Gacy: Soundtrack to a Murderous Clown features music about and referencing infamous serial killer, John Wayne Gacy (1942 â 1994).
âI would definitely not be homosexual. I have nothing against what they do, and I don’t deny that I’ve engaged in sex with males but that I’m bisexual.â
â John Wayne Gacy, AZ Quotes
John Wayne Gacy (1942 â 1994) lived a double life, and it transcended his sexuality. To the naĂŻve world, until he was caught, Gacy was a productive citizen. Notably, he dressed up as a clown, Pogo, for kidsâ birthday parties. Unfortunately, that didnât end up being harmless, even if it seemed so to most. After all, âA clown can get away with murder.â
Worth noting, Eminem references Gacy on âUnaccommodatingâ, the second track off of his 2020 album, Music to Get Murdered By:
âMan, I donât see why they hate me Iâm a clown just like John Wayne Gacy...â
The real Gacy was a monster. His house â particularly the crawlspace â was the site of utter horrendousness. It served as an unfit cemetery for most of his 33 male victims.
âI should never have been convicted of anything more serious than running a cemetery without a license.â
Adjectives such as disgusting, gruesome, and devilish donât give the man the proper disrespect he deserves for his utter repulsiveness. The songs featured on this particular playlist provide a most gruesome soundtrack to Mr. Gacy. GACY: SOUNDTRACK TO A MURDEROUS CLOWN arrives as the re-upped version of the 2017 playlist, A Most Gruesome Soundtrack to John Wayne Gacy.
1. Sufjan Stevens, âJohn Wayne Gacy, Jr.â
Illinois âą Asthmatic Kitty âą 2005
âTwenty-seven people / Even more, they were boys / With their cars, summer jobs / Oh my God / Are you one of them?â Many of the best songs come in the hands of dedicated singer/songwriters. Sufjan Stevens is a master at his craft, hence why he delivers the perfect song about John Wayne Gacy, who Scott A. Bonn (Ph.D.), characterizes Gacy as a âSuccessful businessman, husband, lover of children â and psychopathic killerâ in article, John Wayne Gacy: The Diabolical âKiller Clownâ (Psychology Today). While Gacy was part of the LGBTQ+ community, few would want to claim such an evil man as a member of anything.
You can debate whether Gacy was bisexual as he claimed, or purely homosexual, but it wasnât his sexuality that was the problem â it was his bloodlust. On the first verse of âJohn Wayne Gacy, Jr.,â Stevens paints the deceptive, eerie picture, while he summarizes his despicable, repulsiveness on the chorus. Stevens âgoes for the killâ on the second verse, describing the killer being âOn his best behaviorâ when he dressed as a clown (Pogo), but ultimately âHeâd kill ten thousand people / With a sleight [slight] of his hand.â Perhaps the second chorus is the most disturbing:
âAnd in my best behavior I am really just like him Look beneath the floorboards For the secrets I have hid.â
2. Dog Fashion Disco, âPogo the Clownâ
Committed to a Bright Future âą Razor to Wrist âąÂ 2019
âPogo / Youâre gonna burn in hell.â Seems about right, and Dog Fashion Disco âSpoke to the devil the other day / And John is doing fineâ â John Wayne Gacy, of course! Dog Fashion Disco is not your traditional metal band â understatement. According to Gregory Heaney (AllMusic), âThe D.C. alt-metal band Dog Fashion Disco doesnât play into classy decor or the music mainstream. Their vigor cites the same intensity as Clutch, Tool, and Nothingface, taking shape for the new millennium punk revival.â
Take one listen to âPogo the Clownâ from their 2003 album, Committed to a Bright Future (reissued in 2019), and youâll see exactly what Iâm talking about.  Initially, âPogo the Clownâ sounds more like a swing jazz joint, with comping piano and crisply articulated horns leading the charge. The only signal that the brief, avant garde record is NOT a traditional jazz joint are the moments when the guitars take the reins, providing a clear contrast to the throwback, somewhat novel big band sound.
Of course, the bigger takeaway isnât the style, but the lyrics and theme. John Wayne Gacy is known for performing as Pogo the Clown, something that has given so many bands, singers, and songwriters fuel for the fire. Dog Fashion Disco are no different, as they soundtrack the absolutely horrific serial killer.
âMurder victim slice and smile Serial killer pedophile Look into those empty eyes Youâll know itâs your time to die As he cuts you up in little bits Cuts you up in little bits Goes bop-bop on your head again Spills your blood now heâs soaked in sin.â
3. The Dillinger Escape Plan, âThree for Flinching (Revenge of the Porno Clowns)â
The Dillinger Escape Plan âą Now or Never âą 1997
âCome out to play / Weâll kiss the floor / So soft to touch / It makes you / Now death hunts / Iâm the monster in your closet / When there is no front door.â Creepy. The lyrics appear on the dark, yet exuberant âThree for Flinching (Revenge of the Porno Clowns).â The record is a deep cut from The Dillinger Escape Plan discography. The Dillinger Escape Plan describes their styles as mathcore, metal, hardcore, progressive, experimental, rock, and, avant-garde.
Ryan Downey (AllMusic) describes the band as follows:
The Dillinger Escape Plan create maniacally intense, crushingly metallic, and decidedly hardcore punk-infused jazz-time-signature-invoking compositions displaying an unparalleled musical bravery, precision musicianship, meticulously thought-out and complex structuring, and rigorous physical endurance.
âThree for Flinchingâ is the sixth track off of a self-titled EP by the band that is âhard to come by.â The Dillinger Escape Plan was released via defunct New Jersey hardcore label, Now or Never, originally in 1997. The creepy aforementioned lyrics seem to parallel the twistedness of John Wayne Gacy, who infamously performed as Pogo the Clown. Unfortunately, there was nothing harmless about Gacy, whose idea of playing was deadly. Just to remind you, A clown can get away with murder. The Dillinger Escape Plan add to the horror, following the above-mentioned lyrics:
âIâm the monster in your closet When there is no front door The bat to dumb cranium Angry shadows caress the world.â
4. Macabre, âGacyâs Lotâ
Sinister Slaughter/Behind the Walls of Sleep âąÂ Nuclear Blast âą 2000
âThe police unveiled a gruesome find; the product of John Gacyâs crimes / They found a lot of dead boys in the plots left to rot on Gacyâs lot.â Ah, death metal band Macabre has been âdelivering quality murderous music since 1985â. According to their official biography, the band, âblends elements of true crime, math rock, nursery rhymes, punk, trash, folk melodies, death metal, jazz fusion, black metal and more into an energetic, catchy, and unmistakable amalgam.â Despite the fact that Nefarious, Corporate Death, and Dennis the Menace are death metal progenitors, Jason Birchmeier (AllMusic) references the bandâs underrated-ness, citing their âsatirical approach.â
Enough background about the band itself â letâs get right into âGacyâs Lot!â âGacyâs Lotâ appears on Sinister Slaughter, initially released in 1993, but reissued in 2000 as Sinister Slaughter/Behind the Walls of Sleep. Without the lyrics in front of you, itâs nearly impossible to decipher what Macabre are singing. A close examination of the lyrics finds the band speaking of Gacyâs utter atrocities.
âSo, they dug up the lot and tore down the house to look for the Boys that were buried about Twenty-eight boys were found on the lot filling his living Conditions with rot...â
Naturally, the music is dark, characterized by its jagged, angular guitars. Vocally, finesse isnât part of the script, but Macabre paints the horrific picture of Gacy successfully.
5. Deer Tick, âClowninâ Aroundâ
Divine Providence âą Partisan âą 2011
Providence, Rhode Island indie rockers Deer Tick get in on the Gacy action with âClowninâ Around.â âClowninâ Aroundâ appears on their 2011 album, Divine Providence. The first verse of the song perfectly captures the secret life of the clown, in all its perverseness.
âThough Iâve walked down a crooked path That donât mean it wasnât cursed My feeble heart was filled with wrath My poison mind with thoughts perverse And the devil is living in my basement Iâm trying hard to hid him from my wife And I know someday Iâm gonna have to face him But for now, I keep my secrets with the night.â
Amazingly, âClowninâ Aroundâ is in a major key. The overall sound can be described as pleasant, while the lyrics are eerie. Even so, drummer Dennis Ryan sings with an exuberance, which only amplifies the magnitude of Gacyâs sins. Naturally, thereâs talk of pretty boys, the infamous crawl space, and the descent of the murderer into hell. One of the best touches is the clown music that appears at the end of the record. Fitting.
6. Hubert Kah, âPogo the Clownâ
Tensongs âą Curb âą 1986Â
âCan I pick you up from school? / Can I take a walk with you / Pogo the clown is the man / With the funny red nose / Let me touch your virgin flesh / Why do I get soaking wet / Donât run away little boy / Because your mammy wonât know.â Sheesh! Hubert Kah seems to nail the actions of John Wayne Gacy perfectly on âPogo the Clown.â âPogo the Clownâ serves as the opener on the German synth-pop bandâs 1986 album, Tensongs. The aforementioned lyrics only touch the surface â it gets worse.
âCome here my child Feel the last of my disease Just one more game Take the red or pink balloon So erotic in your mouth Provocative and sensuous Tell me why you lie so still I wonât hurt you I wonât kill Pogo the clown is the man Who will take off your clothes? Feel the whip on naked skin Driving him insane again.â
Simply repugnant! Musically, âPogo the Clownâ is up tempo, with a hella danceable beat â yeah, itâs disturbing. Furthermore, the record is set in a minor key (for a majority of the time), and, expectedly, itâs quite enigmatic.
7. Church of Misery, âMaster of Brutality (John Wayne Gacy)â
Master of Brutality âą Rise Above âą 2001
Japanese metal band Church of Misery are no stranger to providing the soundtrack to serial killers. Their 16-track effort, Early Works Compilation, is filled with representative killers including Charles Manson, Jim Jones, and David Berkowitz. âMaster of Brutality (John Wayne Gacy)â appears on their 2001 album, Master of Brutality. In addition to the title track referencing Gacy, other songs turn to Ed Kemper, Peter Sutcliffe, and Herbert Mullin.
The song opens with a news reports about the indictments made against Gacy. Meanwhile, malicious guitars begin to construct the brutality prescribed by âMaster of Brutality.â Not only musically does Church of Misery capture the evil, but also lyrically.  No, they donât offer an incredible amount of lyrical depth, but they capture the cold-hearted devilishness without question. Among key lyrics are, âAnd I bury you under my feet / Blood turning to black / Beneath my skin.â Later, the misery gets even more miserable:
âYou can smell of blood red You canât hear their cry You can see the bodies Harmless victim.â
8. Fear Factory, âSuffer Ageâ
Soul of a New Machine âą Roadrunner âą 1992
âSuffer Ageâ commences with the element of mysteriousness â whatâs new? Fear Factory establishes an unsettled vibe to say the least. Steve Huey (AllMusic) describes the Los Angeles, California band as follows:
âFear Factory were one of the first bands to fuse the loud, crushing intensity of death metal with the cold harshness of industrial electronics and samples, producing a more varied sonic palette with which to express their bleak, pessimistic view of modern, technology-driven society.â
Following the unsettled vibe, a sense of stability eventually develops, but itâs temporary â it never feels surefire. Itâs fitting given the horrific actions of Gacy. The band characterizes him perfectly:
âUnbelievable atrocity Hateful monstrosity...â
Yep, thatâs about the size of it. Prior to that description of the sinister clown, the death metal band âsingsâ:
âCompressed youthful voices Suffer age Below Johnâs floors Spoilage Lingering death Gagging your fear Dead in horror Grizzly facial stare.â
Fear Factory certainly lives up to its name. Thatâs some hella scary stuff indeed.
9. Bathory, â33 Somethingâ
Jubileum III âą Black Mark Prod. / B.Forsberg âą 1998
âForcing his way into your ass / John Wayne Gacy is near / Flesh will rip and blood will flow / This death comes in your rear.â ⊠Bathory claims the most graphic song on GACY: SOUNDTRACK TO A MURDEROUS CLOWN. Seems characteristic of the Swedish Band named after an infamous serial killer (The Blood Countess, Elizabeth BĂĄthory).David Peter Wesolowski (AllMusic) notes that âharsh sound and extreme lyrics pack plenty of shock value,â specifically on 1995 album, Octagon.â33 Somethingâ is chaotic from the jump â madness exemplified. Wesolowski also mentions this:
âŠMost of the tunes [on Octagon] are too chaotic, failing to make any sort of a connection even after a good number of spins. In fact, several of them are downright painful.
As you can tell by the aforementioned lyric excerpt, the band makes a not-so-subtle reference to anal rape on the disturbing cut that appears on their 1998 album, Jubileum III. It gets even more graphic, unfortunately:
âOne of 33 Something All who were raped and bled The last thing you will ever hear Before youâre fucking dead is... Drink my cum, take my rum Blooded hole, twisted soul Eat my shit, suck my dick Writhe in pain and die insane.â
Raw to the nth degree. Equally chilling, though less explicit is how Bathory sums up the experience with the serial killer.
âOnce youâve played with Mr. Gacy Thereâs no way out, no release In the attic is hell, then in the Basement youâll find peace.â
10. Gorerotted, âTo Catch a Killerâ
Only Tools and Corpses âą Metal Blade âą 2003Â
British death metal band Gorerotted are distinct.  According to Jason Birchmeier (AllMusic), the band âturned heads in England for its obscene, extreme style of gore metal.â Birchmeier goes on to cite Macabre as an influence. To say the least, the song titles from their 2003 album, Only Tools and Corpses, are hellish. Some examples include âZombie Graveyard Rap Bonanza,â âFuck Your Arse with Broken Glassâ (ouch!), and âCanât Fit Her Limbs in the Fridge.â These song titles make âTo Catch a Killer,â our highlighted record, sound tame. Itâs not.
First of all, âTo Catch a Killerâ doesnât just focus on John Wayne Gacy. There are sections dedicated to Jack the Ripper, Jeffrey Dahmer, Ted Bundy, Fred West, and John George Haigh. For our purposes, however, weâll focus on Gacy, who appears first on this crazy song. The lyrics are as follows:
âMy name is John and I dress as a clown Thirty-one bodies Iâve buried underground A construction worker I like building flats and pulling rabbits out of hats But under my make-up Iâm a mischievous man Killing as many boys as I can.â
Gorerotted may be insane themselves, but they paint an accurate picture of J.W.G. Employing a dual-lead vocalist line up â Ben McCrow and Jason Merle, doubling the darkness.
11. The Mentally Ill, âGacyâs Placeâ
Gacyâs Place: The Undiscovered Corpses âą Alternative Tentacles âą 2004Â
âBreaking down the walls / At Gacyâs Place / Trying to touch my balls / At Gacyâs Place / Trying to make me scared / At Gacyâs Place / Trying to make me aware / At Gacyâs Place.â Joey, of Fucked by Noise, provides some background on punk rock band, The Mentally Ill, and their 1979 EP, Gacyâs Place. On âGacyâs Place,â Mentally Ill combine the best elements of the scummiest, freakiest, bounciest, and most vile first wave punk, and channels them all into something truly sleazy and deranged; something which not only went unmatched when it came out in 1979, but also which has quite possibly gone unmatched even to this day.
The Mentally Ill makes one thing clear on this frenetically paced, barely decipherable âGacyâs Placeâ: âTheyâre fucking your kids.â That phrase is repeated a lot throughout the record.
What do we gather from analyzing the songs from this list? Clearly, A clown can [indeed] get away with murder â at least for a while.  Ultimately, Gacy was caught and sentenced to death for destroying countless number of lives beyond those 33 boys he murdered. Executed May 10, 1994, his final words show no remorse: âKiss my assâ.
Gacy: Soundtrack to a Murderous Clown đ§Â [Photo Credits: Alternative Tentacles, Asthmatic Kitty, B.Forsberg, Black Mark Prod., Brent Faulkner, Curb, Metal Blade, Now or Never, Nuclear Blast, Partisan, Pexels, Pixabay, Razor to Wrist, Rise Above, Roadrunner, The Musical Hype, Unsplash]