13 Songs That Explore It, Vol. 6

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13 Songs That Explore It, Vol. 6 features songs by Al Calderon, Jaheim, Joji, Lyn Collins, Mariah the Scientist & Kali Uchis, and Phil Collins.

Can you guess what it is about? It (this playlist) contains songs about it. It can be many things. It can be a pronoun or a noun, for example. It’s safe to say it can represent anything. So, The Musical Hype has compiled a musical compendium series comprising IT. The criterion is self-explanatory; it must be included! Following 13 Songs That Explore It, Vol. 1 (2024), published in October 2024, and 13 Songs That Explore It, Vol. 2 (2024), published in December 2024, 13 Songs That Explore It, Vol. 3, published in March 2025, 13 Songs That Explore It, Vol. 4 (2025) published in April 2025, and, 13 Songs That Explore It, Vol. 5 (2025), published in May 2025, we unveil 13 Songs That Explore It, Vol. 6 (2026)! 13 Songs That Explore It, Vol. 6 features songs by Al Calderon, Jaheim, Joji, Lyn Collins, Mariah the Scientist & Kali Uchis, and Phil Collins. So, without further ado, let’s jump into IT… VOL. 6!

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1. The Isley Brothers, “It’s Your Thing”	2. Joji, “If It Only Gets Better”	3. Mariah the Scientist & Kali Uchis, “Is It A Crime.”	4. j-hope, “Killin’ It Girl” (Ft. GloRilla)
5. Al Calderon, “Come Get It”	6. The Kid LAROI, “HOW DOES IT FEEL?”	7. ur pretty, “Taste It”	8. Lyn Collins, “Think (About It)”
9. Jaheim, “Could It Be”	10. Phil Collins, “I Wish It Would Rain Down”	11. The Miracles, “Do It Baby”	12. O.V. Wright, “Let’s Straighten It Out” – Latimore cover
13. Shirley Caesar, “He’s Working It Out For You”		Songs That Explore IT, series

1. The Isley Brothers, “It’s Your Thing”

It’s Our Thing » Sony Music Entertainment » 1969

“It’s your thing, do what you wanna do / I can’t tell you who to sock it to.”

Woo! The Isley Brothers are among the greatest R&B groups ever – #ICONIC. Their most successful song comes from the 1960s: “It’s Your Thing”. “It’s Your Thing” is the sixth track from their 1969 album, It’s Our Thing. “Thing” was written by the late O’Kelly Isley (1937 – 1986), the late Rudolph Isley (1939 – 2023), and the spirited lead singer extraordinaire, Ronald Isley (b. 1941). “It’s Your Thing” gave the legendary R&B collective its highest charting pop hit. It peaked at number two on the Billboard Hot 100. It was certified gold by the RIAA in 1969. Perhaps the biggest achievement of the song is winning the Grammy for Best R&B Vocal Performance by a Duo or Group at the 12^th Annual GRAMMY Awards.

The chorus, excerpted above, is the section to beat. It arrives after a super, funky groove is established at the onset. Ronald Isley shows off incredible musicianship on lead vocals. He showcases grit, a ripe falsetto, great abilities, and ample personality. “If you want me to love you, maybe I will / Believe me, woman, it ain’t no big deal,” he sings in the first verse, continuing, “You need love now, just as bad as I do / Makes me no difference now, who you give your thing to.” Ooh-wee! Ron gets strong support from the background singers of The Isley Brothers. The lyrics are F-U-N. The music is scintillating – marvelous accompaniment and production. The rhythm section is tight, particularly Ernie Isley (b. 1952) on bass, while the articulated horns further accentuate the greatness. “It’s Your Thing” is one of the funkiest, most fun songs you’ll ever hear, PERIOD! Timeless!

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2. Joji, “If It Only Gets Better”

Piss In The Wind » Palace Creek / Virgin Music » 2026

Following those “PIXELATED KISSES” and preceding “Past Won’t Leave My Bed”, Joji (George Miller) unveiled the brief “If It Only Gets Better”. “If It Only Gets Better” marks the second single from Joji’s fourth studio album, Piss In The Wind (arrives February 6, 2026). Joji penned “Better” with John Durhman. Wonton produced it. The brief number commences with a reflective-sounding musical accompaniment (plucked strings). The accompaniment sets the tone. Joji enters the mix, serving up lovely vocals in the sole verse. “If it only gets better from here,” he asserts, and adds, “Then what’s there to change about it? / Shit, I just won’t think about it.” Word. The distinct, percussive drum programming is unexpected, but a wrinkle that makes “If It Only Gets Better” stand out. Initially, it sounds off but then settles in, making the record sound even more unique despite its brevity. There are very few lyrics, but they are captivating, meaningful, and thought-provoking. Beyond the verse, radiant, harmonized vocals singing on “ooh” appear on the final section of the song, the outro. “If It Only Gets Better” marks another winner for Joji, who rarely seems to miss.

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3. Mariah the Scientist & Kali Uchis, “Is It A Crime”

HEARTS SOLD SEPARATELY » Buckles Laboratories, LLC / Epic » 2025

“I fell, you fell in love a couple times / Tell me, what’s it to ya? Tell me, is it a crime?”

Mariah the Scientist (Mariah Amani Buckles) taps Grammy-nominated Latin/R&B singer Kali Uchis for her criminal love-driven single, “It Is a Crime”. “Is It a Crime” is the fourth track from Mariah’s 2025 album, HEARTS SOLD SEPARATELY. She penned “Is It A Crime” with Karly Loaiza, Matthew Worthem, Oliver Easton, and Nineteen85 (Paul Jeffries). Mat1k and Easton produced it. Backed by a lush, sleek, quintessential contemporary R&B instrumental, “Is It A Crime” is nothing short of exquisite.

In this duet, both musicians sing separately. Mariah the Scientist draws first blood, singing radiantly in the first verse and chorus. Mariah mentions, “They, they were wrong about us, I hate the way they paint it.” She adds, “It ain’t love they see / But it ain’t nothin’ to discuss ‘cause it is to me.” Kali Uchis sings the second verse, contrasting with Mariah yet showing off her elegant pipes. She clarifies that love is no crime, singing, “‘Cause if loving me is jail, then you’re my prisoner.” Adding emphasis, rather, an expletive, Kali asserts, “Let ‘em know we don’t give a fuck / All they want to see is us breaking up.” In the centerpiece, the chorus, Mariah asks, “Tell me, what’s it to ya? Tell me, is it a crime to fall?” That’s a big fat rhetorical NO. It is never a crime to fall in love. It’s certainly no crime to fall in love with “It Is a Crime”, where both the talented Mariah the Scientist and Kali Uchis bring their A game.

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4. j-hope, “Killin’ It Girl” (Ft. GloRilla)

“Killin’ It Girl” » BIGHIT MUSIC » 2025

“You are now tuned in to the one and only, j-hope!”

And thus, South Korean rapper j-hope is gassed TF up on “Killin’ It Girl”. In the most intriguing version of the song, he collaborates with, Grammy-nominated rapper, GloRilla. Although brief, it is a surefire banger, nonetheless. Cirkut, Blake Slatkin, and inverness produced it. That beat is S-I-C-K! “Killin’ It Girl” earned j-hope his first top 40 single as a solo artist on the Billboard Hot 100. After being gassed up, j-hope brings plenty of energy and swagger. He eats in the repetitive, but infectious chorus over the minimalist beat: “You killin’ it, girl / You killin’ it, girl / Ten out of ten / …Baddest out your friends.” Woo! He brings an equally alluring melodic rap performance in the first verse. “It should be a crime just to look that fine / Girl, if you single, let me make you mine,” he raps, adding, “Call a nurse before it gets worse / I’ma really, really need first aid.” Oh, snap! During the second chorus, we get a more melodic, pitched performance by j-hope, alongside the unpitched bars he excelled at earlier in the song. GloRilla brings the heat in the second verse, with her signature, hard-nosed, tough-as-nails Memphis rap sound. “Murder for hire (Split), Mike Glo Myers (Who?) / I keep my foot up on their necks and my heels high (Hey),” she spits, continuing confidently and unapologetically, “Might take your man and tell you go take it to trial (Bitch) / I’m dead serious, the baddest chick alive (Hey).” No over-analysis is necessary for “Killin’ It Girl”, which, all in all, is fun, fun, fun!

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5. Al Calderon, “Come Get It”

“Come Get It” » Al Calderon / Create Music Group Inc. » 2025

Al Calderon exemplifies male beauty. Honestly, él es jodidamente caliente 🥵. No cap! Beyond being the physical specimen he is, he is talented. The man sings beautifully, delivering performances that catch the ears because of his smooth vocal tone and his ability to convey sexy performances on the track. “Come Get It” marks another triumph from Calderon that shows off his radiant, sensual pipes. Notably, it is accompanied by a music video, which sort of justifies the male objectification… At the beginning of the video, Calderon leaves a voicemail to whom we presume is an ex-boyfriend (in Spanish, exclusively). He expressed how much he misses him and wants him to come back. He concludes with the English titular phrase, “Come get it.” Also, revisiting my thirstiness, post-voicemail to ex-bf, in the video, you can’t help but swoon over Calderon… He knows he’s doing it, with his shirt unbuttoned (or completely off), showering, wrapped in a towel, or wearing nothing but his underwear (CK briefs at one point 🤤) … He’s hot, and he knows he’s hot, and this Latino hottie is willing to share it with us – HALLELUJAH 🙌!

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Al Calderon is backed by a smooth, contemporary pop/R&B/urbano latino backdrop. It’s giving cool, sensual vibes, which fits the tenor of the lyrics. Calderon embraces Spanglish. As the video suggested with his voicemail, his relationship has been on the rocks… if it is still a thing: “Hace un tiempo / que no hemos hablado / que no hemos hablado.” The lack of communication is NOT GOOD… Slipping into English, Calderon sings, “Tried to make you love me / Make you trust me / Gave you space / When you didn’t even want me / Find it funny when you’re trying to avoid me / Finding problems just / So you can blame it on me.” Damn… that’s a lot… Calderon also states he wishes to talk, but there’s nothing to say. Still, like the video, Calderon is willing to wait for him to return and come get it. Will he? I don’t know, but I’ll tell you what, a lot of men would die to come get Al! “Come Get It” marks another winner from this handsome and talented man. If you haven’t checked Al Calderon out yet, I’m looking at you with a side eye, asking what the hell-helly-hellyante is wrong with you?!

Appears in:

Al Calderon, Come Get It: Beaming with Pride No. 47 (2025)

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6. The Kid LAROI, “HOW DOES IT FEEL?”

“HOW DOES IT FEEL?” » Columbia » 2025

“It’s different tonight, you looked in my eyes / And now, girl, you’re all that I see.”

Oh, snap! On his brief single, “HOW DOES IT FEEL?”, The Kid LAROI (Charlton Howard) embraces R&B-infused pop with successful results. Rogét Chahayed, Thundercat, Starship, Dopamine, and B. Lewis produced it. Notably, it samples multiple elements from the 2022 Doechii song, “Persuasive”. The sound of the record is marvelous. The groove is electrifying, setting the tone from the jump. I love the robust bass guitar, the rhythmic guitar, as well as the colorful keys. The Kid LAROI has a sickening backdrop to sing over. And sing The Kid does, delivering smooth, easygoing vocals. He never gets too high or too low. Some of his best vocal moments are the most rhythmic melodic ones. The sections to beat are the catchy, memorable, and tuneful pre-chorus and chorus! “How does it feel that it’s me and you?” he asks in the pre-chorus, following in the chorus, “‘Cause if you came here to party / Then why you lookin’ down at your phone?” Legit question! All in all, “HOW DOES IT FEEL?” marks another winner for The Kid LAROI.

Appears in:

13 Divine Do, Does, or Doing Songs (2025)

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7. ur pretty, “Taste It”

“Taste It” » ur pretty » 2025

“Yeah, he put his dick all in my mouth, I love to taste it / I made it drip all down my face, don’t wanna waste it.”

Oh, snap! Ur pretty is NSFW from the beginning of “Taste It”. Gay sexual experiences aren’t surprising from the alter ego of Jake T. Hill, but the assertiveness is, well, quite assertive! In the chorus of this sleek gem produced by Hill and Guala Beatz, ur pretty adds, “He told me turn around, I love the way you take it / I don’t ever want it to end, no.” Ooh-wee! So, we get oral sex, a facial, and anal sex. Plenty to taste here, fellas!

While the cards are revealed early on “Taste It,” ur pretty never tames the sex. In the bridge, there is suckin’, jackin’, moanin’, and poundin’. In the hook, ur pretty asserts, “Play my guitar, drive my stick just like a car.” That’s precedes the pre-chorus where the relentless dick play continues. “I like the way you move, cover my face with your juice / And I ain’t playin’, grab my throat, bitch, I can take the abuse.” Damn! In a variation of the chorus, it comes as no surprise “He started creamin’, filled me up just like a pastry / Pulled out that penis, licked the tip, his dick so tasty.” The proper, full-length verse is more graphic:

“Like the navy baby, put that ship inside my port

I’m stretched out and we’ve been makin’ such a mess

Trace a heart into the puddle of semen that’s on my chest

You’ve got me so high, in between my thighs

I don’t ever wanna be fucked by any other guy.”

Wow… So, what does one make of ur pretty? Honestly, I don’t know. But what we do know is that there is no denying that “Taste It” is gay as hell, and we wouldn’t have it any other way.

Appears in:

ur pretty, Taste It: Beaming with Pride No. 41 (2025)

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8. Lyn Collins, “Think (About It)”

Think (About It) » UMG Recordings, Inc. » 1972

“Those of you who go out and stay out all night and half the next day / And expect us to be home when you get there,”

Lyn Collins (1948 – 2005) sings, and adds, “The sisters are not going for that no more /… So, from now on / We gonna use what we got to get what we want.” Thus begins “Think (About It)”, the opening track from Collins’ 1972 album, also titled Think (About It). Notably, the Godfather of Soul, James Brown (1933 – 2006), penned and produced “Think (About It)”. Collins was known for working with Brown. Despite being a legendary song, it performed modestly on the pop charts, only reaching number 66 on the Billboard Hot 100. “Think” performed far better on the R&B charts, reaching the top 10.

The distinct, dramatic intro, excerpted earlier, sets the tone for “Think (About It).” Lyn Collins exhibits personality early on. She also showcases her cutting, powerful, and soulful vocals. Following the intro, an electrifying funk groove provides a mighty anchor. The drum break is legendary and often sampled for good reason – it kicks some serious ass. While the drum break is the cat’s meow, it’s not the only ear candy. Adding the allure of the record is ripe guitar and biting, enthusiastic horns. The riffs are sick. While all of the instrumental excellence accompanies, Collins is on autopilot. Empowered, she demands respect: “Now, baby, I got a life to live / And a whole lotta loving that I wanna give, yeah / But before I give it up, I gotta think, think.” No woman should settle for less, and all should be able to think and make decisions for themselves. One of the most memorable lyrics, however, appears in the bridge: “It takes two to make a thing go right / It takes two to make it outta sight.” True! “Think (About It)” is one of the truly great funk records of all time. Lyn Collins gave her all on this way, accompanied by a legendary drum groove and an empowering message.

Appears in:

Lyn Collins, Think (About It): Throwback Vibez No. 180 (2025)

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9. Jaheim, “Could It Be”

Ghetto Love » Warner » 2001

“‘Bout to put it to ‘em / With some ghetto slick shit, ha / Check it out, one time for your motherfucking mind.”

Oh, snap, and that’s only the intro! “Could It Be” marked the breakout hit for Grammy-nominated R&B artist Jaheim (Jaheim Hoagland). His debut single appears as the sixth track on his platinum-certified debut album, Ghetto Love. “Could It Be” reached the top 40 on the pop charts, peaking at number 26 on the Billboard Hot 100. It performed even stronger on the R&B charts, reaching number two. Balewa Muhammad and Clifton Lighty penned “Could It Be” with producers Wesley Hogges, Eric Williams, and Kent Lawrence. Notably, “Could It Be” samples the 1976 Marilyn McCoo and Billy Davis, Jr. classic, “Nothing Can Stop Me”.

“Could It Be” oozes with soul, PERIOD. The musical accompaniment, fueled by the sample and contemporary R&B sounds, helps solidify the soulfulness. Of course, the biggest contributor to the soul is Jaheim himself, who brings the Teddy Pendergrass (1950 – 2010) and Luther Vandross (1951 – 2005) vibes with a more hard-nosed, street-savvy edge. His tone is to die for – distinct and gritty. He masterfully brings the rough-and-tumble lyrics and tuneful melodies to life. “On the cross town with the top down, sounds banging out the backseats (Alright) /Me and this shorty too deep,” he sings in the first verse, and adds, “She’s flashing me thighs, wind blowing through her hair / Baby, we can take it there (Take it there).” Woo! Keeping things spicy in the second verse, he asserts, “Oh, girl, I wanna hit it in the worst way / After that, you’ll be coming back like every day (Oh yeah) / Send you back to your girls with something else to say / How I hit it, split it, had you with it ‘til the break of day.” D-d-damn! The chorus is the crème de la crème:

“Could it be my chromed-out whip? (Shorty)

Break your neck when you see a nigga dip (Oh)

Or could it be the ice you see?

But you tell me that you’re really feeling me (I’ve gotta know right now)…”

The bridge is intriguing, too. Ja’ asks if it’s the material things he brings to the table that have all these ladies wanting to get with him? He concludes, “You tell me you love me, baby, but what’s that all about?” More than two decades after its bow, “Could It Be” remains a surefire, undeniable contemporary R&B gem. Jaheim and his team put their feet into this one, NO CAP!

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10. Phil Collins, “I Wish It Would Rain Down”

…But Seriously » Philip Collins Ltd. / Rhino Entertainment Company » 1989

“Now I, now I know I wish it would rain down, down on me!”

Highly decorated musician extraordinaire Phil Collins (1951 – ) delivered another big-time pop hit with “I Wish It Would Rain Down”. The track hails from his Grammy-nominated, multiplatinum, 1989 album, …But Seriously. “Another Day In Paradise” earned …But Serious its sole Grammy, but it was a big one – Record of the Year! But, this isn’t about paradise but rather rain! “I Wish It Would Rain Down” was nominated for no Grammys, but it was one of 14 top 10 pop hits for Collins. It peaked at number three on the Billboard Hot 100 in 1990.

So, what makes “I Wish It Would Rain Down” such a special Phil Collins song? Phil Collins, first and foremost. He delivers one of the best performances of his illustrious career. In the verses, he sounds sweet and nuanced, supported by fabulous vocal production. As the song progresses, from the second chorus and beyond, including the bridge, Collins shows off the sheer power and versatility of his instrument. His performance is impressive to the nth degree. Upping the ante vocally as well is the inclusion of a gospel choir, beginning during the second chorus. Instrumentally, “Rain” is beastly from the get-go. Bright and dynamic, Eric Clapton provides a serious lift with his electric guitar playing. Other instruments that stand out are the keyboards (Collins) and the bass (Pino Palladino). The sound is firmly planted in that late 1980s, early 1990s adult contemporary aesthetic. The songwriting can’t be neglected either. “You know I never meant to see you again,” Collins sings in the first verse, continuing, “But I only passed by as a friend, yeah.” In the second verse, he informs her, “Ooh, I never mean to cause you no pain / But it looks like I did it again, yeah.” Oh, snap! The melodies are tuneful in the verses, as well as that precipitation-filled chorus! Shout out the bridge, where the contrast melodically and melodically keeps “I Wish It Would Rain Down” engaging to the nth degree. “But I know in my heart of hearts / I know I’m never gonna hold you again, no, no,” he asserts. Adding to the excellence of the timeless “I Wish It Would Rain Down” is the high-flying outro, where Phil and the choir continue to implore rain.

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11. The Miracles, “Do It Baby”

Do It Baby » Motown » 1974

“You’ve got a love that’s really real / Sweet and spicy / Come on, entice me / You know the way I like to feel.”

Oh, snap! The Miracles are among the most iconic acts of Motown. The collective is most renowned for its catalog with legendary lead singer and songwriter, Smokey Robinson. After 1972, Robinson pursued a solo career. Despite Robinson’s exit, the soul group experienced success with a new lead singer, Billy Griffin (1950 – ), who helped “Do It Baby” reach number 13 on the Billboard Hot 100. “Do It Baby” is the opener on their 1974 album, fittingly titled Do It Baby. Christine Yarian and Freddie Perren composed it. Perren produced it.

“Do It Baby” cooks from the onset. It features scintillating bass riffs. The groove is electrifying – oozing with the soul aesthetic. Speaking of the soul aesthetic, the sweet, orchestral touches are emblematic of the style, particularly in the 1970s. Griffin does a fabulous job stepping into Smokey’s shoes. His voice is silky smooth. “Tantalizing, so appetizing / You’ve got me hungry for your love,” he sings in the second verse, adding, “Ooh, how you love me, baby / You keep me coming back for more.” Ooh-wee! Beyond the strong verses, the sections to beat are the memorable, incredibly tuneful pre-chorus and the chorus:

“Don’t you know?

(Can’t nobody groove me) Can’t nobody groove me

Can’t nobody move me like you do (Like you do)

…Do it, do it, do it, do it, do it, baby…”

Sometimes, the exit of a star can stifle a group forever. In the case of The Miracles, it is a ‘miracle’ they carved out success post-Smokey. Billy Griffin and company put their foot into “Do It Baby”.

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12. O.V. Wright, “Let’s Straighten It Out” – Latimore cover

The Bottom Line » Hi / Fat Possum » 1978

“Sit yourself down, girl, and talk to me / Tell me what’s on your mind.”

Ooh-wee! It’s giving a heart-to-heart talk! Tennessee blues and R&B musician O.V. Wright (1939 – 1981) didn’t live long, but he charted a trio of songs on the pop charts and left behind some enduring, worthwhile musical gems. One such gem was a Latimore cover, “Let’s Straighten It Out”. “Let’s Straighten It Out” was the fifth track from The Bottom Line, released in 1978. In the first verse, he continues, conversing with her, “Don’t keep on telling me everything’s okay / ‘Cause if you were then you wouldn’t be crying.”

“Let’s Straighten It Out” shines from the beginning. The drum groove anchors, establishing the soulful aesthetic. The piano is key, delivering stellar comping, bluesy riffs, and a well-rounded solo. The rhythm section is locked in. Upping the ante on this joint instrumentally is the orchestra. Lush strings, crisply articulated, biting brass, nor more legato woodwinds (the oboe during the chorus is awe-inspiring) never grow stale. The riffs riff hard from the instrumentalists. O.V. Wright matches, better yet, exceeds the glory of instrumental! He sings with authenticity, ample personality, and expression. His distinct, southern pipes ‘eat’ from the first note that he sings. The first verse is sweet, while he lets loose even more in the second. “For the last five nights, honey, when we went to bed / Whoa, I could tell something just wasn’t right,” he sings, concluding, “When you turn your back to me and cover your head / Or you didn’t even say goodnight.” Oh, snap! His bread is its most buttery in the chorus, where he tells his baby, “Let’s straighten it out, baby / …You know we can straighten it out.” He differentiates his rendition from the original with additional instrumentation, a short runtime, and some tweaked lyrics. O.V. Wright deserved far more recognition in his brief lifetime. “Let’s Straighten Out” is nothing short of da bomb dot com!

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13. Shirley Caesar, “He’s Working It Out For You”

He’s Working It Out For You » Word Entertainment LLC » 1991

“Though the pressures of life seems to weigh you down / And you don’t know which way to turn,”

Shirley Caesar (b. 1938) sings, “God is concerned and He’s working it out for you.” Amen! Now that is a good word, pastor! The legendary gospel musician provides surefire encouragement on “He’s Working It Out For You”, the opener from her 1991 album, He’s Working It Out For You. Initially, Caesar is accompanied by piano. Backed by a fabulous gospel harmonic progression, she embraces faith despite adversity. Her vocals are authentic, soulful, and spirited. Every word the pastor sings, you buy.

In the second verse, accompanied by fuller instrumentation (piano, organ, bass, drums, etc.), Caesar sings, “Now you ask yourself, is there a word from the Lord / You need a blessing, and you need it right away / God is concerned, and He’s working it out for you.” In the third, her voice grows more spirited, setting the tone for God’s wonder-working power. Despite the lack of peace at home or work, bills, and failing health, the message remains consistent: God’s working it out. Before the three-minute mark, the choir joins in, amplifying the spirit in the chorus:

“He’s working it out

He’s working it out for you

God cares

I’m so glad to know He cares

I’m so glad to know He cares

And He’s working it out for you.”

Meanwhile, Caesar ad-libs, riffing at her finest. “He’s Working It Out For You” was released in the 1990s, yet its powerful message continues to resonate in this moving gospel gem.

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Songs That Explore IT, series 🔻

~ Table of Contents ~ » ~ intro ~

13 Songs That Explore It, Vol. 6 (2026) [📷: Brent Faulkner / The Musical Hype; Al Calderon, BIGHIT MUSIC, Buckles Laboratories, LLC, Columbia, Create Music Group Inc., Epic, Fat Possum, Hi, Motown, Palace Creek, Philip Collins Ltd., Rhino Entertainment Company, Sony Music Entertainment, UMG Recordings, Inc., ur pretty, Virgin Music, Warner, Word Entertainment LLC; Gordon Johnson from Pixabay; Vishwanath Negi on Unsplash, Logan Voss on Unsplash]

13 Songs That Explore It, Vol. 6 | Playlist

Published by the musical hype on January 12, 2026January 12, 2026