
Ohio alternative band Walk the Moon returns in top-notch form on their highly-anticipated third studio album, âWhat If Nothing.â
âIf you donât dare look back / Just keep your eyes on me / I said, âYouâre holding backâ / She said, âShut up and dance with me.ââ Yep, thatâs the song that eclectic alternative band Walk the Moon are known for. Breakouts are sweet, but following up a breakout â thatâs a feat. Luckily, the Cincinnati collective are pretty good at the music thing. The promo singles served as a solid indication of the quality of their third studio album, What If Nothing.
âHeadphonesâ
âPress Restartâ kicks off What If Nothing intriguingly. Itâs enigmatic, chocked-full of vocal and production effects, and exemplifies its alternative stylistic categorization. Modern and sleek, thereâs no shame in the game of Walk the Moon with âPress Restart.â Follow-up âHeadphones,â a promo single, is more aggressive and assertive as a whole.  Itâs eccentric, but incredibly fun. Frontman Nicholas Petricca continues to be formidable, serving up infectious, tongue-n-cheek vocals. Sometimes he sings, other times he quasi-sings or chants. The music and the production continue to be selling points.
âOne Footâ
Walk the Moon continue to deliver the goods on the exuberant promo single, âOne Foot.â âOne Footâ commences exuberantly with ripe falsetto from Petricca. The production work is bright, anchored down by a driving groove. The vocals are strong throughout it course, the lyrics are catchy, the production work is slick AF, and the song is well-rounded. The crowning achievement of âOne Footâ â the chorus.
âCross my heart And hope to die Taking this one step at a time I got your back if you got mine One foot in front of the other All that we have is each other One foot in front of the other.â
âSurrenderâ keeps the beat rolling â literally. From the start, thereâs a danceable groove, which sounds as if hails from the 80s or early 90s. Think of a mix of New Wave and house, though a smidge cooler. Itâs synth-heavy, but incredibly emotional, and expectedly, superbly produced.
The momentum remains potent on âAll I Want,â as does the groove. Here Petricca sings, but also busts a rhyme, which is a neat change of pace. No, heâs not dropping âhard bars,â but the spoken word section, performed in an undertone, stands out. So does the pre-chorus, which features a number of âMaybe if Iâ scenarios:
âMaybe if I had a little more money Maybe if I had a little more sex Maybe with a little more peace and quiet Maybe I could make a little more sense of it.â
âKamikazeâÂ
âAll Nightâ is pop-oriented, offering another magnificent backdrop. Walk the Moon continues to exhibit a knack for choruses. Here, itâs simple yet memorable. âStepping out of body, you can tell everybody /Mama I’m a kamikaze.â âKamikazeâ is yet another super sleek number. Petricca continues to deliver mad vocals, particularly on the rhythmic, catchy, robust chorus.
âTiger Teethâ is one of three songs that cross the five-minute mark. While itâs lengthy, the allure and quality easily atones for extended duration. Thereâs more hearkening back to New Wave, which is never a bad thing. The longest song of What If Nothing, âSound of Awakeningâ follows right behind âTiger Teeth.â Perhaps it wonât be for everybody, but itâs by far the most experimental, progressive number of the album. Six-minutes-plus is always a challenge, but thereâs definitely something special here, and it transcends vocal effects.
âFeels Good to Be HighâÂ
Following two lengthier cuts, âFeels Good to Be Highâ limits the length to just under four-and-a-half-minutes. Furthermore, it amps up the groove. From the start, it feels like a hit. Clear vocals, crisp, clean production, and thereâs a sense of poise. Nicholas Petricca doesnât overdo it â heâs balanced and highly effective. The energy trickles onto âCanât Sleep (Wolves).â Perhaps a smidge less accomplished than âFeels Good to Be High,â itâs as consistent as everything else that graces What If Nothing.Â
Penultimate record âIn My Mindâ delivers more satisfying ear candy, not to mention fuel for the fire for the feet. Itâs consistent, energetic, and fun. Walk the Moon remains turned up and thatâs never a bad thing. The sweet falsetto of Petricca is a highlight of closer, âLost in the Wild.â
Final Thoughts
What If Nothing = success for Walk the Moon. There are no objectionable songs to be found on this 13-track album. The production shines, Nicholas Petricca is on fire, and overall, the album is infectious and plum irresistible. While so much buzz is being given to the biggest album released during the same week (Taylor Swiftâs Reputation), more should swing by Walk the Moonâs way.
Gems: âHeadphones,â âOne Foot,â âSurrender,â âAll I Want,â âTiger Teeth,â âFeels Good to Be Highâ

Walk the Moon âą What If Nothing âą RCA âą Release: 11.10.17Â
Photo Credit: RCA



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