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Late rock and roll pioneer Chuck Berry leaves the world a superb gift to the world with his final album, âChuck.â
[otw_shortcode_dropcap label=”T” size=”large” border_color_class=”otw-no-border-color” shadow=”shadow” square=”square”]he world lost a musical and cultural icon on March 18, 2017. Thatâs when rock and roll pioneer Chuck Berry passed away at the age of 90. A sad day in the music world in a year chocked full of devastation, Berry left the world something wonderful â one final album, Chuck. Surprisingly, Chuck is a respectable final effort from the legend.[/otw_shortcode_dropcap]
âWonderful Womanâ
â âWonderful Womanâ kicks off Chuck superbly, setting the tone for the album as a whole. What stands out about the opener is the fact that it sounds natural â like classic Chuck Berry. The classicism entails both the music â specifically the guitar timbre â and the vocals. Even so, itâs not a rewrite of his classics, but feels the way that a contemporary album by the late icon should. The lengthiest song from the album, âWonderful Womanâ is worth each and every minute of its duration.
â âBig Boysâ continues the momentum established by the âWonderful Woman,â barely crossing the three-minute mark. Arguably, the energy is even more pronounced, finding the rock icon in excellent voice. Something else that makes the record successful is its tongue-n-cheek approach, characteristic of early rock. Musically, itâs vintage through and through.
The third song from Chuck is a unique interpretation of jazz standard âYou Go to My Head.â This is another intriguing performance, though a shade less polished than the opening duo. Notably, the backing vocals behind Berry arenât perfectly in sync with his performance. Nonetheless, in the modern age where vibe is everything, the vibe of âYou Go to My Headâ is awesome.
â3/4 Time (Enchiladas)âÂ
Arguably the most rousing song is â â3/4 Time (Enchiladas),â composed by Tony Joe White. Here, Chuck Berry sounds much younger than his age.  Like the songs preceding it, â3/4 Timeâ thrives off its classic, organic sound. While contextually itâs anachronistic, itâs refreshing, sounding more captivating than so much of the rock music of today. The triple meter groove, fantastic music, and exuberant vocals by Berry make this a certified gem.
â3/4 Timeâ is a tough act to follow, but â âDarlinââ accomplishes the task respectably. Berry sounds incredibly smooth here, riding the easy-going production like a champ. The piano stands out in particular here, given the abundance of bluesy licks. Pianist Robert Lohr definitely takes us to church.  âLady B. Goodeâ contrasts âDarlin,â opting for a more overt, gritty sound. Lohr still delivers thrilling pianistic work, but guitar receives the emphasis here. Vocally, Berry is edgier but maintains a cool, poised persona.
âDutchmanâ
âShe Still Loves Youâ lays back more than âLady B. Goode.â Nonetheless, itâs still driving, featuring one of the sickest grooves of Chuck. Once more, the piano is on display in all its soulful, gospel-tinged glory. That guy named Chuck Berry is none too shabby either. âJamaica Moonâ separates itself from everything else, incorporating reggae. Itâs not as effective as the crĂšme de la crĂšme â âWonderful Womanâ âBig Boysâ or â3/4 Timeâ â but it showcases the elite creativity Berry possessed even beyond his prime. The groove is infectious.
â âDutchmanâ gives Chuck its last surefire gem. Berry doesnât even sing, but rather speaks, telling a story over a magnificent backdrop.  Rock has eschewed this style of track in modern times, but the beauty of âDutchmanâ exemplifies why more rockers should revive it. In addition to Berryâs tale, the guitar, not to mention the groove. The brief âEyes of Manâ concludes Chuck in bluesy soundness.
Final Thoughts
All in all, Chuck is a surprising posthumous release by Chuck Berry. Why is it surprising? Itâs a much better album than expected. Comeback albums tend to be all over the place â some capture the magic and some donât. Furthermore, posthumous releases fall into the same category. In this case, Chuck Berry left the world quality material.
â Gems: âWonderful Woman,â âBig Boys,â â3/4 Time (Enchiladas),â âDarlinââ & âDutchmanâ
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Chuck Berry âą Chuck âą Dualtone âąÂ Release: 6.9.17
Photo Credit: Dualtone



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