Reading Time: 8 min read

3.5 out of 5 stars

Morgan Wallen, Dangerous: The Double Album [📷 : Big Loud / Republic]Although it runs long, there is plenty to like about Dangerous: The Double Album, the sophomore LP by country standout, Morgan Wallen.

Country music has a big following – few will dispute that. That said, it’s rarer that a country musician ends up with a highly anticipated album that has the pop world tuned it.  Well, my friends, Tennessee’s own 🎙 Morgan Wallen has definitely experienced a ‘come up,’ becoming of country’s biggest names.  His ascent sets up his sophomore album, 💿 Dangerous: The Double Album for success.  It isn’t all hype either – Dangerous has ample selling points.  Topping the list are those awesome pipes by the star himself.

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💿 1

“Sand in My Boots” 

Morgan Wallen commences Dangerous: The Double Album with a surefire bang.  No, 🎵 “Sand in My Boots” isn’t an up-tempo country banger, but it is a gorgeous country ballad that ‘gives off those feels.’  Wallen showcases his terrific instrument, singing with incredible expression and nuance.  The songwriting is solid, particularly the centerpiece, the passionate chorus where he’s “Dodging potholes in my sunburnt Silverado / Like a heart-broke Desperado, headin’ right back to my roots.”

🎵 “Wasted on You” definitely has a hard act to follow but proves to be up to the task.  The record maintains country cues but doesn’t limit itself. How so? Well, that drum programming definitely don’t characterize your father’s country music, does it?  Where so often pop experiments in country fall flat, Wallen makes it work well here. Again, his voice shines.  If you needed something slightly more traditional (none of them fancy drums), the brief 🎵 “Somebody’s Problem” should tickle your fancy. Wallen gives us some twang as he longs for this girl who was once “somebody’s problem, somebody’s goodbye” that is ultimately “about to be mine.” In other words, she’s incredibly special and he’s all about making her his.


“More Surprised Than Me” 

On 🎵 “More Surprised Than Me,” Wallen explores assumptions made about himself, as well as his relationship.  “But nobody buys it when we walk in / They say there ain’t no way that she’s with him,” he sings on the chorus, adding “In a world where nothing is what it seems / And no one more surprised than me.” The chorus is pretty sweet, as are the verses where he mentioned buying a Harvard sweatshirt at Goodwill and his accent making him dumb – at least, that’s the perception.

Alcohol and country won’t be “quitting each other” anytime soon.  That’s awesome for us when it comes to 🎵 “865,” where the whiskey Morgan’s drinking reminds him of an ex- (from his hometown) he’s totally not over (area code 865, with ensuing telephone number). It’s not the first country song involving the bottle, but he manages to make the experience unique.  Pop fans never fear – ✅🎵 “Warning” fuses the best of both worlds.  Vocally, Wallen remains true to self, sounding Tennessean through and through. Furthermore, there’s a story in play, cementing “Warning” in the country corner.  Still, once more, we get some pop cues that beyond the standard guitars, mainly in the form of sleek drums.  Throw in a catchy chorus, and the crossover is complete.


“Neon Eyes”

Wallen wisely never strays too far, with 🎵 “Neon Eyes” shoring up the base… for the most part.   It’s energetic and entertaining, continuing to play to his strengths.  Once again, it’s his awesome voice and a catchy chorus that seals the deal.  🎵 “Outlaw,” featuring 🎙 Ben Burgess, is actually more traditional, with those ripe guitars providing some punch.  Of course, Burgess proves to be an asset, singing the second verse and the following chorus.  

“Tequila made me crazy / Cold beer wouldn’t do / So I’d whiskey’d my way over you.” As is often the case, Morgan Wallen looks to ‘drown his sorrows’ via 🎵 “Whiskey’d My Way.”  That’s the country way.  Of course, it’s not specific to country – the alcoholic atonement is universal! The source of his depression? Heartbreak, of course – isn’t that always the way? Despite his mood, he shows out on this lively ballad.


“Wonderin’ Bout the Wind”

Dangerous continues on consistently and enjoyably with 🎵 “Wonderin’ Bout the Wind.”  Of course, things are more fun when beer 🍺 is involved.  That’s where 🎵 “Your Bartender” comes into the mix.  Written hypothetically, Wallen asserts everything he’d be and do for her, capped off by his role at the bar: “If I was your bartender / I’d mix ‘em up strong in a tall blender.”  Of course, you would Morgan.  Worth noting, this ranks among the best-produced tracks (🎛 Joey Moi and 🎛 Matt Dragstrem) on an album that seems to spare little expense.

On 🎵 “Only Thing That’s Gone,” Wallen collaborates with country royalty – 🎙 Chris Stapleton! Two fantastic voices rise to the occasion, particularly as they harmonize on another alcoholic chorus:

“Bartender, pour me one more
Make it quick and make it strong
‘Cause buddy, my last drink, yeah
Ain’t the only thing that’s gone.” 

In addition to high-flying pipes and another heaping dose of heartbreak, we get a kick ass guitar solo.  Yep, that’s some “Country A$$ Shit” right there.  Oops – we haven’t got to that song yet (that’s 💿 two)!


“Cover Me Up” 

“Your Bartender” and “Only Thing That’s Gone” definitely keep the momentum going strong approaching the end of the first disc.  The excellence doesn’t cease there. 🎵 “Cover Me Up” marks one of the more impressive and radiant ballads to appear on the album.  In an album filled with memorable choruses, “Cover Me Up” definitely earns a spot among the best of the best, if it’s not the very best.  Of course, doesn’t hurt that it’s a 🎙 Jason Isbell cover, right? Further making this a gem is the combination of top-notch vocals and of course, incredible authenticity as an artist – Wallen seems very true to self.

“But I wonder when you’re drinking if you / Find yourself thinking about / That boy from East Tennessee?” Amazingly, crowd pleaser 🎵 “7 Summers” doesn’t appear until the 14th track – the middle of this 30-track affair.  Nonetheless, it’s well worth the wait, continuing the victory lap that Wallen has taken throughout the course of Dangerous: The Double Album.  Written by Wallen, 🎼 ✍ Shane McAnally, and 🎼 ✍ Josh Osborne, Wallen reminisces on a past relationship, always a perfect topic for a song, particularly a country song.  He closes out the first half of Dangerous with 🎵 “More Than My Hometown” asserting, “Baby, this might be the last time I get to lay you down / ‘Cause I can’t love you more than my hometown.” Fittingly, “More Than My Hometown” gives this country album it’s obligatory song about hometowns.


💿 2

Had Morgan Wallen only released the first disc of Dangerous, well, he’d have a damn good country album in its own right.  But of course, he doesn’t ‘call it a day’ after 15 tracks – he has 15 more.  He kicks the second disc off energetically with 🎵 “Still Goin Down.” Here, we get the portrait of Wallen being open and honest about his southern roots.  He’s East Tennessean through and through and he wants the world to know, “it’s still goin’ down out in the country.” Apparently – we have you Morgan!

Keeping it countrified, 🎵 “Rednecks, Red Letters, Red Dirt” directly appeals to the core country base.  Call it what it is – that “Country A$$ Shit!” There are no pop gimmicks or concessions made. From there, we get 🎵 “Dangerous” with the title track.  “Dangerous” provides a contrast without necessarily deviating from the script – this is still C-O-U-N-T-R-Y! Still, the tempo is a bit quicker here, and the melody is more rhythm.  There’s enough ‘change of pace’ to provide a bit more widespread appeal without dare assimilating to pop. It doesn’t bring in the pop crowd like “Wasted on You,” “Warning,” or “7 Summers,” but there’s definitely some appeal beyond the base.  


“Beer Don’t”

Of course, on 🎵 “Beer Don’t,” the appeal, once more, comes from beer 🍺. On this loud, twang heavy joint, Wallen tells everything that ‘beer don’t do.’ That includes the fact that it “don’t bust its ass Monday to Friday.” He’s got a point there! Indeed, “Beer don’t start nothin’ but the party.”  The groove is pretty sweet on another high-energy number, 🎵 “Blame It on Me.” Another hypothetically-penned record, the solution is to – you guessed it – “blame it on me.” As the source of the blame, Morgan has definitely influenced her – if all of the things he lays out actually happen that is!

The second half of Dangerous continues to double down on country. A prime example is 🎵 “Somethin’ Country,” a moderately-paced number with some of the quickest, most rhythmic lines throughout the LP.  Among the country vocabulary: boots, catfish, hillbilly, hollow, Honky Tonk, and of course, rednecks.  While I can’t personally relate, those who are country to this extent will eat this up.  Musically, there are plenty of intriguing happenings.


“This Bar”

“Those nights what I would give for one more Bud Light.” Of course – the song isn’t called 🎵 “This Bar” for no reason. Wallen continues to be country to the core, for the better on this highlight. Instrumentally, “This Bar” is full-on rhythmic machine, carried by banjo, guitars, and of course, pummeling drums.  Wallen is potent and gritty, continuing to flaunt the twang as he narrativizes the bar.  Like most of Dangerous give him credit for the emotion and expressiveness that he exhibits throughout. While the alcohol is potent, “This Bar” is indeed more than alcoholic consumption, best exemplified by the catchy chorus:

“I found myself in this bar
Making mistakes and making new friends
Us growing up and nothing made sense
Buzzing all night like neon in the dark
I found myself in this.”

Finally, that 🎵 “Country A$$ Shit” comes along, and it’s as funny (and unapologetically country) as anticipated. Wallen sounds incredibly loose here.  He says it best: “I just wanna do country-ass shit / … But wait a minute, the whole world can kiss it / ‘Cause me and my country ass gone fishin’.” Fair enough. And if that wasn’t enough, throw in more country-ass shit with 🎵 “Whatcha Think of Country Now.”  This a prime example of rinse and repeat, country style!


“Me on Whiskey”

After going full throttle for two consecutive tracks – that ‘country ass shit’ – Morgan Wallen tones things down a smidge. Don’t get it twisted as 🎵 “Me on Whiskey” is still energetic, but not nearly as ‘in your face’ as the previous pair of songs.  Once more, the gift that keeps on giving, the chorus, works highly in the artist’s favor.

We’ve waited all album, but finally, we get a song about a boat! Not only is 🎵 “Need a Boat” about another cliché country topic, but it also speeds up the tempo and brings another novel track to Dangerous.  Among the pros are the musical backdrop, with its various sounds and rhythmic lines (all idiomatic of country) as well as the playful performance by Wallen.  Soon enough, the pace slackens on the powerful ballad, 🎵 “Silverado for Sale.” “God knows all the stories it can tell,” Wallen sings, continuing on the chorus, “I got a Silverado for sale.” And yes, Wallen is referencing the truck, just as he did on the opener, “Sand in my Boots.” For those who don’t adore pickup trucks like the country boys do, perhaps it isn’t quite as potent, but just imagine the memories of something meaningful in your life and you’ll sort of get it, ha-ha. 


“Heartless”

Homestretch – we’ve nearly made it through this Dangerous album full of “country a$$ shit!” Kidding… sort of.  The 28th track, 🎵 “Heartless – Wallen Album Mix,” marks another highlight for Wallen.  If much of side two lacks that bridge to pop/crossover appeal, “Heartless” provides that bridge.  It’s slickly produced (Joey Moi is awesome), well written, and as always, Morgan sings in beastly fashion.  The chorus just screams crowd pleaser.

Beyond “Heartless,” penultimate number 🎵 “Livin’ the Dream” continues to be an about face from much of side two.  Is it still country? Of course, but far less pronounced.  Wallen caps things off fittingly with the moderately paced 🎵 “Quittin’ Time.”  Sure, he wasn’t referring to the fact that he just dropped a 97-minute album, but, safe to say, Morgan has put in ample time and work.


Final Thoughts 

All in all, Dangerous: The Double Album is an enjoyable, well-rounded sophomore album by Morgan Wallen.  There is something for country fans and non-country fans on this album, which is quite notable.  You definitely can’t leave the table not feeling full as Wallen gives a hearty helping – perhaps too much fat and calories all said and done.  While you’re more likely to pick and choose your favorites from Dangerous as opposed to spin all 97 minutes on repeat, there is no shortage of goods to choose from.  Above all, Wallen shows off just how amazing he sounds as singer.

Gems 💎: “Sand in My Boots,” “Wasted on You,” “865,” “Warning,” “Your Bartender,” “Only Thing That’s Gone,” “Cover Me Up,” “7 Summers,” “Beer Don’t,” “Somethin’ Country,” “This Bar,” “Country A$$ Shit,” “Heartless”     

3.5 out of 5 stars



🎙 Morgan Wallen • 💿 Dangerous: The Double Album 🏷 Big Loud / Republic • 🗓 1.8.21
[📷: Big Loud / Republic]


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.

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