The Musical Hype [Photo Credit: Brent Faulkner, The Musical Hype, Pixabay]

Welcome to The Musical Hype, a music entertainment site featuring album & track reviews, articles, playlists, chart news & much, much more!

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Doris Akers, “Sweet Sweet Spirit” | Sunday Refresh 🙏

In the 14th edition of Sunday Refresh, we’re uplifted by the late, great Doris Akers performing, “Sweet Sweet Spirit.”

Sly & The Family Stone, “Que Sera, Sera” | Throwback Vibez 🕶️🎶

In the 29th edition of Throwback Vibez (2022), we recollect and reflect on “Que Sera, Sera (Whatever Will Be, Will Be)” by Sly & The Family Stone.

Alice Cooper, “Muscle of Love” | Outlandish Rock 🎸🤘

In the 8th edition of Outlandish Rock 🎸🤘, we explore the outlandishness behind the song “Muscle of Love” performed by Alice Cooper.

Gloria Gaynor vs. Destiny’s Child | Head 2 Head 🗣️

In the 14th edition of Head 🗣️ 2 Head 🗣️ (2022), Gloria Gaynor and Destiny’s Child contend for the best survival song: “I Will Survive” vs. “Survivor.”

Role Model, Masturbation Song | After Dark 🕛 🌃

On the 28th edition of After Dark (2022), we explore the naughty, risqué, & sexual vibes behind, “masturbation song” by Role Model.

Ween, “Waving My D*ck in the Wind” | Outlandish Rock 🎸🤘

In the 7th edition of Outlandish Rock 🎸🤘, we explore the outlandishness behind the song “Waving My Dick in the Wind” performed by Ween.

Gloria Gaynor, “I Will Survive” | Throwback Vibez 🕶️🎶

In the 28th edition of Throwback Vibez (2022), we recollect and reflect on “I Will Survive” by Gloria Gaynor. 

Thomas Cole, Late To Bloom | Track Review 🎵

Guest contributor, George James: Thomas Cole Brings The Party Vibes With ‘Late To Bloom.’

Pepper Coyote, “No Cock Like Horse Cock” | After Dark 🕛 🌃

In the 27th edition of After Dark (2022), we explore the naughty, risqué, & sexual vibes behind, “No Cock Like Horse Cock” by Pepper Coyote. 

James Baskett, “Zip-a-Dee-Doo-Dah” | Controversial Tunes 😈🎶

In the 13th edition of Controversial Tunes (2022), we explore the controversy behind the song, “Zip-a-Dee-Doo-Dah” by James Baskett.