British urban-pop artist ZAYN returns with an ambitious, if overly-long sophomore album with Icarus Falls.
Following a lengthy, relatively odd promo campaign, ZAYN finally announced his sophomore album, Icarus Falls. In advance of Icarus Falls, he released a whopping eight singles! Contextually, it makes sense, considering Icarus Falls is comprised of 27 songs, clocking in at nearly an hour and a half. Thatâs a big pop album. While âbiggerâ can sometimes be better, thatâs not necessarily the case on Icarus Falls, which has some great and respectable moments, but is excessively long and not without its flaws.
âLet Meâ
âSweet baby, our sex has meaning.â Unsurprisingly, the urban-pop star addresses sex on brilliant opening ballad â âLet Meâ, which is also arguably the best single Icarus Falls. Compared to his former number one single, âPillowtalkâ, âLet Meâ is less explicit and more tasteful. The backdrop is smooth, urban-pop at its best. Itâs incredibly uncluttered, with ample space for the production to âbreatheâ you might say. ZAYN delivers some superb vocals, particularly when he sings in falsetto. Further amplifying the excellence of âLet Meâ are the lovely vocal harmonies on the chorus.
â âNaturalâ continues a strong start for Icarus Falls, continuing to find the pop star embracing his role as a balladeer. Vocally, heâs on-point, whether itâs chest or that sick âheadâ voice (falsetto). Thereâs no shame in the game of âBack to Lifeâ which tackles familiar subject matter â love, relationships, and such. The tempo picks up slightly, with the groove providing some punch. As far as the songwriting, the pre-chorus and chorus are quite memorable as well as being well-performed. Second only to âLet Me,â â âCommonâ is the best of the opening quartet. Once more, ZAYN has an awesome pre-chorus and chorus that instantly resonate. Furthermore, he excels in the urban contemporary realm, something that shines through on this particular record.
âImprintâ
âImprintâ is another intriguing record from Icarus Falls. ZAYN embraces sex (shocker) but does so tastefully without being explicit. In other words, like âLet Me,â he eschews the f-bomb when referencing whatâs going down. âStand Stillâ is the first of more âexperimentalâ records that appear on the album. The melody is unique with its beautiful, colorful quirks, rather, the chromatic notes. The same could be said about the harmonic progression, which goes beyond the traditional. Perhaps âStand Stillâ isnât necessarily a âgem,â but it stays with you because of the innovative spirit in play.
âTonight,â like many songs from Icarus Falls, benefits from the pre-chorus and chorus sections, as well as the sleek, urban contemporary backdrop. ZAYN sings well, once more, even if âTonightâ isnât necessarily the âfirst round pickâ from the LP. âFlight of the Starsâ has its fair share of attributes, beginning with the melody that occurs during the chorus. The verses are performed more in an undertone, with the melody being secondary to the overall vibe. The bright âIf I Got Youâ includes some studio trickery, namely pitch-shifted, effects-heavy vocals. Again, if vibe was the intent of ZAYN, he nails it on this gimmicky number, particularly the chorus. Thankfully, he keeps things relatively straight on the verses, and soars on the ad-libs.
âTalk to Meâ
âTalk to Meâ gives Icarus Falls some tempo, as well as guitar, but donât call it the crème de la crème. Good, but not as memorable as the best. â âThere You Areâ is certainly a step up, as ZAYN soars vocally on the simple, but highly effective chorus: âThere you are / There you are / Youâre there with open arms.â The writing isnât complex or game changing, but he sells it well on this slick crossover of pop, soft-rock (guitar!), and R&B. On follow-up âI Donât Mind,â he embraces his love and skill as an R&B artist. Lyrically, heâs focused only on his baby as he asserts, âGirl, youâll never see me running out / Fuck anybody else, thereâs only you.â
âIcarus Interludeâ marks one of the more non-traditional moments from the album, fitting as it serves as the âtitle trackâ of sorts. Whatâs odd is that the interlude is the same length as a full-length record⌠Once more, the singing is beautiful, while the vibe is popping. â âGood Guyâ follows in a more compact package, just crossing the two-and-a-half-minute mark. Despite its brevity, this enigmatic, moody, minor-key record stands out. Maybe itâs the vocals, definitely the production, and again, that âv-word.â âYou Wish You Knewâ has a tough act to follow, but a sick groove and a colorful synth that appears on the chorus goes a long way.
âSour Dieselâ
âLike sour diesel (she burn, she burn she burn) / I canât stop the feelinâ (she burn, she burn, she burn).â On â âSour Dieselâ, ZAYN compares a woman to Sour Diesel, a strain of marijuana. Among the advance singles from Icarus Falls, âSour Dieselâ marked something completely different from anything heâd released prior. The record sounds like a mix of 80s R&B, pop, and rock â maybe even a bit of New Jack Swing thrown in as well. Michael Jackson and Prince come to mind as influences, even if he doesnât approach the same level of musicianship as those two icons. The lyrics are sexually-charged but once more, ZAYN reins himself in. Thereâs also overlap with his smoking habits as well: âSmokinâ some more, Iâm in her space / She touches me there, then I do it again.â
âSatisfactionâ is another respectable ballad, that is tastefully produced and avoids the âover-singing bug.â In other words, itâs âsatisfyingâ enough. â âScriptedâ is another example of a strong melody, not to mention a superb harmonic progression and production. ZAYNâs falsetto sounds chilling on the chorus, though the entirety of his vocal performance is among the crème de la crème of Icarus Falls.
âEntertainerâ
âYou thought you had me, didnât you?â On âEntertainerâ, âmeaningful sexâ seems to be a distant memory, particularly given the fact that âEntertainerâ followed âLet Meâ sequentially. Clearly, heâs heartbroken and pissed off. The music video adds an extra wrinkle, given that apparently, narratively, ZAYN meets his girl at a âgentlemanâs club.â The pre-chorus is wordy, sung rhythmically in an undertone. On the chorus, he asserts he wonât be available when she needs him the most. On the second verse, heâs frustrated and upset by how things went down. On the bridge, heâs anti âplaying your games,â has keen perception regarding âfake love,â and once again asserts, âIâm a turn you down when you need me anyway.â Itâs enjoyable enough but doesnât trump some of the rest of the album.
âAll Thatâ works out alright, but doesnât âwow,â particularly with better cuts ahead of it and following it. One of those better cuts that follows is â âGood Yearsâ, which was the thrilling ballad that ZAYN needed during a suspect promo campaign for Icarus Falls.
âIâd rather be anywhere Anywhere but here⌠I close my eyes and see a crowd of a thousand tears I pray to god I didnât waste all my good years.â
âGood Yearsâ commences with ZAYN singing the aforementioned, excerpted chorus with powerful, passionate vocals, accompanied merely by piano. He goes on to deliver strong vocals on both verses, discussing the effects and downside of fame. He really shines on the second and successive iterations of the chorus, when vocal harmonies come into the picture, intensifying and propelling the emotion and the passion even further. His anti-fame, âkeep me out of the spotlightâ message resounds, restated once more on the bridge.
âFresh Airâ
âYou and me got differences / Why you on some different shit?â âFresh Airâ finds ZAYN being more forward-thinking, embracing alternative R&B. It doesnât quite latch as much as âGood Years,â but give him credit for going against the grain. Seventh single âRainberryâ finds ZAYN flaunting his masterful falsetto. Also boding in the favor of âRainberryâ is the vibe, some production cues, the groove, and select, lyrical moments (âRainberry / Falling down your blood-red lips / Why are your eyes heavy?â). Still, for all of its pros, the record doesnât quite feel like a surefire hit. In my opinion, highlight â âInsomniaâ mightâve made a stronger advance single, with its moody sentiment and a brilliant blend of pop and alternative/contemporary R&B.
Icarus Falls concludes with three advance singles, bring some familiarity to those who followed the evolution of the project. âNo Candle No Lightâ is an urban-/electro-pop flavored record, featuring a slick beat and synths, giving the record moody vibes. Regarding vocals, Nicki Minaj sings the first verse respectably, but donât call it the performance of the year. ZAYN joins on the pre-chorus, with the two superstars remaining a duo on the chorus. ZAYN takes the reins on the second verse of the song, continuing to showcase an excellent vocal tone. Itâs an okay record, but not particularly memorable or transcendent.
Whatâs the premise of penultimate number âFingersâ? ZAYN is likely drunk, but heâs so toâ up he canât properly text or convey his feelings for her. Itâs not âbrand-newâ, but definitely interesting. Thereâs not much here, but âFingersâ is an interesting, relatively brief, somewhat unorthodox listen.
On âToo Muchâ (featuring Timbaland), heâs swearing once again, dropping the f-bomb early on â I think we met and the time flies / I took your digits a while back / I think we fucked in the flashback / Wonât leave my mind, kinda sidetracked.â Beyond his potty mouth, his vocals are a bit more nonchalant on the verses, while he âbrings the heatâ with his falsetto on the chorus. Among the best moments occurs during the bridge, which references cocaine. Yes, drugs are bad, but the wordplay is pretty damn clever.
Final Thoughts
So, what was I thinking with a track-by-track review of Icarus Falls? Iâm still not sure, but, after listening and analyzing each track, I found I had more of an appreciation for the album and what ZAYN wanted to accomplish. There are plenty of solid, standout moments, but thereâs no denying that itâs tough to make an hour-and-a-half-long pop album consistently engaging and exciting. Had Icarus Falls been trimmed down, and perhaps some of the singles swapped for some of the album tracks, the project mightâve been even stronger. Even as it stands, thereâs enough here to pick and choose from. Better than expected.
â Gems: âLet Me,â âCommon,â âImprint,â âThere You Are,â âGood Guy,â âSour Diesel,â âScripted,â âGood Yearsâ & âInsomniaâ
ZAYN ⢠Icarus Falls ⢠RCA ⢠Release: 12.14.18
Photo Credit: RCA