2020 | The Musical Hype

G-Eazy, Everything’s Strange Here | Album Review 💿

Give G-Eazy credit for experimenting on Everything’s Strange Here, but he’s best suited as a rapper as opposed to an alternative artist.

Now The Chicks, the Natalie Maines-led country trio continue their comeback with the epic, unapologetic single, “March March.”

Standout alternative pop singer/songwriter Melanie Martinez shines on “Fire Drill,” her second single of 2020 following “Copy Cat”.

Standouts Jonas Blue and MAX join forces on the irresistibly delicious, naughty, and suggestive pop single, “Naked.”

Ever unapologetic, Juicy J delivers his own protest anthem with “Hella F**kin’ Trauma (Enough is Enough),” produced by and sampling himself.

For the 91st interview on The Musical Hype, we chat with Sam, the bassist for Milton Keynes indie-rock band, Ali In The Jungle.

Usher captures the emotions of the racial issues plaguing America masterfully on “I Cry,” pledging to fight for necessary change.

South Korean girl group BLACKPINK deliver a total, infectious bop with the ultra-sleek “How You Like That.”

Hit-making rapper Megan Thee Stallion returns with another short, sweet, and fearlessly unapologetic banger, “Girls in the Hood.”

Jack Harlow calls upon DaBaby, Tory Lanez, and Lil Wayne for the remix of his Billboard Hoot 100 hit, “WHATS POPPIN.”

Toronto Indie-pop singer/songwriter Elrichman captivates on the unusual gem “On the Nose,” from his forthcoming album, Heaven’s Mayor.

British singer/songwriter Barbarossa shines on his single, “Make it Through,” which tackles the process of overcoming life’s hurdles.