13 Songs Where YOU Are the Focus, Vol. 6 | Playlist

13 Songs Where YOU Are the Focus, Vol. 6  features songs by Artemas, Bleachers, Joji, Michael Bolton, Sasha Keable, and Tammi Terrell.

Remember, YOU can make a difference and be influential in many ways. You are a big deal.  You, as a second-person pronoun, appear in many songs. That is an understatement. 13 Songs Where YOU Are the Focus, Vol. 6 follows up five previous YOU lists from 2025-26. It celebrates the power of Y-O-U! You or some form of the word is the only requirement for songs selected on this playlist. 13 Songs Where YOU Are the Focus, Vol. 6  features songs by Artemas, Bleachers, Joji, Michael Bolton, Sasha Keable, and Tammi Terrell. So, without further ado, prepare to be wowed by MORE irresistible Y-O-U songs!

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~ Table of Contents ~

1. Bleachers, “you and forever”	2. Sasha Keable, “tell me what you want”	3. Artemas, “time alone w u”
4. The Red Clay Strays, “If I Didn’t Know You”	5. Jon Secada & Shanice, “If I Never Knew You”	6. RYANN, “Now I’ve Swiped You to the Left”
7. Joji, “Love You Less”	8. The Kid LAROI, “BACK WHEN YOU WERE MINE”	9. Gustaph, “Because of You”
10. Jazmine Sullivan & Ne-Yo, “U Get On My Nerves”	11. Michael Bolton, “How Am I Supposed to Live Without You”	12. Edwyn Collins, “A Girl Like You”
13. Tammi Terrell, “All I Do Is Think About You”	The YOU series on The Musical Hype

 

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1. Bleachers, “you and forever”

everyone for ten minutes » Dirty Hit » 2026

Those lyrics are intense, Bleachers.  We’d expect no less from the ever-prolific Jack Antonoff.  The lyricism is thought-provoking throughout “you and forever”. Even so, a four-letter word plays a crucial role: LOVE. “You and forever” serves as the promo single and the fifth track from the project’s fifth studio album, everyone for ten minutes. Antonoff wrote and produced the intriguing record.

“You and forever” commences with what sounds like harmonized a cappella vocals. These recur throughout.  As it settles in, the record evolves into a driving, rhythmic groove. I adore the build-ups that occur throughout. Sigh, there is nothing like a powerful crescendo and music that hits you right in the chest!  Additional elements that earn “you and forever” high marks from a musical perspective include the lovely harmonic progression.  Also, at the end, our ears are blessed with beautiful saxophone harmonies (Zem Audu). Of course, Jack Antonoff is the star of the show.  He contributes a strong vocal performance that is assertive, authentic, and passionate.  “Well, walking with a ghost that shit was tearing me to shreds,” he sings in the second verse, and adds, “I had never known my name until you spoke it from your chest.” Aww, the feels! During the intense refrain, we get an f-bomb for good measure:

“So damn, the bastards called it out

Everyone they stop from doing just an inch of good

They hate themselves, forever war, it paves their hell

Fuck everything that I’ve been told ‘cause I just saw the heavens open up.”

In the chorus, it should come as no surprise that you and forever are the priorities. The power of love despite the craziness of life… or something like that.  All in all, Bleachers returns superbly with the well-written, well-produced, and well-performed “you and forever”.

Appears in🔻:

Striking Bops from February 2026

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2. Sasha Keable, “tell me what you want”

ACT II » The Flight Club Records Limited / Sasha Keable » 2026

Ooh-la-la, it’s getting “Hot In Herre”, Sasha Keable! The queer British/Colombian R&B singer-songwriter brings the heat without question on her steamy single, “tell me what you want”, which appears on her 2026 album ACT II.  Who has Keable hot and bothered? Whoever this lady is that Sasha sings about throughout the record. Keable penned “tell me what you want” alongside P90pope and producers Eddie Lopes, Charlie Pitts, and Kent Azares.

Sasha Keable doesn’t hold back on “tell me what you want.” At the end of the first verse, she asserts, “Got me bitin’ harder on your necklace / Girl, just wanna thank you for your service.” Day-um! Sasha is more overt in the second verse, singing, “Fuck is a break when I’m on all fours for you? / Told me you ate, well, here I got some more for you.” 😈 😈 😈 Keable keeps it risqué in the pre-chorus following each verse, including the likes of “Your fingers so deep inside my body 👀,” and “Break it down, do your little dance on my body / Couple grand keep it real nasty for me.” That, of course, leads to the centerpiece, the chorus, in all its glory. Sasha praises this girl something fierce, given her inspired sexual performance:

“Ain’t gotta keep countin’

Stay down there till you’re drownin’

Still got endless rounds left

Girl, you make me the proudest

You done made me up a plateful

On my knees, I’m so grateful

Feels so good inside, I could die.”

Oh, and the sex doesn’t stop there, extending in the post-chorus.  All the while, Keable impresses with her commanding and soulful pipes.  She sings about sex expressively, and it’s easy to buy what she’s selling! Beyond her fabulous voice, tuneful melodies, and risqué lyrics, the production and sound of “tell me what you want” is impressive (keys, programming, etc.).  All in all, Sasha Keable ate and left no crumbs on this queer, contemporary R&B gem.

Appears in🔻:

Sasha Keable, tell me what you want: Beaming with Pride No. 12 (2026) Striking Bops from February 2026

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3. Artemas, “time alone w u”

“time alone w u” » Artemas » 2025

Assertive, sex-positive English singer-songwriter Artemas drops another surefire bop driven by the bedroom. He penned and produced “time alone w u”. What makes “time alone w u” the cat’s meow? The sound is dark and sensual.  Even though it’s dark, it’s set in a major key.  It commences with an unforgettable, striking synth riff.  Colorfully assertive, hard-nosed synths accompany Artemas.  The beat provides a mean anchor.  With sublime musical fuel, Artemas excels with his naughty-sounding vocals.  He sings in an undertone, but the presence of horniness and lust is keenly perceptible.  “I know you want me,” he sings in the first verse, and adds, “You tell me with that look in your eyes that you still love me.” Oh, snap! The second verse, excerpted earlier, is also a surefire vibe… and sexual. Notably, Artemas ascends into his upper register.  I love the contrast compared to when he sings in an undertone. The chorus is the crème de la crème.  The melody is tuneful, while the lyrics are unforgettable.  Unsurprisingly, matters of the bedroom drive the narrative.

“All the things that I would do

For some time alone with you

Can’t stop looking at your face

We should make out in your room

We could go the whole way, too

Swear you always act so rude

Until we’re on our own, time alone

Time alone with you.”

Beyond the chorus, there is a bridge and an outro, both of which emphasize time alone with you… her, specifically. Once more, Artemas excels at S-E-X on “time alone w u”.  He’s been hornier and more overt in the past, but remains a naughty boy on this brief single released at the tail-end of 2025.

Appears in🔻:

Striking Bops from January 2026 15 More Songs Where U Know What TIME 🕕 It Is (2026)

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4. The Red Clay Strays, “If I Didn’t Know You”

“If I Didn’t Know You” » RCA Records / HBYCO Records » 2026

Thank goodness! South Alabama country rock band The Red Clay Strays (Brandon Coleman, Drew Nix, Zach Rishel, Andrew Bishop, and John Hall) ‘bring it’ on the moving ballad “If I Didn’t Know You”. Nix and Natalie Hemby penned “If I Didn’t Know You” while the renowned Dave Cobb produced it. Fun fact: the music video features one of the hottest comedians, Matt Rife, with his hair dyed blonde.

There is so much to love about “If I Didn’t Know You.”  It begins as a piano ballad, with a single piano chord preceding the vocals. Brandon Coleman sounds amazing, delivering authentic and expressive vocals from the get-go. He brings Nix’s and Hemby’s thoughtful songwriting to life masterfully. “I was down and out, running with the wrong crowd / I was walking through every wrong door,” Coleman sings introspectively in the first verse, and continues, “I can’t imagine all the trouble I’d be if you never made me yours.” Wow.  In the second verse, he addresses his beloved, singing, “Well, you found me, lost, I see, tossed and turned around / Held on through the ebb and flow, yeah, you ain’t putting me down.” Notably, the second verse features more fully developed musical accompaniment in the traditional country music style. The chorus is the crowning achievement and the most memorable and tuneful section of the song.

“And if I didn’t know you, I wouldn’t know how to love

I wouldn’t know what it feels like to be someone’s only one

And if I never saw your eyes, it’s like I’d never see the sun

What would I do if I didn’t know you?”

The bridge distinguishes itself from the verses and chorus in harmonic progression. The theme, however, is much the same: she was his savior, of sorts. Coleman brings even more powerful vocals during this section.  Following a brief guitar solo post-bridge, the familiarity returns with the high-flying chorus concluding “If I Didn’t Know You.” All in all, “If I Didn’t Know You” is a gorgeous record. It shines thanks to the thoughtful songwriting, moving, nuanced, and sincere vocal performance, and solid production.

Appears in🔻:

Striking Bops from February 2026

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5. Jon Secada & Shanice, “If I Never Knew You”

Pocahantas » The Walt Disney Company » 1995

Grammy-winning Cuban American artist Jon Secada (b. 1961) and Grammy-nominated R&B artist Shanice (b. 1973) make musical magic on “If I Never Knew You”. “If I Never Knew You” is the end title from Disney’s 1995 animated feature, Pocahontas. In the soundtrack for the film, the R&B duet marks the final track (number 28).  The love song, with the relationship between Pocahantas and John Smith in mind (😏), does not have a children’s version as it was not featured in the film itself. Alan Menken (b. 1949) composed the music, while Stephen Schwartz (b. 1948) composed the lyrics. Sadly, this lovely duet wasn’t a pop hit… Another end title, released as the promo single, earned far more buzz: “Colors of the Wind” by Vanessa Williams.  Regardless, Secada and Shanice made a mean duo.

As a standalone love song, “If I Never Knew You” is sweet. The musical backdrop is quintessential 1990s R&B – the adult contemporary sound. Jon Secada kicks things off, showing the beauty of his voice. “And if I never held you / I would never have a clue,” he sings, and continues, “How at last I’d find in you / The missing part of me.” Aww! He continues the affirmation of love, asserting, “I can see the truth so clear / In your eyes, so dry your eyes / And I’m so grateful to you.” Shanice also affirms the power and strength of their love in the second verse: “If I never knew you / I’d be safe but half as real / Never knowing I could feel / A love so strong and true.” Word.  In the chorus (of sorts), third verse, and outro, Secada and Shanice perform collaboratively. They proclaim in the chorus, “I thought our love would be so beautiful / Somehow we’d make the whole world bright.” They trade lines in the third verse.  They cap things off superbly with the key lyrics from the first two verses: “Lost forever, if I never knew you.” Underrated, “If I Never Knew You” is a stellar duet from Jon Secada and Shanice.

Appears in🔻:

Jon Secada & Shanice, If I Never Knew You: Dazzling Duets No. 14 (2025)

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6. RYANN, “Now I’ve Swiped You to the Left”

“Now I’ve Swiped You to the Left” » RYANN » 2025

Uh-oh, RYANN (Ryan Adriaens)! Oh, snap! The Queer Netherlands pop singer/songwriter continues in the first verse of  his 2025 single, “Now I’ve Swiped You to the Left”, “The city we live in / Is so small / The guy that I dated / Already knew your name.” Don’t you hate that? It’s authentic songwriting by all means.  If you live in a smaller place and explore dating apps such as Tinder, particularly as a gay individual, you’ve likely encountered the same men as your ex, etc. “Now I’ve Swiped You to the Left” not only references those pesky dating apps, but also the struggle of getting over an ex and being upset when you see them with someone else.

“It’s because I’m jealous of you moving on

And finding a new guy to put your love on

While I’m still hoping that one day

You’ll return, and that I’ll say

‘I’ve made a mistake…’”

The rebound beyond an ex is not looking so hot for Mr. Adriaens, who adds, “I wanna get back to what we had before.” Adriaens wrote and produced this entertaining and relatable pop song. 

“Now I’ve Swiped You to the Left” commences with a horn-like, notification sound effect and a stomping, enthusiastic, danceable beat. That horn-like riff returns throughout the course of the song.  Although he sings with plenty of authenticity, he delivers a relatively chill, easygoing vocal performance.  I adore the tone of his voice and his mellowness. The production is respectable throughout. Notably, it grows bigger during the chorus and post-chorus, where pitch-shifted vocals stand out.  The second verse features a more developed, fuller sound.  RYANN shows off a bit of potty-mouth, dropping a warranted f-bomb: “I know that I should let you go / Believe me, that I try to grow / But healing is just so / Fucking slow.” Facts!  Tied to the dating apps concept, one neat thing about this recording is when Adriaens’ vocals pan to the right and left, representative of the swiping action on dating apps, specifically with his former flame: “Seven months ago, I swiped you to the right now to the left.” Another neat element of this intriguing, if quirky, record is the sudden increase in tempo. It’s giving hyperpop vibes!  All told, once more, RYANN drops a striking, queer pop joint with “Now I’ve Swiped You to the Left”. What more can you say but ‘say gay’!

Appears in🔻:

RYANN, Now I’m Swiped You to the Left: Beaming with Pride No. 9 (2026)

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7. Joji, “Love You Less”

Piss In The Wind » Palace Creek / Virgin » 2026

 Word. Talented Japanese-Australian singer-songwriter Joji (George Miller) unveiled “Love You Less”, the fourth single from his fourth studio album, Piss In the Wind, at the beginning of 2026. Joji penned “Love” with Eric Fredric, Fallon King, Nate Mercereau, Alex Vickery, and Ricky Reed. Reed and Mercereau produced it.

“Love You Less” continues to showcase Joji’s versatility as an artist. It has an indie-rock, shoegaze vibe. There is a great driving feel about the track with marvelous rhythm. I love the sound of the guitars, as well as the prominence of the bass. I also adore the accompanying “oohs” during the introduction, which are eventually part of the post-chorus. Joji delivers well-rounded vocals. He is always a vibe, particularly when he sings in his lower register in an undertone. “Can’t get enough of you, no, no,” he sings in the first verse, and adds, “But you won’t set me free…” He also sounds beautiful when he ascends into his upper register, particularly his falsetto. The pre-chorus marvelously prefaces the crème de la crème, the chorus:

“I’m obsessed, you’re not sure

If I love you less, will you love me more?

I pull back, you come forward

If I love you less, will you love me more?”

The second verse is compelling, like the first: “Wastin’ my breath / ‘Cause you like it better when there’s none left.” The second pre-chorus contrasts with the first, keeping “Love” engaging.  There is also a compelling outro. All in all, Joji continues to impress as a singer and songwriter on “Love You Less”. The vibes are real, NO CAP!

Appears in🔻:

Intriguing Songs Fueled by LOVE, Vol. 6 (2026)

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8. The Kid LAROI, “BACK WHEN YOU WERE MINE”

BEFORE I FORGET » Columbia » 2026

Uh-oh! Those pesky matters of the heart have The Kid LAROI (Charlton Howard) feeling some type of way, NO CAP! He recalls a previous relationship on “BACK WHEN YOU WERE MINE”, the 15^th track from his sophomore album, BEFORE I FORGET.  While Howard reflects on his feelings, he also tries to capture his ex’s feelings on how things are different (“It’s just you and your thoughts now, thoughts now / You thought it’d never be this cold /…I bet you thought I’d never sing this song”). The Kid LAROI penned “BACK WHEN YOU WERE MINE” with producers Daniel Aged and Zack Sekoff.

“BACK WHEN YOU WERE MINE” commences abruptly with The Kid LAROI singing.  His vocals are expressive and radiant. I especially love the pureness of his falsetto. Regarding tenderness, I would argue this is one of Howard’s most refined and smoothest performances. Beyond his lead vocals, the background vocals supporting him are sweet, further expanding the excellence.  Beyond the lyrics that marvelously recollect expired love (including the repetitive but moving chorus), and tuneful, sometimes rhythmic melodies, the warm, romantic-sounding musical accompaniment is a big selling point. There are fabulous musical touches thanks to the smooth guitar, present bass line, and the rhythmic percussion.  All in all, The Kid LAROI delivers another pleasant, well-rounded song with “BACK WHEN YOU WERE MINE”.

Appears in🔻:

Striking Bops from January 2026

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9. Gustaph, “Because of You”

Look At Us Now » 541/N.E.W.S. / GUSTAPHMUSIC BV » 2025

The “you” in Gustaph’s (Stef Caers) song, “Because of You”, is clearly someone special. The Belgian 🇧🇪 singer, songwriter, and producer released this pop gem as Belgium’s Eurovision Song Contest entry in 2023. “Because of You” opens his 2025 album, Look At Us Now, co-written with Jaouad Alloul and co-produced with Willem Vanderstichele.

“Because of You” is an energetic, superbly produced dance-pop track with a catchy beat and polished synths. Gustaph’s vocals are vibrant and youthful, enhanced by expressive ad-libs and impressive, sustained high notes. Memorable melodies and positive themes, including the transformative power of love and self-acceptance, make the song feel joyful and inspiring. “Remember when they told us / ‘You’re not good enough’?” he sings in the first verse, and continues, “And then you came into my life.” In the second verse, he asserts, “You told me the right thing at the right time / And got me feeling wild.” The pre-choruses, as well as the chorus, excerpted earlier, maintain the good vibes. The bridge distinguishes itself from other sections yet keeps the theme of love alive and well (“Because of you, I keep on going, baby, baby, for a brighter day”). Woo! Ultimately, Gustaph delivers a feel-good anthem about epic love.

Appears in🔻:

Gustaph, Because of You: Beaming with Pride No. 17 (2026)

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10. Jazmine Sullivan & Ne-Yo, “U Get On My Nerves”

Love Me Back » RCA » 2015

Oh, snap! Grammy-winning R&B singer-songwriter Jazmine Sullivan (b. 1987) said what she said! Reuniting with him is #NOT GIVING! On “U Get On My Nerves”, she duets with another, talented Grammy-winning R&B singer-songwriter, Ne-Yo (Shaffer Smith, b. 1979).  The result is a duet that won’t get on your nerves; it’ll only enhance the quality of your playlist! Ah, two perspectives of NOT getting together, delivered in an underrated duet. “U Get On My Nerves” is the eighth track from Sullivan’s sophomore album, Love Me Back, released in 2010. Sullivan and Ne-Yo penned “Nerves” alongside producer Maejor.

Following the intro, where Jazmine asserts the relationship is done, Ne-Yo performs the first verse. Defending his position, he states he didn’t call to talk, he just wants to get his shit: “So, if you didn’t burn it, can I get it back?” But that’s not all, of course. He responds to her harshness, expressing his lack of interest in reuniting: “‘Cause anything I felt for you, been gone / I was done from the time you busted my windows.” Remember busting those windows? After dropping the colorful and tuneful verse, Ne-Yo keeps things, well, tuneful with the chorus.  The key lyrics should come as no surprise: “You get on my damn nerves / Damn nerves / Damn nerves / So glad we’re not together now!” Of course, the star of the show, Sullivan, puts in her two cents after trading a few lines with Ne-Yo. “I know why you called, but it won’t work / This ain’t about a watch or a T-shirt,” she asserts, and adds, “I can have your shit Fed-Exed in the mornin’.” Ooh-wee! She goes on to call him out on calling her: “You should never ever have to call me up pretending / ‘Cause, baby, I know you’re pretending!” Reading him for filth! Like Ne-Yo, she recalls her hit, window-busting song, before dropping that potent chorus.  Ne-Yo takes the reins at the beginning of the bridge, admitting he still has feelings, with Jazmine echoing the same… By the end, however, both reiterate it’s a bad idea! The vocal chemistry is stellar, with both singers showing off their exceptional instruments.  Beyond great singing and memorable songwriting, the musical accompaniment and production are top-notch. Warm piano, bright, colorful synths, and banging drum programming? What more could you ask for? “U Get On My Nerves” is an underrated gem from Sullivan’s stacked Love Me Back album. Pushing two decades later, this duet remains special.

Appears in🔻:

Jazmine Sullivan & Ne-Yo, U Get On My Nerves: Dazzling Duets No. 5 (2026)

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11. Michael Bolton, “How Am I Supposed to Live Without You”

Soul Provider » Sony Music Entertainment Inc. » 1989

That is a legitimate question and concern, Michael Bolton (b. 1953)! “How Am I Supposed to Live Without You” is the fourth track from the pop singer-songwriter’s 1989 multi-platinum album, Soul Provider.  Notably, Bolton covers the Laura Branigan (1952 – 2004) hit.  Notably, Bolton penned the gem alongside Doug James.  Yes, it’s still a cover, but he played a role in Branigan’s original success since he wrote it 😉.  Michael Omartian produced his version. Bolton’s cover spent three weeks at number one on the Billboard Hot 100.  He won his first of two Grammys for Best Pop Vocal Performance, Male at the 32^nd Annual Grammy Awards.  What I’m saying is, “How Am I Supposed to Live Without You” is kind of a big deal.

“How Am I Supposed to Live Without You” thrives because it is a big-time, soulful adult contemporary ballad.  Michael Bolton has a hell of a voice, perfectly attuned to balladry. Beyond his prodigious pipes, which shine brightest during the chorus, the musical accompaniment and production are on point (warm, sophisticated keyboards, programming, ripe guitar, robust bass, drums, etc.).  This song sounds like the perfect bridge between two eras – the 1980s and 1990s. But back to the voice! It is easy to buy what he sells, considering he sings authentically, dramatically, and expressively.  “I’m too proud for cryin’, didn’t come here to break down / It’s just a dream of mine is coming to an end,” he sings, defeated in the second verse, and concludes, “And how can I blame you when I built my world around / The hope that one day we’d be so much more than friends?” That’s deep, Michael.  Of course, the centerpiece is the chorus, in all its big, illustrious, and overblown glory:

“Tell me, how am I supposed to live without you
Now that I’ve been lovin’ you so long?
How am I supposed to live without you?
And how am I supposed to carry on
When all that I’ve been livin’ for is gone?”

Following the second chorus, fittingly, there’s an exuberant guitar solo (nothing too crazy, though 😉).  This prefaces one final pre-chorus and the big one – the big, closing chorus, that is. In the final pre-chorus, Bolton is turned all the way up, showing off his sick upper register. Yes, “How Am I Supposed to Live Without You” was a hit before Michael Bolton recorded it. But Mr. Bolton, after covering the song he co-wrote, made his version the definitive take. 

Appears in🔻:

Michael Bolton, How Am I Supposed to Live Without You: Throwback Vibez No. 15 (2026) Laura Branigan vs. Michael Bolton: Face Off No. 7 (2026)

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12. Edwyn Collins, “A Girl Like You”

Gorgeous George » Edwyn Collins » 1994

Word. In 1995, Scottish singer-songwriter Edwyn Collins (b. 1959) scored the biggest song of his career. “A Girl Like You” is the second track from his third solo album, Gorgeous George.  “Girl” marked Collins’ only charting single on the pop charts.  Yep, he is a one-hit wonder through and through.  The good news is, his only charting song reached the top 40, peaking at number 32 on the Billboard Hot 100. No, that didn’t make “Girl” the hottest sugar, honey, iced tea on the charts, but, generally, it performed better outside of the United States. Collins composed and produced the worldwide hit.

“A Girl Like You” slaps.  The 1994 alternative pop/rock song features a 1960s-inspired sound. There are vintage, soulful vibes. It’s not Motown, but Motown/soul adjacent. “Girl” is anchored by an electrifying groove.  Beyond the groove, colorful keys, warm vibraphone, fuzzy guitar, and a big, fat bass line add to the ear candy.  Edwyn Collins delivers an expressive, nuanced, and well-rounded vocal.  His tone is delightful, amplified by his charming Scottish accent. The melody is tuneful and hypnotic, while the lyrics are incredibly memorable. “Here you come a-knocking, knocking on my door / And I’ve never met a girl like you before,” he sings in the first verse.  In the second, he adds, “You gave me just a taste, so I want more / Now my hands are bleeding, and my knees are raw.”   The chorus, excerpted earlier, is the crème de la crème.  Beyond those verses and the chorus, there is a pre-chorus (following the second verse), a third verse (“Too many protest singers / Not enough protest songs”), and an outro that is “alright” with Collins and me, too.  A bop and a half, “A Girl Like You” is an unforgettable ‘90s classic that I wish I had written and performed.  Edwyn Collins ate and left no crumbs whatsoever!

Appears in🔻:

Edwyn Collins, A Girl Like You: 1 Hit WONDERful No. 10 (2026)

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13. Tammi Terrell, “All I Do Is Think About You”

Come On And See Me: The Complete Solo Collection » Motown / UMG Recordings, Inc. » 2010

Woo! Ah, the feels, and those pesky matters of the heart! Fun fact: Did you know that the short-lived, Motown legend Tammi Terrell (1945 – 1970) originally recorded “All I Do Is Think About You”? 🤯 If you are unfamiliar with the song, released decades after it was recorded in 1966, you may be familiar with the original release, “All I Do”, by Stevie Wonder (b. 1950).  “All I Do” appeared as the second track on Wonder’s 1980 album, Hotter Than July. Terrell originally recorded “All I Do” as “All I Do Is Think About You,” but it remained unreleased until 2002.  Wonder is responsible for the first release.  He penned the original with Clarence Paul and Morris Broadnax.

Listening to the original version of “All I Do Is Think About You,” it is a shame that it wasn’t released during the 1960s.  Tammi Terrell ate and left no crumbs! Her voice is nuanced and powerful, and she sings with incredible sincerity. “You made my soul a burning fire / You’re getting to be my one desire / You’re getting to be all that matters to me,” she sings in the first verse.  “And let me tell you, boy! / Think of how exciting it would be,” she sings enthusiastically in the second verse, and adds, “If you should discover you felt like me / If you should discover this dream is for two.” Beyond Terrell’s fabulous lead vocals, the background vocals are excellent, outlining the melody of the chorus, at least how we know it from the Wonder-released version of the song.  The vocal arrangement is on point, with the blend of backgrounds and lead being utterly divine.  Beyond the vocals, “All I Do Is Think About You”  thrives off a great arrangement and production.  The sounds are vintage Motown, featuring the rhythm section (including a vibraphone), horns, and strings. I love how the drums pack a mighty punch. Although lesser known, the Tammi Terrell original of “All I Do Is Think About You” is a Motown classic that music lovers should’ve heard much sooner than we did.  Tammi did that!

Appears in🔻:

Tammi Terrell, All I Do Is Think About You: Throwback Vibez No. 195 (2025) Tammi Terrell vs. Stevie Wonder: Head 2 Head No. 45 (2025)

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YOU Series on The Musical Hype 🔻
13 Songs Where YOU Are the Focus (2025)	13 More Songs Where YOU Are the Focus (2025)	13 Songs Where YOU Are the Focus, Vol. 3 (2025)
13 Songs Where YOU Are the Focus, Vol. 4 (2025)	13 Songs Where YOU Are the Focus, Vol. 5 (2026)	13 Songs Where YOU Are the Focus, Vol. 6 (2026)

 

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13 Songs Where YOU Are the Focus, Vol. 6 (2026) [📷: Brent Faulkner / The Musical Hype; 541, Artemas, Columbia, Dirty Hit, Edwyn Collins, GUSTAPHMUSIC BV, HBYCO Records, Motown, N.E.W.S., RCA Records, RYANN, Sasha Keable, Sony Music Entertainment Inc., The Flight Club Records Limited, The Walt Disney Company, UMG Recordings, Inc.; VICO ORTIZO from Pexels; Gordon Johnson, Niek Verlaan, OpenClipart-Vectors  from Pixabay]

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