Boyce Avenue, Will You Be There | COVERS
![Boyce Avenue, “Will You Be There”: Covers No. 29 (2023) [📷: Brent Faulkner /The Musical Hype; Peace; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/07/boyce-avenue-will-you-be-there-covers-29-2023.jpg?fit=768%2C768&ssl=1)
In the 29th edition of COVERS (2023), Boyce Avenue delivers a compelling rendition of “Will You Be There,” originally performed by Michael Jackson.

Sifting through all of the musical hype

Sifting through all of the musical hype
![Boyce Avenue, “Will You Be There”: Covers No. 29 (2023) [📷: Brent Faulkner /The Musical Hype; Peace; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/07/boyce-avenue-will-you-be-there-covers-29-2023.jpg?fit=768%2C768&ssl=1)
In the 29th edition of COVERS (2023), Boyce Avenue delivers a compelling rendition of “Will You Be There,” originally performed by Michael Jackson.
![ABBA vs. Cher: Head 2 Head 🗣️ No. 27 (2023) [📷: Brent Faulkner / The Musical Hype; Polar Music International AB, Warner; Hernán Toro, RDNE Stock project, Thomas Ronveaux from Pexels]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/07/abba-cher-head-2-head-27-2023.jpg?fit=768%2C768&ssl=1)
In the 27th edition of Head 🗣️ 2 Head 🗣️ (2023), ABBA and Cher contend for the best rendition of “Dancing Queen.”
![Colm R. McGuinness, Hellfire: Covers No. 28 (2023) [📷: Brent Faulkner /The Musical Hype; Colm R. McGuinness; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/07/colm-r-mcguinness-hellfire-covers-28-2023.jpg?fit=768%2C768&ssl=1)
In the 28th edition of COVERS (2023), Colm R. McGuinness delivers a compelling rendition of “Hellfire” from Disney’s The Hunchback of Notre Dame.
![Cher, “Dancing Queen”: Covers No. 27 (2023) [📷: Brent Faulkner /The Musical Hype; Warner; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/06/cher-dancing-queen-covers-27-2023.jpg?fit=768%2C768&ssl=1)
In the 27th edition of COVERS (2023), Cher delivers a compelling rendition of “Dancing Queen,” originally performed by ABBA.
![Adam Lambert, “You Make Me Feel (Mighty Real)”: Covers No. 26 (2023) [📷: Brent Faulkner /The Musical Hype; More is More, LLC / BMG Rights Management (US) LLC; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/06/adam-lambert-you-make-me-feel-mighty-real-covers-26-2023.jpg?fit=768%2C768&ssl=1)
In the 26th edition of COVERS (2023), Adam Lambert delivers a compelling rendition of “You Make Me Feel (Mighty Real),” originally performed by Sylvester.
![Johnny Mathis & Deniece Williams, “You’re All I Need to Get By”: Covers No. 25 (2023) [📷: Brent Faulkner /The Musical Hype; John Mat; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/06/johnny-mathis-youre-all-i-need-to-get-by-covers-25-2023.jpg?fit=768%2C768&ssl=1)
In the 25th edition of COVERS (2023), Johnny Mathis & Deniece Williams delivers a compelling rendition of “You’re all I Need to Get By.”
![Angie Stone, “Trouble Man”: Covers No. 24 (2023) [📷: Brent Faulkner /The Musical Hype; BRM / Peace Bisquit; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/05/angie-stone-trouble-man-covers-24-2023.jpg?fit=768%2C768&ssl=1)
In the 24th edition of COVERS (2023), Angie Stone delivers a compelling rendition of “Trouble Man,” originally performed by Marvin Gaye.
![Ghost, “We Don’t Need Another Hero”: Covers No. 23 (2023) [📷: Brent Faulkner /The Musical Hype; Loma Vista; cottonbro studio, MART PRODUCTION, Ron Lach from Pexels; Paul Brennan from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/05/ghost-we-dont-need-another-hero-covers-23-2023.jpg?fit=768%2C768&ssl=1)
In the 23rd edition of COVERS (2023), Ghost delivers a compelling rendition of “We Don’t Need Another Hero,” originally performed by Tina Turner.
![Anthony David, “Grandma’s Hands”: Covers No. 22 (2023) [📷: Brent Faulkner /The Musical Hype; Shanachie Ent. Corp.; Paul Brennan from Pixabay; Sdf Rahbar on Unsplash]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/05/anthony-david-grandmas-hands-covers-22-2023.jpg?fit=768%2C768&ssl=1)
In the 22nd edition of COVERS (2023), Anthony David delivers a compelling rendition of “Grandma’s Hands,” originally performed by Bill Withers.
![John Legend, “Open Your Eyes”: Covers No. 21 (2023) [📷: Brent Faulkner /The Musical Hype; Getting Out Our Dreams / Columbia; Paul Brennan from Pixabay; Sdf Rahbar on Unsplash]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/05/john-legend-open-your-eyes-covers-21-2023.jpg?fit=768%2C768&ssl=1)
In the 21st edition of COVERS (2023), John Legend delivers a compelling rendition of “Open Your Eyes,” originally performed by Bobby Caldwell.
![The Exciters, “Tell Him”: Covers No. 20 (2023) [📷: Brent Faulkner /The Musical Hype; Paul Brennan from Pixabay; Sdf Rahbar on Unsplash]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/05/the-exciters-tell-him-covers-20-2023.jpg?fit=768%2C768&ssl=1)
In the 20th edition of COVERS (2023), The Exciters delivers a compelling rendition of “Tell Him,” originally recorded by Johnny Thunder.
![Black Pumas, “Ain’t No Love In The Heart of The City”: Covers No. 19 (2023) [📷: Brent Faulkner /The Musical Hype; ATO; Paul Brennan from Pixabay; Sdf Rahbar on Unsplash]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2023/04/black-pumas-aint-no-love-in-the-heart-of-the-city-covers-19-2023.jpg?fit=768%2C768&ssl=1)
In the 19th edition of COVERS (2023), Black Pumas delivers a compelling rendition of “Ain’t No Love In The Heart of The City,” originally performed by Bobby Bland.