51 Best Songs of 2020 (So Far) | Year in Review 🎧

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Fiona Apple, Lady Gaga, Lil Baby, Megan Thee Stallion, Roddy Ricch & The Weeknd appear on 51 Best Songs of 2020 (So Far).

After selecting the 21 Best Albums of 2020 (So Far), there is a more ambitious and daunting task amongst us – selecting the best songs of 2020 (so far). This is never easy, despite the fact that I’ve subjected myself to this year after year. [SEE: 50 Best Songs of 2018 (So Far) and 50 Best Songs of 2019 (So Far). ALSO SEE: 100 Best Songs of 2018 and 51 Best Songs of 2019.] Moving on… Again, 2020 has yielded a number of superb songs, whether they are singles or merely awesome album tracks. Having reviewed more than 250 songs individually, in addition to tracks that grace a multitude of music lists/playlists on The Musical Hype, I have constructed a ‘rough around the edges’ 51 BEST SONGS OF 2020 (SO FAR): YEAR IN REVIEW.

When I say rough, there’s room for movement of the placement of some of these songs, this year in particular. Just because a song seems like it’s ranked wrong right now, or completely missing all together doesn’t mean it won’t change when the final edition arrives in December. But I have to put out something now, and it’s never going to be perfect, so LFG!

Appearing in some order on 51 BEST SONGS OF 2020 (SO FAR): YEAR IN REVIEW are songs courtesy of Fiona Apple, Lady Gaga, Lil Baby, Megan Thee Stallion, Roddy Ricch, and The Weeknd among many others. Without further ado or fanfare, in descending order, here are the 51 BEST SONGS OF 2020 (SO FAR)!

51. Ryan Beatty, “Flowers at the Door”

Dreaming of David • Boy in Jeans / Mad Love / Interscope • 2020

Ryan Beatty writes amazing songs about boys, period. Boy in Jeans was among my favorite albums of 2018 (several songs appear on this LGBTQ+ mega list), even though it didn’t get the attention it deserved. Likewise, his sophomore album, Dreaming of David, has flown under the radar – bummer. Nonetheless, that doesn’t hold back Beatty from delivering more bops, encompassing the LGBTQ+ experience. Although the song at hand, “Flowers at the Door,” made an appearance on the playlist, 11 Interesting Songs Loosely Associated with the House, the record is less associated with the door of a house, than, say, the bedroom. Here, Beatty artfully sings about sex, from the gay perspective, without being profane.

Analyze the lyrics closely, and it’s clear that Ryan Beatty delivers a record that isn’t the least bit ‘innocent.’ Key lyrics from the first verse include the brilliant “Our heads connected, I got the message / You had your hands around my skull,” and “I look up to you when I’m below.” Ponder it, and you’ll realize where Beatty is going. The chorus extends upon the ‘happening,’ as he sensually asks, “Why don’t you turn me around?” And if you totally miss the sexual innuendo, perhaps the bridge sheds some light, again without being the least bit profane (“What’s so wrong with wanting more? / Rollin’ on the hardwood floor”). To reiterate, Beatty artfully sings about S-E-X on this gem that previously appeared on A Compendium Comprised of 100 Notable LGBTQ+ Songs.

50. Gregory Porter, “Revival”

All Rise • Decca • 2020

Grammy-winning musician Gregory Porter certainly ‘brings the spirit’ on “Revival”, an epic single from his sixth studio album, All Rise. This Porter, Oliver Rockberger, and Troy Miller co-write is special! Focusing just on Porter, he is an incredibly gifted, versatile musician. Sure, he’s best characterized as a jazz vocalist, but has the ability to dip into multiple genres. His pipes are absolutely stunning.

Perhaps the first thing to note is that “Revival” expands beyond a jazz script. Yes, it’s jazz, but it’s not solely jazz. Gregory Porter infuses the blues, soul, and gospel into the mix. Furthermore, the anchoring rhythmic groove is hip enough for 2020 without ultimately compromising or sacrificing the sanctity of jazz and its classic sounds and cues. Vocally, Porter gives a balanced performance, not revealing all his cards initially. He saves some of his soulful nuances and runs until the “Revival” percolates. Furthermore, he’s accentuated by an epic sounding gospel choir, and punchy horns. The spirit is definitely patterned after the high-flying feel of a church revival or ‘tent meeting.’ One particularly moment that shines is when “Revival” is unapologetically ‘jazz,’ with some sick, rhythmic ‘comping’ from the pianist (Miller) towards the end.

Ultimately, Porter ‘does his thing’ on “Revival.” Vocally, he’s superb. Musically, Miller delivers an awesome arrangement/production, and all of the musicians excel at their respective roles. The songwriting gets an enthusiastic thumbs up. What’s not to like about “Revival?” “Revival” previously appeared on Awesome Songs That Tickled My Fancy: January 2020 and 16 ‘R’ Songs Selected with No Rhyme or Reason.

49. Black Atlass, “Lie to Me”

Dream Awake • Republic • 2020

In 2020, Canadian-bred, LA-based musician Alex Fleming, better known as Black Atlass, returned with his third studio album, Dream Awake. In advance of the LP, he released a truly stunning single, “Lie to Me”, which perfectly captures the plight of love. “Lie to Me” has no shortage of pros. First of all, the production is superb, courtesy of DANNYBOYSTYLES and Oligee. They provide Fleming with a mighty backdrop to paint his colorful, expressive, and sexy vocals upon. That backdrop includes lush keyboards, synths, and anchoring beat. Throw in a minor-key, and the vibe is absolutely electrifying on “Lie to Me.”

Black Atlass is awesome in his own right, of course. As aforementioned, he paints those stellar vocals atop the superb production work. He continues to showcase vocal similarities to The Weeknd (His signed to XO, a subsidiary of Republic), including a flawless falsetto that’s ripe AF. The listener is most blessed on the chorus, where “lie to me” features that epic, falsetto treatment. Besides the chorus, of course, there are plenty alluring moments in regard to songwriting. Fleming is experiencing heartbreak, and as he sees his ex, well, he doesn’t want to know about her current relationship. Therefore, she should – wait for it – LIE. Clearly, he’s still in love with her. Fleming admits he is to blame for their break-up on the second verse, admitting “I fucked this up / You know I can be brave / I can be kind / I can be yours / Just give me time…” Ultimately, “Lie to Me” is a treat, with songwriting and theme being relatable and perfectly tailored to his strengths artistically. Prepare to be tickled fancy by one of the best songs of 2020.

48. Katy Perry, “Never Worn White”

“Never Worn White” • Capitol • 2020

Katy Perry returns in 2020 with a spark on ballad, “Never Worn White”. Perhaps a successful ballad is surprising considering the artist at hand, occasionally, Perry and balladry make a respectable match (“By the Grace of God”). “Never Worn White” is one of those times.

“Never Worn White” is beautifully executed overall. Johan Carlsson does a nice job setting up Katy Perry with lovely production – nothing to crazy. “Never Worn White” musically is anchored by piano and strings – gentler, more radiant sounds. Of course, Perry herself actually sounds more alluring and compelling than she has in some time. Perhaps she’s never been the most technically gifted vocalist, but the way she uses her instrument here – the expressiveness and nuances – are pretty sweet. Listening to “Never Worn White,” I believe what she has to sell – the authenticity is clear and present. Particularly impressive is how she truly rises to the occasion towards the end of the record, ‘bringing it on home.’

It’s easy to be more authentic when the subject matter is mature. “Never Worn White” is about a committed, dedicated relationship, with matrimony in mind. “Thank God that you were man enough to come,” Perry sings on the pre-chorus, continuing, “Answer my prayers / You asked the question, I said, ‘Yes’ / But I’m scared.” Of course, the centerpiece is the chorus, where Perry wants to be the best version of herself to her future husband. After swinging and missing in the back half of the 10s, Perry rebounds on “Never Worn White”; I love the authenticity she exhibits. “Never Worn White” appeared previously on Awesome Songs That Tickled My Fancy: January 2020.

47. Perfume Genius, “On the Floor”

Set My Heart on Fire Immediately • Matador • 2020

Set My Heart on Fire Immediately is a superb album by Perfume Genius (Mike Hadreas). What makes Set My Heart on Fire Immediately stand out are the vocals and songwriting by Hadreas, as well as the variety of contrasts that appear from start to finish. An art-pop project to the core, the album still manages to provide variety from more intimate to more energetic and overt performances. With no glaring miscues, and such lofty musicianship, to reiterate, Set My Heart on Fire Immediately easily ranks among the best albums of 2020. One of the reasons why, you ask? Take your pick, but I’ll settle on “On the Floor.”

On “On the Floor,” desire clearly is ‘doing a number’ on Perfume Genius. “On the floor / I pace, I run my mouth,” Hadreas sings, continuing, “I pray, and wait / I cross out his name on the page.” Geez Louise! The excellent second single gets more vivid, with the ultimate goal being fulfillment through love. Musically, in the context of Set My Heart on Fire Immediately, it’s another stark contrast – quicker, more energetic, and more commercial, within the context of alternative pop that is. “On the Floor” marks one of the best produced efforts of the album and one of the BEST SONGS OF 2020 (so far).

46. Wallows, “OK”

“OK” • Atlantic • 2020

Wallows, comprised of Dylan Minnette, Cole Preston, and Braeden Lemasters – dropped a groovy alternative smash with “OK”. On “OK,” Minnette shows off the beauty of his pipes, including some falsetto, sigh. It’s safe to say, his vocals are locked in. Besides the prowess of the singer himself, the melody, particularly on the chorus, is quite tuneful.

The words are pretty sweet too:

“There’s no need to explain
I know what you gonna say
‘Cause you say, ‘Goodnight,’
If you think that’s alright
There’s no need to explain
I know that we can relate
Can we get up and try to feel okay again?
Can we get up and try to feel okay again?”

Later, the bridge is incredibly distinct – gimmicky and a bit novel. Thematically, “OK” encompasses insecurities in a relationship, and ultimately embracing it, per a newsletter from the band. While all of that’s worth noting, arguably, it’s the sound and vibe that truly makes “OK” a treat. Musically, there are so many pros. The colorful palette comprised of keyboards, synths, and guitar is pretty sweet. The groove – well – it’s awesomeness just goes without saying. The harmonic progression isn’t incredibly complex, but a couple quirks give make it a major player in the song’s overall success. Ultimately, “OK” thrives off of its strong vocals, colorful production and musical elements, and thoughtful, relatable songwriting. Fancy totally tickled!

45. Tyga & Curtis Roach, “Bored in the House”

“Bored in the House” • Last Kings / Columbia • 2020

“Okay, I’m bored in the house and I’m in the house bored / Bored in the house and I’m the house bored.” Hmm, that’s, um, definitely enthralling stuff Curtis Roach. Here’s the thing, though. Roach and Tyga are actually ‘relatable’ on the utterly dumb, minimalist banger “Bored in the House”. Both rappers were bored AF, so they decided to make us all less bored with the minimalist, COVID-19 banger, “Bored in the House.” Does either rapper say anything noteworthy? Absolutely not, but with the pandemic affecting everybody in 2020, well “Bored in the House” definitely has more relevance than it ordinarily might.

“Bored in the House” hearkens back to the skeletal bangers of old (Think “Wait (The Whisper Song)”). After Roach ‘brings it on home’ with the chorus and the utterly repetitive post-chorus (“I’m bored, bored…”), Tyga goes into his usual, sexed-up spill. Naturally, he “Need [him] a thick chick” because he’s “Sittin’ on the couch… goin’ through Netflix.” Even if he’s ‘healthy at home,’ he still thinks with his penis: “At home like Depot, ayy (Depot) / She gon’ suck it like mosquito, ayy.” Yeah, really rousing stuff there…

Roach gets his own verse to play up the effects of COVID-19, totally setting the mood: “I’m in the crib like an infant / With some Badu playin’, burning incense.” I would argue he has the more intriguing verse, with lines like “I’ma socialize at a distance / I’m living my best life, minding my business” and more specific examples of epic boringness that often eludes busy celebs like “Ramen noodles every night for my din-din / Hulu, binge watchin’ episodes of Ben-10.” Sure, “Bored in the House” goes hella dumb – but, it definitely fits the times. Transcendent it’s not, but hey, we all need something to lift our spirits. “Bored in the House” previously appeared 15 Boring Songs That Are Totally Exciting, Weekly Gems No. 3: Week of 4-13-2020, and 10 Songs That Capture & Embody the Pandemic.

44. Kiana Ledé, “Forfeit.” (Ft. Lucky Daye)

Kiki • Republic • 2020

“I’m givin’ you one, two, three / To back the fuck off of me…” Wow, aggressive Kiana Ledé – aggressive! On the marvelous slow jam “Forfeit.”, the second single from Kiki, Ledé shows that she possesses the total package – she’s a star. Furthermore, she’s assisted by another standout, Lucky Daye.

Why is “Forfeit.” such a gem? First and foremost, she has a terrific instrument to work with – her voice is gorgeous. Besides being able to sing well technically, she also infuses ample personality into her performance on “Forfeit.” “Forfeit.” is a record that naturally lends itself to personality, given the angry sentiment of the lyrics, exemplified by the chorus (aforementioned). Of course, that doesn’t even tackle the anger Ledé serves up on the verses. She’s definitely explicit about things. “You better forfeit,” she sings on the first verse, adding, “Keep fuckin’ with my vibes / And I can assure you it won’t end how you like.” Day-um! On the second verse, she goes on to sing, “You must be some kinda fucked up / To be talkin’ to me crazy.”

All things seem to be working for Kiana Ledé. In addition to the award-winning aggressive lyricism and top-notch vocal performance, she has a lush backdrop (Boston, Mike Woods, Patrick McManus, and Roark Bailey) to work with, led by the soulful guitars. Furthermore, that slow tempo further amplifies the aggressiveness. All in all, this is a superb R&B record that certainly made my ears perk up back in January 2020.

43. Lil Uzi Vert, “Lo Mein”

Eternal Awake • Atlantic • 2020

“Yeah, chopstick came with a large lo mein / Extra clip in it, nigga, I ain’t got no aim / Balmain pocket filled with fresh romaine / And I stay with the cash like a XO chain.” Wow, that is a lot to take in, and that’s only half of the chorus! It should be noted, we’re NOT really listening to a song about lo mein itself… just clarifying! Grammy-nominated rapper Lil Uzi Vert is potent as hell on “Lo Mein.” The record ranks among the crème de la crème of his long-awaited, 2020 album, Eternal Atake.

“Lo Mein” kicks off with the aforementioned chorus, which begins enigmatically before the knocking backdrop is fully realized. The chopstick referenced by Lil Uzi Vert is a gun, if you couldn’t quite decipher the lingo (he also mentions the ‘clip’). Furthermore, Balmain is a lux brand, clearly not in my budget! Anyways, besides the sick chorus, the post-chorus is pretty rad, particularly the dripped-out ending end:

“When it come to the drip, not in front of me
Wearin’ Balenciaga on my jacket, my shirt
And my pants, and my socks, and my undies.”

Previously gracing 15 L Songs Selection with No Rhyme or Reason, “Lo Mein” deserves more fame beyond that randomly assembled list.

42. Luke Combs, “Six Feet Apart”

“Six Feet Apart” • Sony Music Entertainment • 2020

“I miss my mom, I miss my dad / I miss the road, I miss my band / Giving hugs and shaking hands…” Social distancing, post COVID-19, is likely to be a word many of us would like to forget. Country superstar Luke Combs explores social distancing on “Six Feet Apart”. Previously appearing on Songs That Capture & Embody the Pandemic, Vol. 2 and 10 Intriguing Measurement, Quantification Songs, the versatile country record also secured a spot on the conceptual 10 Songs Loosely Associated with Playback Controls ⏯ (during the coronavirus pandemic, everyone has literally had to PAUSE their lives, which Combs speaks to).

As the except from the chorus, the centerpiece of “Six Feet Apart,” shows, Luke Combs is perturbed, much like the world is, about the effects that the coronavirus pandemic has had on everything. He continues:

“...It’s a mystery, I suppose
Just how long this thing goes
But there’ll be crowds and there’ll be shows
And there’ll be light after the dark
Some day when we aren’t six feet apart.”

Combs looks toward the hope that the new normal will eventually return to the ‘normal’ that we are used to. Backtracking, on the first verse, he reflects on spring, and how this wonderful time has been diminished because of COVID-19. ‘Springing forward,’ on the second verse, he thinks about plans once things open back up – “First thing that I’m gonna do / Slide on in some corner booth / And take the whole damn family out / Buy my buddies all a round / Pay some extra on the tab.” His thinking isn’t far-fetched from anyone who longs for everything that’s been taken by COVID-19.

Besides the lyrics themselves, Combs sounds commanding and expressive as he sings these from the heart. Furthermore, the sound is country through and through, featuring a backdrop that’s heavy on guitar. The end result is the perfect pandemic song that speaks to the uncomfortable times, despite being at home, and looks towards the recovery beyond an extended pause.

41. Sinead Harnett, “Quarantine Queen”

“Quarantine Queen” • Thairish Limited • 2020

“When the world got turned upside down and we went into lockdown, life as we knew it changed catastrophically. Though there are good sides to this, ie: the slower pace, appreciating the simple things and being able to relax, the chilling question that weighs on my heart is ‘am I gonna die alone?’” What thoughtful insight that UK R&B/soul singer Sinead Harnett gives on her coronavirus inspired single, the absolutely gorgeous “Quarantine Queen”, which transcends quarantining through a once-in-a-hundred-year global pandemic.

“I don’t wanna be alone / I don’t wanna stay here on my own,” Harnett sings at the beginning of the first verse, continuing, “Every time that I look, there’s another headline on my phone.” The coronavirus pandemic definitely increases anxiety and messes with your mental health and stability, something that Harnett captures perfectly in those three lines. She goes on the expand the scope to the need for love to atone for all the bad, miscues, and misgivings. Perhaps it’s simple to some extent, but ultimately, incredibly complex with deep introspection. Continuing her characterization of the ballad, she asserts:

“That worrying emotion is what brought about ‘Quarantine Queen.’ Though a sad thought, there is hope in the song from a wider standpoint – what can we as a nation learn from this time in terms of how we are living. I hope that we will change for the better, that’s really what I was getting at.”

The point is loud and clear, Sinead Harnett. Also, worth noting, besides the ‘woke’ lyricism and exquisite production, Harnett sounds nothing short of incredible. She sings with such authenticity and expression; how can you not buy what she is selling? And the bridge section – gorgeous, gorgeous, gorgeous! “Quarantine Party” previously graced Songs That Capture & Embody the Pandemic, Vol. 3, Awesome Songs That Tickled My Fancy: May 2020, and Quarantine Sucks, But At Least We Have Bops!.

40. Moses Sumney, “Cut Me”

Græ • Jagjaguwar • 2020

Sometimes, it’s easy to cry foul about a lack of experimentation and innovative spirit in popular music. Conformity runs rampant and so many songs and musicians sound like carbon copies of one another. That certainly isn’t the case for Moses Sumney, who ranks among the more distinct musicians, unafraid to try new things. Sumney is a blend of multiple styles, best placed under the umbrella of music’s most eclectic genre, alternative. “Cut Me,” the ‘song of the hour,’ appears on his 2020 album, Græ.

“Cut Me” specifically could be described as an experimental soul song. The backdrop definitely hearkens back to the past, and Sumney has made clear his intentions to pay tribute to Aretha Franklin. Even though the sound is vintage to an extent, it’s certainly not straightforward. There are plenty of surprises, even with horns, piano, and standard soul instrumentation. As interesting as the backdrop is, nothing tops Moses, who delivers an incredibly colorful, playful performance. Sure, he ascends into a gorgeous, ripe falsetto, idiomatic of R&B and soul, but he takes ample risks, creating something that’s actually much newer than it is so much nostalgic.

The lyrics are poetic, which may be cliché, but simply put, they’re so thoughtfully and carefully penned. There are no shortage of highlights, whether it’s “That’s when I feel the most alive / Masochistic kisses are how I thrive,” “Endurance is the source of my pride,” or the personal “Guess I’m a true immigrant son / No vacancies, no vacations.” As for the cutting, well, it appears on the chorus, where Sumney sings:

“Might not be healthy for me but seemingly I need
What cuts me, cuts me, cuts me, cut me, cut me, cut me.”

“Cut Me” previously appeared on the cutting edge playlist, 11 Cutting Edge Cut Songs.

39. Brakence, “fuckboy”

Punk2 • brakence • 2020

“Fuckboy tryna play my homie / But 2020 I’ma take time on me / Out the window where my mainline goes / This is sacrilegious how I’m gon’ fade off IG.” Hmm, who wants to translate any of that? Before diving into the chorus of “Fuckboy” (Punk2), first you should totally check out the song’s proud parent – rather the teenaged singer/songwriter, brakence. “Fuckboy” made its first appearance on 25 COLORFUL SONGS, CLEARLY For Under Consent [of the] King. F-bombs rarely connote positivity, and fuckboys themselves are the worst, so, we’ve got the negative connotation covered with “fuckboy.”

What better than a teenager who is able to express pain? Angst is a potent and powerful thing! Even better is the fact that brakence not only reflects on loss (“Heartache comes in many forms” or “This shit ain’t the same if I can’t breathe your air”) but strives to be a better person. That means, some tough decisions, which he opens up about on the second verse:

“Won’t hide this shit to waste your time
And that’s just bein’ honest
Shouldn’t fall in love and I shouldn’t go to college
Gotta fight off all the pain he made in August
I’m not who you think I am.”

Besides the honest, and ‘swagger-laden’ lyrics, “fuckboy” features unique production work. It’s best characterized as pop, but it’s not straightforward pop. The beat adds a hip-hop sensibility, as does the pitch-shifted vocals. A fuckboy definitely has a negative connotation, but this “fuckboy” is pretty sweet – the song that is!

38. PARTYNEXTDOOR, “Savage Anthem”

PARTYMOBILE • OVO Sound / Warner • 2020

“Don’t hold your breath / Don’t wait on my love / Don’t hold your breath / Don’t wait on my love.” The penultimate cut from PARTYMOBILE, the 2020 studio album by Canadian R&B artist PARTYNEXTDOOR isn’t modest when it comes to length. That’s right, the 14^th track, “Savage Anthem” runs past six minutes in duration – the man has a lot to say, rather, a lot to sing. “Savage Anthem” features a slow pace, typical of the Canadian brand of R&B. Furthermore, the production is incredibly lush, thanks to the skills of Andrew Cedar and Noah “40” Shebib. Also, when PARTYNEXTDOOR opts for longer melodic lines, he sounds incredibly expressive and nuanced.

The thing is, PARTYNEXTDOOR doesn’t limit himself to more legato melodic lines that fit the slow tempo. He provides contrasts with more hip-hop oriented lines on the verses that provide the ‘savage’ element of this “Savage Anthem.” A prime example is the third verse:

“Wash my dick off before I get home
Maison Margiela on me, though
I’m the opposite of hero
The opposite of your hero
...Tucked you, then went to the strip club
VIP, I got my dick sucked
Came back to you and I kissed ya
That led to fucking on the tour bus...”

Savage AF. The gorgeous outro by the choir does provide some atoning grace to PARTY’s sketchy, sexed-up behavior though. “Savage Anthem” previously appeared on 11 Intriguing Songs That Are Hella SAVAGE and 11 Superb Songs, Five Minutes or More.

37. Billie Eilish, “No Time to Die”

“No Time to Die” • Darkroom / Interscope • 2020

Things don’t seem to be slowing down for Grammy-winning alternative pop star Billie Eilish in 2020. In 2019, she had a breakout, once-in-a-lifetime album with WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?. Unsurprisingly, in 2020, she racked up the Grammys, sweeping the big four categories of Record of the Year, Album of the Year, Song of the Year, and Best New Artist. Post-Grammy domination, and post high-profile Academy Awards in memoriam performance, she returned with “No Time to Die”, which appears in the 007 film, No Time to Die.

As always, “No Time to Die” is co-written by Billie Eilish and FINNEAS, who also produces alongside Stephen Lipson. The sound is a nice balance between that signature Eilish sound we’ve come to love – more understated, yet always chilling and haunting – and the dramatic, dark nature of the music appearing in the James Bond films. For most of the song, the listener is mesmerized by the soft yet potent nature of Eilish’s instrument, with ample lyrical expressiveness. But, even the oft-understated teen rises to the occasion, pushing her voice and singing dynamically to match the soaring nature of the music. Of course, this moment occurs on the chorus.

Eilish continues to be the gift that keeps giving. “No Time to Die” has the makings of another potential Academy Award winning James Bond song. Think about what Bond has done for Adele and Sam Smith – just saying. This is a well-written, well-performed, truly gorgeous ballad that plays to her strengths. Fancy tickled!

36. Isaac Dunbar, “Isaac’s Insects”

Isaac’s Insects (EP) • RCA • 2020

Question: “Why are all of Isaac’s Insects insane? / Terrorize his life and pick apart his brain.” Good and quite intriguing question, by all means – thought provoking! Isaac Dunbar may be young, but he’s an incredibly talented, something he impressively exhibits on the unique “Isaac’s Insects”, the promo single from his 2020 EP, Isaac’s Insects.

Apparently, the ‘insects’ know too much about Isaac, something he emphasizes throughout the course of the song. From the onset of this minor key cut, he sings, on the first verse, “Insects know my secret life / They on my walls only at night / To judge me / Oh, how they judge me.” On the second verse, the ‘creepy crawlers’ are even worse: “Insects wish the worst for me / And they befriend my enemy / And it shocks me / Oh, how it shocks me.” Sigh, as much as he tries to rid of them, they simply won’t go away, best exemplified by the crowning achievement, the chorus:

“Stomp on them, they’ll come right back
This time they’re back with more times ten
I’ve had enough of beady eyes
And men in black who know my lies...”

The lyrics are quite compelling. Obviously, Isaac Dunbar isn’t talking about literal insects, but fans who go to the absolute extreme. Beyond the theme, though, what about the vocals? Dunbar sounds fantastic, whether he’s singing in harmony, falsetto, or even dabbling in some autotune/pitch shift. The backdrop is also pretty sweet, with the synths and the infectious, if enigmatic groove. “Isaac’s Insects” previously appeared on Awesome Songs That Tickled My Fancy: January 2020 and 13 Songs That Feature Names in Their Title.

35. The Rolling Stones, “Living in a Ghost Town”

“Living in a Ghost Town” • Promotone B.V. • 2020

“Once this place was hummin’ / And the air was full of drummin’ / The sound of cymbals crashin’ / Glasses were all smashin’.” The key takeaway from the chorus of “Living in a Ghost Town” is that now everything is literally dead. Honestly, this ghost town that The Rolling Stones describe via “Living in a Ghost Town” perfectly captures the way life feels during the coronavirus pandemic. While Mick Jagger makes it clear “Living in a Ghost Town” wasn’t inspired by the coronavirus pandemic, it feels appropriate for times such as those. He told Apple Music, “It was written about being in a place which was full of life but is now bereft of life so to speak.”

“Living in a Ghost Town” has ample pros. First and foremost, the lyrics, though not inspired by COVID-19, perfectly capture how the world feels and what they’ve experienced. “Life was so beautiful / Then we all got liked down,” Jagger sings on the first verse, continuing, “Feel like a ghost / Living in a ghost town.” The second verse is also very representative of the times, with Jagger adding, “So much time to lose / Just starin’ at my phone / Every night I am dreamin’ that you’ll come and creep in my bed / Please let this be over, not stuck in a world without end, my friend.” Lyrically and thematically is where The Rolling Stones’ bread is buttered.

Lyrics and theme are the crowning achievements. But, there’s even more excellence! Mick Jagger is very much, well, Mick Jagger! He sings well, infusing plenty of personality. The instrumental is incredible, with ripe guitars, a robust bass line, and groovy drums. Throw in harmonica, and the musical sickness is undeniable. This is old school, bluesy, traditional rock-n-roll, yet it sounds so incredibly refreshing. “Living in a Ghost Town” is just what the doctor ordered. Fancy totally tickled!

34. Childish Gambino, “53.49”

3.15.20 • mcDJ Recording / RCA • 2020

The jubilant “53.49” closes out 3.15.20, the adventurous fourth studio album by Grammy-winning musician Child Gambino (Donald Glover). “53.49” is one of many songs from 3.15.20 that totally tickled my fancy; it’s an absolute bullet! On this splendid joint, Glover is aggressive AF – turned up from the onset as he raps intensely on the verses (“I’m just tryna put the spirt in your Yeezy Boosts / Get your cup, it runneth over once I got the juice”).

Then, he contrasts, singing absolutely gorgeously on the chorus.

“There is love in every moment
Under the sun, boy
I did what I wanted to
There is love in every moment
Under the sun, boy
You do what you wanna do.”

On the first chorus he showcases restraint, while the second finds him digging in, flaunting that otherworldly grit and ripe falsetto. Ultimately, on “53.49,” Glovers speaks about how great his life is. “53.49” = Awesomeness exemplified.

33. Alicia Keys, “Underdog”

Alicia • RCA • 2020

Long ago, Alicia Keys moved beyond the neo-soul sound. Honestly, many R&B artists did, as much as that saddens me. Nonetheless, her single “Underdog” (Alicia) still retains the soulfulness. “Underdog” stylistically encompasses pop, adult contemporary R&B, and singer/songwriter. Rather than embracing a piano backdrop, this Ed Sheeran co-write is driven by rhythmic acoustic guitar.

Emphasis should be placed on the singer/songwriter vibes lyrically, considering Keys (and her co-writers) have a socially conscious mindset. This socially conscious mindset is best exemplified on the song’s centerpiece, the chorus:

“So, I sing a song for the hustlers trading at the bus stop
Single mothers waiting on a check to come
Young teachers, student doctors
Sons on the front line knowing they don’t get to run
This goes out to the underdog
Keep on keeping at what you love
You’ll find that someday soon enough
You will rise up, rise up, yeah.”

Of course, Alicia Keys sets up the underdog on both of the verses superbly. The big takeaway is the end of both verses, where she suggests, “One conversation, a simple moment / The things that change us if we notice / When we look up sometimes.” The theme of “Underdog” latches from the onset. While it’s not the brand of neo-soul Keys I once adored, I applaud the inspiration and the empowerment exhibited here. Furthermore, she sings this record well, providing some flashy ad-libs towards the end. “Underdog” definitely tickled my fancy upon its release in January 2020.

32. SZA & Justin Timberlake, “The Other Side”

TROLLS World Tour • RCA • 2020

SZA and Justin Timberlake join forces, bringing positive, uplifting vibes on “The Other Side”, the promo single from Trolls World Tour soundtrack. “The Other Side” is quite a funky, upbeat pop joint featuring production by Timberlake alongside Grammy-winning producer Ludwig Göransson (“This is America”). Considering it’s intended for a children’s film, it’s not surprising that SZA and Timberlake maintain such positivity. That said, you don’t have to be a child to appreciate this one!

SZA kicks things off, singing the first verse in uplifting fashion, “You’re preachin’ to the choir, stop hatin’ on yourself,” later adding, “The clouds will open up, blue skies are willing.” As for JT, he handles most of the second verse, singing, “I promise the stars will light the path you walk, don’t give in.” Both join forces on the chorus, clearly the centerpiece of “The Other Side”:

“Back on your feet again, lift your head, hold it high
You wanna run it back, but you can’t turn the time
You start to feel like you’re losing your shine
But the grass ain’t always greener on the other side
The other side...”

Ultimately, SZA and Justin Timberlake make a great team. “The Other Side” is a fun, positive, and well-rounded. The positive vibes and messaging (“…The grass ain’t always green on the other side”) is sound advice for the young and old alike. “The Other Side” appeared on the list, 11 Intriguing Songs Focused on a Side.

31. Bright Eyes, “Persona Non Grata”

“Persona Non Grata” • Dead Oceans • 2020

“Unwelcome in the autumn / Persona non grata / I’m the last of the best / I’m your thoughts in the swamp.” “Persona Non Grata” marks the first new Bright Eyes song since 2010. Conor Oberst has remained active since then, but unassociated with the collective. The reference that graces the song title, persona non grata, is defined as “a person who is unacceptable or unwelcome.” Clearly, “Persona non grata” exemplifies a negative connotation.

First and foremost, Conor Oberst is true to self throughout “Persona Non Grata.” What does that mean? Well, ultimately, listeners experience the vocal style and songwriting style they’ve been accustomed to and come to love throughout his lengthy career. Once you hear Oberst sing, you almost instantly know it’s him, considering his tone of voice and delivery. That’s the case on “Personal Non Grata” – he’s instantly recognizable. Furthermore, the lyricism is emotional, poetic, and quite engaging. Take the first verse: “Getting dressed for a date / Put on blue aftershave / Wore a kilt like a Celt / Hid the weight that I felt.” Worth noting about the Celt lyric is the use of bagpipes – Pretty cool ‘tone poem’ element in that regard.

Of course, the kilt/Celt lyric is only one lyrical excerpt. There are so many more gems on this brilliant, thoughtfully penned record, which references the disenfranchised, spirituality/hypocrisy, and of course, politics. President Donald Trump is never explicitly mentioned, but his presence is clearly perceptible throughout. Additionally, “Persona Non Grata” is well produced, beyond the aforementioned bagpipes. Bright Eyes make a strong comeback to say the least.

30. Jonas Brothers, “What a Man Gotta Do”

“What a Man Gotta Do” • Republic • 2020

Nick Jonas, Joe Jonas, and Kevin Jonas definitely had a great year in 2019 with their comeback album, Happiness Begins. Jonas Brothers remain on track with their infectious 2020 B-O-P, “What a Man Gotta Do”. “What a Man Gotta Do” commences with intense, rhythmic guitar, setting the assertive tone of record. This is a nice lead-in and accompanying backdrop for Nick’s commanding lead vocals. On both of the verses, he gives us a nice blend of chest vocals, as well as a dash of falsetto. Joe gets his vocal opportunities on the chorus, clearly the centerpiece, best described as incredibly catchy and chocked-full of attitude and energy.

As the song progresses, it only grows more soulful. When both Nick and Joe sing together it’s pretty sweet. Of course, they owe plenty of love to their co-writers (Dave Stewart, Jess Agombar, and Ryan Tedder), as well as producers (Stewart and Tedder) for conceiving such a fun, energetic, and irresistible piece of pop music. Hate on the bros if you want, but you won’t be able to get “What a Man Gotta Do” unstuck out of your head. Certainly a pretty splendid song where the men ask questions.

29. The Killers, “Caution”

Imploding the Mirage • Island • 2020

“I’m throwin’ caution, what’s it gonna be? / Tonight, the winds of change are blowing wild and free.” Brandon Flowers and The Killers shined on “Caution”, the promo single from Imploding the Mirage, the follow up to their 2017 LP, Wonderful Wonderful. “Caution” commences enigmatically, with pads and slow-moving, restrained vocals by Flowers on the intro. “And there is nothing / I want to do / There is nothing / I want to give…” This unexpected, atmospheric start definitely makes the ears tune in – seeing where the band is going with this one. Of course, they don’t disappoint! Soon enough, “Caution” embraces groove, a quick tempo, increased dynamics, and those signature expressive, powerful vocals by Flowers (This is where the ‘radio edit’ starts, FYI). You could say, The Killers are definitely true to self.

As always, Flowers sings with incredible confidence, showcasing his personality, and he has some great, narrative-driven lyrics to work with. “Let me introduce you to the featherweight queen,” he sings on the first verse, continuing, “She got Hollywood eyes, but she can’t shoot what she sees.” On the second verse, the lyrics continue to be descriptive – thoughtfully penned: “Never had a diamond on the sole of her shoes / Just blacktop white trash straight out of the news.” Wow. Of course, the centerpiece is the chorus, excerpted at the top. So, where’s the caution being thrown to? Why the wind, of course! Ultimately, it’s a fantastic track featuring great production (Jonathan Rado and Shawn Everett), top-notch vocals, and well-rounded, memorable songwriting. The awesomeness extends far beyond January 2020.

28. Jason Isbell and the 400 Unit, “Dreamsicle”

Reunions • Southeastern • 2020

Jason Isbell is one of the best singer/songwriters of modern times, period. He (alongside The 400 Unit) continues to excel at his craft on Reunions, easily among the best albums of 2020. What makes this a superb effort is first and foremost the songwriting, but also great vocals, strong production by Dave Cobb, and overall great musicianship. Among the gems from Reunions is “Dreamsicle,” which appears as the second track.

On “Dreamsicle,” Jason Isbell delivers a marvelous, poetic chorus, even deeper and more potent than the glorious centerpiece that graced the opener (“What’ve I Done to Help”). In addition to the chorus, the three verses are all thoughtfully penned, capturing some truly sad situations. On the first verse, it comes from the perspective of a frequently moving child. On the second verse, Mama is sad, and the child wants Daddy to come home – “We need help.” On the third, final, and most accomplished verse, the escapism is real. Isbell has always had a knack for this (“Cumberland Gap” comes to mind). The child looks forward to freedom from this unfortunate tale: “Broken glass and broken glass / I’ll be 18 four years from now / With different friends in a different town / I’ll finally be free.”

27. Halsey, “You should be sad”

Manic • Capitol • 2020

“Oh, I feel so sorry, I feel so sad / I tried to help you, it just made you mad / And I had no warning about who you are / I’m just glad I made it out without breaking down…” Woo! Manic is by far the best album by Grammy-nominated alternative pop musician, Halsey. If anything, the third studio album by Ashley Frangipane is probably one of the more underrated best albums of 2020. She continues her conceptual vibes, but it’s her honesty, openness, and a greater level of authenticity that makes this album shine brightest. There are no shortage of standouts including the country-tinged, full-on emotional pop of “You should be sad”, excerpted above.

“You should be sad” surprises because of its sound. Halsey enlists one of pop’s most reliable and successful fixtures, Greg Kurstin, to construct the background, resulting in pop with a dash of country influence – nice! The biggest takeaway is how superbly she plays the ‘woman scorned’ role. Honestly, she’s mad as hell. “No, you’re not half the man you think that you are / And you can’t fill the hole inside of you with money, drugs, and cars,” she asserts on the pre-chorus, continuing with the key lyric, “I’m so glad I never ever had a baby with you / ‘Cause you can’t love nothing unless there’s something in it for you.” Oh snap! The chorus, excerpted at the top, further confirms how she feels post-relationship. On this stand out, the emotions are certainly high.

26. Bad Bunny & Sech, “Ignorantes”

YHLQMDLG • Rimas Entertainment • 2020

Even for the non-Latin music enthusiast, Puerto Rican Latin trap artist Bad Bunny (Benito Antonio Martínez Ocasio) makes it quite compelling. He proved himself to be a star on his Grammy-nominated debut album, X 100PRE, extending upon his excellence on his sophomore LP, YHLQMDLG – Yo Hago Lo Que Me De La Gana (“I do what I want”). One of many superb moments from YHLQMDLG is the “Ignorantes”, which pairs Ocasio with Panamanian singer Sech.

“Ignorantes” is a bop that tickled my fancy for numerous reasons. First, the production is quite impressive. Dimelo Flow and Soltedo Beats do a magnificent job of giving Bad Bunny and Sech a great backdrop to ‘do work’ with. The beat packs a fair amount of punch, while the keyboards and synths are kinder and gentler in sound. Part of the reason why the sound of the production is so effective is because “Ignorantes” encompasses matters of the heart, specifically heartbreak and a failed relationship. Beyond that, well, Dimelo Flow and Soltedo Beats simply give the listeners some truly beautiful, impressive ear candy. The music sounds as if they never even had to break a sweat creating it.

As for Bad Bunny and Sech, well, they capture their feelings regarding the ended relationship well. Naturally, as they reminisce, matters of the bedroom come into play, evidenced on the chorus performed by Bad Bunny. Translated into English, a portion of the chorus reads as follows, “Normal, I know that sometimes peleamo [we fight] / But how delicious when chingamo [fucking] / And I don’t know why we left / If you love me and I love you.” Sech also recollects intimacy on the first verse, while on the bridge to the chorus, regrets sleeping with her, but knows it was, well, muy bueno. You don’t understand the language to dig “Ignorantes.” With some basic background, the record is quite relatable. Furthermore, shout out for the LGBTQ inclusive music video. Bad Bunny has had a hell of year – FACTS!

25. The 1975, “If You’re Too Shy (Let Me Know)”

Notes on a Conditional Form • Interscope • 2020

“If You’re Too Shy (Let Me Know)” marked that seventh single that The 1975 released ahead of their gargantuan, 22-track album, Notes on a Conditional Form. Perhaps “If You’re Too Shy (Let Me Know)” truly was ‘lucky number seven.’ Why? It’s accomplished in just about every facet. Instrumentally, it serves up some truly decadent ear candy. Very much styled in the 80s vain, it’s quite sleek with its horns and keyboards, complementing the guitars. One of the brightest spots musically comes by way of an electrifying saxophone solo, again, straight out of the 80s. Vocally, Matthew Healy remains a compelling frontman, particularly given the subject matter – online dating…we think.

“I see her online, all the time / I’m trying not to stare down there.” Hmm, maybe it’s sketchier than online dating. Regardless, Healy is particularly intrigued by her looks and the sexual potential more than a potential emotional connection. On the second verse, he freakily adds, “I’ve been wearing nothing every time I call you / And I’m starting to feel weird about it…” Hmm, ya think Matty? Of course, it’s the chorus that’s the centerpiece – the crowning achievement!

“‘Maybe I would like you better if you took off your clothes
I’m not playing with you baby; I think that you should give it a go’
She said, ‘Maybe I would like you better if you took off your clothes
I wanna see and stop thinking, if you’re too shy then let me –
Too shy then let me know.’”

Wow! “If You’re Too Shy (Let Me Know)” is definitely a fun, memorable cut from Notes on a Condition. It runs long, mind you, north of five minutes, but “If You’re Too Shy (Let Me Know)” is definitely an alternative bop thanks to its sound, energetic vocals, and theme & lyrics.

24. Demi Lovato, “I Love Me”

“I Love Me” • Island • 2020

On “I Love Me”, Grammy-nominated pop artist Demi Lovato moves towards a much better place, committed to loving herself. “I Love Me” is a strong pop record that features sleek, energetic production work, courtesy of Oak, Keith Sorrells, and Alex Nice. Stylistically, “I Love Me” encompasses elements of both electronic music and R&B, while being idiomatic of pop. Lovato, who has the pipes to pull off any style, has been quite accomplished in the urban-pop lane. The vocals are the biggest selling point, with Lovato mixing playful, feisty, profane moments with moments where she shoots straight bullets with her piercing, upper register ad-libs.

The biggest takeaway, as aforementioned, is about empowerment – embracing self-love. “‘Cause I’m a black belt when I’m beating up on myself / But I’m an expert at giving love to somebody else,” she sings on the pre-chorus, continuing, “I, me, myself, and I don’t see eye to eye / Me, myself and I.” That’s such a potent, incredibly relatable point. On the chorus, she expounds further, as she works beyond being “my own worst critic” and towards “…When I love me is enough.” Ultimately, Lovato slays on “I Love Me,” keeping it 100, balancing a relatable message and an infectious pop gem. Honestly, this song should’ve been a bigger hit.

23. The Strokes, “The Adults are Talking”

The New Abnormal • RCA • 2020

“The Adults Are Talking” is the quick, energetic, and potent opener from The New Abnormal, the long-awaited, sixth studio album by The Strokes. Just how long did fans have to wait for The New Abnormal? Seven damn years, sigh. Worth mentioning, the brilliant record was featured on Weekly Gems No. 4: Week of 4-20-2020 as well as 15 ‘A’ Songs Selected with No Rhyme or Reason.

The indie-rock record possesses a fun, danceable sensibility. Julian Casablancas gives a muted, even-keel vocal performance for the most part, ascending into a sweet falsetto within the final two minutes. Don’t let this deceive about its MAD implications. The performance makes sense, given the messaging – the inability for a subordinate’s voice to be heard.

“They will blame us, crucify and shame us
We can’t help it if we are a problem
We are tryin’ hard to get your attention
I’m climbin’ up your wall.”

Besides the social and political aspects of “The Adults Are Talking,” there are also references to a relationship, which is pretty intriguing in its own right.

22. Powfu, “death bed” (Ft. beabadoobee)

Poems of the past (EP) • Columbia / Robots and Humans • 2020

Canadian rapper and singer Powfu (Isaiah Faber) raps about his “death bed”, getting a mighty assist from indie-pop singer/songwriter, beabadoobee. Beabadoobee plays a big role on “death bed,” thanks to a sample of her song, “Coffee”, fueling the fire. Even so, Otterpop does a nice job producing this chill yet potent and thoughtful record.

Powfu rides the beat easily, seemingly never breaking a sweat. He reflects on love, life, and God. “I been praying for forgiveness, you’ve been praying for my health,” he raps on the first verse, continuing, “When I leave this earth, hopin’ you’ll find someone else…” The second verse is shorter but offers much of the same. He’s so happy she’s with him, he recollects the memories, but also, on a sad note, tells her, “Soon you’ll be alone, sorry that you have to lose me.” Of course, the centerpiece is the chorus, with beabadoobee doing work. Of course, Powfu joins her in certain instances. The mix is quite pleasant.

“Don’t stay awake for too long, don’t go to bed

I’ll make a cup of coffee for your head
It’ll get you up and going out of bed.”

All in all, Powfu delivers a sweet gem with “death bed.” He’s poetic, reflective, and incredibly thoughtful. The authenticity and sincerity may be the biggest selling point of this record. “Death bed” previously appeared on Awesome Songs That Tickled My Fancy: February 2020. The awesomeness extends far beyond February, of course.

21. Conan Gray, “The Story”

Kid Krow • Republic • 2020

“And the movie’s always runnin’ in my head / All the people, all the lovers, all my friends / And I hope that they all get their happy end / In the end.” “The Story” is an absolutely stunning record – a truly awesome moment from Kid Krow, the debut studio album from Conan Gray. What makes “The Story” so stunning? It starts with Gray’s angelic voice. He sings with incredible control and expression. His approach allows the listener to literally hang on to every note (and lyric) he utters.

Besides the spectacular performance by Gray, “The Story” is accomplished when it comes to production and songwriting. Daniel Nigro handles the production, which begins very restrained and minimalist, placing the emphasis on Gray’s illustrious vocals. With such adept pacing, the production percolates at the perfect moment, with Conan’s pipes following suit. As respectable as the backdrop is, the songwriting is even more magical. Written solely by Gray, his ‘story’ encompasses unfortunate suicide (“They were just sixteen when people were mean / So they didn’t love themselves, and now they’re gone / Headstones on a lawn”) and unrealized romance (“I knew a boy and a boy / Best friends with each other, but always wished they were more”). The ‘sequel’ encompasses two friends trying to make a better life for themselves beyond their evil parents. All boxes are checked off on this totally must-hear, narrative gem, which previously appeared on Awesome Songs That Tickled My Fancy: January 2020 as well as 15 S Songs Selected with No Rhyme or Reason.

20. The Scotts, “The Scotts”

The Scotts” • Epic / Cactus Jack / Wicked Awesome • 2020

There’s nothing sexier than a superstar collaboration, right? Right. With “The Scotts”, the world is introduced to The Scotts, a collaboration between Travis Scott and Kid Cudi. Both rappers are intriguing in their own right, so, together, they must be unstoppable, right? Overall, “The Scotts” is enjoyable, but there’s a reason it sits top-20 as opposed to top-10. Still, it didn’t top the Billboard Hot 100 for nothing.

As to be expected, you can’t have a Travis Scott or Kid Cudi record without a vibe. Vibe is the biggest selling point, and producers Take A Daytrip, Dot Da Genius, and Plain Pat establish that vibe clearly. Travis Scott’s ad-libs are as ripe as ever, while Kid Cudi’s hums are prevalent. When it comes to assertiveness when rapping, Cudi has more bite, appearing on the second verse. The contrast to Travis is pretty cool. Travis is more chill. Neither raps particularly long, and “The Scotts” doesn’t even reach three minutes when it’s all said and done. I say that to say, ‘vibe’ comes into play even more towards the end, where the producers who shine brightest with the colorful instrumental outro. Ultimately, “The Scotts” is definitely intriguing, even if it doesn’t earn the top of the top honors on 51 BEST SONGS OF 2020 (SO FAR).

19. Kehlani, “Toxic”

It Was Good Until It Wasn’t • Atlantic • 2020

“And that damn Don Julio made me a fool for you…” Grammy-nominated R&B singer Kehlani has been on a musical tear in 2020, releasing numerous singles leading up to her marvelous sophomore album, It Was Good Until It Wasn’t. Perhaps the best moment from It Was Good Until It Wasn’t commences the album, “Toxic”. On “Toxic,” Kehlani knows this guy is bad news, even as she participates in his ‘toxic’ sexual endeavors. The lush record, set in a minor key, is produced by G.ry and K.Beazy. Keyboard serves as the primary instrument, yielding moody backdrop which perfectly supports the theme of the record. The focus of the song –matters of the heart.

“All of this love is toxic / … All these kisses and hugs is knock shit / You a damn drug, you’re toxic.” Yep, look no further than the chorus for how Kehlani is affected by love – it definitely sums it up. The verses provide additional details, particularly the second verse, which keeps it 100. “Uh, all the sex on replay / Run it back like a DJ,” she sings, continuing, “Surfin’ on your face while you eat that / Tryna make a bad bitch behave, no…” Wow! Adding to the colorful nature of “Toxic” are familiar, uncredited vocals (Ty Dolla $ign). Ultimately, “Toxic” is enjoyable thanks to a well-rounded vocal performance, sound production, and alluring songwriting. Definitely nothing toxic about the listening experience.

18. John Legend, “Conversations in the Dark”

Bigger Love • Columbia • 2020

Grammy-winning R&B musician John Legend shines on “Conversations in the Dark”, the crème de la crème on his 2020 studio album, Bigger Love. “Conversations in the Dark” is a sound blend of pop and adult contemporary R&B. It’s pop in the sense that the use of guitars gives this something of a crossover appeal. At the same time, there isn’t really a dip in soulfulness even as “Conversations in the Dark” isn’t the same brand of neo-soul that John Legend was serving up in mid 00s (Get Lifted from late 2004, in particular).

The crowning achievement – those confident, robust, and incredibly soulful, baritone vocals. Legend sounds as distinct as ever, delivering an expressive, nuanced, and balanced performance. At times, early on, Legend exhibits more restraint. As the song progresses and percolates, he offers more oomph and grit. Each chorus adds more of that ‘Legendary’ bite, particularly as he incorporates those ripe, ad-libs. Beyond the vocals, the theme is relatable – everlasting, unbreakable love. He sings about the depth of love throughout the verse, overtly confirming it on the catchy, memorable chorus. Another stellar moment comes on the bridge section, which pulls back slightly, before rebuilding the intensity.

All in all, Legend adds another gem to his illustrious music collections with “Conversations in the Dark,” not to mention contributing one of the year’s very best songs. “Conversations in the Dark” previously appeared on the playlist, 17 Thrilling Songs Infused with Darkness and Awesome Songs That Tickled My Fancy: January 2020.

17. Trey Songz, “2020 Riots: How Many Times”

“2020 Riots: How Many Times” • Atlantic • 2020

On the ‘uncharacteristic’ “2020 Riots: How Many Times”, Trey Songz puts aside sex and focuses on more important issues. Like so much of the world, he’s perturbed and totally pissed off about the racial injustice which has really come to head in 2020, due to the senseless deaths of George Floyd, Ahmaud Arbery, and Breonna Taylor. “2020 Riots: How Many Times”, the third song reappearing from 13 Powerful Songs Where Black Lives DO Indeed Matter, superbly captures the frustration and the pain.

From the beginning, it’s clear that Songz is opting for more of an old-school vibe with a dash of gospel sensibilities. Rather than rely on modern synths, he’s backed by keyboards primarily. Troy Oliver and Troy Taylor give him fuel for his fire, alongside the many troubling happenings themselves. After providing some brief insight on the intro, Songz cuts straight to the chase on the somber chorus:

“How many mothers have to cry
How many brothers gotta die?
How many more times?
How many more times?
How many more marches?
How many more signs
How many more lives?
How many more times?”

HEAVY. On the verses, he drives the narrative of injustices, referencing details that occurred to those slain (“Playin’ in a park, takin’ your jog…”) and calling for action. One lyric that particular hits hard: “You got a problem, ‘cause the city on fire / But you quiet when niggas die…” Of course, Songz is more eloquent at times, such as, “It’s so hard to sing these words out loud / All these beautiful, precious black lives / Lost in the name of senseless white pride / Tears fallin’ from my eyes.” “2020 Riots: How Many Times” is one of 2020’s bests thanks to being authentic, heartfelt, thoughtful and woke. He does an excellent job singing, and despite the devastation he sings about, the choral vocals definitely add even more excellence and power.

16. Dua Lipa, “Break My Heart”

Future Nostalgia • Warner • 2020

“Break My Heart” ranks among the best of the best gracing Future Nostalgia, the critically acclaimed sophomore album by Grammy-winning pop sensation, Dua Lipa. Future Nostalgia deservedly earns a spot in the top echelon of 21 Best Albums of 2020 (So Far): Year in Review, sitting just behind Fetch the Bolt Cutters (Fiona Apple) and 3.15.20 (Childish Gambino). Likewise, “Break My Heart” helps propel Future Nostalgia to its lofty heights.

“Break My Heart” is fueled by a sample (“Need You Tonight”, courtesy of INXS). Furthermore, Dua Lipa works with an elite production team (Watt and Monsters and Strangerz). The results? She continues to slay. How so? Attitude, feistiness, and sassiness. On the chorus, she asserts, “I would’ve stayed at home / ‘Cause I was doing better alone / But when you said, ‘Hello’ / I knew that was the end of it all.” Ultimately, she asks herself at the end of the chorus, “Am I feeling in love with the one that could break my heart?” “Don’t Start Now” may be the crown jewel, but don’t get it twisted – “Break My Heart” is no slouch.

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15.Tame Impala, “Posthumous Forgiveness”

The Slow Rush • Island / Modular Recordings Pty Ltd • 2020

After a five-year hiatus, Australian alternative collective Tame Impala, the brainchild of Kevin Parker returned in 2020 with their fourth studio album, The Slow Rush. The good news is The Slow Rush was totally worth the wait, with superb advance single, “Posthumous Forgiveness”, leading the charge. Essentially, Kevin Parker is forgiving his father after he’s passed away. On the first part of the song, Parker sings about how much admiration he had when he was younger for his dad but became aware of his flaws. “Did you think I’d never know? Never wise up as I grow?” he sings on the chorus, continuing, “Did you hope I’d never doubt? Never wonder, work it out?” Furthermore, Parker is bothered by the fact that his dad wasted time, and ultimately, “…Decided to take all your sorrys to the grave.”’’

On the second part of the record, Parker embraces forgiveness more. Sure, he still mentions their estranged, tenuous relationship, but he wishes he had the opportunity to atone and repair for the relationship:

“Wanna tell you ‘bout the time
Wanna tell you ‘bout my life
Wanna play you all my songs
Learn the words, sing along.”

“Posthumous Forgiveness” is a lengthy number, running north of six minutes in duration. That said, it’s quite intriguing from a lyrical and thematic standpoint, as well as musically. Musically, Tame Impala provide a backdrop that incorporates psychedelia, retro cues, and marvelous soulful elements. Vocally, Kevin Parker remains utterly superb, singing beautifully and expressively on this gem. “Posthumous Forgiveness” previously appeared on multiple lists including 13 Songs That Explore the Power of Forgiveness, 13 P Songs Selected with No Rhyme or Reason, 12 Simply Terrific Before or After Songs, and 11 Superb Songs, Five Minutes or More. Sounds like a surefire recipe for a best song of 2020 to me!

14. Hayley Williams, “Leave It Alone”

Petals for Armor • Atlantic • 2020

Hayley Williams is best known as the front woman of Paramore, a band that has had ample success critically and commercially. Paramore even did something that only a select few bands can tout – a Grammy win! Even with the success of the collective, Williams released her debut solo album, Petals for Armor. Among the many gems from Petals for Armor is “Leave it Alone”.

“If you know love / You best prepare to grieve.” The thoughtfully penned “Leave it Alone,” produced by Taylor York, finds Hayley Williams totally consumed with grief. The record has an extremely somber tone from the onset, instrumentally and lyrically. On the first verse, she sings, “‘Cause now that I want to live / Well everybody around me is dying / Now that I finally wanna live / The ones I love are dyin’.” Thinking about family members dying – people you care about leaving you – is totally depressing and overwhelming. On the second verse, she’s further ‘triggered,’ providing a specific example of loss:

“You don’t remember my name somedays
Or that we’re related
It triggers my worry
Who else am I gonna lose before I am ready?
And who’s gonna lose me?”

The centerpiece of the record is the chorus, where “The truth’s a killer / But I can’t leave it alone…” “Leave it Alone” previously graced 11 Solitary Songs That Are Totally Alone, 15 L Songs Selected with No Rhyme or Reason, and 15 Songs That Possess a Negative Connotation.

13. Twenty One Pilots, “Level of Concern”

“Level of Concern” • Fueled by Ramen • 2020

“Wonderin’ would you be my little quarantine? / Or is this the way it ends?” Twenty One Pilots released an instant hit with their hella catchy, groovy quarantine anthem, “Level of Concern”. “Level of Concern” is one of the musical crown jewels born out of the “horrible, awful, no good” coronavirus pandemic, appearing on 10 Songs That Capture & Embody the Pandemic as well as the best of compilation, Quarantine Sucks, But At Least We Have Bops!. Tyler Joseph delivers an honest vocal performance, sharing his thoughts on the state of the world and his anxiety. “Panic on the brain, world has gone insane / Things are starting to get heavy,” he sings on the first verse, adding, “I can’t help but think I haven’t felt this way / Since I asked you to go steady.”

The centerpiece of “Level of Concern” is the chorus, which speaks directly to anxiety, discomfort, and uncertainty:

“‘Cause I told you my level of concern
But you walked by like you never heard
And you could bring down my level of concern
Just need you to tell me you’re alright
Tell me we’re okay.”

Joseph is accompanied by one of the most danceable, funky backdrops of his career, driven by the drum groove (Josh Dun), rhythmic guitar, and keyboards. Ultimately, Twenty One Pilots are as concerned as anyone else about the novel coronavirus and its effects on everyday life, but “Level of Concern” is a truly outstanding means to convey it.

12. Joji, “Run”

Nectar • 88rising / 12 Tone Music • 2020

In 2020, Joji (George Miller) released the second single from his sophomore album (Nectar), “Run”. “Run” tickled my fancy in the month of February, features excellent production by Justin Parker. Joji steps aside from the R&B vein of BALLADS 1 (2018), in favor of an alternative pop vibe; quite a compelling contrast. Rather than rely on keyboards and synths, he’s backed by electric guitar with incredible results.

It’s alluring to hear Joji sing in falsetto, flaunting his upper register on the chorus. He doesn’t merely rely on falsetto, of course. He sings quite robustly (chest voice) on the both the verses. The lyrics are emotionally charged, with matters of the heart fueling the fire. “I fell for your magic, I tasted your skin,” he sings on the first verse, continuing, “And though this is tragic, at least I found the end.” On the second, he asks, “Will I pay my dues? / Your love was a mystery / Yeah, my love is a fool / And I travel the country just to get to you.” Perhaps Joji’s lover (or ex-lover) is running away, and he is too, but you won’t want to ‘run’ away from “Run” itself – it’s terrific. “Run” is gorgeously performed, features emotionally charged, relatable lyrics, and is superbly produced.

11. Mac Miller, “Good News”

Circles • Warner • 2020

“Good News” is the crowning achievement of Circles, the posthumous album by Mac Miller, who died at the age of 26 in 2018. One of many Jon Brion co-productions on the album, “Good News” sounds quite refined, with plucked strings, a subtle, but highly effective, dusty drum groove, soulful electric guitar, and superb, modest keyboard/synthesizer touches. It’s quite ear-catching, even if it floats as opposed to being dynamic and ‘in your face.’

Beyond the backdrop, Miller is on-point, continuing to be reflective. “I spent the whole day in my head / Do a little spring cleanin’,” he raps on the first verse, continuing, “I’m always too busy dreamin’, yeah / Well, maybe I should wake up instead.” On the second verse, he asks, “Why I gotta build something beautiful just too go set in on fire?” The third verse is quite chilling and eerie, with the key lyric, “There’s a whole lot more for me waitin’ on the other side…” The centerpiece, expectedly, is the chorus:

“Good news, good news, good news
That’s all they wanna hear
No, they don’t like you when I’m down
But when I’m flying, oh
It make ‘em so uncomfortable
So different, what’s the difference.”

Listening to “Good News,” it’s easy to be saddened knowing that Miller is no longer with us; he had so much to offer. “Good News” is the total realization of his talent. It made previously appearances on Awesome Songs That Tickled My Fancy: January 2020, 11 More Really ‘Good’ Songs… It’s That Simple, and 11 Superb Songs, Five Minutes or More.

10. Meek Mill, “Otherside of America”

“Otherside of America” • Atlantic • 2020

“I’ve been tryna run from these caskets / All this pain built in me, nigga / You don’t want none of this action / Go get some money and feed your fam / ‘Cause this is a fuckin’ disaster, yeah.” Woo! Grammy-nominated rapper Meek Mill gets socially conscious on the ferocious “Otherside of America”. He’s on autopilot and absolutely goes TF in. “Otherside of America” commences with a sample from an infamous Donald Trump speech, painting a damning picture about urban black life particularly. “58% of your youth is unemployed,” Trump asserts in the sample, continuing, “What the hell do you have to lose?” From there, Meek Mill ‘does the damn thing,’ over banging SHROOM and Butter Beats production. Set in a minor key, the beat is crazy, and the orchestral cues add dramatic flair and intensity (strings, bar chimes). That said, Meek’s spark was already ignited.

Meek uses the first verse to share his life story – an arduous, dangerous childhood, and eventually experiencing his come up through rap. Similarly, on the second verse, he reflects on rough-and-tumble times, including the trouble he’s faced, while also acknowledging his success story. Of course, it’s the chorus that paints quite a portrait of the experience some blacks face that are far too often taken for granted, and that those who have privilege never face nor understand:

“…Mama at work, daddy, he dead, nigga we lonely

Stomach growlin’ like a AMG, goin’ to bed, we hungry

Uzi on me, all my friends are dead, nigga, we lonely

Reportin’ live from the other side of America.”

Mill also closes with a bang, sharing an excerpt from his CNN interview as he discusses growing up in “ruthless environments.” Meek tells Michael Smerconish, “You see seven people die a week, though you would probably carry a gun yourself, would you?” Smerconish responds, “Uh, yeah, I probably would.” Just to recap, Meek Mill absolutely slaughters, painting an excellent, unsettling portrait of “the other side of America.” It’s a song that everyone should hear. It previously appeared on 13 Powerful Songs Where Black Lives DO Indeed Matter.

9. The Chicks, “Gaslighter”

Gaslighter • Columbia • 2020

Prior to their 2020 comeback, the last time we’d heard from The Chicks, as leading artists, was back in 2006 (“Not Ready to Make Nice” and Taking the Long Way). After an extended hiatus, the ladies come back strong “Gaslighter”, which both tickled my fancy in March 2020 and gave listeners everywhere a new totally relatable song about an ex. Oh snap! “Gaslighter, denier / Doin’ anything to get your ass farther / Gaslighter, big timer / Repeating all the mistakes of your father.” “Gaslighter” is an electrifying country record, plain and simple –#LIT. Opening with powerful, piercing harmonized vocals, the tone is set early on by The Chicks. Set in a major key, producer Jack Antonoff constructs a potent, country/folk backdrop for the girls to ‘do work’ on.

“Gaslighter” is about a failing relationship that includes deception, most pertinent to Natalie Maines’ divorce. “You thought I wouldn’t see it if you put it in my face / Give you all my money, you’ll gladly walk away,” she sings on the second verse, continuing, “You think it’s justifiable, I think it’s pretty cruel / And you know you lie best when you lie to you.” The rest of the chorus, excerpted earlier, goes something like this:

“Gaslighter, you broke me
You’re sorry, but where’s my apology?
Gaslighter, you liar.”

The Chicks, known for their attitude, exhibit plenty of it throughout this three-and-a-half-minute bop. Angry Natalie is always a recipe for success.

8. ROSALÍA, “Juro Que”

“Juro Que” • Sony • 2020

“Juro Que”, courtesy of Grammy-winning Spanish pop musician, ROSALÍA, is one of the best, most impressive songs of 2020. Honestly, it seems like everything that she releases is a certified bop. Although knowledge or fluency in Spanish isn’t necessary to enjoy “Juro Que,” the title of this awesome, fancy-tickling bop translates as, “I Swear that.” Theatrical, “Juro Que” portrays a tale where ROSALÍA’s lover is arrested, and she’s totally devastated. She’s willing to do whatever it takes to be with him, even if it involves her own arrest just to be reunited.

From a musical standpoint, instrumentally, “Juro Que” is quite impressive, considering its minimalism. The way that the guitar is used by Joselito Acedo is intriguing while the claps (percussive accompaniment) are another awesome touch. Beyond the instrumental itself, ROSALÍA shines with her gorgeous, potent vocals. Generally, she’s assertive and quite commanding, but she also knows when to pull back. She’s supported by a ‘choir’ of backing vocalists, which amplify “Juro Que” even more given its dramatic, theatrical nature. Ultimately, the amazing ROSALÍA brings the heat on the distinct “Juro Que.”

7. Ozzy Osbourne, “Ordinary Man”

Ft. Elton John

Ordinary Man • Epic • 2020

“Yes, I’ve been a bad guy, been higher than the blue sky / And the truth is, I don’t wanna die an ordinary man.” “Ordinary Man” (from Ordinary Man), is quite an elite pop/rock record. As the aforementioned chorus suggests, British metal icon Ozzy Osbourne reflects on his life. Specifically, he focuses on fame, regrets and mistakes, and being in a better place now that he’s older and wiser. “I was unprepared for fame then everybody knew my name,” he sings on the first verse, continuing, “No more lonely nights, it’s all for you.” Featured guest Elton John also reflects on the rock star life, singing with strength on the second verse: “Many times, I lost control, they tried to kill my rock ‘n’ roll / Just remember, I’m still here for you.”

Vocally, and lyrically, both Ozzy Osbourne and Elton John sound fantastic. The chorus, in particular, soars. Beyond the vocals and songwriting, the production (Andrew Watt and Tom Herbert) – the music itself – is superb. Between the final two chorus, there’s an idiomatic guitar solo (Slash), that hearkens back to the 70s/80s. Maybe more impressively, there are STRINGS, as well as a CHOIR! These amplify the sound and the overall impact of the title track, making it a truly epic affair. Osbourne may be past his prime, but man, does he sound reinvigorated as a 71-year old.

6. Lil Baby, “The Bigger Picture”

“The Bigger Picture” • Quality Control Music • 2020

Grammy-nominated rapper Lil Baby has had an incredibly successful year. His 2020 sophomore album, My Turn, has lit up the charts. His best work, however, comes on the a deeper, more insightful record unaffiliated with My Turn or its expanded edition. “The Bigger Picture” is not only arguably the best song by Lil Baby, it’s also one of the best songs of 2020. It also appears on 13 Powerful Songs Where Black Lives DO Indeed Matter.

“The Bigger Picture” commences with an intro, which sets the tone. Naturally, the senseless death of George Floyd is the catalyst, as we hear news clips about the protests in Minneapolis. The intro fittingly concludes with “I can’t breathe, I can’t breathe”). From there, Lil Baby is on autopilot, blending conscious rap with his beloved trap flow. Throughout the course of a couple of verses, he’s very honest, thoughtful, and quite insightful about the events that have turned the world upside down. “I find it crazy the police’ll shoot you and know that you dead, but still tell you to freeze / Fucked up, I seen what I seen,” he spits on the first verse, continuing, “I guess that mean hold him down if he say he can’t breathe.”

There are countless instances where Lil Baby nails it. “I see blue lights, I get scared and start runnin’,” perfectly captures the fears black men and women have of the police, based on an ugly history. On the second verse, he supports the protest, but is also sensible, acknowledging that “Corrupted police been the problem where I’m from / But I’d be lyin’ if I said it was all of them.” Also, incredibly ‘woke,’ on the third verse, he spits, “What happened to COVID? Nobody remember.” Dope!

Lil Baby brilliantly sums up “The Bigger Picture” on the chorus:

“It’s bigger than black and white
It’s a problem with the whole way of life
It can’t change overnight
But we gotta start somewhere
Might as well gon’ head start here
We done had a hell of a year
I’ma make it count while I’m here
God is the only man I fear.”

BOOM! A big moment for Lil Baby by my estimations.

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5. Megan Thee Stallion, “Savage”

Suga • 300 Entertainment • 2020

“I’m that bitch / Been that bitch, still that bitch / Will forever be that bitch.” High in demand, Megan Thee Stallion has been pretty prolific as both a solo artist and collaborator during her career as of yet. On much of , Suga, her nine-track EP, Meghan is entertaining and unapologetic AF, with the ‘hella savage’ “Savage” leading the charge.

The aforementioned lyrics from the intro certainly confirm the savagery of “Savage.” OF course, there are ample examples, whether Megan is a “Bad bitch, still talking cash shit / Pussy like water, I’m unbothered and relaxing,” or urging him to “Eat me and record it, but your edge-up all I’m showing…” Further amplifying the savagery is the banging production work by J.White. The centerpiece comes by way of the kick ass chorus, which cements the certified bop:

“I’m a savage
Classy, bougie, ratchet
Sassy, moody, nasty
Acting stupid, what’s happening?
Bitch, what’s happening?”

Also, doesn’t hurt that the remix adds Beyoncé, which topped the Billboard Hot 100. Recipe for one of the best songs of 2020 if you ask me. “Savage” also earned a much deserved spot on the negative playlist, 15 Songs That Possess a Negative Connotation.

4. Roddy Ricch, “The Box”

Please Excuse Me for Being Antisocial • Atlantic • 2019

Roddy Ricch had a breakout year in 2019. The Compton rapper’s debut studio album, Please Excuse Me for Being Antisocial, debuted at no. 1 on the Billboard 200. The platinum-certified album is best known for the dominant, multiplatinum Billboard Hot 100 no. 1 hit, “The Box,” which earned most of its weeks atop the charts in 2020.

“The Box” is a contemporary classic, beginning with the endearing, signature vocal sample by Ricch, before he goes H.A.M. on the absolutely memorable chorus:

“Pullin’ out the coupe at the lot
Told ‘em, fuck 12, fuck SWAT
Bustin’ all the bells out the box
I just hit a lick with the box,
Had to put the stick in the box, mmh
Pour out the whole damn seal, I’ma get lazy...”

All of that over terrific, minor-key production by 30 Roc and Datboisqueeze, supercharged by a fierce Ciara sample (“Love Sex Magic”). Beyond the chorus, Roddy Ricch is on autopilot on the verses as well, rapping about drip, violence, and sex… normal rap shit essentially. Of course, there’s no shortage of the sexual context, exemplified by one of my favorite, ‘X-rated’ lines: “She sucked a nigga soul, gotta Cash App,” hehe. “The Box” highlighted the playlist, Don’t BOX Yourself in with These 13 Songs.

3. Fiona Apple, “Shameika”

Fetch the Bolt Cutters • Epic • 2020

Fiona Apple only releases an album “once in a blue moon,” hence why her fifth studio album, Fetch the Bolt Cutters, arrived after an eight-year hiatus! The good news is that the Grammy-winner never releases a bad album; Fetch the Bolt Cutters tops 21 Best Albums of 2020 (So Far): Year in Review. One of the reasons Fetch the Bolt Cutters tops? The incredibly memorable “Shameika”, which I selected as part of the 30-Day Song Challenge.

“But Shameika said I had potential / But Shameika said I had potential,” Apple sings on the infectious chorus. About someone she met as a kid, but doesn’t describe as a friend, Shameika certainly had an influence on Apple – one of many stories that adds to the sheer excellence of Fetch the Bolt Cutters. Throughout, she recounts her childhood experiences, not to mention throwing in a colorful lyric inspired by bassist, Sebastian. Musically, the listener is blessed with acrobatic piano lines, and quick, rhythmic, and playful melodic lines. Sometimes, they’re not even melodic – chanted, spoken word. This is art pop with a lot of approaches idiomatic of jazz. Fancy totally tickled!

2. The Weeknd, “Blinding Lights”

After Hours • Republic • 2020

After Hours is undoubtedly the best, most well-rounded album The Weeknd has released to date. After Hours easily earned a spot in my top-five of 21 Best Albums of 2020 (So Far). Prior to its release, The Weekend released three compelling singles – “Heartless”, “Blinding Lights”, and “After Hours” – all of which are gems. You can flip a coin regarding which is the crowning achievement of the LP… technically not though – three-sided coins don’t exist… Anyways, we’ll go with “Blinding Lights,” which very much tickled my fancy long before hearing After Hours.

“Blinding Lights” commences enigmatically with a minor key (eventually settling into major) and moody synths. This is before the groove settles in, one of the biggest selling points. There’s plenty to heart about this single, starting with its pop/pop-rock vibe. Max Martin and Oscar Holter produce alongside The Weeknd. The record features beautiful vocals. The form is pretty straightforward, featuring standard sections, while the centerpiece should come as no surprise – the chorus:

“I said, ooh, I’m blinded by the lights
No, I can’t sleep until I feel your touch
I said, ooh, I’m drowning in the night
Oh, when I’m like this, you’re the one I trust
Hey, hey hey.”

Thematically, The Weekend focuses on love, relationships, and sex – predictable, but always effective. All in all, the former Billboard Hot 100 no. 1 hit is superb, showing his versatility of artist on this sick, utterly infectious, pop record.

1. Lady Gaga, “Rain on Me” (Ft. Ariana Grande)

Chromatica • Interscope • 2020

“I’d rather be dry, but at least I’m alive / Rain on me, rain, rain…” Lady Gaga and Ariana Grande on the same track? Yaaaasssss!

The production (BloodPop®, BURNS, and Tchami) is potent from the start on “Rain on Me”, the crowning achievement from Chromatica, where Lady Gaga fully embraces her dance, electro-infused pop roots. Both her and Grande deliver strong, compelling vocals.

Lady Gaga asserts herself early on. There are ‘water works’ you might say.

“I never asked for the rainfall
At least I showed up, you showed me nothing at all.”

Ariana Grande unleashes high-flying, contrasting vocals on the second verse, extending the ‘water works’ and most importantly, being honest from an emotional standpoint. “I can feel it on my skin,” she sings on the pre-chorus, continuing, “Teardrops on my face / Let it wash away my sins.” Both collaborate together throughout the remainder of the record. One of the best moments is the bridge, where the positivity and uplifting vibes are a huge selling point. “Rain on Me” is a total bop – among the best songs of 2020 – with two awesome artists at the tip-top of their game. Only one week at no. 1 on the Billboard Hot 100? A travesty!

51 Best Songs of 2020 (So Far): Year in Review 🎧

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