[usr 3]
Omarion has difficulty carving space in a cool urban contemporary market with his clichĂ© new single, âBDY ON ME.â
It has been a while since Omarion has been a truly relevant force in urban contemporary music. No disrespect, but the talented R&B singer hasnât packed a serious musical punch in some time. The former B2K lead singer attempts to capture his best days on his latest single, âBDY ON ME.â The question is, is the O singer successful?
First and foremost, thereâs nothing painfully wrong with âBDY ON ME.â Sex and urban contemporary music are practically synonymous, particularly from the male perspective. Furthermore, Omarion has been singing about sex throughout the course of his career. While this subject matter is shallow, itâs the niche that heâs been successful in for years. The sound of the record is fresh enough, without being groundbreaking or game changing. At under three minutes, itâs hard to quibble with the length, particularly given the straightforwardness of the record.
Ultimately, âBDY ON MEâ is sound, but, it is also incredibly clichĂ©. Omarion sounds like an artist who is closer to running out of moves than one trying to rekindle the magic. âBDY ON MEâ isnât produced by DJ Mustard (shockingly), but the backdrop has similar qualities. At this point, the sound is starting to wane a bit. Vocally, he sounds great, but itâs hard to get into âBDY ON MEâ because itâs all too familiar. In this instance, Omarion could be any other R&B male singer expressing his utmost horniness, and it wouldnât make a difference.
Final ThoughtsÂ
Basically, âBDY ON MEâ seems more like a wasted opportunity than a grand comeback for Omarion. He remains a talented singer by all means, but âBDY ON MEâ does little to distinguish him from his contemporaries. With R&B on the âstruggle busâ as it is, R&B musicians need to try to find creative ways to remain relevant and distinct in the industry. For Omarion, âBDY ON MEâ isnât quite enough.



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