15 Must-Hear, Throwback Vibez, Vol. 3 features music from Natalie Cole, Prince, Queen, Stevie Nicks & Whitney Houston.
Ilove older music â Iâm an old soul despite being a millennial. My parents are baby boomers, so, they love music from the 1960s and 1970s. Their great taste, which encompasses various styles, with soul topping the list, rubbed off on me. With Throwback Vibez đ¶ïžđ¶ in full swing, and multiple soul oldies lists under my belt, including  âđ§ 15 Must-Hear, Throwback Vibez and đ§ 15 Must-Hear, Throwback Vibez, Vol. 2 â I proudly present đ§ 15 Must-Hear, Throwback Vibez, Vol. 3.
Like the previous volumes of the Throwback Vibez playlist series, đ§ 15 Must-Hear, Throwback Vibez, Vol. 3 serves as the third of forthcoming volumes. Gracing this soulful list are contributions from đ Natalie Cole, đ Prince, đ Queen, đ Stevie Nicks, and đ Whitney Houston among others.  One rule: all songs featured on this list had to be released prior to 1990. I have no doubt a future compendium will expand the dates well into the 90s but for now, everything you see or hear in this series predates it. So, without further ado, letâs take it back 30-plus years and enjoy these throwback vibez of various styles!
1. Natalie Cole, âThis Will Be (An Everlasting Love)â
đżÂ Inseparable âąÂ đ·Â Capitol âąÂ đ  1975
âThis will be an everlasting love / This will be the one Iâve waited for / This will be the first time anyone has loved me, oh, oh, oh.â Oh, what a đ” âMighty Loveâ as đ The Spinners would describe it! There canât be a conversation about the late, great đ Natalie Cole without her âace in the hole.â Which of her many hits is her âace in the hole,â you ask? Well, from my estimations, itâs the bright, exuberant đ” âThis Will Be (An Everlasting Love)â. Simply put, Natalie flies high on this jazzy, spirited, instantly recognizable soul classic. The excerpted lyrics are ICONIC!
âHugging and squeezing
And kissing and pleasing
Together forever through rain or whatever
Yeah, yeah, yeah, yeah you and me.â
âThis Will Beâ graces one of Coleâs most important, most notable albums, đżÂ Inseparable, released in 1975. Somehow, âThis Will Beâ is NOT Coleâs highest-peaking single on the pop charts. Regardless, this âTHISâ classic is by far the most decorated song of her illustrious career. It peaked at đ no. 6 on the Billboard Hot 100 â #HIT! Also, Inseparable was a top 20 album. Cole landed a đ Grammy for Best R&B Vocal Performance for this song, also winning one for Best New Artist of the Year. Basically, âThis Will Be (An Everlasting Love)â is one of the greatest songs of all time!
Appears in đ»:
- Natalie Cole, âThis Will Be (An Everlasting Love)â: Throwback Vibez đ¶ïžđ¶ 7 (2022)
- These 15 Songs are About THIS
- 11 Thrilling Will or Wheel Songs
2. Stevie Nicks, âEdge of Seventeenâ
đż Bella Donna âą đ· Modern âą đ 1981
âBut the moment / That I first laid / Eyes on him / All alone on the edge of seventeen.â One song comes to mind when you think about đ Stevie Nicks: đ” âEdge of Seventeenâ â DUH! âEdge of Seventeenâ appears on Nicksâ iconic 1981 debut album, đż Bella Donna. Ah, those post-Fleetwood Mac days! âEdge of Seventeenâ is a vibe start to finish, beginning with its driving, rhythmic guitar and of course, the drum groove. Vocally, Nicks sounds powerful, as a superstar should.
Besides the signature groove, Iâd argue the chorus is one of the most memorable of all-time. Besides the catchy lyrics, âEdge of Seventeenâ has a timeless melody, one I certainly wish Iâd penned!
âJust like the white winged dove
Sings a song
Sounds like sheâs singinâ
Whoo-whoo-whoo.â
Woo, indeed! The song encompasses grief for a deceased uncle and assassinated musician John Lennon, as well as inspiration from friend Tom Petty and his first wife, who essentially named the song. The big takeaway from âEdge of Seventeenâ â itâs one of the greatest songs of all time. Notably, itâs been sampled numerous times.
Appears in đœ:
- Stevie Nicks, âEdge of Seventeenâ: Throwback Vibez đ¶ïžđ¶ 21 (2022)
- Seventeen: 5ive Songs No. 10 (2022)
- 11 Utterly Compelling Seventeen Songs
- 13 E Songs: No Rhyme or Reason, Vol. 2
3. The Hollies, âHe Ainât Heavy, Heâs My Brotherâ
đżÂ 20 Golden Greats âąÂ đ·Â Parlophone âąÂ đ  1978
âHis welfare is my concern / No burden is he to bear /⊠He would not encumber me / He ainât heavy, heâs my brother.â Those lyrics give me chills! To reiterate, đ” âHe Ainât Heavy, Heâs My Brotherâ is a truly beautiful, thoughtful song â one I wished Iâd written. Among the earliest versions of this đŒ â Bob Russell / đŒ â Bob Scott penned cut comes from British pop/rock band đ The Hollies, which formed in the early 1960s.  đ Allan Clarke provides the commanding, spirited lead vocals.  Clarke does a magnificent job of illustrating the text, which has no shortage of emotion and âweight.â
âIf Iâm laden at all
Iâm laden with sadness
That everyoneâs heart
Isnât filled with gladness
Of love for one another.â
A force on his own, Allan Clarke gets a lift from potent, stunning vocal harmonies that appear tastefully throughout. Besides those punch-packing harmonies, a then up-and-coming đ Elton John accompanies the band on piano.  In addition to those sweet pianistic skills, the band gets another lift â an orchestra! Those strings soar on this authentic ballad, clearly propelling it to top-ten hit status stateside, and eventually hitting no. 1 in the UK.  Had no other version of âHe Ainât Heavy, Heâs My Brotherâ been recorded (including the original prior to The Hollies), this version would be the definitive take. Of course, many, many iconic musicians have adopted this one in their songbooks.
Appears in đ»:
4. Whitney Houston, âDidnât We Almost Have It Allâ
đżÂ Whitney âąÂ đ·Â Arista âąÂ đ 1987
âRemember when we held on in the rain / The night we almost lost it / Once againâŠâ đ” âDidnât We Almost Have It Allâ ranks among the best đ Whitney Houston songs.  Fittingly, âDidnât We Almost Have It Allâ was nominated for the đ Grammy for Song of the Year.  Writers đŒâ Michael Masser and đŒâ Will Jennings gave the iconic R&B singer a surefire gem to work with, beginning with those memorable lyrics from the first verse. đ James Cleveland, đżÂ The King of Gospel Music, borrowed the tune for a gospel rendition, đ” âArenât You Glad You Know the Lordâ â more on that later!âDidnât We Almost Have It Allâ appears on Houstonâs 1987 sophomore album, đżÂ Whitney.
ââŠWe can take the night into tomorrow / Living on feelings / Touching you I feel it all again.â âDidnât We Have It Allâ is exceptionally well-produced, sitting in the sweet spot between pop and R&B. The palette of sounds includes colorful keys and soaring strings. Houston is the star of the show, sounding utterly sublime, particularly on the beloved chorus. The production grows robust, Houston gives her all vocally, and honestly, itâs just special. Love fuels the fire, as it does with the best songs!
âDidnât we almost have it all
When love was all we had worth giving?
The ride with you was worth the fall my friend
Loving you makes life worth the living
Didnât we almost have it all
The night we hold on âtil the morning
You know youâll never love that way again
Didnât we almost have it all?â
This no. 1 hit is still potent as it approaches 40. A quintessential 1980s ballad that you just donât make like this anymore.
Appears in đ»:Â
- Whitney Houston, âDidnât We Almost Have It Allâ: Throwback Vibez đ¶ïžđ¶ 38 (2022)
- Whitney Houston vs. James Cleveland: Head 2 Head đŁïž 18 (2022)
- 13 Amazing, Must HAVE Songs
5. James Brown, âPlease, Please, Pleaseâ
đżÂ Please, Please, Please âąÂ đ·Â Universal âąÂ đ  1958
âPlease, please, please, please (Please, please donât go).â Those iconic lines hail from đ”âPlease, Please, Please,â a beloved gem from music icon đ James Brown. âPlease, Please, Pleaseâ is a prime example of early R&B at its best.  It was released in 1956 as single, eventually appearing on Brownâs debut album, fitting titled, đżÂ Please, Please, Please.  Worth noting, this song is attributed to đ James Brown & His Famous Flames.
What stands out most about âPlease, Please, Pleaseâ is exactly what youâd expect â JAMES BROWN.  This record truly foreshadows the greatness to come for The Godfather of Soul.  His voice is incredibly nuanced.  He can pull back, he can push â he does a little bit of everything on this complete performance.  Iâm not sure if he convinces her not to go, but he sure convinces me.  I mean, Iâd be a fool to leave after he gives his all on this spirited gem! âPlease, Please, Pleaseâ is iconic!
Appears in đ»:
- 12 Please Songs That You Must Listen To
6. The Weather Girls, âItâs Raining MenâÂ
đżÂ Success âąÂ đ·Â CBS âąÂ đ  1982
âItâs raining men! Hallelujah! / Itâs raining men! Amen!â HALLELUJAH đ!!!  Maybe itâs blasphemous â pretty sure it is â but âPicture itâŠâ Sophia Petrillo (đș Golden Girls)!!! F**k that rain! Imagine that chiseled, hunky men are falling from the skies â a gift from heaven đŒÂ â just ready to be đ” âBooâd Upâ with various đ” âProspectsâ? Oh, the joystick đčïžÂ action! Now that youâve been properly stimulated and titillated, you can see why đ The Weather Girlsâ đ” âItâs Raining Menâ is considered an iconic, joyful gay anthem based on its infectious, lustful chorus!
Long before đ Todrick Hall informed us âItâs raining fellas, itâs raining fellasâ â those Weather Girls (đ Izora Armstead and đ Martha Wash) gave us that legendary forecast in 1982. A đżÂ Success? Well, surprisingly only moderately to the tune of no. 46 on the Billboard Hot 100, but hey, the charts had to be hating on this surefire post-disco bop, penned by đŒâ Paul Jabara and đŒâ Paul Shaffer back then!
âGod bless Mother Nature, sheâs a single woman too
She took off to heaven and she did what she had to do
She taught every angel
She rearranged the sky
So that each and every woman could find her perfect guy.â
Perhaps Mother Nature is a single woman, but she could be anybody these days, and with how beloved âItâs Raining Menâ is within the gay community, Iâm not so sure Mother Nature isnât a member of the LGBTQ+ community! Regardless, with âHumidity⊠risingâ and âbarometerâs getting low,â âFor the first time in history / Itâs gonna start raining men.â To that, again I say, HALLELUJAH đ!!!
Appears in đ»:
- The Weather Girls, âItâs Raining Menâ: LGBTQ Bopz đđ¶ 7
- 15 Gay Anthems That Exude Joy (Vo1. 1)
- 13 Songs Where, When It Rains It Pours (Pt II)
- 15 Great Songs All About Men!
7. The Rolling Stones, âMiss Youâ
đż Some Girls âą đ· Promotone B.V. âą đ 1978
đ The Rolling Stones are one of the greatest bands, ever â itâs no disputable! One of the greatest records in their illustrious career arrived in 1978. Â đ” âMiss Youâ served as the opener on đż Some Girls. Honestly, itâs one hell of an opener â groove as albeit! Â Perhaps at the time no one expected đ Mick Jagger or đ Keith Richards to put on their dancing, disco shoes, but they do on this timeless no. 1 hit. Â The groove alone is enough to solidify its certified bop status!
âIâve been holding out so long / Iâve been sleeping all alone / Lord, I miss you.â Ooh wee, Mick! Clearly, Jagger is portraying a guy longing for a girl big-time. Â He continues singing in the first verse, âIâve been hanging on the phone / Iâve been sleeping all alone / I want to kiss you sometime.â Oh, the power of lust, and perhaps love, too, as heâs genuinely infatuated. Â We know that thereâs love too because in the second verse, he eschews groupies and his party life of the past: ââHey, letâs go mess and fool around / You know, like we used to.ââ New and in love Mick (or his character) isnât feeling that. Â He is, however, feeling her, despite trying to talk himself out of it: âI guess Iâm just lying to myself / Itâs just you and no one else / Lord, I wonât miss you, child.â Heâs lying! âMiss Youâ is one of the best songs ever made, and donât let anybody tell you any different!
Appears in đ»:
- The Rolling Stones, âMiss Youâ: Throwback Vibez đ¶ïžđ¶ 36 (2022)
- I MissâŠ: 5ive Songs No. 19 (2022)
- 15 Intriguing Miss or Missing Songs
8. Bette Midler, âWind Beneath My Wingsâ
đżÂ Beaches âąÂ đ·Â Atlantic âąÂ đ  1988
Question: âDid you ever know that youâre my hero / And everything I would like to be?â Just hearing those famous lyrics give me chills! đ Bette Midler is undoubtedly an icon.  Her career as an award-winning actress and singer is truly amazing and âonce in a lifetime.â  Among her most iconic moments was her recording of the oft-covered, much beloved song, đ” âWind Beneath My Wings.â  No, Midler was not the first to record this đŒ â Jeff Silbar and đŒ âLarry Henley penned hit. Doesnât matter because her version, which appeared on the soundtrack for the film đŠÂ Beaches, has become the definitive, most decorated version of the song.
Few would deny that âWind Beneath My Wingsâ is the perfect song. Â The music and lyrics â incredibly thoughtful and poetically penned â are awesome. âIt mustâve been cold there in my shadow,â the first verse commences, continuing, âTo never have sunlight on your face.â So, so, gorgeous! Add those expressive vocals by Midler, along with a heaping dose of authenticity, and this record is nothing short of a juggernaut. Â The chorus, excerpted at the top (the centerpiece of this masterpiece), continues as follows:
âI can fly higher than an eagle
For you are the wind beneath my wings.â
Appears in đ»:Â
- Take Flight with These 11 Wings Songs
- Wind: 3BOPS No. 46 (2021)
- 11 Powerful Songs About the Wind đš
9. Kansas, âDust in the Windâ
đżÂ Point of Know Return âąÂ đ·Â Sony âąÂ đ  1977
âI close my eyes / Only for a moment and the momentâs gone / All my dreams / Pass before my eyes, a curiosity.â When you think of đ Kansas (the band), whatâs the first song that comes to mind? Likely, itâs đ” âDust in the Wind,â the bandâs biggest hit. âDust in the Windâ marked the bandâs sole top-10 hit, peaking at no. 6 on the Billboard Hot 100.  Worth noting, the đGrammy-nominated band did not receive their sole nomination for âDust in the Wind,â their ace-in-the-hole.  No, they received a Grammy nom for đ” âCrossfireâ ⊠Iâll leave it at that.
âNow, donât hang on
Nothing lasts forever but the earth and sky
It slips away
And all your money wonât another minute buy.â
âDust in the Windâ arrives on the bandâs 1977 album, đżÂ Point of Know Return.  Acoustic driven, notably, the sound of the record is quite different than the rest of the catalog. Compare it to their other popular songs, as well as âCrossfireâ and itâs clearly âa change of pace.â Way to go out of character, Kansas! One of the biggest things that stands out about âDust in the Windâ is that signature, picked acoustic guitar line.  Also selling points: warm lead vocals, vocal harmonies, the strings, and of course, the lyrics.  This reflective record packs a mean punch considering how gentle it is.
Appears in đ»:
- 11 Powerful Songs About the Wind đš
10. Prince, âHeadâ
đżÂ Dirty Mind âąÂ đ·Â Warner âąÂ đ  1980
âIâll give you head till youâre burning up / Head till you get enough / Head till your love is red / Head love you till youâre dead.â Oh boy⊠In the 00s, the late, great đ Prince was much tamer musically, particularly regarding sex, compared to the 80s (into the 90s) heyday where he was quite the provocateur.  While references to fellatio and cunnilingus are much more rampant in contemporary music, particularly hip-hop and R&B, back in 1980 it was really pushing it.  Imagine how Dante Alighieri wouldâve viewed the groovy, lustful đ” âHead.â  In Danteâs eyes, would damnation to the second circle of hell be sufficient?
Funky and incredibly infectious, Princeâs dirty mind is fully realized on âHead,â one of my personal favorites if Iâm being honest. Within the narrative, he meets a good, innocent girl, who is a virgin:
âYou said âbut Iâm just a virgin and Iâm
On my way to be wed
But youâre such a hunk
So full of spunk.ââ
Of course, Prince corrupts her:Â âI didnât want you to be misled / But Iâve got to have you baby / I got to have you in my bed.â
Appears in đ»:
- In Remembrance: 13 Provocative Songs from Prince
- 11 Anatomical Songs â To Some Degree Âș
- 13 NSFW Songs Involving the Mouth
Â
11. Tower of Power, âSo Very Hard to GoâÂ
đżÂ Tower of Power âąÂ đ·Â Warner âąÂ đ  1973
đ Tower of Power is awesome, period.  The R&B band has some incredible hits, with đ” âSo Very Hard to Goâ leading the charge. One of the reasons âSo Very Hard to Goâ is SO great are the lead vocals of đ Lenny Williams.  Williams was the vocalist of TOP during arguably their most lucrative, memorable run.  His pipes are crucial to the success of this ballad.  That tone = magnificent.
âAinât nothinâ I can say / Nothinâ I can do,â Williams sings in the first verse, continuing, âI feel so bad, yeah / I feel so blue.â Oh, the feels, the feels, the feels.  In the second verse, he continues to acknowledge his mistakes, which leads to the chorus sections, where he states, âI can never make you unhappy /⊠Only wish I didnât love you so / Makes it so, so very hard to go.â Indeed, indeed! Love sucks, but what doesnât suck in the least is this utterly sublime Tower of Power classic.  The vocals! The songwriting! The music (instrumental)! The soulful aesthetic!
Appears in đ»:
12. Dobie Gray, âDrift Awayâ
đżÂ Ultimate Collection: Dobie Gray âąÂ đ·Â UMG Recordings, Inc. âąÂ đ 2001
âOh, give me the beat boys, and free my soul / I wanna get lost in your rock and roll and drift away.â đ” âDrift Awayâ is one of the greatest songs of the 1970s, period.  A crossover hit of sorts, âDrift Awayâ could be labeled as R&B/soul, pop, or rock. Covered by everybody and his brother, the most famous and commercially successful version of âDrift Awayâ is by soul singer, đ Dobie Gray (1940 â 2011).  Itâs those nuanced pipes that helped take âDrift Awayâ to no. 5 on the Billboard Hot 100.  Later, as the featured guest to đ Uncle Kracker, heâd return to the top 10 covering the staple (no. 9).
So, besides his awesome vocals, what makes âDrift Awayâ epic? The songwriting by đŒâ đ Mentor Williams â who also produces â is a giant selling point.  The gist of the song? The power of music, and how therapeutic it can be.  Gray does a marvelous job bringing the thoughtful lyrics to life, such as the bridge:
âAnd when my mind is free
You know a melody can move me
And when Iâm feelinâ blue
The guitarâs cominâ through to soothe me.â
Incredible! Those verses are superb too, highlighting the motivation of music.  In verse three, Gray is thankful to the nth degree: âThanks for the joy that youâve given me / I want you to know I believe in your song / And rhythm and rhyme, and harmony / Youâve helped me along / Makinâ me strong.â Of course, nothing âtakes the cakeâ more than the chorus.  It ranks among the most memorable of all time, at least in my book.  đ” âDrift Awayâ mightâve arrived in the 70s, but thereâs a reason itâs a song we still mention far beyond its heyday.
Appears in đ»:
- Dobie Gray, âDrift Awayâ: Throwback Vibez đ¶ïžđ¶ 15 (2022)
- 11 Terrific AWAY Songs
13. Queen, âAnother One Bites the Dustâ
đżÂ The Game âąÂ đ·Â Hollywood âąÂ đ  1980
âAre you ready? Hey, are you ready for this? / Are you hanging on the edge of your seat? / Out of the doorway, the bullets rip / To the sound of the beat, yeah.â YEAH!!! One of the best BITE songs of all time was a no. 1 hit.  Thatâs right! đ Queen spent three weeks atop the Billboard Hot 100 with đ” âAnother One Bites the Dustâ.  The beloved gem appears as the third track on the 1980 album, đżÂ The Game.  The other big-time song from The Game is đ” âCrazy Little Thing Called Loveâ by the way, another no. 1 hit for the đ Freddie Mercury-led collective.
What makes âAnother One Bites the Dustâ the sugar honey iced tea? Itâs the groove, first and foremost! Those drums (đ Roger Taylor)! The robust bass line (đ John Deacon)! The guitar (Deacon and of course, đ Brian May)!  The music is as infectious as the lyrics.  Notably, John Deacon wrote this song. Freddie Mercury, among the most entertaining and skilled frontmen of all time, does a superb job of bringing Deaconâs lyrics to life.  The crowning achievement, of course, is the chorus, in all its infectiousness!
âAnother one bites the dust
Another one bites the dust
And another one gone, and another one gone
Another one bites the dust
Hey, Iâm gonn get you, too
Another one bites the dust.â
Appears in đ»:
14. Keith Sweat, âRight and a Wrong Wayâ
đżÂ Make It Last Forever âąÂ đ·Â Elektra âąÂ đ  1987
âYou may be young but youâre ready / (Ready to learn).â Those are timeless lines from the first verse of đ” âRight and a Wrong Wayâ. R&B standout đ Keith Sweat continues, âYouâre not a little girl, youâre a woman / (Take my hand) Let me tell you, baby / Iâm yours for the takinâ.â Ooh-la-la, Keith! âRight and a Wrong Wayâ ranks among the very best songs in his collection.  Specifically, this superb, sexy adult contemporary R&B joint hails from his 1987 album, đżÂ Make it Last Forever.
âSo, donât play no silly games with me, baby
⊠All I need is your loving here
(Hold me tight, baby, with the joy you can bring).â
âRight and a Wrong Wayâ is a high-flying, sensual slow jam. Itâs a lushly produced, late 80s R&B joint that helps ushers in the New Jack Swing era. The old-school drum programming, the robust bass line, and a heaping dose of electric piano, sigh! Notably, Sweat wrote this gem alongside đŒâ Teddy Riley which explains that unique, New Jack Swing vibe.  Refocusing on theme and lyrics, âRight and a Wrong Wayâ is all about love and its course, sex.  The centerpiece is the unforgettable chorus: âThereâs a right and wrong way to love somebody / Thereâs a good and a bad way to love somebodyâŠâ âRight and a Wrong Wayâ is one of those special, once-in-a-lifetime gems thatâs quintessential 80s but also feels totally right in the 2020s.
Appears in đ»:Â
- Keith Sweat, âRight and a Wrong Wayâ: Throwback Vibez đ¶ïžđ¶ 10 (2022)
- Keith Sweat vs. Mario: Head 2 Head đŁïž 5 (2022)
- 13 Songs So WRONG They Feel Right
15. Marvin Gaye & Tammi Terrell, âAinât No Mountain High Enoughâ
đżÂ United âąÂ đ·Â Motown âąÂ đ  1967
Thank you đŒâ Valerie Simpson and đŒâ Nick Ashford. You penned one of the greatest songs of all time: đ” âAinât No Mountain High Enough.â  This song right here ranks among the gem of gems when it comes to Motown, no cap.  Many musicians have covered this staple, including soul legends, but the definitive take belongs to the short-lived power duo comprised of đ Marvin Gaye and đ Tammi Terrell. Most folks know that Gaye didnât live long, tragically shot dead by his father in 1984 aged 44.  But Tammi Terrell didnât make it out of her 20s, tragically dying from cancer in 1970 at just 24.  Both these musicians departed too soon but they left a surefire bop with no shortage of vocal chemistry.
Bright, exuberant, and infectious are three fitting descriptions to describe âAinât No Mountain High Enough.â The moment the song comes on, particularly this late 60s rendition, it puts a smile on your face.  Honestly, thereâs a vibe when Marvin Gaye enthusiastically sings, âListen, baby / Ainât no mountain high / Ainât no valley low / Ainât no river wide enough, baby.â Woo! Then Tammi picks right up where he leaves off, responding, âIf you need me, call me / No matter where you are / No matter how farâŠâ The biggest moment, of course, is the chorus, which is golden!
âAinât no mountain high enough
Ainât no valley low enough
Ainât no river wide enough
To keep me from getting to you, babe.â
Honestly, âAinât No Mountain High Enoughâ is a prime example of a song that doesnât require in-depth analysis.  Itâs marvelously written, exceptionally produced in line with 60s soul (đ Johnny Bristol and đ Harvey Fuqua), and masterfully performed by Gaye and Terrell.  Had Tammi lived, can you imagine how many more magical records this dynamic duo couldâve made? Truly, a once-in-a-lifetime gem.
Appears in đ»:
- Marvin Gaye & Tammi Terrell, âAinât No Mountain High Enoughâ: Throwback Vibez đ¶ïžđ¶ 34 (2022)
- Ainât: 5ive Songs No. 18 (2022)
- 11 High Flying Songs About Mountains
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