[usr 4]
On promo single âLove Me Now,â John Legend embraces the neo-, post-R&B script, embedding soulfulness within the context of pop.
R&B isnât dead, but it is inarguably struggling to find footing. This puts the musicians who thrive in the style in a predicament. That predicament is whether or not to stay true to a genre where commercial aspirations are slimmer than ever or incorporate it into pop. The answer for many R&B artists is pop. John Legend, one of R&Bâs best artists, doesnât turn his back on R&B on new single âLove Me Now,â but itâs clear he has pop and commercial success in mind.
âLove Me Nowâ opens with a pop-oriented groove. Itâs not foreign or far-fetched in urban music, but clearly, this sound is tailor-made for Top 40 radio. This is a very different sound than Legend showcased back in 2004 (Get Lifted) or 2006 (Once Again), when neo-soul still had footing. If the pop-friendly production is somewhat off-putting, Legend atones with his robust, soulful pipes, which arenât compromised in the least.
The blueprint for âLove Me Nowâ is clearly âAll of Me,â a hit that crossover from an urban audience to the top of the pop charts. Rather than deliver another ballad, Legend opts for a mid-tempo, chivalrous record. It works because producers successfully blend pop cues with Legendâs knack for R&B. It doesn’t supplant Legendâs more soulful, traditional R&B records, but makes the case for his relevance in a post-R&B world.
Chivalry bodes well in Legendâs favor. While he has sex appeal, he doesnât come over horny and crude like some of his R&B contemporaries. Flirty is as far as Legend manages to be pushed, and itâs the best look possible:
âI donât know whoâs gonna kiss you when Iâm gone / So Iâm gonna love you now, like itâs all I have / I know itâll kill me when itâs over / I donât wanna think about it, I want you to love me now.â
Final ThoughtsÂ
All in all, âLove Me Nowâ is a respectable look for John Legend. Those holding out hope that neo-soul isnât finished will still be waiting for its resurgence.  Most who understand the new climate of the music industry should see this as a win. It doesnât trump âAll of Meâ nor threaten âGet Liftedâ or âSlow Dance,â but welcomes an intriguing voice back into the game.

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