Shaboozey, A Bar Song (Tipsy) | Song Review 🎵
![Shaboozey, A Bar Song (Tipsy) [📷: Brent Faulkner/The Musical Hype; American Dogwood / EMPIRE; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/04/shaboozey-a-bar-song-tipsy.jpg?fit=768%2C768&ssl=1)
Perhaps “A Bar Song (Tipsy)” isn’t your father or grandfather’s country music, but Shaboozey brings ample energy, entertainment, and fun to the table.

Sifting through all of the musical hype

Sifting through all of the musical hype
![Shaboozey, A Bar Song (Tipsy) [📷: Brent Faulkner/The Musical Hype; American Dogwood / EMPIRE; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/04/shaboozey-a-bar-song-tipsy.jpg?fit=768%2C768&ssl=1)
Perhaps “A Bar Song (Tipsy)” isn’t your father or grandfather’s country music, but Shaboozey brings ample energy, entertainment, and fun to the table.
![Beyoncé, Jolene [📷: Brent Faulkner/The Musical Hype; Parkwood Entertainment, LLC / Columbia; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/04/beyonce-jolene.jpg?fit=768%2C768&ssl=1)
Guest contributor, Bonita Alford: If Dolly Parton asks you to cover her signature song, “Jolene,” you better do it and do it right… which is exactly what Beyoncé did.
![Orville Peck & Willie Nelson, Cowboys Are Frequently Secretly Fond of Each Other [📷: Brent Faulkner/The Musical Hype; Orville Peck, LLC / Warner; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/04/orville-peck-cowboys-are-frequently-secretly-fond-of-each-other-1.jpg?fit=768%2C768&ssl=1)
Orville Peck and Willie Nelson collaborate on a fabulous cover of the Ned Sublette, queer country song, “Cowboys Are Frequently Secretly Fond of Each Other.”
![Kacey Musgraves, Too Good to be True [📷: Brent Faulkner/The Musical Hype; Interscope / MCA Nashville; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/03/kasey-musgraves-too-good-to-be-true.jpg?fit=768%2C768&ssl=1)
Country standout Kacey Musgraves delivers another beautiful, enjoyable, and well-rounded record with “Too Good to be True,” the second single from Deeper Well.
![Lainey Wilson, Country’s Cool Again [📷: Brent Faulkner/The Musical Hype; This Is Hit, Inc. d/b/a Broken Bow; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/02/lainey-wilson-countrys-cool-again-1.jpg?fit=768%2C768&ssl=1)
Grammy-winning country standout Lainey Wilson proves “Country’s Cool Again” on her first single of 2024.
![Beyoncé, 16 Carriages [📷: Brent Faulkner/The Musical Hype; Parkwood Entertainment LLC / Columbia; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/02/beyonce-16-carriages-1.jpg?fit=768%2C768&ssl=1)
Grammy-winning superstar Beyoncé stupendously ushers in Act II, the follow-up to Renaissance, with the gorgeous, stunning country ballad, “16 Carriages.”
![Beyoncé, Texas Hold 'Em [📷: Brent Faulkner/The Musical Hype; Parkwood Entertainment LLC / Columbia; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/02/beyonce-texas-hold-em-1.jpg?fit=768%2C768&ssl=1)
Beyoncé superbly showcases her country/western chops on “Texas Hold ‘Em,” one of two advance singles from her 2024 LP, Act II.
![Dixon Dallas, Leave This All Behind [📷: Brent Faulkner/The Musical Hype; Dixon Dallas; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/02/dixon-dallas-leave-this-all-behind-1.jpg?fit=768%2C768&ssl=1)
On his latest single, “Leave This All Behind,” gay country musician Dixon Dallas is in need of new boyfriend – “one that treats me like a queen.”
![Kacey Musgraves, Deeper Well [📷: Brent Faulkner/The Musical Hype; Interscope / MCA Nashville; Clker-Free-Vector-Images, Królestwo Nauki, OpenClipart-Vectors, Pete Linforth, Tumisu from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2024/02/kasey-musgraves-deeper-well-single.jpg?fit=768%2C768&ssl=1)
Grammy-winning country musician Kacey Musgraves provides deep reflection on “Deeper Well,” the title track and promo single from her sixth studio LP.
![Morgan Wallen vs. Ryan Mack: Head 2 Head No. 2 (2024) [📷: Brent Faulkner / The Musical Hype; [📷: Brent Faulkner / The Musical Hype; Big Loud, Republic, Ryan Mack; Hernán Toro, Los Muertos Crew, RDNE Stock project, Thomas Ronveaux from Pexels]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/12/morgan-wallen-ryan-mack-head-2-head-2-2024.jpg?fit=768%2C768&ssl=1)
In the 2nd edition of Head 2 Head (2024), Morgan Wallen and Ryan Mack contend for the best rendition of “Sand in My Boots.”
![Ryan Mack, Sand in My Boots (Acoustic): Covers No. 53 (2023) [📷: Brent Faulkner /The Musical Hype; Ryan Mack; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/12/ryan-mack-sand-in-my-boots-acoustic-covers-53-2023.jpg?fit=768%2C768&ssl=1)
In the 53rd edition of COVERS (2023), Ryan Mack delivers a compelling rendition of “Sand in My Boots,” originally performed by Morgan Wallen.
![Lana Del Rey, Take Me Home, Country Roads [📷: Polydor / Interscope]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/12/lana-del-rey-take-me-home-country-roads-1.jpg?fit=768%2C768&ssl=1)
Grammy-nominated pop singer/songwriter Lana Del Rey shines on her cover of the John Denver classic, “Take Me Home, Country Roads.”