Babe, Here are 15 More Baby Songs features songs by Connie Francis, Justin Bieber, Pinkfong, Rema, The Miracles, and Tom Nethersole. Â Â Â
âHey baby, hey baby, hey! / Girls say, boys say.â Thank you, Gwen Stefani and No Doubt, for gassing us up with âHey Babyâ! Once again, Babes, are you ready? Ready for what? Why, the sequel to 11 Babe or Baby Songs Poised to Tickle Your Fancy (2024), Babe, Here are 15 More Baby Songs! The criterion is simple: each song must feature the word babe or baby in some form or fashion. Itâs worth noting that (1) the No Doubt song doesnât appear on this musical compendium and (2) there are no babe songs this time around; itâs all baby! Babe, Here are 15 More Baby Songs features songs by Connie Francis, Justin Bieber, Pinkfong, Rema, The Miracles, and Tom Nethersole. Oh, baby, baby, baby!

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1. Rema, âBaby (Is it a Crime)â
âBaby (Is it a Crime)â » Marvin Global Holdings Ltd / Jonzing World Entertainment » 2025
âLove is in the air, baby, breathe in.â Nigerian singer, songwriter, and rapper Rema (Divine Ikubor) brings the vibes on âBaby (Is it a Crime)â.  âBabyâ was produced by Nigerian producer P. Priime (Peace Emmanuel Oredope). âBabyâ is set in a minor key, which gives the track a darker sound. The track commences with an enigmatic intro with sampled vocals: âIs it a crime? / Is it a crime / That I still want you / And I want you to want me too?â Specifically, multiple elements of âIs It a Crimeâ, by Sade, from the bandâs 1985 album Promise, are sampled. That is great source material!
Rema delivers a chill, cool, swagger-laden performance. Fittingly, he performs in his native Nigerian dialect. Post-intro, Ikubor performs the centerpiece, the chorus: âBaby (Rema), baby sun má»Ì mĂ / You know say you match my steeze / You know I’m a G.â Rema also delivers memorable, sensual verses. âBaby, go down low, nobody gats to know / Oya, I know I play around, but me no fit to let you go,â he sings in the first verse. In the second, he adds, âThe way you move this your body na weapon, ah-ahn / Catch me off guard, me I hands up kparam.â In the third verse, he spoils her:
âBuy you a Birkin matching my AP color
Treat you like omo-mo
Pampering on a hunnid
Baby, you the one for me, ooh.â
The melodies are rhythmic. The production work is warm with accompaniment featuring keys, strings, and a sickening drum groove. âBaby (Is it a Crime)â is lit â an Afrobeats bop, PERIOD!
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2. Connie Francis, âPretty Little Babyâ
Connie Francis Sings Second Hand Love & Other Hits » UMG Recordings Inc. » 1962Â
âPretty little baby, you say that maybe / Youâll be thinkinâ of me and try to love me.â Amazingly,  âPretty Little Babyâ became an unexpected hit 63 years after its release in 1962. Although this beloved Connie Francis (1937 â 2025) gem wasnât released as a single, it experienced a significant resurgence thanks to TikTok. Francis learned about the virality of her single before she passed away on July 17, 2025, making its newfound popularity even more special. âPretty Little Babyâ appeared on her 1962 album, Connie Francis Sings Second Hand Love & Other Hits. The song was written by Bill Nauman and Don Stirling and produced by Jim Vienneau and Norro Wilson.
âPretty Little Babyâ is charming because of its innocence and simplicity. The instrumental is clean and uncluttered yet potent, fueling Connieâs vocal fire. She delivers a cool and relaxed performance with nuanced and playful vocals. The lyrics are memorable, while the melodies are tuneful from start to finish. Both easily get stuck in your head. In the verse, Connie sings, âYou can ask for flowers, I sit for hours,â and continues, âTellinâ all the bluebirds, the bill and coo birds / Pretty little baby, Iâm so in love with you.â Exceptional background vocals support her lead, further amplifying the listening experience. Beyond the verse, the chorus is exceedingly pretty, too: âDonât you know itâs much more fun to love / While the heart is young and gay?â Gay in this context, in the early â60s, meant happy. âPretty Little Babyâ doesnât require extensive analysis. This vibe-laden classic speaks volumes without needing verbose commentary. Â
@connie_francis_official First time Iâve lip-synched to this 63 year old recording of mine!
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3. MĂ„neskin, âBaby Saidâ
RUSH!⯠»âŻEpicâŻÂ» 2023Â
âWhatâs your thoughts about religion?â Damiano David asks in the first verse of âBaby Said.â He continues, âAre you close to your mother? / Tell me âbout your dream vacation / And all of your ex-lovers.â The handsome MĂ„neskin wants to get to know her on a deeper level. The second verse is patterned similarly: âTell me whatâs your favorite color / And all of your ambitions.â But, it seems like Baby wants him to talk less, at least, using his voice⊠âBaby Saidâ is a fast-paced, high-energy moment from RUSH!. The bass line slaps, while the guitars roar. David commands, showcasing his alluring, nuanced instrument. The melodies are tuneful, particularly the chorus, which easily gets stuck in the head:
âBaby said, âWhen youâre talking I go dead
Shut your mouth, give me your headâ
Uh-uh, uh, uh, know you really want to
Baby said, âLet me taste your silhouette
You can talk between my legsâ
Uh-uh, uh, uh, know you really want to.â
Holy shit, thatâs a different sort of talking đ! The bridge differentiates itself from the rest of the song while maintaining the intensity with its runninâ, cryinâ, lovinâ, and… wait for it⊠cumminâ. Surprisingly, it is the man who is pursuing a deeper connection while the woman wants S meets E, and then they X. But, after all, âBaby Said!â
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4. Pinkfong, âBaby Sharkâ
Pink Fong Animal Songs » Smart Study Co., Ltd. » 2017
âBaby shark, doo doo doo doo doo doo / Baby shark, doo doo doo doo doo doo / Baby shark, doo doo doo doo doo doo / Baby shark!â Woo! Childrenâs music impacts the pop charts every so often. Typically, it is a song from a childrenâs animated feature that catches on. In this case, South Korean childrenâs education entertainment company Pinkfong found the perfect recipe for a hit in 2016. That is when the brief but infectious âBaby Sharkâ arrived. Not only did it arrive, but it reached the top 40, peaking at number 32 on the Billboard Hot 100. Pinkfong was only able to strike gold once, hence making them a one-hit wonder. Still, the impact of this traditional nursery rhyme with the Pinkfong treatment is far-reaching. Even the sporting events got into the baby shark action!
The most famous verse of the addictive, irresistible childrenâs bop is about the baby shark. Still, thereâs Mommy shark, Daddy shark, Grandma shark, and Grandpa shark. In other words, âBaby Sharkâ is a family affair, and all of the sharks âdoo-doo-doo-doo-doo-doo!â Itâs not only the silly vocals, though. The hand movements are a big part of the charm of âBaby Shark.â And also, post-family profile (Grandpa comes last), there is hunting, running, safety, and the end⊠âdoo-doo-doo-doo-doo-doo.â Is there more that needs to be analyzed about âBaby Sharkâ? Nope. This is one of those novel songs that you enjoy for what it is⊠âdoo-doo-doo-doo-doo-doo!â Shout out to singers Bommie Catherine Han, Hope Marie Segoine, Anipen Matthew Digiacomo, Robert William Gardiner, and Charity Wynn Segoine!

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5. Justin Bieber, âGo Babyâ
SWAG » ILH Production Co. LLC / Def Jam Recordings » 2025Â
âSo go, baby, go, baby, go, baby / Go, baby, go, baby, go, uh.â Justin Bieber is telling his baby to G-O! Itâs giving a green lightđŠ! âGo Babyâ is the fourth song from SWAG, released in 2025. While Bieber repeats the word go a lot, the authenticity, depth, and sincerity of âGo Babyâ are indisputable. In a beautiful and emotional vocal performance, Bieber gives full support to the love of his life. Before encouraging her to go, he highlights her beauty, supported by quintessential contemporary R&B production (Eddie Benjamin, Carter Lang, Eli Teplin, and Sir Dylan produce): âThatâs my baby, sheâs iconic / iPhone case, lip gloss on itâŠâ In the pre-chorus, he shares his hopeless devotion, urging her, âSo, cry on my shoulder, just turn into me / Cry on my shoulder whenever you need it,â adding, âLay it all down, and I can love it away / Just stay by my side.â In addition to the four credited producers, âGo Babyâ features eight songwriters: Bieber, Tobias Jesso Jr., Daniel Chetrit, and Jackson Lee Morgan. Ultimately, itâs money well spent. This ballad is one of the best moments from SWAG and one of the better ballads of his career. Go, Justin, go, Justin, go!
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6. The Ronettes, âBe My Babyâ
Presenting the Fabulous Ronettes Featuring Veronica » Phil Spector » 1964
âSo, wonât you say you love me? / Iâll make you so proud of me / Weâll make âem turn their heads every place we go.â âBe My Babyâ, one of the greatest songs ever, appeared on The Ronettesâ album, Presenting the Fabulous Ronettes Featuring Veronica. Fun fact: Veronica was the birthname of the late Ronnie Spector (1943 â 2022), the lead vocalist of the collective. The Ronettes consisted of Ronnie Spector, her older sister Estelle Bennett (1941 â 2009), and their cousin, Nedra Talley (1946 – ). The iconic soul cut was written by Ellie Greenwich, Jeff Barry, and producer Phil Spector. Notably, Ronnie was married to Phil Spector from 1968 â 1974. Phil Spector became infamous later in life, dying disgraced. However, early on, he was an innovative producer, renowned for his wall of sound, in full display on âBe My Baby.â The drums are big and heavy-handed, anchoring the production fiercely. The drum intro is iconic. Additionally, the orchestration is an impressive âwall of soundâ â strings, horns, and the rhythm section.
âSo wonât you please (Be my, be my baby)
Be my little baby? (My one and only baby)
Say youâll be my darlinâ (Be my, be my baby)
Be my baby now (My one and only baby)
Whoa-oh-oh-oh.â
âBe My Babyâ was the highest charting single by the girl group, which landed two top 10 pop hits. It peaked at number two on the Billboard Hot 100 in 1963. Ronnie is commanding and powerful, flaunting distinct lead vocals. The chorus, excerpted above, is the crĂšme de la crĂšme. It is infectious to the nth degree, performed in a call-and-response style. Estelle and Nedra provide superb background vocals. They get some help, including Sonny Bono (1935 â 1998) and Cher. As for the rest of the verses, Ronnie urges him to âbe hers,â plain and simple. She makes a compelling argument: âFor every kiss you give me, Iâll give you three.â Word. To reiterate, âBe My Babyâ is one of the greatest songs ever, regardless of genre. More than 60 years later, it remains âthe stuff.â
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7. Rick James, âGive It To Me Babyâ
Street Songs » UMG Recordings, Inc. » 1981
âWhen you came home last night / You wouldnât make love to me.â Uh-oh! Rick James (1956 â 2004) achieved platinum status with his 1981 album Street Songs. There are multiple hits on this marvelous R&B/funk LP. The funky, top 40 masterpiece, âGive It To Me Babyâ, opens Streets Songs with a bang, giving all things excellence. The bass line is infectious and striking from the start, compelling you to hit the dance floor. The groove is epic, too, while there are sublime funk cues in motion. The playful nature, with bent notes, synths, and articulated horn riffs, easily makes the ears perk up. Beyond the scintillating backdrop, the star of the show is James, who oozes with personality and delivers expressive vocals. The chorus is catchy:
âGive it to me, baby (give it to me, baby)
Give it to me, baby (give it to me, baby)
I betcha, Iâll make you holler you had enough.â
Beyond the chorus, the verses and refrain (or post-chorus) are a blast too: âGive it to me / Give me that stuff, that funk, that sweet, that funky stuff.â âGive It To Me Babyâ is essential listening for funk, R&B, and soul enthusiasts.
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8. Tom Nethersole, âBaby Iâm Sorryâ
âBaby Iâm Sorryâ » Tom Nethersole » 2024Â
âBaby, Iâm sorry for me / Baby, Iâm sorry, donât leave.â Tom Nethersole is apologetic from the start of âBaby Iâm Sorry.â He continues singing in the brief song, âMaybe you wonât ever see / Baby, Iâm sorry for me.â So, is this self-deprecation, or is Tom honest and highly self-aware? You be the judge. He admits he is a bad lover, apologizing at the beginning and end of the song. In the first verse, he tells him, âIâm not the one you fall in love with / Donât take your chances / Iâm not romantic.â Ooh-wee! The second verse is playful, with Tom referencing beat, time, and rhythm (a man after my own heart), and memorably singing, âIf I could rhyme with synonyms I might feel some pride.â Beyond his radiant, youthful vocals and some rap/talk-singing, the chromatic melody is a striking feature. Who doesnât love an accidental or two? The soundscape is striking, particularly the bass synth and drum programming. Bad lover or not, âBaby Iâm Sorryâ is a hypnotic, mesmerizing vibe. No need for apologies, Tom!
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9. Troye Sivan, âAngel Babyâ
âAngel Babyâ » Universal Music Australian Pty Ltd » 2021
âI need a lover to keep me sane / Pull me from hell â bring me back again.â On Instagram, openly gay Australian (via South Africa) pop artist Troye Sivan described âAngel Babyâ as a âsurprise gushy juice doting adoring power bottom gay ballad.â Sivan has embraced his sexuality, doing so again, brilliantly on âAngel Baby.ââŻJason Evigan delivers gorgeous production, embracing a lush, plush, 80s-infused sound. Vocally, Sivan sounds sublime, coming off as authentic and honest. I heart the dedication that he exhibits towards his âangel.â âI tell you how I almost died, while youâre bringing me back to life,â he sings on the pre-chorus.⯠In the epic chorus, thereâs a fuller sound with more punch from a production perspective.⯠Furthermore, Sivan also performs with more oomph. The chorus features a memorable melody:
âI just wanna live in this moment forever
âCause Iâm afraid that living couldn’t get any better
Started giving up on the world forever
Until you give up heaven so we could be together.â
Troye Sivan excels in the pop lane, unafraid to embrace queerness. âAngel Babyâ showcases a high level of musicianship in all facets: great performance, songwriting, and production work.
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10. Surfaces, âBaby Blueâ
âBaby Blueâ » Surfaces Music » 2023
Surfaces â Forrest Frank and Colin Padalecki â make feel-good, innocent, inoffensive pop. On the brief âBaby Blueâ, the duo drops a pleasant, respectable pop song. Here, those baby blue eyes are kind of a big deal. Forrest sings most of the song, including the chorus, which appears at the top of the song: âSheâs got that baby blue, eyes you can sink into / Heatwaves in Malibu, sheâs got that (wait), sheâs got that.â In the verses, both he and Colin characterize her specialness. Forrest sings in the first verse, âI, I was hoping weâd be more than just friends / Ah, itâs like an ocean and sheâs pulling me in.â In the second, Colin sings, âAnd sheâs a vacay for my mind, almost every night, from nine to five / Donât want this dream to ever end, so she wonât ever leave my head.â Ooh-wee. Backed by exuberant production (Colin, Forrest, and Simon Oscroft), itâs all good vibes as they desire her company (âHope we can rendezvousâŠâ). âBaby Blueâ  brings a summery vibe year-round.
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11. Cigarettes After Sex, âNothingâs Gonna Hurt You Babyâ
I. (EP) » Cigarettes After Sex » 2012
âWhispered something in your ear / It was a perverted thing to say.â Greg Gonzalez, Cigarettes After Sex brainchild and front man, continues, âBut I said it anyway / Made you smile and look away.â⯠While saying something perverted could be a potential problem, in the case of âNothingâs Gonna Hurt You Babyâ,⯠the vibe is that these are two people who like/love one another.⯠On this highlight from I. (EP) (2012), Gonzalez clarifies that he wonât hurt her; heâll protect her at all costs!âŻ
âNothingâs gonna hurt you, babyâŻÂ
As long as youâre with me, youâll be just fineâŻÂ
Nothingâs gonna hurt you, babyâŻÂ
Nothingâs gonna take you from my side.ââŻ
An ambient, dream pop song, âNothingâs Gonna Hurt Youâ has a calming, chill, and smooth vibe. Gonzalez sings with ease, never forcing things. This approach amplifies the sexiness as well as the pureness of this romance. In the second verse, things end freakily: âAlways ends in a hazy shower scene.â But there are also lighter moments, including listening âTo that silly 90âs R&B,â and, simply, âlaughing in the microphone and singing / With our sunglasses on to our favorite songs.â⯠Cigarettes After Sex delivers the perfect romantic and sexy song with âNothingâs Gonna Hurt You Babyâ.⯠Thereâs a hint of risquĂ©, but Gonzalez and company donât cross the lines⊠too much.âŻâŻÂ
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12. The Miracles, âDo It Babyâ
Do It Baby » Motown » 1974
âYouâve got a love that’s really real / Sweet and spicy / Come on, entice me / You know the way I like to feel.â Oh, snap! The Miracles are among the most iconic acts of Motown. The collective is most renowned for its catalog with legendary lead singer and songwriter, Smokey Robinson. After 1972, Robinson pursued a solo career. Despite Robinsonâs exit, the soul group experienced success with a new lead singer, Billy Griffin (1950 â ), who helped âDo It Babyâ reach number 13 on the Billboard Hot 100. âDo It Babyâ is the opener on their 1974 album, fittingly titled Do It Baby. Christine Yarian and Freddie Perren composed it. Perren produced it.
âDo It Babyâ cooks from the onset. It features scintillating bass riffs. The groove is electrifying â oozing with the soul aesthetic. Speaking of the soul aesthetic, the sweet, orchestral touches are emblematic of the style, particularly in the 1970s. Griffin does a fabulous job stepping into Smokeyâs shoes. His voice is silky smooth. âTantalizing, so appetizing / Youâve got me hungry for your love,â he sings in the second verse, adding, âOoh, how you love me, baby / You keep me coming back for more.â Ooh-wee! Beyond the strong verses, the sections to beat are the memorable, incredibly tuneful pre-chorus and the chorus:
âDonât you know?
(Canât nobody groove me) Canât nobody groove me
Canât nobody move me like you do (Like you do)
âŠDo it, do it, do it, do it, do it, babyâŠâÂ
Sometimes, the exit of a star can stifle a group forever. In the case of The Miracles, it is a âmiracleâ they carved out success post-Smokey. Billy Griffin and company put their foot into âDo It Babyâ. Â
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13. Johnny Bristol, âHang On In There Babyâ
Hang On In There Baby » UMG Recordings, Inc. » 1974Â
âHang on in there, baby, please don’t let me down / Please don’t destroy this new joy we found.â Sometimes, a songwriter and producer lands their own hit. That is what happened to Johnny Bristol (1939 â 2004), who is renowned for his work behind the scenes. With âHang On In There Babyâ, Bristol carved out success as a solo artist. The song is the second track on his 1974 album, fittingly titled Hang On In There Baby. He wrote and produced the song. This ace-in-the-hole peaked at number eight on the Billboard Hot 100. Bristol was nominated for two Grammys at the 17th Annual Grammy Awards: Best New Artist of the Year and Best R&B Performance Male for âHang On In There Baby,â of course!
From start to finish, Johnny Bristol wows us with his talented and tremendous musicianship. The singing is marvelous, making you wonder why Bristol didnât earn more recognition vocally. He sings enthusiastically and expressively as he encourages her, in the chorus, âHang on in there baby, hang on in there darling / Iâm gonna give you more than you ever dreamed possible.â Beyond his terrific performance, the songwriting is top rate, too. The melodies are tuneful in the verses and especially, the chorus. The theme and lyrics are also on point. âThat sweet moment of surrender / Mmmh, weâll hear the thunder roar,â Bristol sings in the first verse, continuing, âFeel the lightning strike / At a point we both decided to meet the same time tonight.â In the second verse, he asserts, âThereâs true love between us girl / Mmmh, so let us touch that cloud / That every girl dreams of / Oh, weâre almost there darling, weâre truly making love.â Adding to the elite nature of âHang On In There Baby,â the musical underpinnings â the harmonic progression, the arrangement, and production â deserve an A+. The â70s soul aesthetic is in full force, with the percussive groove, robust bass, and refined orchestral touches (winds and soaring strings). Also, did I mention there are key modulations, upping the ante, bringing up the energy to higher heights? Johnny Bristol deserved more recognition, but the greatness of âHang On In There Babyâ is indisputable.
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14. Four Tops, âBaby, I Need Your Lovingâ
Four Tops » MotownâŻÂ» 1965
âBaby, I need your loving / Got to have all your loving.â Agreed, universally, Four Tops! Levi Stubbs (1936 â 2008), Abdul “Duke” Fakir (1935 â 2024), Renaldo âObieâ Benson (1936 â 2005), and Lawrence Payton, Sr. (1938 â 1997) were the legendary lineup of one of the greatest vocal groups of all time. Among their greatest songs is their debut Motown single, âBaby, I Need Your Lovingâ, the opening track from Four Tops, released in 1965. Iconic songwriting trio Holland-Dozier-Holland â Brian Holland (1941 â ), Eddie Holland (1939 â ), and Lamont Dozier (1941 â 2022) â penned this unforgettable Motown classic. Brian Holland and Lamont Dozier produced it. âBaby, I Need Your Lovingâ reached number 11 on the Billboard Hot 100.
A killer drum riff commences âBaby, I Need Your Loving.â Fabulous background vocals featured during the intro. The arrangement and production are sound â the expectation from the Holland-Dozier tandem. The string orchestration stands out. Levi Stubbs âbrings the heatâ with his smooth, refined lead vocals. The chorus is the centerpiece â the section to beat. Notably, it changes keys compared to the verse, which is ear-catching and cool. Although the chorus gets ample shine, the verses deserve recognition, too. After uttering the titular lyric in the first verse, Stubbs asserts, âAlthough you’re never near (I really need you) / Your voice I often hear (I really need you) / Another day, another night (I really need you) / I long to hold you tight (I really need you) / âCause Iâm so lonely.â In the second verse, Stubbs doesnât mind being considered weak by begging to attain her love. In the third and final verse, he informs her, âDarling, I canât go on without you /⊠This loneliness inside me, darling / Makes me feel half alive.â Oh, snap! The thing that cures all ails is her love. âBaby, I Need Your Lovingâ is a 60-year-old song, yet it remains as magical and as potent as it was when it first arrived. Four Tops âput their footâ into this one! Â
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15. Bruce Channel, âHey! Babyâ
Hey Baby! » 1962
âHey / Hey, baby / I wanna know / If youâll be my girl.â Well, will ya? Ah, such a simpler, more innocent time in music that Bruce Channel sings about in âHey! Babyâ. The opener from his 1962 album, Hey Baby! runs a brief 2:20. Channel co-wrote âBabyâ with Margaret Cobb. Channel produced it with Major Bill Smith. The song, Channelâs sole hit, peaked at number one on the Billboard Hot 100. âHey! Babyâ sounds like a quintessential early 1960s song. It features an old-school drum groove that anchors things down. Additionally, there is a piano, a guitar, and a bass filling out the rhythm section. One of the distinct features of the song is the harmonica playing of Delbert McClinton. His soloing during the chorus provides some potent spice. The piano plays a bigger role during the verses, as the harmonica rests. Of course, the strong, expressive vocals from Channel go a long way. He does a fabulous job bringing out the memorable, tuneful melody. Again, the lyrics are so sweet and innocent: âWhen you turned and walked away / Thatâs when I wanna say,â he sings in the second verse, âCome on, baby, give me a whirl / I wanna know if youâll be my girl.â Brief and uncomplicated, âHey! Babyâ was magical back then and remains magical now.
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Babe, Here are 15 More Baby Songs (2025) [đ·: Brent Faulkner / The Musical Hype; Cigarettes After Sex, Def Jam Recordings, Epic, ILH Production Co. LLC, Jonzing World Entertainment, Marvin Global Holdings Ltd, Motown, Phil Spector, Smart Study Co., Ltd., Surfaces Music, Tom Nethersole, UMG Recordings Inc., Universal Music Australian Pty Ltd; AcatXIo, OpenClipart-Vectors from Pixabay; Adrian “Rosco” Stef on Unsplash] |
