13 Songs Where the MORE the Better | Playlist

13 Songs Where the MORE the Better features songs by Angie Stone, Britney Spears, BTS, Mary J. Blige, Niall Horan, and Phil Collins. 

Mary J. Blige said what she said, and the keyword is MORE! BTS had some stuff to say too.  Sure, some of it was in Korean, but in English, they convey the lyrics, “Let’s repeat it one MORE night / Give me one MORE night / Give me one MORE / Fantasy, fantasy.” As for Angie Stone, R.I.P., in 1999, she famously asserted, “My sunshine has come, and I’m all cried out / And there’s no MORE rain in this cloud.” Between a hip-hop soul icon, K-pop superstars, and a deceased neo-soul proponent, the common thread is MORE! 13 Songs Where the MORE the Better features compelling M-O-R-E songs by Angie Stone, Britney Spears, BTS, Mary J. Blige, Niall Horan, and Phil Collins. So, without further ado, grab some MORE of your favorite snacks and check out these intriguing MORE songs!

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~ Table of Contents ~
1. BTS, “One More Night”	2. Mary J. Blige, “More Than A Lover”	3. Zapp, “More Bounce to the Ounce”
4. Niall Horan, “Little More Time”	5. Doja Cat, “Kiss Me More” (Ft. SZA)	6. Artemas, “baby give me more” (Ft. Mareux)
7. Kehlani, “more than I should” (Ft. Jessie Reyez)	8. ETHAN, “ONE MORE SONG”	9. Britney Spears, “Gimme More”
10. Sam Smith, “Love Me More”	11. blink-182, “ONE MORE TIME”	12. Phil Collins, “One More Night”
13. Angie Stone, “No More Rain (In This Cloud)”

 

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1. BTS, “One More Night”

ARIRANG » BIGHIT MUSIC » 2026

When it comes to K-pop, the musical possibilities are endless. Throughout ARIRANG, we hear South Korean superstars BTS deliver a wide range of musical styles; it truly is a big pop album. “One More Night,” the song at hand, appears late on ARIRANG, to the tune of track 12 of 14.  Commenting on the track, the boy band describes it as a blend of Acid House and West Coast pop/rock. It commences with a distinct, enigmatic pad that serves as the primary accompaniment early on. A light beat helps to define the rhythmic identity. The record also uses a unique, jazzier harmonic progression. “One More Night” was written by Diplo, Pdogg, Beau Nox, NITTI, RM, SUGA, j-hope, and Ant Clemons.  Diplo, Pdogg, and NITTI produced it.

RM takes the reins during the first verse, which is primarily performed in Korean, save for the lyrics “Fallin’ back to me / I feel you back to me.”  The first pre-chorus, performed by V, is primarily in English, providing some thematic and lyrical clarity for those of us who don’t speak Korean. Jung Kook and his sweet falsetto handle the first half of the chorus, also performed exclusively in English, with Jimin following suit on the back half, excerpted earlier.

“Fantasy

It’s a fantasy

It’s a fantasy

You’re my fantasy

Let’s repeat it one more night

Give me one more night

Give me one more

Fantasy, fantasy.”

A strong beat enters the picture during the chorus. There are some truly great, hard-hitting percussive moments throughout.  If the song felt a bit odd at first, the chorus provides clarity.  SUGA leads the second verse, which, like the first, is mostly in Korean.  Still, English creeps in: “…like a cloud nine / All day, walkin’ it side by side.” Word.  Jimin leads the second pre-chorus, with Jung Kook and V retaining their role during the chorus.  Worth noting, RM ad-libs during the first chorus, with j-hope ad-libbing during the second.  He and Jin perform the post-chorus, blending English and Korean.  In the bridge, it’s j-hope and Jung Kook (English/Korean), followed by Jin’s pre-chorus (English), one final chorus by Jimin and Jung Kook, and the outro, in English, by Jin, RM, and j-hope.  All told, “One More Night” marks another well-rounded, entertaining pop bop from BTS.

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2. Mary J. Blige, “More Than A Lover”

“More Than A Lover” » Beautiful Life Productions » 2026

Mary J. Blige sings in the first verse of her love-oriented single, “More Than A Lover”.  She continues, “But he trippin’ ‘cause he feelin’ the same way.” Ooh-wee! Blige penned “More Than A Lover” alongside Camper (Darhyl Camper Jr.), Joshua Green, James Burns, and Jocelyn Donald. “More Than A Lover” commences with warm, rhythmic piano, robust bass, and a potent, soulful groove. As always, Blige delivers in the vocal department.  She sounds authentic, fabulous, and nuanced to the nth degree.  She excels singing the rhythmic melodies during both verses. “He came in and around, started rocking with me automatic,” Blige asserts in the second verse, and continues, “Chemistry did something to me / He give satisfaction, that’s his guarantee.” The pre-chorus and chorus mark the most tuneful moments. “And right now, I’m invested in the both of us,” she sings in the pre-chorus.  In the chorus, he’s her everything!

“My man, my friend, my rider, my nigga, my lover (My lover)

So tight, so real, my family, way closer than a brother (Oh)

And no matter what it is, I can come running for some comfort (Yeah, babe)

My man, my friend, my rider, my nigga

Way more way more than a lover.”

Mary J. Blige brings it on “More Than A Lover”. The love is indisputable! Post-vocals, there is an extended, ultra-classy piano solo, which gives off lounge vibes. Post-extended piano solo, there is a brief outro that further confirms the love.  All told, this is a fine R&B joint.

Appears in 🔻:

Striking Bops from March 2026 15 Songs Where LOVE is the Name of the Game (2026)

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3. Zapp, “More Bounce to the Ounce”

Zapp » Warner » 1980

Word. Zapp came out swinging on “More Bounce to the Ounce”, the opener from their 1980 gold-certified self-titled debut album.  The talented and influential Roger (Roger Troutman, 1951 – 1999) sang and penned this debut single, whose title came from a 1950s Pepsi ad.  He produced it with another funk music force, Bootsy Collins (William Earl Collins, b. 1951). “Bounce much more / I like to bounce / And I’m gonna make you bounce / Much more bounce.” Ooh-wee! As important as “More Bounce to the Ounce” is, it performed modestly on the pop charts, peaking at number 86 on the Billboard Hot 100.  Still, “More Bounce” helped propel Zapp to gold certification and has been sampled hundreds of times.

“More Bounce to the Ounce” shines for a plethora of reasons.  The groove is super funky – the expectation for a funk record, of course! Beyond that anchor, the epic use of the talkbox deserves a shout-out. Roger’s vocals are picturesque thanks to the talkbox, as well as playful and filled with personality. The harmonized moments are truly a treat – striking to the ears.  Alongside those vocals come repetitive but ultra-memorable lyrics.  The likes of “Get-get-get-get-get-get on the dance floor, baby / Get down, mama, yeah,” provide contrast to the core lyrics (“More bounce to the ounce,” etc.). Beyond the groove, the glory of the talkbox vocals, and the catchy lyrics, other elements of the musical accompaniment shine.  The rhythmic guitar sounds incredibly ripe. The synth bass line, performed by Roger, kicks some serious ass! And, of course, those synths are quite striking. All in all, Zapp delivered a synth-funk masterpiece with “More Bounce to the Ounce”, which remains fresh and potent as it pushes fifty years after its release.

Appears in 🔻:

Zapp, More Bounce to the Ounce: Throwback Vibez No. 182 (2025) 15 Songs with Iconic Bass Lines (2026)

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4. Niall Horan, “Little More Time”

Dinner Party » Neon Haze Music Ltd. / Niall Horan / Capitol Records » 2026

That, sadly, is impossible, Niall Horan. Niall is an incredibly attractive man. It goes along with the ‘boy band’ thing, if we’re being honest. That said, he is also talented – more than a beautiful Irishman! The problem, however, is sometimes his music plays out too safely, lacking excitement.  That is the case with his single, “Little More Time”.  It has its moments, including the lyric excerpted from the first verse, which comes from a thoughtful, heartfelt place, but it doesn’t move the needle.  Interestingly, there are five songwriters in the mix: Horan, Rocky Block, Steph Jones, and AFTERHRS (Andrew Haas and Ian Franzino). AFTERHRS, John The Blind, and Julian Bunetta produced it.

One of the more exciting moments from “Little More Time” is the beginning.  There is a striking sound effect.  From there, the song settles into ‘middle-of-the-road’ pop.  We hear this backdrop frequently. The sound is respectable and totally inoffensive, but not groundbreaking.  As for Niall, he sings soundly, but he’s not particularly flashy. Do I buy what he is selling? Yes, but perhaps at a discounted rate… Spending life with that special somebody is on his mind. He goes so far as to reference decomposition:  “Laying with you, just decomposing / Bury me in your bed.”  Oh, my! The chorus is rhythmic, tuneful, and memorable enough:

“One more song ‘fore we’re saying goodbye

Just a little more time, just a little more time

One more drink or a bottle of wine

Just a little more time, just a little more time.”

All told, “Little More Time” is another ‘good’ Niall Horan song. Is it a great, truly memorable song? No. To reiterate, Horan is a talented fella, but far too often, his music is a wee bit… boring.

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5. Doja Cat, “Kiss Me More” (Ft. SZA)

Planet Her » Kemosabe / RCA » 2021

In 2021, Doja Cat (Amala Dlamini) tapped SZA (Solána Rowe) for the assist on her big-time hit, “Kiss Me More”. The first time you hear it, it’s infectious to the nth degree.  There are several reasons why this Grammy-winning, Planet Her highlight is so successful.  For one, it goes to the track’s underpinnings – the harmonic progression used is sweet.  Furthermore, the lush production work supports sweet vocal performances by both Doja Cat and SZA. An Olivia Newton-John (1948 – 2022) classic, “Physical”, further fuels that fire.

Doja Cat both sings and rap, showing off her incredible versatility. She brings the heat on her rhymes, coming over aggressive and sexed-TF-up (“I, I feel like fuckin’ somethin’,” and “Niggas wishin’ that the pussy was a kissin’ booth”).  She remains playful.  As for SZA, she brings vocal contrast on the third verse, matching the aggressiveness of Doja (“Pussy like holy grail, you know that / You gon’ make me need bail, you know that”). The chorus, excerpted earlier, as well as the post-chorus, are kind of a big deal.

“Boy, you write your name, I can do the same

Ooh, I love the taste, oh-la-la-la-la-la

All on my tongue, I want it.”

Doja Cat and SZA delivered a surefire bop. NO CAP! 

Appears in 🔻:

Awesome Songs: April 2021 Kisses: An Intriguing Compendium of Kiss Songs 💋(2021) 15 K Songs: No Rhyme or Reason (2021)

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6. Artemas, “baby give me more” (Ft. Mareux)

LOVERCORE » Artemas » 2025

Artemas (Artemas Diamandis, b. 1999) asserts in the intro and eventual bridge of “baby give me more”.  He continues, “Release your sweet divine / And if you’re not religious / I want you to euthanize me.” Euthanize? Wow 😮! Gen-Z musicians just hit differently, don’t they? “Baby give me more” is the seventh track from Diamandis’ third mixtape, LOVERCORE.  Artemas, featured guest Mareux (Aryan Ashtiani, b. 1992), and Daintree penned “baby” while Artemas and Daintree produced it.  Like many an Artemas track, desire is potent to the nth degree.

Mareux assists with the sexiness of this LOVERCORE highlight.  In the memorable chorus, twice he sings, “Baby, give me more,” and adds, “If your heart is in your hips / Baby, give me more.” Heart in your hips, huh? Now that’s a line! Artemas is dramatic and indulgent in the first verse, consumed by her: “I can’t relieve myself / Only you can touch me right / You don’t even have to try.” Hmm, by relieving yourself, dude, are you… You know… Moving on.  Mareux brings the spice to the pre-chorus, once again, mentioning heart in hips, as well as “Stroke your body from the floor, biting on your lips.” 😈 Of course, you knew Artemas wasn’t going to allow Mareux all of the naughty lines.  Also, you knew he wasn’t going without dropping a few f-bombs, either.  “I want you on top, in my face / Now we’re living babe, now we’re fucking living, babe,” he sings in the second verse.  Added to the mix are pills, tripping, and an unrecognizable Artemas, who informs us, “My heart can’t take rejection anymore, anymore.” “Baby give me more” is not only dark lyrically, but it also features a dark musical backdrop. It is set in a minor key, the synths are enigmatic, hypnotic, and mesmerizing, while the beat provides a firm anchor. All said and done, the intriguing and talented Artemas and Mareux do the damn thing on “baby give me more”. It’s a surefire vibe. 

Appears in 🔻:

Artemas, baby give me more: Midnight Heat No. 95 (2025) 15 Marvelous ME Songs (2026) 13 GIVE Songs Where It’s Giving Greatness (2026)

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7. Kehlani, “more than I should” (Ft. Jessie Reyez)

Blue water road » Atlantic » 2022

Grammy-winning R&B singer/songwriter Kehlani is incredibly talented with the voice of an angel.  “More than I should”, from her third album, blue water road, finds her living her truth in a hairy situation – she’s cheating on one woman with another. She is assisted by Grammy-nominated Canadian R&B singer Jessie Reyez.  Reyez finds herself in the same boat, except cheating with a man. With slick production work from Pop Wansel, GRADES, and Daoud, Kehlani and Reyez have an awesome canvas to paint upon. “If you knew how long it’d been since I felt her on my skin,” Kehlani sings in the verse, adding, “And why I keep lookin’ at the shape in the pants she got on.”  She justifies her cheating because she feels her girlfriend isn’t fulfilling her needs and treating her right (“Is it really cheating if she ain’t lovin’ me right? / If she’s not touching me right?”).  Admittedly, in the chorus, she’s more impressed with her side chick “more than [she] should” be.  The same scenario for Reyez in verse two, where she unapologetically asserts, “Swear I’m not the type to lie / But I’d feel hella justified / If I climbed on top and we fuck tonight away like two wrongs.” Wow! These ladies both understand that two wrongs don’t make a right.  They also understand that they need to be fulfilled and loved to the utmost by their respective partners.  Cheating should never be advocated, but man oh man, is it captivating on this surefire bop which should please the hetero- and non-hetero crowd alike!

Appears in 🔻:

Kehlani, more than I should: LGBTQ Bopz No. 17 (2022) Incredible LGBTQ Songs, Young & Old, Vol. 2 (2022) 13 Songs You SHOULD Give a Listen (2024)

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8. ETHAN, “ONE MORE SONG”

“ONE MORE SONG” » ETHAN » 2025

Word. Regardless, ETHAN (Ethan Choryin Luo) is headed to the club, specifically the dancefloor, on “ONE MORE SONG”. He penned “ONE MORE SONG” alongside producer klipo. (Johannes Bruun). Choryin Luo makes our ears perk up with his ripe, sexy pipes, particularly his falsetto.  This man is sex on the track.  He sings over a beautiful, sleek musical accompaniment comprised of a great danceable, thudding beat, warm pads, and synths. He superbly details his ‘going out’ experience: “Barely anybody left here / Staying ‘til it’s just the two of us / I’m seeing stars, stumbling to the bar / ask for another.”

The chorus is quite memorable:

“Last a little longer

Pushin’ it, pushin’ it

‘Til I get what I want

Vision wearing thinner

Pushin’ it, pushin’ it

‘Til the lights come on.”

Ooh-la-la! Somethin’ ‘bout that “pushin’ it” ETHAN gets me hot! Speaking of hot, I’d be remiss not to mention the sensual cover art. Ooh-wee! “ONE MORE SONG” marks another enjoyable gem from the talented musician.

 

Appears in 🔻:

11 Songs Associated with Number One, Vol. 3 (2025) Bops That Pop: Jan, Feb & March 2025 Bops from 2025 That Make You Beam with Pride 15 Intriguing Songs Where The Keyword is SONG (2025)

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9. Britney Spears, “Gimme More”

Blackout » Zomba Recording LLC » 2007

Three words: “It’s Britney bitch!” WOO! Those iconic lyrics appear on Britney Spears’ number three Billboard Hot 100 hit, “Gimme More.” “Gimme More” marks one of the best moments from her 2007 album, Blackout.  This fierce pop joint is set in a minor key and features production courtesy of Danja, one of the hotter producers in the aughts.  Additionally, supporting Spears’ cause was songwriting by Danja, Keri Hilson, Marcella Araica, and Jim Beanz. As colorful as the production is and as entertaining as the songwriting is (“Cameras are flashing / While we’re dirty dancing”), the star of the show is BRITNEY SPEARS, bitch! She delivers breathy vocals full of personality (“You got me in a crazy position (Yeah) / If you’re on a mission (Uh-huh), you got my permission”).  Even though she didn’t write the song, you buy what she is selling, and what she is selling is S-E-X-Y and, again, F-I-E-R-C-E! That’s right, Britney, GIMME MORE!!!

Appears in 🔻:

Gimme: 3 to 5 BOPS No. 37 (2023) What Do These 13 Songs Give? (2023)

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10. Sam Smith, “Love Me More”

Gloria » Universal Music Operations Limited » 2023

This line really hits personally. Academy- and Grammy-award-winning, nonbinary and genderqueer musician Sam Smith speaks volumes on the awesome “Love Me More”. Love Me More,” the opener from their 2023 album, Gloria, commences abruptly with Smith singing the chorus, accompanied by a warm pad. The production – Jimmy Napes and StarGate – plays to the talented singer’s strengths.  Eventually, a soulful groove adds more punch.

“As always Smith delivers incredible vocals filled with nuances, highlighted ripe falsetto.  Later, as “Love Me More” progresses, Smith is supported by fantastic, harmonized vocals.  The theme of the record is what really hits hardest.  Smith has decided not to allow poor self-esteem and the comments of others to bring him down. They’re evolving; hence, they are dedicated to “Love me more.” The centerpiece, the chorus, says it best:

“Have you ever felt like being somebody else

Feeling like the mirror isn’t good for your health

Every day, I’m tryin’ not to hate myself

But lately it’s not hurtin’ like it did before

Maybe I am learning how to love me more.”

There’s lots to heart about this “Love Me More”.

Appears in 🔻:

Awesome Songs: May 2022

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11. blink-182, “ONE MORE TIME”

ONE MORE TIME » Viking Wizard Eyes, LLC / Columbia » 2023

Oh my! “I wish they told us, it shouldn’t take a sickness / Or airplanes falling out the sky.” Read into both lyrics excerpted from “ONE MORE TIME”, and it is clear that Mark Hoppus, Tom DeLonge, and Travis Barker have been through a lot. The good news is that blink-182 are reunited in their original lineup for their 2023 album, ONE MORE TIME.  Question: “Do I have to die to hear you miss me?” “ONE MORE TIME” commences with rich rhythm guitar accompaniment, which signals a more serious, somber sound.  The first voice heard is the comeback kid, DeLonge.  He shines with his expressive instrument.  There is a fine addition of strings following the first verse before the second, performed by Hoppus. DeLonge takes on vocal duties once more in the pre-chorus and chorus.  Both sections are gritter, featuring a more dynamic backdrop. The chorus is simple lyrically, but tuneful: “One more time / One more / One more time / One more time.” DeLonge and Hoppus duet in the third verse, which adds drumming by Barker, finally. Interestingly, or perhaps shockingly, all three members sing on the final chorus. While “ONE MORE TIME” is light-years away from the band’s more immature works of the 90s/00s, there’s lots to appreciate and like about it.  The slow, steady evolution is awesome – incredibly musical.  Most importantly, the brotherhood is alive and well in this personal, meaningful, and reflective song.

Appears in 🔻:

Awesome Songs: October 2023 13 Songs Where U Know What TIME 🕕 It Is (2023) 11 Songs Associated with Number One, Vol. 2 (2024)

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12. Phil Collins, “One More Night”

No Jacket Required » Philip Collins Ltd. / Rhino Entertainment Company » 1985

Noted, Phil Collins (b. 1951). The Academy and Grammy Award-winning musician delivered a surefire bop with “One More Night”. “One More Night” is the fifth track from his diamond-certified (12-times platinum) 1985 album, No Jacket Required. No Jacket Required won the Grammy for Album of the Year at the 28^th Annual Grammy Awards. Collins was also awarded the Grammy for Best Pop Vocal Performance, Male, for the songs from the album. “One More Night”  peaked at number one on the Billboard Hot 100, marking Collins’ first number-one single from No Jacket Required.  It was certified gold by the Recording Industry Association of America in 1990.

“One More Night” is a stunning pop ballad from the start. It benefits from a buttery smooth and warm sound, led by the keyboard accompaniment. There is also drum programming on this particular track, which became more prevalent in the 1980s. Beyond his keyboard, drum programming, and songwriting contributions, Phil Collins shines on lead vocals.  His tone is beautiful, and throughout much of the song, his voice sounds tender. As “One More Night” progresses, Collins digs in more, while maintaining a refined and sophisticated sound. Beyond Collins’ lead, his background vocals during the chorus are striking.  The songwriting is love-oriented and romantic, with the chorus leading the charge.  Collins wants her back for just one more night, repentant of his shortcomings within their relationship. “I’ve been trying, ooh, so long / To let you know, let you know how I feel,” he sings in the first verse. In the second, Phil asserts, “And I was wondering, should I call you / Then I thought maybe you’re not alone.” In the third and final verse, he informs her, “But if you change your mind, you know that I’ll be here / And maybe we both can learn.” One final note regarding the timeless “One More Night”. Two words: saxophone solo 🎷. What better way to cap off a quintessential ‘80s classic than with the fine blowing of Don Myrick (1940 – 1993)?

Appears in 🔻:

Phil Collins, One More Night: Throwback Vibez No. 152 (2025)

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13. Angie Stone, “No More Rain (In This Cloud)”

Black Diamond » BRM / Peace Bisquit » 1999 

When the Grammy-nominated R&B artist Angie Stone (1961 – 2025) released her solo debut album, Black Diamond, in 1999, she was already much older than many of her neo-soul contemporaries at 38. Worth noting, she was already in the music biz with Black Diamond, which marked her breakthrough. “No More Rain (In This Cloud)” was, hence, the key song from this notable neo-soul album, leading the charge.

What makes “No More Rain (In This Cloud)” so great? First and foremost, the rich, soulful alto of Angie Stone, of course! She delivers an emotional, expressive performance without forcing things.  She’s poised but potent on “No More Rain,” supported by soulful backing vocals.  Beyond the vocals, the production captures the soul of old, liberally sampling the soul legend she’s often compared to, Gladys Knight (“Neither One of Us (Wants to be the First to Say Goodbye)”).  Given musical similarities, the sampled backdrop is perfect fuel for Stone’s fire.  Beyond the vocals and the production, the theme and lyrics provide further evidence why “No More Rain (In This Cloud)” is great.  After experiencing the plight of love – broken heart and broken spirit – Stone is no longer letting the hurt keep her down; she’s reclaiming her happiness and moving forward.  That’s where that marvelous chorus comes into play, in all its nostalgic, memorable, and throwback glory.

Appears in 🔻:

13 High-Flying Songs About Clouds (2019) Angie Stone, No More Rain (In This Cloud): Throwback Vibez No. 2 (2021) 13 Songs Where, When It Rains It Pours (Pt II) (2021)

 

 

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13 Songs Where the MORE the Better (2026) [📷: Brent Faulkner / The Musical Hype; Artemas, Beautiful Life Productions, BIGHIT MUSIC, BRM, Capitol Records, Columbia, ETHAN, Kemosabe, Neon Haze Music Ltd., Niall Horan, Peace Bisquit, Philip Collins Ltd., RCA Records, Rhino Entertainment Company, Universal Music Operations Limited, Viking Wizard Eyes, LLC, Warner, Zomba Recording LLC; Ann H from Pexels; Gordon Johnson from Pixabay]

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