Although it runs long, there is plenty to like about Dangerous: The Double Album, the sophomore LP by country standout, Morgan Wallen.
Country music has a big following â few will dispute that. That said, itâs rarer that a country musician ends up with a highly anticipated album that has the pop world tuned it. Well, my friends, Tennesseeâs own đ Morgan Wallen has definitely experienced a âcome up,â becoming of countryâs biggest names. His ascent sets up his sophomore album, đż Dangerous: The Double Album for success. It isnât all hype either â Dangerous has ample selling points. Topping the list are those awesome pipes by the star himself.
đż 1
âSand in My BootsâÂ
Morgan Wallen commences Dangerous: The Double Album with a surefire bang. No, â đ” âSand in My Bootsâ isnât an up-tempo country banger, but it is a gorgeous country ballad that âgives off those feels.â Wallen showcases his terrific instrument, singing with incredible expression and nuance. The songwriting is solid, particularly the centerpiece, the passionate chorus where heâs âDodging potholes in my sunburnt Silverado / Like a heart-broke Desperado, headinâ right back to my roots.â
â đ” âWasted on Youâ definitely has a hard act to follow but proves to be up to the task. The record maintains country cues but doesnât limit itself. How so? Well, that drum programming definitely donât characterize your fatherâs country music, does it? Where so often pop experiments in country fall flat, Wallen makes it work well here. Again, his voice shines. If you needed something slightly more traditional (none of them fancy drums), the brief đ” âSomebodyâs Problemâ should tickle your fancy. Wallen gives us some twang as he longs for this girl who was once âsomebodyâs problem, somebodyâs goodbyeâ that is ultimately âabout to be mine.â In other words, sheâs incredibly special and heâs all about making her his.
âMore Surprised Than MeâÂ
On đ” âMore Surprised Than Me,â Wallen explores assumptions made about himself, as well as his relationship. âBut nobody buys it when we walk in / They say there ainât no way that sheâs with him,â he sings on the chorus, adding âIn a world where nothing is what it seems / And no one more surprised than me.â The chorus is pretty sweet, as are the verses where he mentioned buying a Harvard sweatshirt at Goodwill and his accent making him dumb â at least, thatâs the perception.
Alcohol and country wonât be âquitting each otherâ anytime soon. Thatâs awesome for us when it comes to â đ” â865,â where the whiskey Morganâs drinking reminds him of an ex- (from his hometown) heâs totally not over (area code 865, with ensuing telephone number). Itâs not the first country song involving the bottle, but he manages to make the experience unique. Pop fans never fear â â đ” âWarningâ fuses the best of both worlds. Vocally, Wallen remains true to self, sounding Tennessean through and through. Furthermore, thereâs a story in play, cementing âWarningâ in the country corner. Still, once more, we get some pop cues that beyond the standard guitars, mainly in the form of sleek drums. Throw in a catchy chorus, and the crossover is complete.
âNeon Eyesâ
Wallen wisely never strays too far, with đ” âNeon Eyesâ shoring up the base… for the most part.  Itâs energetic and entertaining, continuing to play to his strengths. Once again, itâs his awesome voice and a catchy chorus that seals the deal. đ” âOutlaw,â featuring đ Ben Burgess, is actually more traditional, with those ripe guitars providing some punch. Of course, Burgess proves to be an asset, singing the second verse and the following chorus. Â
âTequila made me crazy / Cold beer wouldnât do / So Iâd whiskeyâd my way over you.â As is often the case, Morgan Wallen looks to âdrown his sorrowsâ via đ” âWhiskeyâd My Way.â  Thatâs the country way. Of course, itâs not specific to country â the alcoholic atonement is universal! The source of his depression? Heartbreak, of course â isnât that always the way? Despite his mood, he shows out on this lively ballad.
âWonderinâ Bout the Windâ
Dangerous continues on consistently and enjoyably with đ” âWonderinâ Bout the Wind.â Of course, things are more fun when beer đș is involved. Thatâs where â đ” âYour Bartenderâ comes into the mix. Written hypothetically, Wallen asserts everything heâd be and do for her, capped off by his role at the bar: âIf I was your bartender / Iâd mix âem up strong in a tall blender.â Of course, you would Morgan. Worth noting, this ranks among the best-produced tracks (đ Joey Moi and đ Matt Dragstrem) on an album that seems to spare little expense.
On â đ” âOnly Thing Thatâs Gone,â Wallen collaborates with country royalty â đ Chris Stapleton! Two fantastic voices rise to the occasion, particularly as they harmonize on another alcoholic chorus:
âBartender, pour me one more Make it quick and make it strong âCause buddy, my last drink, yeah Ainât the only thing thatâs gone.âÂ
In addition to high-flying pipes and another heaping dose of heartbreak, we get a kick ass guitar solo. Yep, thatâs some âCountry A$$ Shitâ right there. Oops â we havenât got to that song yet (thatâs đż two)!
âCover Me UpâÂ
âYour Bartenderâ and âOnly Thing Thatâs Goneâ definitely keep the momentum going strong approaching the end of the first disc. The excellence doesnât cease there. â đ” âCover Me Upâ marks one of the more impressive and radiant ballads to appear on the album. In an album filled with memorable choruses, âCover Me Upâ definitely earns a spot among the best of the best, if itâs not the very best. Of course, doesnât hurt that itâs a đ Jason Isbell cover, right? Further making this a gem is the combination of top-notch vocals and of course, incredible authenticity as an artist â Wallen seems very true to self.
âBut I wonder when youâre drinking if you / Find yourself thinking about / That boy from East Tennessee?â Amazingly, crowd pleaser â đ” â7 Summersâ doesnât appear until the 14th track â the middle of this 30-track affair. Nonetheless, itâs well worth the wait, continuing the victory lap that Wallen has taken throughout the course of Dangerous: The Double Album. Written by Wallen, đŒ â Shane McAnally, and đŒ â Josh Osborne, Wallen reminisces on a past relationship, always a perfect topic for a song, particularly a country song. He closes out the first half of Dangerous with đ” âMore Than My Hometownâ asserting, âBaby, this might be the last time I get to lay you down / âCause I canât love you more than my hometown.â Fittingly, âMore Than My Hometownâ gives this country album itâs obligatory song about hometowns.
đż 2
Had Morgan Wallen only released the first disc of Dangerous, well, heâd have a damn good country album in its own right. But of course, he doesnât âcall it a dayâ after 15 tracks â he has 15 more. He kicks the second disc off energetically with đ” âStill Goin Down.â Here, we get the portrait of Wallen being open and honest about his southern roots. Heâs East Tennessean through and through and he wants the world to know, âitâs still goinâ down out in the country.â Apparently â we have you Morgan!
Keeping it countrified, đ” âRednecks, Red Letters, Red Dirtâ directly appeals to the core country base. Call it what it is â that âCountry A$$ Shit!â There are no pop gimmicks or concessions made. From there, we get đ” âDangerousâ with the title track.  âDangerousâ provides a contrast without necessarily deviating from the script â this is still C-O-U-N-T-R-Y! Still, the tempo is a bit quicker here, and the melody is more rhythm.  Thereâs enough âchange of paceâ to provide a bit more widespread appeal without dare assimilating to pop. It doesnât bring in the pop crowd like âWasted on You,â âWarning,â or â7 Summers,â but thereâs definitely some appeal beyond the base. Â
âBeer Donâtâ
Of course, on â đ” âBeer Donât,â the appeal, once more, comes from beer đș. On this loud, twang heavy joint, Wallen tells everything that âbeer donât do.â That includes the fact that it âdonât bust its ass Monday to Friday.â Heâs got a point there! Indeed, âBeer donât start nothinâ but the party.â Â The groove is pretty sweet on another high-energy number, đ” âBlame It on Me.â Another hypothetically-penned record, the solution is to â you guessed it â âblame it on me.â As the source of the blame, Morgan has definitely influenced her â if all of the things he lays out actually happen that is!
The second half of Dangerous continues to double down on country. A prime example is đ” â âSomethinâ Country,â a moderately-paced number with some of the quickest, most rhythmic lines throughout the LP.  Among the country vocabulary: boots, catfish, hillbilly, hollow, Honky Tonk, and of course, rednecks. While I canât personally relate, those who are country to this extent will eat this up.  Musically, there are plenty of intriguing happenings.
âThis Barâ
âThose nights what I would give for one more Bud Light.â Of course â the song isnât called â đ” âThis Barâ for no reason. Wallen continues to be country to the core, for the better on this highlight. Instrumentally, âThis Barâ is full-on rhythmic machine, carried by banjo, guitars, and of course, pummeling drums. Wallen is potent and gritty, continuing to flaunt the twang as he narrativizes the bar. Like most of Dangerous give him credit for the emotion and expressiveness that he exhibits throughout. While the alcohol is potent, âThis Barâ is indeed more than alcoholic consumption, best exemplified by the catchy chorus:
âI found myself in this bar Making mistakes and making new friends Us growing up and nothing made sense Buzzing all night like neon in the dark I found myself in this.â
Finally, that đ” âCountry A$$ Shitâ comes along, and itâs as funny (and unapologetically country) as anticipated. Wallen sounds incredibly loose here. He says it best: âI just wanna do country-ass shit / ⊠But wait a minute, the whole world can kiss it / âCause me and my country ass gone fishinâ.â Fair enough. And if that wasnât enough, throw in more country-ass shit with đ” âWhatcha Think of Country Now.â  This a prime example of rinse and repeat, country style!
âMe on Whiskeyâ
After going full throttle for two consecutive tracks â that âcountry ass shitâ â Morgan Wallen tones things down a smidge. Donât get it twisted as đ” âMe on Whiskeyâ is still energetic, but not nearly as âin your faceâ as the previous pair of songs. Once more, the gift that keeps on giving, the chorus, works highly in the artistâs favor.
Weâve waited all album, but finally, we get a song about a boat! Not only is đ” âNeed a Boatâ about another clichĂ© country topic, but it also speeds up the tempo and brings another novel track to Dangerous. Among the pros are the musical backdrop, with its various sounds and rhythmic lines (all idiomatic of country) as well as the playful performance by Wallen. Soon enough, the pace slackens on the powerful ballad, đ” âSilverado for Sale.â âGod knows all the stories it can tell,â Wallen sings, continuing on the chorus, âI got a Silverado for sale.â And yes, Wallen is referencing the truck, just as he did on the opener, âSand in my Boots.â For those who donât adore pickup trucks like the country boys do, perhaps it isnât quite as potent, but just imagine the memories of something meaningful in your life and youâll sort of get it, ha-ha.Â
âHeartlessâ
Homestretch â weâve nearly made it through this Dangerous album full of âcountry a$$ shit!â Kidding⊠sort of. The 28th track, â đ” âHeartless â Wallen Album Mix,â marks another highlight for Wallen. If much of side two lacks that bridge to pop/crossover appeal, âHeartlessâ provides that bridge. Itâs slickly produced (Joey Moi is awesome), well written, and as always, Morgan sings in beastly fashion. The chorus just screams crowd pleaser.
Beyond âHeartless,â penultimate number đ” âLivinâ the Dreamâ continues to be an about face from much of side two.  Is it still country? Of course, but far less pronounced. Wallen caps things off fittingly with the moderately paced đ” âQuittinâ Time.â Sure, he wasnât referring to the fact that he just dropped a 97-minute album, but, safe to say, Morgan has put in ample time and work.
Final ThoughtsÂ
All in all, Dangerous: The Double Album is an enjoyable, well-rounded sophomore album by Morgan Wallen. There is something for country fans and non-country fans on this album, which is quite notable. You definitely canât leave the table not feeling full as Wallen gives a hearty helping â perhaps too much fat and calories all said and done. While youâre more likely to pick and choose your favorites from Dangerous as opposed to spin all 97 minutes on repeat, there is no shortage of goods to choose from. Above all, Wallen shows off just how amazing he sounds as singer.
â Gems đ: âSand in My Boots,â âWasted on You,â â865,â âWarning,â âYour Bartender,â âOnly Thing Thatâs Gone,â âCover Me Up,â â7 Summers,â âBeer Donât,â âSomethinâ Country,â âThis Bar,â âCountry A$$ Shit,â âHeartlessâ Â Â Â Â