Grammy-nominated rapper Rick Ross delivers an enjoyable 10th album with âPort of Miami 2,â even if it isnât a game changing effort. Â
Once upon a time, in 2018, it looked like Grammy-nominated rapper Rick Ross was in serious trouble.  Weâre talking about the fight for his life.  Thankfully, Ross pulled through and returns with his tenth studio album, Port of Miami 2. Port of Miami 2 follows the original, released back in 2006. The most memorable song from the original is âHustlinâ,â a trunk-rattling banger for the ages. Does Ross come up with anything quite as compelling as âHustlinââ was on the original? Nah, but Port of Miami 2 has plenty of enjoyable moments, if none that are truly game changing.
âAct a Foolâ
Rick Ross kicks off Port of Miami 2 with banger â âAct a Fool.â âAct a Foolâ doesnât reinvent the wheel for Ross by any means, but it sounds malicious in regard to production, is chocked-full of braggadocio, and finds Wale providing the assist on the third verse. All in all, itâs typical Rick, and thereâs nothing wrong with that. ââTurnpike Ikeâ follows, patterned in the soulful, luxurious style that the rapper excels at. Over the course of three verses, Ross references hustling, his drip (money, money, money!), and of course, women. Notably, there is a female that he converses with throughout skits that take the place of a chorus.
Gunplay joins Rick Ross on the sleek TROP-produced banger, âNobodyâs Favorite.â TROP gives Ross a minimalist backdrop, and even lacking the luxurious sound we associate him with, he rides the beat well. The content hasnât evolved, but it certainly âainât broke.â Like âTurnpike Ike,â there is no catchy chorus to further fuel the fire. Both rappers drop great flows though.  âSummer Reignâ follows, enlisting R&B singer Summer Walker. This is a welcome contrast, giving Ross another luxurious number. The âluxuryâ part is literal; he references Gucci bags, Louis Vuitton, Fendi shoes, and Lamborghini. Safe to say, the sex is indeed rich AF. Also, worth noting, Walker sounds superb, singing in her rich, lower register.
âWhite Linesâ
Rick Ross trades Summer Walker for DeJ Loaf on âWhite Lines.â If âNobodyâs Favoriteâ was somewhat uncharacteristic of Ross, âWhite Linesâ continues the soulful, old-school sound. Itâs a bit of a bummer than DeJ Loaf is only used in a supporting role but at least she adds some goodness to the track. âSurviving R. Kelly, registered pedophiles / Tried to feed all my niggas and spread the cheddar âroundâŚâ Wow! Even with that incredibly bold, eyebrow-raising lyric, â âBIG TYMEâ isnât a game changer for Rozay. Nonetheless, Swizz Beatz is a good hype man as any, and Just Blaze hooks him TF up with the production. The chorus is lengthy and ultimately âpredictableâ given how drippy it is, but thatâs the point of the record and itâs effective overall.
âBig time, I just do it big time All my n*ggas really do it big time Lil n*ggas, but we do it big time Started with the nickel rock, now Iâm big timeâŚâ
âBogus Charmsâ features none other than Meek Mill â shocking collaboration, right? Yeah⌠said no one ever. But, give both rappers credit for the more serious tone and the reflective nature of the record. One of the best elements of the song come courtesy of singer Sam Harvey who definitely deserves more credit for his lovely vocals on the chorus.  Teyana Taylor and the late, great Nipsey Hussle appear on âRich N*gga Lifestyle,â another luxury-fueled joint. Taylor is silky smooth on the chorus, also later singing on the bridge.  Itâs a pleasure to hear Nipsey on the second verse â R.I.P.  Nearly as familiar as the Meek Mill collaboration, Jeezy keeps things star-studded on Port of Miami 2. Though perhaps not as animated as opener âAct a Fool,â Rozay drops another â you guessed it â banger. Game changing? Nope. Respectable? By all means.
âFascinatedâ
One of the better joints from Port of Miami 2 comes by way of the dramatic, incredibly slow, five-and-a-half-minute-long â âFascinated.â  Safe to say, producers Dollarz and Sam Sneak owe Bill Withers a big thanks for this standout backdrop (âAinât No Sunshineâ specifically). The flow is relaxed, but thereâs plenty of intensity from Rick Ross as he raps about the plight of young ambitious black men (âCandy paint fascinate a young nigga⌠They just wanna assassinate a young niggaâ). It marks only the second solo track (âTurnpike Ikeâ being the first). Another standout follows in âI Still Pray,â which enlists YFN Lucci and Ball Greezy. About five minutes in length itself, the tempo remains relaxed, if a few BPMs quicker, while the backdrop is⌠SOULFUL. Like âBogus Charmsâ and âFascinated,â one of the selling points is the reflective, thoughtful tone of this particular record.
Another record, more collaborators, sigh. â âRunning the Streetsâ enlists A Boogie Wit Da Hoodie and Denzel Curry. Ross and Curry have a connection â both represent Carol City, Florida. Ross previously appeared on Curryâs 2019 album, ZUU, on âBIRDZ,â so itâs not surprising to see reciprocation. Curry drops a strong third verse, contrasting both Ross and A Boogie With Da Hoodie, whose middle verse embraces autotune.  Regardless, the chorus by Rozay is pretty sweet.
âShe be stayinâ up When I ainât cominâ home Runninâ, runninâ, runninâ the streets Itâs so hard to get sleep.â
âVegas Residencyâ
âVegas Residencyâ marks only the third and the final solo number by Rick Ross on Port of Miami 2. Lengthy, clocking past five minutes, this is Ross straight-up spitting hard.  Unlike âTurnpike Ikeâ or âNobodyâs Favorite,â there is a clearly discernible chorus. The penultimate record should come as no surprise: â âMaybach Music VIâ featuring John Legend and Lil Wayne. Legend nails the chorus with his ripe, gospel-tinged pipes, while Lil Wayne provides a fine contrast to Rozay on the second verse.  Is this the best âMaybach Musicâ? Nope, but like the others, itâs an intriguing listen.
âBefore Iâm gone outta this place, yeah / Put some flowers in my face, wonât you / Let me know that I did okay, yeah / Donât wait âtil some other day, no, no.â Those lyrics, sung by Drake, based upon the saying âGive me my flowers while Iâm can still smell them,â serve as the centerpiece of closer â âGold Roses.â Yes, Drake gets the honors of the most important, pivotal lyrics of the record, but heâs perfect for the role to say the least. There is no shortage of song on âGold Roses,â which approaches six minutes in duration.
At first, it seems like Drake is going to dominate the slow, luxurious âGold Roses,â performing the intro, first verse, and of course, the chorus. But Ross comes and asserts his âboss status,â commencing the second verse with the memorable lyrics, âI was nominated, never won a Grammy / But I understand, theyâll never understand me.â Thatâs key because it complements the âflowerâ sentiment. Throughout much of the rest of the verse, Ross raps about drip but also about that special lady in his life â âMoney come and go, Iâma keep you forever / Slip-on glass slippers and tickle with feathersâŚâ Also, Ross drops a second verse, the third overall on the record. Itâs long, but hereâs plenty to like about âGold Roses.â Drake is on-point, Ross drops a well-rounded flow, and the production by OZ, SykSense, Vinylz, and The Rascals is pretty sweet.
Final ThoughtsÂ
All in all, Rick Ross delivers a well-rounded, 10th LP with Port of Miami 2. Is there anything game changing or notable beyond the expected about Port of Miami 2? No. Itâs Ross doing his thing after release nine albums previously, including the original Port of Miami that began his ascent. There are no new ideas but thereâs also nothing offensive in the least. Good, though never great, itâs successful.
â Gems: âAct a Fool,â âTurnpike Ike,â âBIG TYME,â âFascinated,â âRunning the Streets,â âMaybach Music VIâ & âGold Rosesâ
Rick Ross â˘Â Port of Miami 2 â˘Â Epic â˘Â Release: 8.9.19
Photo Credit: Epic
