Mattie Moss Clark, That Shall He Also Reap | Music Lifts

In the 17^th edition of Music Lifts (2026), we’re uplifted by Mattie Moss Clark performing, “That Shall He Also Reap.”

[otw_shortcode_dropcap label=”W” size=”large” border_color_class=”otw-no-border-color” shadow=”shadow” square=”square”]elcome to Music Lifts, featuring songs that encourage, inspire, and uplift the spirit; songs that exude fortitude, positivity, and resolve, even in the face of adversity.  Featured songs aren’t genre-specific; songs may or may not be faith-based. The goal is for these songs to make you feel better – be LIFTED to new heights!  So, for the 17^th edition of Music Lifts (2026), we highlight “That Shall He Also Reap” as performed by Mattie Moss Clark.[/otw_shortcode_dropcap]

[nx_pullquote]“Be not deceived; God is not mocked.”[/nx_pullquote] Amen 🙏, Mattie Moss Clark (1925 – 1994)!  God is all-knowing, omnipotent, and awesome.  You cannot pull a fast one on Him without reaping a whirlwind. The legendary choir director, composer, and mother of the Clark Sisters, composed a moving gospel record with “That Shall He Also Reap”. The lyrics come directly from Galatians 6:7: “Be not deceived; God is not mocked: for whatsoever a man soweth, that shall he also reap.” The NIV (New International Version) of the scripture reads similarly: “Do not be deceived: God cannot be mocked. A man reaps what he sows.” The decisions you make matter, and if you make bad ones that attempt to deceive God, who can’t be deceived, there’ll be hell to pay. Mattie Moss Clark masterfully set the text of this key Biblical verse to music.

“That Shall He Also Reap” is an epic listening experience from the jump. It features a dramatic instrumental comprised of guitar, which delivers some striking riffs, swelling organ, and pummeling drums.  The lead vocalist is dynamic, bringing the meaningful scripture to life. The spirit is elevated, even more thanks to her gritty, gospelized riffs and flawless high notes. Adding to the musical experience is the anointed choir, singing in Moss Clark’s signature three-part harmonies, and in sections on the titular lyric.  Beyond the core of the song, additional sections distinguish themselves, amplifying the dramatic soundtrack of Galatians 6:7. More contemporary choirs should perform this rousing, spirited classic.