
On his new single, “Ruiner,” rapper, singer, and songwriter nothing, nowhere. showcases his eclecticism, potential, and promise as an artist.
Nothing, nowhere. is an eclectic, up-and-comer in the music game. Multi-talented, Joe Mulherin is a rapper, singer, and songwriter. Perhaps he is best classified as an alternative musician, for lack of a better characterization. His new single, “Ruiner,” paints an accurate picture of the type of artist he is, for those unfamiliar as of yet.
“Ruiner” opens with a subtle groove, before guitar-driven, pop-rock oriented production enters the picture. Nothing, nowhere. serves up agile rhymes. Unsurprisingly, it only takes two lines before the obligatory f-bomb enters the picture.
“It’s the young Edgar Allan spitting live from the basement / Do it for the love, give a fuck about the payment.”
At least he’s passionate. A bridge (functioning as the pre-chorus) precedes the chorus. The sound is more of a melodic, pop-rap sound, contrasting the straight rhymes of the preceding verse. It’s followed by a fully melodic chorus, which is a welcome contrast to the rhymes. The chorus isn’t the most memorable ever, but Nothing, nowhere. is on the right track.
“Oh no, what’s your mama gonna say / When I tell her that I broke your heart? / It’s just things aren’t the way that they used to be / Oh no, now you’re crying on the bathroom floor / And I guess it’s the end / Well I lost my mind, then I lost my best friend.”
The second verse is more of the same – quick rhymes, another f-bomb, and an assertive approach. “Seems like every time I leave I end up thinking of us / I keep fucking with your head like a lobotomy / I lost it all and you’ll always be a part of me.” A completely different bridge comes along, preceding the final chorus.
Final Thoughts
How does “Ruiner” stack up? Nothing, nowhere. has his share of moments. The pop-rock backdrop is a selling point, particularly behind his pointed rhymes. His ability to float between rap, pop-rap, and singing is also a pro. That considered, “Ruiner” isn’t quite a homerun. The potential, as well as the vibe is ripe, while the execution is close, if it falls just a hair short. Pleasant and promising, it’ll be interesting seeing the continual growth of this talented artist.



![Brandon Lake, Changing [📷: Provident Label Group LLC]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/brandon-lake-changing.jpeg?fit=640%2C640&ssl=1)
![Snoh Aalegra, Karma [📷: Feels Run Free / Stem]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/snoh-aalegra-karma.jpeg?fit=640%2C640&ssl=1)
![Zach Bryan, Young Manhood and Other Donatable Organs (EP) [📷: Belting Bronco Records / Warner Records Inc.]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/zach-bryan-young-manhood-and-other-donatable-organs.jpeg?fit=640%2C640&ssl=1)