Grammy-nominated pop artist Camila Cabello releases an enjoyable, well-rounded sophomore album with Romance.Â
Camila Cabello had an incredibly busy 2019 â understatement. She released numerous singles, six of which appear on her sophomore album, Romance. Romance arrives just shy of two years after her debut project, Camila, best known for âHavanaâ. Romance doesnât have a hit nearly as potent, but all in all, the album is enjoyable and well-rounded. There are still plenty of hits. Itâs not flawless, but Romance has no glaring injustices â no utterly abysmal mishaps.
âShameless
âI need you more than I want to.â Cabello speaks about her necessities on â âShamelessâ, a record including elements of electro- and alt-pop, as well as a dash of pop/rock. Thereâs a nice build-up of intensity on this minor key cut. Throughout, Cabello compels vocally, showcasing an arsenal comprised of breathiness, falsetto, playfulness, and grit (during the chorus). Additionally, during the chorus, thereâs vocal layering and harmonization, adding more excellence. The post-chorus is accompanied by rhythmic drums and the repeated lyrics, âNo-oh, uh-uh, donât wanna do this nowâŠâ The bridge contrasts. One last note: a key lyric at the end of the second verse is, âAnd Iâm tired of loving somebody thatâs not mine, no,â which references loving long distance. Preach Camila, preach!Â
âWhere did you come from baby? / And were you sent to save me? / Ooh, thereâs a God in every move / Ooh, and youâre the living proof.â â đ€© âLiving Proofâ ranks among the best moments on Romance. This sleek, urban pop joint, produced by Mattman & Robin, features some dynamic synths and pummeling, rhythmic drums. As far as songwriting, the topics are unsurprising: love, romance, and sex. The best moment is undoubtedly the chorus, where Cabello delivers some of the most impressive falsetto of her career. She excels at being sultry and sexy. She also manages to throw in some blasphemy, further accentuating the suggestive, sensual nature of âLiving Proof.â On the first verse, she sings, âI wanna study every inch of you / âTil you trust me to make the angels come through.â On the second, sheâs more devilish: âShow your demons, and I might show you mine.â On the pre-chorus, sex and religion co-exist seamlessly: âLike a choir singing, âHallelujah,â / When my bodyâs crashinâ right into you.âÂ
âShouldâve Said Itâ
Following âLiving Proofâ is a tall task â itâs âda bomb diggity.â Despite the odds against her, Cabello does extremely well for herself on â âShouldâve Said It.â âShouldâve Said Itâ checks off all of the boxes, making it quite the successful record. Her vocals are expressive, and she exhibits attitude, personality, and swagger. Furthermore, the production slick (Frank Dukes, Ricky Reed, and Nate Mercereau), and the songwriting is memorable, particularly the chorus.  Follow-up tongue-in-cheek gem â âMy Oh Myâ finds Cabello tapping infectious and ubiquitous rapper DaBaby (âSugeâ) for a guest spot â winning formula. The song itself is also infectious, with Cabello coming off playful and fun: âThey say he likes a good time (My oh my).âÂ
âI love it when you call me señorita / I wish I could pretend I didnât need ya / But every touch is ooh-la-la-la / Itâs true, la-la-la / Ooh, I should be runninââŠâ Cabello duets with Shawn Mendes on the Latin-tinged, summery single â âSeñoritaâ, a former no. 1 hit on the Billboard Hot 100. Cabello shows off her upper register, while Mendes compels with his beautiful vocal tone, upping the ante even more when he breaks into vocal harmonies. Their best moment, unsurprisingly, is the sexy, incredibly catchy chorus, excerpted above. As far as production is concerned, watt, benny blanco, and Cashmere Cat assemble a backdrop blending Latin cues/sensibilities and pop music respectably.
âLiarâ
âI donât believe myself when I / Say that I donât need you, oh.â Apparently, Camila Cabello lied to herself on â đ€©âLiarâ, among the crĂšme de la crĂšme of Romance. âLiarâ features jazzy, Latin-tinged production work, once more courtesy of watt and The Monsters & Strangerz. Samples âAll That She Wantsâ (Ace of Base) and âAll Night Long (All Night)â (Lionel Richie) fuel the fire. The groove latches from the onset, with reggaeton influences prominent. Cabello serves up playful, sassy vocals, perfectly matching the Latin music cues. Excellent use of vocal layering, particularly when Cabello sings in octaves, accentuates the brilliance of the record. The chorus serves as the centerpiece, in all its catchiness.
âBad, bad butterflies in my chest / Thereâs something I gotta confess / Yes, somebodyâs stuck in my headâŠâ Matters of the heart continue to dominate Romance on âBad Kind of Butterflies.â  Short but sweet, this minor-key joint gives the listeners a sense of enigma, not to mention that signature Cabello falsetto in all itâs glory. The productionâs pretty sweet too. Moving on, âYou tell me that Iâm complicated / And that might be an understatement / Anything else?â Cabello sings on the first verse of âEasyâ. Cabelloâs lover characterizes her throughout the course of the record, ultimately singing her praises. Cabello sings about his wonderfulness, with the most elite moment occurring during the second verse. Here, he takes no issues with her insecurities, embracing them (âI never liked my crooked teeth / You tell me theyâre your favorite thingâŠâ). Once more, Cabello sings well, particularly when she hits her upper register.
âFeel it TwiceâÂ
The back half of Romance features a number of ballads. Cabello does a fine job with them, but perhaps there are a few too many of them. That said, both âFeel it Twiceâ and âDream of Youâ are soundly executed, with Cabello showing off that shimmering upper register. âFeel it Twiceâ might get the slight edge over âDream of You,â but both of them play to strengths of Cabello. âFeel it Twiceâ may be a shade more engaging.
âWhen I said I hope youâre happy, didnât mean it / Never thought youâd be so good at moving onâŠâ As the pre-chorus from the quicker âCry for Meâ suggests, Camila Cabelloâs ex seems to have rebounded from their break-up. This is confirmed on the verses of the advance single. âYeah, you look so happy walking down the street, donât you baby,â she sings on the first verse, continuing, âDid you forget, you said that in this lifetime you can never get over me?â On the second, sheâs jealous of his new girlfriend, and how he treats her: âYeah, she should be thanking me / Oh, whoâs gonna touch you like me?â Interestingly, despite her feelings, âCry for Meâ is quite groovy, with a quicker than expected tempo given the fact the song comes from the perspective of a lover who feels scorned.  Cabello has a bit more bite vocally than usual, letting her emotions shine freely. It all comes to a head on the chorus, where Camila states her desires.Â
âThis LoveâÂ
â âThis Loveâ returns Cabello to balladry following a temporary break on âCry for Me.â The results are strong, finding Cabello singing more in her lower and middle register on the verse, before belting it out during the powerful chorus. More than âFeel it Twiceâ or âDream of You,â it feels like she allows herself to let loose. Of course, maybe itâs the f-bomb that fuels her fire on the chorus. Penultimate, mid-tempo record âUsed to Thisâ has some similarities to âEasyâ â the phrasing and the songwriting. It continues the pleasantry of Romance. The same could be said of concluding ballad âFirst Man,â where Cabello is totally âin her feelings.â A piano ballad in the pop/rock vein, it works out well. Is it the most thrilling record? No but it certainly shows off Cabelloâs talent.
Final Thoughts
All in all, Romance is an enjoyable sophomore album from Camila Cabello. Does the âHavanaâ chanteuse reinvent the pop wheel or flip the music industry on its side? Absolutely not. That said, Romance has its plenty of fun, memorable, and worthwhile moments. There are easily more pros than cons. Will we talk about Romance years from now? That may be pushing it, but Cabello does her thing here.Â
â Gems: âShameless,â đ€©âLiving Proof,â âShouldâve Said It,â âMy Oh My,â âSeñorita,âÂ đ€© âLiarâ & âThis Loveâ Â
Camila Cabello âąÂ Romance âą Epic âą Release: 12.6.19
Photo Credit: Epic
