysterious initially, gradually adding more details. The smoothness and vibe of the musical backdrop is a major selling point. During the verse (excerpted above), XXXTENTACION shares his feelings of brokenhearted-ness. Following the intro, he unveils the chorus:

 
“Who am I? Someone that's afraid to let go, uh
You decide if you're ever gonna let me know (yeah)
Suicide if you ever try to let go, uh
I'm sad, I know, yeah, I'm sad, I know, yeah.”'

60. Tori Kelly, “Help Us to Love”

Ft. The HamilTones

Hiding Place » Capitol » 2018

Original Ranking: 36

Tori Kelly asks God to “Help Us to Love” (Hiding Place)on her gorgeous, uplifting contemporary gospel single featuring The HamilTones, the official background vocalists for Grammy-winner Anthony Hamilton.  Kelly never over-sings, packing a punch without doing too much.  She amps up the intensity beginning on the dynamic bridge section yet remains in control. The HamilTones fuel her fire with stunning vocal harmonies, solidifying the contemporary gospel sound.

59. Ezra Furman, “Suck the Blood from My Wound”

Transangelic Exodus » Bella Union » 2018

Original Ranking: 47

Gender-fluid rock musician Ezra Furman maintains something of cult-following. Self-described as a ‘Queer Outlaw Saga,’ Furman’s 2018 album Transangelic Exodus is incredibly underrated as well as incredibly special. “I woke up bleeding in the crotch of a tree,” Furman sings on phenomenal opening highlight, “Suck the Blood from My Wound.”  Furman sings with incredible grit, delivering his concept of transangelicism.

 

“Blood on my angel’s lips blends with his make-up
...Peeling off bandages to unfold his wings
The doctors said they’d have to stay on for another three weeks
Fuck it baby, let ‘em bruise, let ‘em break
But bleed, let ‘em bleed.”

58. The Carters, “APESHIT”

Everything is Love » Roc Nation / Sony » 2018

Original Ranking: N/A

Question: “Have you ever seen the crowd goin’ ape-shit?” Rap banger “APESHIT” served as the single from the collaborative Jay-Z and Beyoncé project (as The Carters), Everything is Love. Beyoncé shines on the first verse with confident pop-raps, assisted by ad-libs by Quavo.  Chocked-full of gimmickry, it’s a fitting approach against the adventurous production by Pharrell Williams. Arguably, Bey may be even more electric on the third verse where there’s no shortage of assuredness and swagger. Jay-Z arrives on the second verse, fiery, dissing the Super Bowl, The NFL, and the Grammys (“Tell the Grammy’s fuck that 0 for 8 shit”). If nothing else, “APESHIT” is a memorable turn-up, not to mention one of two songs on this list that features the word shit in the song title…

57. 6ix9ine, “FEFE”

Ft. Nicki Minaj & Murda Beatz

DUMMY BOY » Scumgang » 2018

Original Ranking: N/A

On his hella catchy 2018 hit “FEFE” rapper 6ix9ine gets melodic, embracing pitch.  Even so, he doesn’t sacrifice his unapologetic spirit – “Pussy got that wet, wet, got that drip, drop / Got that super soaker, hit that, she a Fefe.” Sex dominates the rest of the verse before he delivers one of the catchiest parts of the song – the refrain: “I don’t really want no friends / I don’t really want no friends, no.”  He follows with a second, short verse where he moves from pleasure to violence. Nicki Minaj, also melodically-driven, guests on two relatively short verses, encompassing ‘69,’ her private parts, Draco, and her status. One final verse comes at 6ix9ine’s hands, in the form of an eye-roll worthy nursery rhyme:

 
“Eeny, meeny, miny, moe
I catch a hoe right by her toe
If she ain’t fuckin’ me and Nicki
Kick that hoe right through the door.”

This is the record that you should/want to hate, but it’s so catchy, you just can’t.

56. Panic! At the Disco, “High Hopes”

Pray for the Wicked » Fueled by Ramen » 2018

Original Ranking: N/A

“High Hopes”, the high-flying fourth track from Panic! At The Disco’s sixth studio album, Pray for the Wicked, kicks off with driving brassy, exuberant production work, set in a major key. “Have to have high, high hopes for a living / Shooting for the stars when I couldn’t make a killing,” frontman Brendon Urie sings on the optimistic chorus, continuing, “Didn’t have a dime but I always had a vision / Always had high, high hopes.”  Elsewhere, he speaks about destiny, dreams, “rewriting your history,” and being true to self.  Clearly, this is an anthem for dreamers and encouragement for the non-conformists of the world.

55. Twenty One Pilots, “Levitate”

Trench » Fueled by Ramen » 2018

Original Ranking: N/A

“Oh, I know how to levitate up off my feet / And ever since the seventh grade I learned to fire-breathe.” Tyler Joseph showcases his ability to drop bars on “Levitate”, the second entry from Twenty One Pilots’ fifth studio album, Trench, to appear on the 100 Best Songs of 2018.  “Levitate” begins enigmatically with an evolving pad that has a floating, somewhat woozy sound that suits the song’s title.  Soon enough, the beat develops, resulting in an awesome, hard-nosed, incredibly rhythmic anchor.  The production gives Joseph ample fuel for his fire.  His flow is on-point – incredibly aggressive, turned-up, and ultimately, compelling. He makes a number of great points lyrically, including the open-ended example from the first verse, “Cowards only come through when the hour’s late / And everyone’s asleep mind you.” The second verse is where his flow is most electrifying, featuring the killer lyric, “Don’t feed me to the vultures / I am a vulture who feeds on pain.” Also, he visits familiar territory: mental health. Albeit brief, “Levitate” is potent nonetheless.

54. KYLE, “Playinwithme”

Ft. Kehlani

Light of Mine » Atlantic » 2018

Original Ranking: 28

Light of Mine is chocked full of goodness, but arguably nothing is better than “Playinwitme” featuring Kehlani. From the start, “Playinwitme” has hit written all over it.  Set in a major key, the record bursts with optimism and fittingly, playfulness.  KYLE dominates the majority of this record, beginning with a catchy, melodic chorus, accompanied by piano.  The melodic, pop-rap continues on his first verse, where he’s clearly on autopilot.  On the second verse, Kehlani arrives in all her glory.  Picking up where the rapper left off, she impresses with her pipes, delivering her own set of memorable lyrics. The two eventually join forces on the brief bridge, and the final chorus.

53. Ryan Beatty, “Powerslide”

Boy in Jeans » Boy in Jeans » 2018

Original Ranking: N/A 

Ryan Beatty, an openly gay, former teen-pop artist, is honest about love and sex throughout the course of his stellar debut album, Boy in Jeans. An eclectic album, Boy in Jeans encompasses pop, R&B, and a dash of alternative. Throughout, the album features excellent vocals, meaningful songs encompassing important social themes (and about boys), and outstanding production work. The crowning achievement is arguably “Powerslide,” tailormade for summer, embracing West Coast vibes, and highlighting the truly ‘lit’ relationship between Beatty and his boyfriend. “Powerslide” thrives off of infatuation and sex, exemplified by the following lyrical highlight: “He gave me pleasure underneath the water / And it felt so good / Now we’re power sliding till the flood spurts stop us…”  On the second verse, Beatty is playful with words, serving up another lyrical gem:

 
“Now we share a couple of cigarettes before we go to bed and you
Got the plastic
That’s fucking fantastic.”

That last lyric is a fitting description of how great the groovy “Powerslide” is.

52. Lenny Kravitz, “It’s Enough”

Raise Vibration » BMG Rights Management » 2018

Original Ranking: 50 

“When will the desire for love / Outweigh the desire for power?” Lenny Kravitz makes it clear he’s not happy with the current social-political climate on “It’s Enough”, the promo single for his forthcoming album, Raise Vibration (September 7). “It’s Enough” is a lengthy single, running eight minutes in duration.  It benefits from an incredibly soulful groove that is reminiscent of the Marvin Gaye classic, “What’s Going On.” In addition to being soulful, the groove has a distinct, ‘percussive’ nature.  Kravitz sings about the many problems that plague America including racial injustice, unarmed shootings, and political corruption and lies.  A simple chorus sums up the sentiment of the times. 

“It’s enough, it’s enough, it’s enough
In the system, you cannot trust
It’s enough, it’s enough
When the whole wide world is corrupt
It’s enough, it’s enough
And we all are just getting fucked
It’s enough, it’s enough.”

51. EDEN, “start//end”

Vertigo » Astralwerks » 2018

Original Ranking: 33

“Start//End” begins with lovely, lush, robust strings. There’s a distinct, expressiveness about EDEN (Jonathon Ng) vocally – he’s authentic, emotional, and passionate. Following a dramatic verse, the pre-chorus signals a shift within the record. Unstable, it’s intriguing, unpredictability piques interest, continuing through the chorus, where an identity is established. 

“(I’ve missed times) It’s played out
(Been disconnected) I’ve moved on
(I stressed time) Get fucked up
(Forgetting timing) My new draw.”

The electronic vibe and a sense of stability and groove establish themselves on the bridge and successive chorus. Finally, the second verse arrives, with the clear identity of the record established, intact with lush strings and electronic backdrop.  “Start//End” is the crowning achievement of Vertigo, and one of the more interesting songs of 2018.

50. Kacey Musgraves, “Space Cowboy”

Golden Hour » MCA Nashville » 2018

Original Ranking: N/A

On “Space Cowboy”, Grammy-winning Kacey Musgraves delivers beautiful, expressive vocals from the jump. The clarity that she sings with is a major selling point.  Notably, she doesn’t employ twang, which takes away an ‘in your face’ countrified vibe.  This is clearly a country record, but has a wider appeal than most because it doesn’t feel forced.  Musically, the country cues happen naturally, particularly the subtlety and timely appearance of steel guitar. What does the title mean? Ultimately, Musgraves speaks about breaking things off, best evidenced by the chorus. 

“You can have your space, cowboy
I ain’t gonna fence you in
Go on, ride, away in your Silverado
Guess I’ll see you ‘round again
I know my place, and it ain’t with you
Well, sunsets fade, and love does too
Yeah, we had our day in the sun
When a horse wants to run, there ain’t no sense in closing the gate
You can have your space, cowboy.”

“Space Cowboy” is nominated at the 61st Grammy Awards for Best Country Song, while Golden Hour is nominated for multiple awards, including the most prestigious of them all, Album of the Year.

49. Alec Benjamin, “Death of a Hero”

Narrated for You » Alec Benjamin » 2018

Original Ranking: N/A 

“I tried to help but he said he was just too far from saving.”  One reason why “Death of a Hero”  (Narrated for You) is a magnificent record is thanks to the fact that rising pop musician Alec Benjamin is incredibly authentic.  Another is the theme, in which Benjamin expresses his disappointment with a role model.  We assume our role models to be saintly.  Then, what do they do? Disappoint us, forcing us to regroup and rethink everything.  Here, the singer/songwriter’s “Superman” exhibits his unflattering side, and the image of his hero is forever tarnished. “Death of a Hero” just might be among the best songs of 2018 that not enough music enthusiasts have heard.

48. Zedd, Maren Morris & Grey, “The Middle”

The Middle [Single] » Interscope » 2018

Original Ranking: N/A

“Oh baby, why don’t you just meet me in the middle? / I’m losing my mind just a little / So why don’t you just meet me in the middle? / In the middle.” On “The Middle”, talented German producer Zedd and production duo Grey make magic with an unlikely collaborator, Grammy-winning country artist, Maren Morris. Whoa! Ultimately, what results is a successful record that was absolutely ubiquitous on the airwaves in 2018. Morris continues to exhibit her share of grit on “The Middle,” often part of the country script, but also successfully amps up the pop sensibilities. Hearing Morris with vocal effects doesn’t sound like a total stretch, particularly considering her versatility.  That said, there’s nothing the slightest bit country about the backdrop, as Zedd and Grey remain firmly planted in the electronic dance idiom. No problem whatsoever!  The best moment of “The Middle” is the chorus (excerpted above), which represents the catchy, big-time moment.

47. Jason Mraz, “Might as Well Dance”

Know. » Atlantic » 2018

Original Ranking: N/A

“Love, oh yeah, you’re the best book I’ve read in a while / I don’t just read you for the articles / I read you ‘til my heart is full.” “Might as Well Dance” is arguably the best song from Know..  One of the reasons why “Might as Well Dance” is special is that pop singer/songwriter Jason Mraz dips into country music.  This record sounds fuses country, singer/songwriter, and folk-pop, while being anchored by a robust bass line. From the start, this somewhat quirky tune is groovy to the nth degree – there’s an undeniable charm and infectious vibe.  That vibe is fitting given the carefree, tongue-in-cheek lyrics.  Despite being middle-aged, Mraz’s youthfulness shines through as he playfully sings, “Might as well take off our pants, and jacket / Yeah, we’re already fools / So we might as well dance (come on).” Might as Well Dance” is bundles of fun, as well as thoughtfully-penned.

46. Father John Misty, “God’s Favorite Customer”

God’s Favorite Customer » Sub Pop » 2018

Original Ranking: N/A

“Speak to me / Won’t you speak, sweet angel? / Don’t you remember me? / I was God’s favorite customer.” Listening to “God’s Favorite Customer,” (God’s Favorite Customer) the superb title track from Father John Misty’s 2018 LP, Josh Tillman’s religious past is perceptible through the musical arrangement, production, harmonic scheme, and the songwriting.  The instrumentation plays a sizable role in the effectiveness of this number, incorporating electric piano, organ, and harmonica, in addition to the standard acoustic piano, acoustic guitars, drums, and chilling supporting vocals (Weyes Blood).  Beyond the gospel-infused cues, there’s also the spiritual lyrics of the chorus, even as Tillman is no longer “God’s Favorite Customer” as he was when he was an evangelical Christian.  Even atheists can get on board with this spiritually-tinged record.

45. Carrie Underwood, “Cry Pretty”

Cry Pretty » Capitol Nashville » 2018

Original Ranking: 21 

Carrie Underwood exhibits superb musicianship on her second single of 2018, “Cry Pretty” (Cry Pretty)  The pulse of “Cry Pretty” is initially carried by guitar, panned to the right.  Drums and bass arrive later, confirming the lilting, six-eight meter.  After showcasing restraint on the first verse, Carrie Underwood reaches a fever pitch on the powerhouse chorus. Complementing her soaring vocals is dynamic, ‘souped-up’ production work.  This is country music (as opposed to country-pop) in the hands of one of its more skilled singers.  Underwood shows off some incredibly sick vocals, incorporating falsetto, grit, runs, and whelps.  By the end, Underwood ‘lets her rip,’ and it’s nothing short of glorious.  You can feel the authenticity.

44. Troye Sivan, “Bloom”

Bloom » Capitol » 2018

Original Ranking: N/A

“And it’s true, baby / I’ve been saving this for you, baby.” Pop musician Troye Sivan has been honest about his life as an openly gay man, highlighted by his superb debut album, Blue Neighbourhood.  He continues his honesty and openness on “Bloom”, a highlight from his sophomore LP, also titled Bloom. On the first verse, he takes us on a trip:

 
“Take a trip into my garden
I’ve got so much to show ya
The fountains and the waters
Are begging just to know ya.”

Following the first verse, the refrain provides more perspective as to where Sivan is going –willingness to ‘bloom’ sexually.  The innuendo is ‘out of the roof.’ Even though “Bloom” encompasses the physical, Sivan also highlights the emotions of the experience, separating this from songs merely encompassing empty sex.  On the pre-chorus, he sings, “Hold my hand if I get scared now,” representing vulnerability, a legitimate emotion associated with losing one’s virginity.  On the chorus, Sivan exhibits dedication to his boyfriend, willing to ‘give it up’ because he truly ‘feels some type of way’ about him.

43. Janelle Monáe, “I Like That”

Dirty Computer » Bad Boy » 2018

Original Ranking: N/A

Janelle Monáe characterizes herself throughout the course of the soulful “I Like That”, among many highlights from her third studio album, Dirty Computer. On the verses, she paints a picture of eclecticism and nonconformity.  On the second verse, she asserts, “Take a different type of girl to keep the whole world afloat.” There’s dualism about that particular lyric.  In one token, Monáe is revealing more about her sexuality to the world.  In another token, she simply seems to be asserting she’s a special, truly unique person who can’t be pigeonholed.  On the pre-chorus, she continues this characterization, while she snarls on the chorus. 

“And I like that
I don’t really give a fuck if I was just the only one
Who likes that
I never like to follow, follow around, the chase is on.”

42. MNEK, “Tongue”

Language » Virgin » 2018

Original Ranking: 19

23-year old rising English dance, pop, and R&B artist MNEK showcases massive potential on his utterly infectious single, “Tongue”. “Tongue” begins abruptly with MNEK showcasing the beauty of his voice. He possesses a gorgeous tone and a compelling falsetto, particularly on the pre-chorus section.  A surprising change of pace occurs on the chorus, where he begins singing in his lower register, in somewhat tongue in cheek fashion.  Ultimately, it’s this part of the song that’s the crowning achievement of “Tongue.”

 
“So, I’m putting both hands over my mouth
I can only hope nothing’s gonna come out
But there it is on the tip of my tongue
(I think I love you)
I think you’re the one.”

41. Panic! At the Disco, “Say Amen (Saturday Night)”

Pray for the Wicked » Fueled by Ramen » 2018

Original Ranking: 32

Panic! At the Disco – specifically Brendon Urie – seems to be experiencing some ‘inner-conflict’ on standout single “Say Amen (Saturday Night)”. “Say Amen (Saturday Night)” hails from the band’s 2018 album, Pray for the Wicked (arrives June 22). The production work is a work of art throughout, including fantastic keyboard work, horns, and massive, pummeling drums. The choruses represent the most epic moments, as well as summing up the record’s message. The push-and-pull is what makes “Say Amen (Saturday Night)” so compelling. Urie is struggling with spirituality versus being free and living it up.  He uses his brilliant vocals to convey this, exhibiting tremendous grit, and packing a sizable punch.  His falsetto is simply marvelous.

40. Blood Orange, “Charcoal Baby”

Negro Swan » Domino » 2018

Original Ranking: N/A

Blood Orange (Dev Hynes), made a compelling return in 2018 with “Charcoal Baby”, a standout, advance single from his fourth studio album, Negro Swan. “Charcoal Baby” features unique production work throughout, including awesome, soulful, uniquely-tuned guitar (sounds slightly out of tune, purposefully), as well as a solid throwback soul groove.  The vocals are incredibly smooth – calm, cool, and collected. Interestingly, there’s only one verse that’s repeated several times:

 
“When you wake up
It’s not the first thing that you wanna know
Can you still count
All of the reasons that you’re not alone?”

Instrumentally, the memorable chorus welcomes a synth, which replaces the guitar.  Piano arrives on the second half of the chorus.  During this terrific section, Blood Orange sings:

“No one wants to be the odd one out at times
No one wants to be the negro swan
Can you break sometimes? (sometimes)
Can you break sometimes (sometimes, oh)
Charcoal make it start and make me liked at times
Look me down at queens all of the world
Can you break sometimes?
Can you break sometimes?”

Later on, post-bridge, there’s an excellent break (guitar and flute) – a brief change of pace.  The groove returns strong on the outro, along with a ripe, old-school saxophone solo.

39. 5 Seconds of Summer, “Youngblood”

Youngblood » Capitol » 2018

Original Ranking: N/A

“Young blood / Say you want me, say you want me out of your life / And I’m just a dead man walking tonight…” 5 Seconds of Summer kicks off their compelling third studio album, Youngblood, with a bang.  That bang ends up being the title track, “Youngblood”, which is an energetic, slickly produced pop cut.  Taking things a step forward, “Youngblood” easily earns a spot among the elite songs of 2018. Notably, regarding the sound, there are guitars, but far more synths are in play compared to 5SOS’ past music.  The sound fits ultimately the band successfully. The vocal performance on the verses is a bit more restrained while the vocals on the chorus ‘roar,’ maintaining the edge of the collective, as well as cutting through the production sheen.

38. Leon Bridges, “Bet Ain’t Worth the Hand”

Good Thing » Columbia » 2018

Original Ranking: 22

Soul enthusiasts will feel like they returned to their heyday listening to “Bet Ain’t Worth the Hand”. The old-school shtick is alive, with harp arpeggios, glockenspiel, strings, and a lush backdrop.  The production is perfect fuel for Leon Bridges’ fire, regardless whether he needed the extra spark or not.  The falsetto is formidable, while his chest voice is incredibly commanding and emotional. Adding to the jubilance is the solid songwriting with an undeniably prudent message.  Short and sweet, “Bet Ain’t Worth the Hands” proves to be a stellar opener on his sophomore album, Good Thing.

37. Arctic Monkeys, “Four Out of Five”

Tranquility Base Hotel & Casino » Domino » 2018

Original Ranking: 40

“Four Out of Five” is in the running for the crowning achievement of the strange but alluring Tranquility Base Hotel & Casino.  That’s surprising given the fact that at its simplest, Arctic Monkeys frontman Alex Turner is singing about the rating that the Tranquility Base Hotel & Casino taqueria received. Nonetheless, Arctic Monkeys make this record incredibly intriguing lyrically, musically, and vocally. 

“Take it easy for a little while
Come and stay with us, it’s such an easy flight
Cute new places keep on popping up…
I put a taqueria on the roof, it was well-reviewed,
Four stars out of five
And that’s unheard of.”


		

	



			
				
			
		
	

		

			
36. Carlos Vara, “Numb”


Numb [Single] » Carlos Vara » 2018


Original Ranking: 15


“You fill me up to pour me up / You build me just to break me down.” “Numb” is the debut single by 20-year old, Nashville-based pop-soul newcomer, Carlos Vara. It blends old-school soul with some modern pop and urban contemporary trickery.  Among the superb sounds are the vintage guitar chords, dusty, hard-hitting drums, a dash of trumpet, and synths. Narratively, Vara’s lover has him completely out of sorts.  With his expressive, robust pipes, he sums up his feelings, particularly on the chorus, the record’s centerpiece.




“You make me go numb
Hypnotized, I know it’s dangerous
Don’t speak, just make me come down.”






35. Travis Scott, “SICKO MODE”


ASTROWORLD » Epic » 2018


Original Ranking: N/A


The five-minute-plus “SICKO MODE” is indeed ‘sick’ – yet another elite moment from ASTROWORLD, the third studio album by Houston rapper Travis Scott. “SICKO MODE” features three distinct parts, all marked by their own distinct production.  Part one is short and sweet – an intro essentially, mostly sung by Drake. Travis Scott arrives in all his glory on the lighter, groovier second part. Continuing the who’s who of the uncredited, Big Hawk and Swae Lee assist. Drake returns for the third and final part, delivering a killer hook, followed by a pretty tight, energetic verse. Travis Scott concludes the epic record with his own set of respectable rhymes, even if it’s not mind-blowing per se. 




34. Alice in Chains, “The One You Know”


Rainier Fog » BMG Rights Management » 2018


Original Ranking: 11


Iconic grunge/hard-rock band Alice in Chains made an impressive comeback after a five-year hiatus with a menacing, rocking new single, “The One You Know” (Rainier Fog). Enigmatic and foreboding to the nth degree, the collective conjures up some truly ‘off-kilter funk’ instrumentally, carried by hellish, menacing bass and guitars.  There’s clear-cut dissonance, amplifying utter darkness.  The unsettling nature of “The One You Know” makes it alluring. The vocals shine most on the chorus, where there’s more musical consonance and a change of harmonic progression.  If the verse seems to lean on a harmonic vamp, the chorus ‘spreads its wings.’ 




“Tell me, does it matter
If I’m still here, or I’m gone?
Shifting to the after
An imposter, I’m not the one you know.”






33. Twenty One Pilots, “Jumpsuit”


Trench » Fueled by Ramen » 2018


Original Ranking: N/A


“Jumpsuit” serves as the wildly ambitious, brilliant opener from Trench, the fifth studio album by Grammy-winning alternative band Twenty One Pilots. “Jumpsuit” commences mysteriously, including distorted vocals by Tyler Joseph singing, “Cover Me.”  Those words end up being part of the conceptual narrative.  Joseph’s vocals are tender on the chorus, blending a conceptual narrative, self-consciousness, and insecurities.




“I can’t believe how much I hate
Pressures of a new place roll my way
Jumpsuit, jumpsuit, cover me
I crumble underneath the weight...”




The form is a bit nontraditional, but this unpredictability is part of the charm. “Jumpsuit” is an intriguing record for all of the aforementioned reasons, not to mention a unique concept dealing with a fictional place (Dema), bishops, and the yellow on the jumpsuit that the bishops can’t see.  It’s complex, but definitely alluring.




		

	



			
				
			
		
	

		

			
32. Florence + The Machine, “Big God”


High as Hope » Virgin » 2018


Original Ranking: N/A


“You need a big God / Big enough to hold your love.”  On “Big God” ( High as Hope), Florence + The Machine (Florence Welch specifically) struggles in the aftermath of being ‘ghosted’ in her relationship. “I still like you the most / You’ll always be my favorite ghost,” she sings at the end of the first verse. The brilliant record makes ample spiritual references, but the big picture isn’t about God.  No, Welch is focused on being fulfilled by love, likening fulfillment to something the size of a higher power.  After commencing with minimal production, by the song’s outro, horns and strings expand the scope. “Big God” is sure to make all who cross its path a believer. 




31. Kali Uchis, “After the Storm”


Ft. Tyler, the Creator & Bootsy Collins


Isolation » Virgin » 2018


Original Ranking: 39


“Did you ever wonder? / Yeah, do you ever wonder / What he might be going through on his own, and / The demons that he’s facing alone.” Colombian-American R&B singer Kali Uchis impresses on her soulful, if quietly-released debut album, Isolation. The crowning achievement of Isolation is “After the Storm,” featuring the legendary Bootsy Collins and a classy rap from Grammy nominee Tyler, the Creator.  Uchis delivers cool, calm, and collected vocals, yet still manages to pack a punch and exhibit both artistry and personality.  Thematically, she reflects upon a break up. This must-hear, feel-good, 70s-sounding soul gem is produced by hip-hop jazz collective BADBADNOTGOOD. 




30. Troye Sivan, “My My My!”


Bloom » Capitol » 2018


Original Ranking: 18


Troye Sivan has a winning record on hands with “My My My!” (Bloom), which is groovy, honest, and sexy.  The record features sleek, modern production work, a sound that perfectly matches the low key, mid-register vocals of Sivan on the verses and pre-chorus.  Despite the fact that Sivan keeps things ‘cool, calm, and collected,’ “My My My!” packs a punch. Lyrically and vocally, Sivan gives off a sexy vibe.  On the first verse, he sings, “Don’t make me wait another day / ‘Cause passion is passion / You know it just as well as me.” He goes on to say, “Now, let’s stop running from love / Let’s stop, my baby.” The arrival point is the chorus, which amps up the energy level.  He’s not one who opts for gospel histrionics, but still, his passion and authenticity are indisputable. 




29. Janelle Monáe, “Make Me Feel”


Dirty Computer » Bad Boy » 2018


Original Ranking: 13


On “Make Me Feel,” Janelle Monáe blends throwback 80s R&B-funk production, and modern, urban contemporary fare.  Notable instruments used are guitars and of course, keyboards. Also, Grammy-nominated pop singer-songwriter Julia Michaels serves as a co-writer. The influence of Prince is evident, particularly the yelps that occur on the bridge section.  Monáe delivers sexy-sounding vocals, in line with liberated, risqué, and sensual nature of Dirty Computer. 




		

	



			
				
			
		
	

		

			
28. Father John Misty, “Mr. Tillman”


God’s Favorite Customer » Sub Pop » 2018


Original Ranking: 42


Mr. Tillman, good to see you again / There’s a few outstanding charges just before we check you in.” The opening line of “Mr. Tillman”, as well as the rest of the song, comes from the perspective of a hotel concierge.  Let the record show that Father John Misty remains ‘true to self’ on “Mr. Tillman”, the promo single from his fourth studio album, God’s Favorite Customer. Mr. Tillman” is groovy, singer-songwriter/alternative rock at its best.  The lyrics are incredibly entertaining, novel, and tongue-in-cheek.  The chorus is hella catchy. 




“I’m feeling good
Damn, I’m feeling so fine
I’m living on a cloud above an island in my mind
Okay babe, don’t be alarmed this is just my vibe
No need to walk around
No, it’s not too bad a crime.”






27. BØRNS, “I Don’t Want U Back”


Blue Madonna » Interscope » 2018


Original Ranking: 7 


“I should’ve known better when you’re coming to bed at four in the morning / I should’ve taken your eyes avoiding me as a warning.” Uh-oh – relationship issues! Michigan bred, Cali-based alternative musician BØRNS nails it on “I Don’t Want U Back”, a single from his 2018 sophomore album, Blue Madonna. The biggest selling point of “I Don’t Want You Back” is BØRNS’ distinct, beautiful voice. He exhibits a beastly, yet radiant tone with his high-pitched vocals. The falsetto is masterful to say the least.  Additionally, the production shimmers, while the songwriting is both memorable and thoughtful, particularly the chorus. 




“I sleep better than every night you were lying next to me
Don’t wanna see your face, you need to face the facts
I don’t want you back
I don’t want you back.”






26. Ariana Grande, “No Tears Left to Cry”


Sweetener » Republic » 2018


Original Ranking: 20


“No Tears Left to Cry” (Sweetener) marked the first new Ariana Grande single since the Manchester terror attack. Beginning moderately slowly, following the dramatic, lush, and smoothly sung intro (the eventual chorus), a danceable groove transforms “No Tears Left to Cry.” Grande shows exuberance, singing playfully in her lower register on the verses.  She gradually ascends, hitting her stride – her commanding upper register – on the chorus.  The chorus is catchy, though what truly stands out about it is how uplifting it is. 




25. Marlon Williams, “Nobody Gets What They Want Anymore”


Ft. Aldous Harding


Make Way for Love » Dead Oceans » 2018


Original Ranking: 34


Marlon Williams and Aldous Harding make a brilliant pair on “Nobody Gets What They Want Anymore”, a gem from Williams’ sophomore album, Make Way for Love. Harding gets first blood, exhibiting pure, robust vocals. The initial accompaniment is simple guitar, which is lush and appealing.  Williams arrives on the following line, taking command of the verse.  He delivers equally glorious vocals.  Eventually, following another verse in a similar vein, the two join forces, in exquisite harmonies, singing the titular lyric.  With combined forces comes expanded production that’s more dynamic and fuller in instrumentation. Williams dominates the end of the song, which contrasts the majority. 




		

	



			
				
			
		
	

		

			
24. Avril Lavigne, “Head Above Water”


Head Above Water [Single] » BMG Rights Management » 2018


Original Ranking: N/A 


“And I can’t see in the stormy weather / I can’t seem to keep it all together / And I, I can’t swim the ocean like this forever / and I can’t breathe.” Canadian pop artist Avril Lavigne shines on her 2018 comeback single, “Head Above Water”, a powerful ballad that finds Lavigne thankful for surviving a scare with Lyme Disease. In terms of her career, “Head Above Water” is a welcome change of pace, dipping into CCM and religious music. Faith is key on this inspirational, uplifting record.  On the first verse, Lavigne references being safe – surviving and weathering the storm.  She follows up with powerful vocals on the chorus, summarizing the deep emotions she’s been experiencing and petitioning God to help her persevere through.




“God, keep my head above water
Don’t let me drown, it gets harder
I’ll meet you there at the altar
As I fall down to my knees
Don’t let me drown, drown, drown
Don’t let me, don’t let me, don’t let me drown.”




The second verse is shorter than the first, but still meaningful and thoughtful: “Come dry me off and hold me close / I need you now, I need you most.” On the bridge (appears at the top of this review), Lavigne continues to confirm her fight to live despite adversity.




23. Juice WRLD, “Lucid Dreams”


Goodbye & Good Riddance » Interscope » 2018


Original Ranking: N/A


“You left me falling and landing inside my grave / I know that you want me dead / I take prescriptions to make me feel A-Okay / I know it’s all in my head / I have these lucid dreams where I can’t move a thing / Thinking of you in my bed.” On breakout, hit single “Lucid Dreams,” Rising Chicago rapper Juice WRLD (Jarad Higgins) keeps things pretty simple, and extremely relatable.  Clearly in a mood on this slickly produced, melodic gem, he’s being tortured by a broken heart. 




“I still see your shadows in my room
Can’t take back the love that I gave you
It’s to the point where I love and I hate you
And I cannot change you, so I must replace you, oh
Easier said than done, I thought you were the one
Listenin’ to my heart instead of my head
You found another one, but I am the better one
I won’t let you forget me.”






22. Jay Rock, “King’s Dead”


Ft. Kendrick Lamar, Future & James Blake


Black Panther Music from and Inspired By » Interscope » 2018


Original Ranking: 9


Jay Rock, Kendrick Lamar, Future, and James Blake join forces for hard-nosed banger “King’s Dead”, the second single fromBlack Panther Music from and Inspired By.  From the start, the beat is trunk-rattling. Kendrick Lamar drops a ferocious hook.  Jay Rock gets ‘first blood’ with the first verse, matching the toughness of the backdrop. Future follows, with a variation on the hook, assisted by Kendrick Lamar.  He’s a perfect fit, delivering one of his elite, outlandish hooks.  The bridge, mostly performed by Future, is bizarre, yet utterly intriguing. Later, James Blake initiates the second part of the song, in all his enigmatic, electronic excellence.  Lamar proceeds to go H.A.M. on the second verse, while the beat and overall sound remains hard-hitting.






“Red light, green light, red light, green light…
Fast cars, fast money, fast life, fast broads
Egotistic, goin’ ballistic, why God?”






21. Post Malone, “Psycho”


Ft. Ty Dolla $ign


Beerbongs & Bentleys » Republic » 2018


Original Ranking: N/A


“Damn, my AP goin’ psycho, lil’ mama bad like Michael / Can’t really trust nobody with all this jewelry on you / My roof look like a no-show, got diamonds by the boatload / Come with the Tony Romo for clowns and all the bozos… / Don’t act like you my friend when I’m rollin’ through my ends, though.” The hypnotic, infectious, and ubiquitous single “Psycho” commences mysteriously with an instrumental intro. Once Post Malone enters singing the hook, everything settles in. The hook is wordy, yet totally irresistible. As a whole, “Psycho” continues the ultra-melodic vibes that make Malone, and much of the Grammy-nominated Beerbongs & Bentleys hella appealing. “Psycho” benefits from its sound execution is sound and light, mellow production work composed of keyboard, synths, and sleek drum programming.  Ty Dolla $ign contrasts Malone with his coarser, more gruff vocals on the third verse.






		

	



			
				
			
		
	

		

			
20. Christina Aguilera, “Fall in Line”




Ft. Demi Lovato


Liberation » RCA » 2018


Original Ranking: 10 


“Fall in Line”, the third single from Liberation, features a grinding, soulful, six-eight groove, perfect fuel for the fire for Christina Aguilera and Demi Lovato. Aguilera gets to work with controlled, but nuanced vocals on the first verse.  The message, aimed towards girls, is pitch-perfect: “…You do not owe them / Your body and your soul.” Aguilera’s beastly vocals begin to appear on the pre-chorus, letting her pipes rip on the chorus (joined by Lovato). Lovato takes the lead on the second verse, similarly maintaining composure and poise, before spreading her wings and flying on the chorus.  The true magic occurs throughout when these two join forces, particularly the second and third iterations of the chorus.  Clearly, empowerment is the central message.






19. Pusha T, “If You Know You Know”


DAYTONA » GOOD / Def Jam » 2018


Original Ranking: N/A


“‘Cause this boy been throwin’ that D like Rich Boy.” From the opening tip of “If You Know You Know,” Pusha T drops some serious bars on the DAYTONA highlight.  His flow is agile, natural, and everything ‘feels right.’ Following the electrifying introduction, “If You Know You Know” only gets more profound, signaled by the recurrence of the titular line, distinct production, and confident, druggy rhymes from Pusha T.  “I predict snow, Al Roker.”  The centerpiece is the hook, which is probably far catchier than it should be. 




“Bricklayers in ball shorts
Coaching from the side of the ball court (If you know you know)
One stop like a Walmart
We got the tennis balls for the wrong sport (If you know you know)...”






18. MGMT, “Hand It Over”


Little Dark Age » Columbia » 2018


Original Ranking: 16


“The smart ones exit early / And the rest hope for a shoulder.” “Hand it Over” (Little Dark Age) checks off all boxes in regards to being a ‘MGMT record.’ That includes (1) thoughtful songwriting, (2) lush, psychedelic production cues, and (3) a clever harmonic progression. Andrew VanWyngarden delivers chill, easy-going vocals. Even with such a laid-back approach, he still packs a punch with his beautiful tone, and a casual f-bomb. Accentuating his own performance and the record as a whole are choral backing vocals, responding spiritedly with the titular lyric.  This occurs during the chorus sections appearing at the end of the song. 




“This time (Hand it over)
It’s yours and it’s mine (Hand it over)
One thing on my mind (Hand it over)
It’s rightfully mine (Hand it over).”






17. Ariana Grande, “Thank U, Next”


Thank U, Next [Single] » Republic » 2018


Original Ranking: N/A


“Thank U, Next” marks the second appearance by Grammy-nominated pop sing Ariana Grande.  Ultimately, “Thank U, Next” is an honest, therapeutic single that finds the pop singer reflecting on life, love, and focusing on bettering herself.  On the first verse, Grande mentions her exes, including the deceased Mac Miller and Pete Davidson, later profanely proclaiming on the chorus, “Thank you, next / I’m so fuckin’ grateful for my ex.” The second verse is where the self-bettering comes into play, while she anticipates an eventual marriage where she can “make that shit last.” Some have varying opinions on “Thank U, Next,” but IMO, it’s well-sung, well-produced, and lyrically, conveys Grande’s current state of mind following a tough year. 










		

	



			
				
			
		
	

		

			
16. Travis Scott, “Stop Trying to Be God”


ASTROWORLD » Epic » 2018


Original Ranking: N/A


“Stop tryna be God Almighty / Fuck the money, never leave your people behind, yeah / It’s never love, no matter what you try.” “STOP TRYING TO BE GOD” definitely ranks among the crème de la crème of ASTROWORLD, the third studio album by Houston rapper Travis Scott. Scott is totally team anti-god-status/anti god-complex, which have been prevalent in the hip-hop community. Kid Cudi and legendary Earth, Wind & Fire singer Philip Bailey appear on the pre-chorus and chorus (“Hmm, hmm / Stop tryna be God”).  Arguably the best uncredited guest feature (lots on ASTROWORLD) comes courtesy of hip-hop’s ‘it boy,’ James Blake. He sounds fantastic as he sings the inquiring bridge.  “Is it the complex of the saint / That’s keepin’ you so, so still?”  Also, there’s a Stevie Wonder feature (harmonica primarily).  For all of these reasons, in addition to Scott’s own performance (and a unique music video),  “Stop Trying to Be God” is among the best songs of 2018. 




15. Arctic Monkeys, “Tranquility Base Hotel & Casino”


Tranquility Base Hotel & Casino » Domino » 2018


Original Ranking: 31


Most critics embraced Tranquility Base Hotel & Casino, the unique comeback album by British alternative band Arctic Monkey, though some where more skeptical.  Personally, the album was intriguing and a refreshing change of pace from Alex Turner and company. Minor key title track “Tranquility Base Hotel & Casino” ranks among the crème de la crème, arguably the crowning achievement.  Turner sings about an imaginary hotel and casino, possibly on the Moon. According to an EW interview, Turner, referencing the title track states, “…Whether we’re actually talking about a sort of hotel-casino complex on the moon or not is debatable.”  Weird to the core, “Tranquility Base Hotel & Casino” encompasses politics, philosophy, technology… it’s something. 




14. Ella Mai, “Boo’d Up”


Ella Mai » 10 Summers / Interscope » 2018


Original Ranking: N/A


“Listen to my heart go ba-do, boo’d up / Biddy-da-do, boo’d up.” British R&B singer Ella Mai delivers an enjoyable, well-rounded contemporary R&B album with her self-titled debut. While the project is chocked-full of hits, the ‘crown jewel’ of Ella Mai is undoubtedly “Boo’d Up,” which earned a Grammy nomination for Song of the Year.  Sure, “Boo’d Up” was on the radar for a long before Ella Mai materialized, but it definitely had ‘its moment’ throughout the course of 2018. Mai sounds superb vocally, showing off her chops, while also pulling off the memorable (if repetitive and gimmicky) chorus magnificently. 




13. Ghost, “Rats”


Prequelle » Loma Vista » 2018


Original Ranking: 8


Grammy-winning Swedish metal collective Ghost returned amped-up on “Rats”, the promo single for their fourth studio album, Prequelle. Regarding “Rats,” Ghost mastermind Tobias Forge shared with Revolver,  “It’s actually not technically about rodents.  It’s about something spreading as wildfire and completely destroying things quicker than you know.” Rats” commences with a pummeling, hard-hitting groove from the start.  The rhythmic guitars sound athletic, while Cardinal Copia (Forge) delivers clear, commanding vocals. In addition to the compelling lead vocals, the vocal harmonies are quite impressive.  Harmonically, “Rats” has some truly distinct moments.  As for the chorus, Ghost keeps things short and simple: “Them rats!”  The heat is turned up on this hard-rocking gem. 




		

	



			
				
			
		
	

		

			
12. Years & Years, “Sanctify”


Palo Santo » Polydor » 2018


Original Ranking: 2


British electro-pop band Years & Years brilliantly fuses sexuality and spirituality on “Sanctify”, the promo single from their 2018 album, Palo Santo. The production is bright, despite being set in a minor key (there are some major moments). Anchored by a beat fit for any hip-hop record, plus fine keyboard/synth work, the backdrop sets up Y&Y for a surefire bop.  Adding to the glory, frontman Olly Alexander delivers exuberant, expressive vocals, filled with authenticity.  The chorus is the centerpiece, but there are numerous notable lyrics, including the following excerpt with a double meaning:




“You don’t have to be straight with me
I see what’s underneath your mask
I’m a man like you, I breathe the rituals of the dancer’s dance...”




The “straight” lyric is key, as Alexander, who is gay, was inspired with experiences with straight guys.  In the linked article from Attitude, Olly asserts said straight guys were “struggling with their sexuality.” He touches upon issues of masculinity in regards to sexuality. “Sanctify,” hence, is a superb addition to the LGBTQ repertoire, as well as socially-conscious music overall.




11. Hozier, “Movement”


Movement [Single] » Rubyworks / Columbia » 2018


Original Ranking: N/A


Irish singer/songwriter Hozier delivers a superb, nuanced vocal performance throughout the course of “Movement”.  Awesome songwriting, awesome vocals, and awesome production make “Movement” one of the best songs of 2018.  On the verses, Hozier opts for a more tender approach, gradually growing more dramatic and powerful during the chorus. Complementing his restrained approach on the verses is electric piano accompaniment. By the chorus, the electric piano transforms into a more passionate, gospel-tinged backdrop that includes organ, and chilling choral vocals.  The sound develops even more on the bridge, leading into the closing section of the record, which is backed by the most overt groove of the record.  Here, Hozier digs even deeper into his chest voice, as well as sounding thoroughly impressive when he sings in falsetto.






		

	



			
				
			
		
	

		

			
10. Drake, “Nice for What”


Scorpion » Cash Money » 2018


Original Ranking: 6 


Drake gets the rare honor of landing multiple songs on the best of list (so far). “God’s Plan” was certainly his ‘ace in the hole,’ but the superb “Nice for What” (Scorpion), replaced “God’s Plan” at no. 1 on the Billboard Hot 100. “Nice for What” brilliantly samples the beloved, Lauryn Hill classic, “Ex-Factor.”  The producers soundly use the sample, speeding it up, yet retaining its original glory. An excellent, old-school, hip-hop soul beat anchors down the record. Drake drops a compelling, rhythmic flow, oscillating between pop-rap and unpitched rhymes. Musically, he makes good choices, specifically the use of space allowing Hill’s sampled vocals to shine.






9. Kendrick Lamar & SZA, “All the Stars”


Black Panther Music from and Inspired By » Interscope » 2018


Original Ranking: 10


“This may be the night that my dreams might let me know / All the stars are closer, all the stars are closer, all the stars are closer.” Kendrick Lamar and SZA shine on “All the Stars”, the stellar promo single from Black Panther Music from and Inspired By (Black Panther Soundtrack).  “All the Stars” has more of a pop, electro-driven urban sound.  Not necessarily what’s normally expected from either musician, ultimately, it works out magnificently.  Following the stellar chorus by SZA, Lamar delivers his awesome rhymes without a hitch.  SZA goes on to shine on her own verse. 




8. Cardi B, “I Like It”


Ft. J Balvin & Bad Bunny


Invasion of Privacy » Atlantic » 2018


Original Ranking: N/A


Cardi B exploded in 2017 with her number one hit single, “Bodak Yellow”.  In 2018, she scored a number one album with Invasion of Privacy, which turned out to be a well-rounded debut by all means. One of the highlights not named “Bodak Yellow” or “Bartier Cardi” is “I Like It.” “I Like It” brilliantly samples the Pete Rodriguez classic, “I Like It Like That” bringing some serious Latin vibes into Invasion of Privacy.  Amplifying the brilliance even more are appearances from Puerto Rican reggaetón (Latin trap soul) singer Bad Bunny and Colombian reggaetón singer J Balvin.






		

	



			
				
			
		
	

		

			
7. Ariana Grande, “God is a Woman”


Sweetener » Republic » 2018


Original Ranking: N/A


“… I feel it after midnight / A feeling that you can’t fight / My one, it lingers when we’re done / You’ll believe God is a woman.” Arguably, Grammy-nominated pop singer Ariana Grande made her boldest statement yet on “God is a Woman” (Sweetener). The urban-pop record isn’t about spiritual matters, but rather feminism and sex.  At the beginning, she establishes a sensual theme on the chorus. She asserts she’s so good in bed that after making sweet love with her, you’ll believe that “God is a woman…” There’s more ‘sacrilege’ on the verses, including “Baby, lay me down and let’s pray” on the first, and “And boy, if you confess, you might get blessed.” The best moment of this soaring, slickly-produced urban-pop ballad comes during the outro. Grande delivers her best vocals, ascending to that next level. This heavenly number is among the crème de la crème of 2018. 




6. Drake, “God’s Plan”


Scorpion » Cash Money » 2018


Original Ranking: 4


“God’s plan, God’s plan / I can’t do this on my own… / Someone watchin’ this shit close, yep, close…/ Might go down as G.O.D., yeah, wait / I go hard on Southside G / I make sure that north-side eat.” On the melodic “God’s Plan,” a number one hit single by Drake (Scorpion), the rapper-singer seems to acknowledge God himself (“I can’t do this on my own”). Even so, he still references his share secular ideas. “God’s Plan” has been one of the biggest hits of 2018, particularly the accompanying music video that finds Drake giving back. 




		

	



			
				
			
		
	

		

			
5. Shawn Mendes, “In My Blood”


Shawn Mendes » Island » 2018


Original Ranking: 5


Canadian pop heartthrob Shawn Mendes masterfully exhibits vulnerability, resolve, and soulfulness on the emotionally-driven, powerful, and resolute “In My Blood” (Shawn Mendes). From the start, he exhibits his best attribute – his voice.  On the first verse, Mendes shares his struggles: fears, insecurities, and loneliness.  He casually sings portions of this verse in his lower register, amplifying his vulnerability.  The second verse is shorter, but a bit more melodic. By the pre-chorus/chorus sections, the full scope of his vocal expressiveness is unleashed. The soulful beastliness of his vocals, plus the ad-libs, arrive in their full, youthful glory on the titular lyric (“It isn’t in my blood”). 




4. Drake, “In My Feelings”


Scorpion » Cash Money » 2018


Original Ranking: N/A


“Kiki, do you love me? Are you riding? / Say you’ll never ever leave from beside me / ‘Cause I want ya, and I need ya / And I’m down for you always.” “In My Feelings” is one of three Drake songs appearing within the top ten of the 100 Best Songs of 2018. Sure, the quality of  his double album Scorpion is disputable as a whole, but the hits aren’t.  The excerpted opening lyrics by Drake are simple, but as ear-catching and infectious as they come.  While he later changes the girls’ names, without a doubt it’s Kiki who makes “In My Feelings.” Additionally, the sample-heavy record integrates New Orleans Bounce music, sampling the late Magnolia Shorty. Also, the City Girls and Lil Wayne, all uncredited, are sampled.  “In My Feelings” is a prime example of studio wizardry, and definitely intriguing. 




		

	



			
				
			
		
	

		

			
3. Janelle Monáe, “Pynk”


Ft. Grimes


Dirty Computer » Bad Boy » 2018


Original Ranking: 3


“Pynk, like the inside of your… baby.” Dirty Computer, the third album by eclectic R&B artist Janelle Monáe, is by far her boldest and most personal, with highlight “Pynk” leading the charge. On the verses, Monáe likens pynk to vagina, women in general, and feminism. The theme of the record – feminism and same-sex female attraction/love – earns more attention than the production and sound of the record, which is excellent in its own right. Dirty Computer comes off as Monáe’s coming out party – she officially came out as pansexual during the album rollout. 




2. Hozier, “Nina Cried Power”




 




Ft. Mavis Staples




 




Nina Cried Power (EP) » Rubyworks / Columbia » 2018




 




Original Ranking: N/A


“It’s not the wakin’, it’s the risin’ / It is the groundin’ of a foot uncompromisin’ / It’s not forgoin’ of the lie / It’s not the openin’ of eyes / It’s not the wakin’, it’s the risin’.” Irish singer/songwriter Hozier opens his 2018 EP Nina Cried Power ‘powerfully’ with title track “Nina Cried Power.” Hozier is in full-on soul mode (think gospel), fitting given his legendary collaborator, Mavis Staples. Here, both musicians pay ode to various musicians who were unafraid to protest via their songs.  The names include legends like Nina Simone, James Brown, Joni Mitchell, Bob Dylan, and John Lennon.  The chorus – with names changing – is the best part of the record:




“And I could cry power (power)
Power (power)
Power, lord
Nina cried power
Billie cried power
Mavis cried power.”






		

	



			
				
			
		
	

		

			
1. Childish Gambino, “This is America”




 




This is America [Single] » RCA » 2018




 




Original Ranking: 1




 












 




Childish Gambino (Donald Glover) returned with a banging 2018 with single “This is America”.  While the approach lyrically is simple on this record, the socially-conscious message that Glover makes is pitch-perfect – clearly relevant to the times. Throughout the course of the record, Glover references policing in America and gun violence, important issues in the black community, as well as focusing on excess as a distraction from those truly important matters.  A stark contrast from the throwback soul of “Awaken,My Love!”, Glover shows incredible giftedness and versatility as a musician.






		

	



	

		

			


[📷 : 10 Summers, 12Tone Music, 88rising, 300 Entertainment, Aftermath, Alec Benjamin, Astralwerks, Atlantic, ATO, Bad Boy, Bad Vibes Forever, Barong Family, Bella Union, Big Machine, BMG Rights Management, Boy in Jeans, Capitol, Capitol Nashville, Carlos Vara, Cash Money, Columbia, Darkroom, Dead Oceans, Def Jam, Domino, EMPIRE, Epic, Fueled by Ramen, G*59, GOOD, Interscope, Island, Loma Vista, Mad Decent, MCA Nashville, Motown, Polydor, RCA, Republic, Roc Nation, Rubyworks, Scumgang, Sony, Sony Latin, Sub Pop, TenThousand Projects LLC, Ultra, Universal, Virgin, Warner Bros., White Room, Young Lust]




		

	



                    
                    
                    
                
	

						
				


					

	
				
			

				
			

			
			




				

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