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The âtalk-worthyâ list âSmall Talk + More Songs Worth Talking Aboutâ features songs by Doja Cat, Halsey, James Blake, Khalid & Niall Horan.
According to JMSN via Velvet (2018), ââTalk is Cheapâ / You got to show me itâs real / âCause I ainât got time to waste, noâŚâ Fair enough. For Florida Georgia Line, well, their modus operandi on âTalk You Out of Itâ (Canât Say I Ainât Country) is pleasure⌠Okay â one moâ! How about rapper Key Glock, who urged us to âHold up, real quick, let me talk my shit / They like who the fuck is this with this ice-ass wrist (Glock).â That song, of course, would be âTalk My Shit,â which appeared on his 2018 mixtape, Glockoma. All of these songs, which have TALKING in common, previously appeared on the 2018 playlist, 15 Songs Worth Talking About.
Now, my friends, we have a new talk-worthy list on hand: SMALL TALK & MORE SONGS WORTH TALKING! Yeah, baby, yeah! You can consider SMALL TALK & MORE SONGS WORTH TALKING both a supplement and sequel to the aforementioned list. SMALL TALK & MORE SONGS WORTH TALKING is comprised of 15 songs total, including songs by Doja Cat (âTalk Dirtyâ), Halsey (âWalls Could Talkâ), James Blake (âPut That Away and Talk to Meâ), Khalid (âTalkâ) and Niall Horan (âSmall Talkâ) among others. Get ready, get ready for even more talking⌠songs!
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1. Niall Horan, âSmall Talkâ
Heartbreak Weather â˘Â Neon Haze / Capitol â˘Â 2020
âLike wolves, we run wild, let passion get too much / Let ourselves get burned by the fireâŚâ Woah! Prior to his sophomore album, Heartbreak Weather, I mightâve questioned Niall Horanâs ability to be, well, SEXY. No, not as far as looks (the manâs a heartthrob) but selling that personality on a record. âSmall Talk,â the fifth track on the album, finds him showing off such abilities, seamlessly â yeah, I said it!
âTell me what you want because you know I want it too,â Horan sings passionately on the infectious chorus, continuing, âLetâs skip all the small talk and go straight up to your room / Iâve been thinkinâ what Iâd do when Iâm alone with you.â Hmm, someoneâs a bit horny for sure! Making âSmall Talkâ even more convincing are the ad-libs. Honestly, heâs totally invested into, well, âgetting it in.â I see you Niall, and I ainât mad at ya!
2. Verzache, âTalkâ
âTalkâ ⢠Zach Farache ⢠2020
âToo many things in my head / I donât even know what Iâm thinking at the time / Think I gotta rewind / Think about whatâs going on / Think about why I wanna dieâŚâ Wanna die? Thatâs certainly depressing, sigh. In an age where conformity is king, Verzache goes against the grain. The 21-year old Toronto, Canada musician (Zach Farache) seeks to be more nonlinear in his approaches. Characterized as âa pioneer in the modern experimental acoustic soundâ and a âtastemaker in the next wave of both production and songwriting style,â Faracheâs music naturally stands out from the crowd. On âTalkâ, the tastemaker comes up big.
âTalkâ falls under the umbrella of alternative music. That said, getting more specific, the record blends indie-pop, R&B, acoustic, singer/songwriter, and hip-hop. No, Verzache doesnât âbust a rhyme,â but the hard-hitting beat is characteristic of urban music (R&B, hip-hop) as well as modern pop. Additionally, Faracheâs vocal performance, which features some lovely falsetto, embraces pop-rap in regard to phrasing and rhythm. Still, this isnât your standard hip-hop or R&B record â âalternativeâ is the best characterization. But he does reference bitches toward the end of the song:
âOne of my bitches Too many bitches Why are you listening? All these things that are sick.â
Beyond bitches, thematically, Verzache struggles with TALKING about his problems. He clearly thinks a lot yet doesnât discuss his innermost thoughts. The aforementioned hook finds him in a bad spot, particularly the suicidal line. On the verse, Farache also seems to be perturbed, yet, towards the end of the verse, is at least ambitious: âI been hiding from the world / Wanna change shit.â Later, he also talks about changing himself. All in all, âTalkâ is quite a unique record. Verzache shows off his talent and unique approach and style.
3. Doja Cat, âTalk Dirtyâ
Hot Pink â˘Â Kemosabe / RCA â˘Â 2019
âGo down, go down, go down, yeah / Let me see you go to town, yeah.â In 2018, much of the world was introduced to bold, unapologetic rapper/singer Doja Cat. Those lyrics hail from âGo to Townâ, a standout from her debut album, Amala. More than a year later, Amala Zandile Dlamini released her sophomore album, Hot Pink, an effort with no shortage of SEX. Naturally, the song at hand, âTalk Dirty,â is totally sexed-up.
âTalk Dirtyâ doesnât leave much to the imagination, but subtlety isnât really Doja Catâs style. Her flow is explosive mind you, even if her subject matter is limited.
âSaid when you talk like that, put that shit to work Make that kitty hurt, make that kitty squirt Tell me whatâs my name, make that kitty yearn Teach me how to jerk, make that kitty learnâŚâ
Yeah, thatâs a lot of âkittyâ references⌠Anyways, her sung moments are quite respectable, bringing some refinement to a very unrefined effort. The production by Kurtis McKenzie and f a l l e n is slick and quite sound if nothing else.
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4. Khalid, âTalkâ
Ft. Disclosure
Free Spirit ⢠RCA â˘Â 2019
âYeah, started off right / I can see it in your eyes / I can tell that youâre wantinâ moreâŚâ âTalkâ is among the best things regarding Free Spirit, the relatively disappointing sophomore LP by Grammy-nominated R&B. musician Khalid. âTalkâ is sleekly produced to the nth degree, thanks to the talents of Disclosure. The synths are warm, yet also have the right amount of bite. The beat itself is perfectly suited for the singer and a modern, urban contemporary record in general.
As always, Khalid delivers a strong vocal performance, showcasing his inescapable, distinct tone. Besides his compelling chest voice, he also delivers some lovely falsetto as well. Adding to the strength of âTalkâ is a memorable chorus which serves as the crème de la crème.
âCan we just talk? Can we just talk? Talk about where we're goinâ Before we get lost, lend me your thoughts Canât get what we want without knowinâ Iâve never felt like this before I apologize if Iâm movinâ too far Can we just talk? Can we just talk? Figure out where we're goinâ.â
âTalk,â unsurprisingly, was ranked among the best songs of 2019 â ninth to be exact.
5. Katy Perry, âSmall Talkâ
âSmall Talkâ â˘Â Capitol â˘Â 2019
âAnd I just canât believe / We went from strangers to lovers to strangers in a lifetimeâŚâ On the 2019 Katy Perry single, âSmall Talkâ, well, you could say that the talk, rather the buzz, was quite small. âSmall Talk,â co-written by Charlie Puth, who also serves as a producer (another co-writer, Johan Carlsson, also produces), simply didnât pack much of a punch required of a hit single. From a production standpoint, it sounds pleasant with its electronic-pop cues, but never blows you away. Perhaps this is because the sound is so light, where a bit more punch wouldnât have hurt the cause. Vocally, Perry pleasant as well but never ascends to the next level. That isnât to say she doesnât bring some energy, but like the production, thereâs that lack of a âwowâ factor.
Honestly, the aforementioned pre-chorus lyrics sum up the song. Katy Perry and her ex-lover started off as strangers, became well acquainted as lovers, and now are complete strangers again. Basically, she knows everything about him (âIsnât it wild that I know your weakness? / And everybody at the party thinks / That youâre the best thing since sliced breadâ), he knows about her (âIsnât it weird that youâve seen me naked?â), but âNow thereâs nothing left but small talk.â All you can say is, SMALL TALK indeed⌠BTW, âSmall Talkâ was selected among The Absolute Worst Songs of 2019.
6. Kevin Gates, âWalls Talkingâ
Iâm Him ⢠Bread Winnersâ Association ⢠2019
âIâm a prisoner in my own mind / I feel like these walls talkinâ to me / I feel like these wall talkinâ to me.â Damn, thatâs a scary thought Kevin Gates. âWalls Talkingâ appears on the Baton Rouge rapperâs sophomore album, Iâm Him, which serves as the proper follow up to Islah (2015). âWalls Talking,â produced by Richie Souf and Roark Bailey, appears as the eighth track on the 17-track LP. Fitting, the record previously appeared on the playlist, 12 Intriguing Songs That Reference Walls.
The aforementioned chorus is quite melodic, definitely a contrast to the edgier rhymes we associate with Gates. That melodic sensibility continues on the first verse, with the rapperâs approach being reminiscent and reflective. That said, heâs honest about the hard knock life heâs lived, specifically some bad decisions. âNever spoke on this, they say that I murdered my best friend,â she spits, continuing, âIt was just business, it wasnât personal, you know how the world isâŚâ Wow. The second verse is actually less melodic and more un-pitched, but maintains the reflective, reminiscent tone. Some of my favorite lyrics appear on both the first verse and the bridge:
âAnd Iâll admit it, beinâ young, I made some bad decisions Heart too big, thatâs when my loyalty got used against me.â
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7. Hozier, âTalkâ
Wasteland, Baby! ⢠Columbia ⢠2019
âI wonât deny, Iâve got in my mind now / All the things I would do / So I try to talk refined for fear that you find out / How Iâm imagininâ you.â âTalkâ appears as the ninth track from Wasteland, Baby!, the long-awaited sophomore album by Irish singer/songwriter, Hozier. âTalk,â moderate in pace, possesses a seductive vibe, and is anchored by soulful groove. The aforementioned lyrics, excerpted from the chorus, serve as sufficient evidence of the seduction.
Of course, there are more examples. On the first verse, Hozier references Orpheus and the lengths he went to be with Eurydice after her death (âIâd be the voice that urged Orpheus / When her body was foundâŚâ). On the second verse, the seductive tone is clear, with lyrics like, âIâd be the sweet feeling of release / Mankind now dreams ofâŚâ Ultimately, âTalkâ is a balanced performance that packs a punch without even threatening to become overwrought. Hozier does a fine job of keeping one foot in the door of the past (soul), while also remaining relevant in the present.
8. Future, âTalk Shit Like a Preacherâ
Future Hndrxx Presents: The WIZRD ⢠Epic â˘Â 2019
âI designed my sneakers, yeah / I done fucked my teacher / Talk shit like a preacher (talk) / On the corner with a beeper (on the corner with a beeper).â Woah Future, whoa! âDone fucked my teacherâ and âTalk shit like a preacherâ â WOW! âTalk Shit Like a Preacher,â the eighth song from Future Hndrxx Presents: The WIZRD (2019), has previously appeared on another playlist: 11 Secular Songs About Praying, Preaching & Baptism. Of course, given its reference to talking, itâs a perfect fit for the playlist at hand, SMALL TALK + MORE SONGS WORTH TALKING ABOUT.
You might argue that Future does a lot of âdamageâ in a short amount of time. How so? Well, the southern rapper keeps things âshort and sweetâ on his colorful joint.  On âTalk Shit Like a Preacher,â he references sex, money, material, and expectedly, all things âflex.â As the title suggest, he talks a lot of shit. Of course, fair warning â donât play this one in church! #Facts.
9. Sam Fender, âWill We Talk?â
Hypersonic Missiles â˘Â Polydor â˘Â 2019
âAnd she said / âIf you dance with me, darlinâ / If you take me home / Will we talk in the morninâ?â Sounds like a legitimate question to me Sam Fender! If youâve never heard the British singer/songwriter, well, heâs pretty rad. Similarly, so is his entire debut album, Hypersonic Missiles. What makes Hypersonic Missiles the âcatâs meow?â Excellent musicianship in regard to vocal performances and colorful, creative, and poetic songwriting. Fortunately, Fender has a talk-centric song, âWill We Talk?â, that we can lock into SMALL TALK + MORE SONGS WORTH TALKING ABOUT.
âThereâs no romance Sprawled out across the couch Canât even make his fuckinâ face out An age-old ritual.â
The tempo is quick on âWill We Talk?â, a record that Fender states is about one-night stands. Â Â When originally reviewing Hypersonic Missiles, I didnât consider âWill We Talk?â to be the very best, but revisiting it, it gives Sam Fender another enjoyable record featuring a high-energy performance. Notably, Fender, who has been compared to Bruce Springsteen, exhibits legit âSpringsteen vibesâ on this cut, and thereâs nothing wrong with that! Additionally, thereâs a dash of 80s rock, without overdoing the synths or the gloss, which is pretty sweet.
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10. A Perfect Circle, âTalkTalkâ
Eat the Elephant ⢠A Perfect Circle / BMG Rights Management â˘Â 2018Â
In 2018, A Perfect Circle returned with, Eat the Elephant, their fourth studio album. For Maynard James Keenan, it was a long time coming; Eat the Elephant arrived 14 years after the bandâs third album, Emotive, released in 2004. Wow! The song at hand, single âTalkTalkâ, arrived as the third advance single from the LP. Â
âTalkTalkâ is set in d minor, certainly an often-used key for Maynard James Keenan throughout his career. The record has one pure verse, and itâs not particularly assertive structurally. The first chorus, which follows, brings more extra oomph to âTalkTalk,â including the utterance of a f-bomb:
âSit and talk like Jesus Try walkinâ like Jesus Sit and talk like Jesus Talk like Jesus Talk, talk, talk, talk Get the fuck out of my way.â
The intense chorus, capped off by the bomb, is followed by an extended bridge. That bridge is highlighted by lyrics including âDonât be the problem, be the solutionâ and âFaith without works is⌠dead.â The first half is much more reserved, sung in an undertone. The second half is bit more like a second verse, though not quite. Nonetheless, itâs a bit more assertive leading into the second chorus, a variation of the first. Safe to say, âTalkTalkâ is an interesting song.
11. Spencer Sutherland, âTalkâ
âTalkâ â˘Â NEC â˘Â 2018
Urban-pop singer Spencer Sutherland hails from Pickerington, Ohio. Notably, he was a finalist on the UK version of X Factor. Listening to him sing, itâs crystal clear why he was so successful on the competition, and why heâs compelling as an artist. Sutherland showed off his full range of abilities on his 2018 single, âTalkâ, definitely a record worth talking about.
The well-produced âTalkâ features groovy, contemporary pop production. In regard to the form, the sections are well-defined: verse, pre-chorus, chorus, and later, a brief bridge. Notably, the bridge is comprised mostly of ad libs, leading into the final chorus. The chorus, as to be expected, is the centerpiece:
âAll we do is talk When we should be kissing I keep staring at your lips, but just canât seem to listen All we do is talk Tell me why weâre waitinâ We both know itâs time our bodies have a conversation All we do is talk, talk, talk, Talk, talk, talk.â
Sutherland delivers compelling, nuanced vocals throughout. He has a distinct tone of voice, sounding relatively husky in his middle register. He also surprises beyond his alluring middle register, exhibiting a lovely falsetto on the chorus. Ultimately, the brightness and ripeness of the falsetto is nothing short of awesome.
12. Halsey, âWalls Could Talkâ
Hopeless Fountain Kingdom ⢠Astralwerks ⢠2017
Halsey has had quite a successful career. Her debut album, Badlands, and her sophomore album, Hopeless Fountain Kingdom, were certified platinum by the RIAA. Focusing on the album at hand, Hopeless Fountain Kingdom, released in 2017, is conceptual, incorporating the artistâs own love issues as well as referencing Shakespeareâs Romeo and Juliet, among numerous other influences. After âWalls Could Talkâ first got into the âwallâ action on the playlist 12 Intriguing Songs That Reference Walls, she reappears on SMALL TALK + MORE SONGS WORTH TALKING ABOUT thanks to, well, talking and specifically, the word, talk.
âAnd we both hope thereâs something / But we bo-both keep fronting / And itâs a closed discussion / And Iâm thinking, âDamn, if these walls could talk.â Pretty sweet pre-chorus if I do say so myself. âWalls Could Talk,â the 10th track from Hopeless Fountain Kingdom, is actually pretty sweet overall to be honest. Itâs a record that sounds like a throwback to 90s teen-pop, in all its bubblegum, urban-infused glory. This includes the quick rhythmic nature of the melody on the verses. Halsey has some attitude as well â âBut youâre so damn good with a bobby pin / Now you gonâ play me like a violin, hittinâ these notes.â Arguably, the most unfortunate thing about this certified bop is its brevity.
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13. Charlie Puth, âWe Donât Talk Anymoreâ
Ft. Selena Gomez
Nine Track Mind ⢠Artist Partner Group ⢠2016
On âWe Donât Talk Anymoreâ Charlie Puth, assisted by Selena Gomez, cooked up a harmless, moderately delicious hit single. Early on in his career, Puth has a knack for cheesiness. No disrespect intended, of course, but he comes off a wee bit too sensitive. At the same time, it works â to an extent. âWe Donât Talk Anymoreâ is certainly one of the better moments from his spotty 2016 debut album, Nine Track Mind.
âWe donât talk anymore, we donât talk anymore We donât talk anymore, like we used to do We donât love anymore What was all of it for? Oh, we donât talk anymore, like we used to do.â
âWe Donât Talk Anymoreâ is light, innocent sounding pop. The production work isnât incredibly flashy, comprising of guitar and a relatively basic beat. Puth and Gomez both sound respectable, which isnât always true of either â no shade. Gomez actually sounds better than she has on some of her own songs. Moderately fun, itâs not far-fetched or surprising that âWe Donât Talk Anymoreâ gained traction at radio. Still, it lacks lyrical substance and thematic contrast. The ultimate point is âWe donât talk anymoreâ and, well, there isnât a deeper narrative. Worth talking about? To an extent â just donât dive too deep.
14. James Blake, âPut That Away and Talk to Meâ
The Colour in Anything ⢠Polydor ⢠2016
âPut that away and talk to me / Iâm not the one with a fantasy / As lonely as you feel right now / Put that away and talk to me.â Alternative/electronic (and generally genre-bending) musician James Blake is one of the most creative artists in the music business â thatâs NOT up for debate. Furthermore, heâs among the most distinct, with his unique vocals and his approach to production. Among the best songs on his 2016 album, The Colour in Anything is âPut That Away and Talk to Me.â
âIâm in a waiting after every inhalation,â Blake sings on the second verse, continuing, âTheyâre keeping me full today / Where is my beautiful life?â Say what? âPut That Away and Talk to Meâ is nothing short of a trip. That said, the âtripâ part is literal, considering Blake has admitted, the song is about smoking too much weed. Makes sense â the high seems to permeate by all means.   The music is minimalist but brilliant; mysterious and a bit trippy. He embraces his falsetto, always a win, as well as autotune. All in all, his high is also high-flying for listeners everywhere.
15. Jason Derulo, âTalk Dirtyâ
Ft. 2 Chainz
Talk Dirty ⢠Warner â˘Â 2014
âTalk Dirtyâ kicks off Talk Dirty, the 2014 studio album by R&B/pop sensation Jason Derulo, alluringly with its sinful brilliance. Calling the joint heavenly is blasphemous considering its suggestive lyrics and equally âdirtyâ production. âTalk Dirtyâ owes a ton to Balkan Beat Boxâs âHermeticoâ âthe majority of the production actually. That seductive sax comes off as nasty as opening lyrics from verse one.
On the first verse, Derulo sings, âIâm that flight that you get on, international / First class seat on my lap, girl, riding comfortable.â If heâs a bit subtler regarding sexual endeavors, 2 Chainz is more explicit. Sure, both dudes are quite shallow, but the addictive nature of the song, particularly the chorus, is undeniable. Itâs definitely worth talking about!
âBeen around the world, donât speak the language But your booty donât need explaining All I really need to understand is when you Talk dirty to me.â
âTalk Dirtyâ previously appeared on the playlist, 11 Dirty, Filthy & Unclean Songs.
Small Talk + More Songs Worth Talking About [Photo Credits: A Perfect Circle, Artist Partner Group, Astralwerks, BMG Rights Management, Bread Winnersâ Association, Brent Faulkner, Capitol, Columbia, Epic, Kemosabe, The Musical Hype, NEC, Neon Haze, Pexels, Pixabay, Polydor, RCA, Warner, Zach Farache]
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