[usr 3]
Megan Thee Stallion taps Future for “Pressurelicious,” a respectable banger that ultimately does little to move the needle for either rapper.
[otw_shortcode_dropcap label=”“I” size=”large” border_color_class=”otw-no-border-color” shadow=”shadow” square=”square”]’m pressure, I’m pressurelicious, yeah.” Okay, 🎙 Megan Thee Stallion, we see ya! The 🏆 Grammy-winning rapper returns with another single, 🎵 “Pressurelicious”. This time, she’s assisted by fellow 🏆 Grammy-winner, 🎙 Future. The results are respectable I suppose, but I wasn’t blown away by the single per se. [/otw_shortcode_dropcap]
“Pressurelicious” features a malicious-sounding backdrop, produced by 🎛 Hitkidd and 🎛 Payday, set in a minor key. It is fuel for both rappers’ fire. As always, we get aggressive, unapologetic rhymes by Megan Thee Stallion. She drops the first verse, which is confident AF, and references her privates (shocker): “This pussy bomb (Yeah), explosive (Baow) / It’s soaking (Ah), osmosis (Mwah).” Megan follows up with the chorus, followed by the second verse, which she splits with Future. He comes out hot, dropping agile, fast-paced rhymes. Interestingly, Future seems to rap quicker than I’m accustomed to hearing which is interesting. Megan and Future also split the third verse, which encompasses predictable rap topics: sex, drip, and drugs.
Final Thoughts 💭
As stated, “Pressurelicious” is respectable – it’s okay. Does Megan Thee Stallion do anything drastically different? Not in my humble opinion. She raps fine – she’s assertive, raunchy, and unapologetic as ever – but doesn’t move the needle. While Future raps a bit faster, does he change the game with his rhymes? No, not really. He’s “ratchet” as always (as Megan Thee Stallion describes him), but doesn’t reinvent the rap banger by any means. So, respectable but also ‘more of the same’ when it comes to “Pressurelicious.”
[usr 3]
🎙 Megan Thee Stallion • 🎵 “Pressurelicious” • 🏷 1501 Certified Entertainment / 300 Entertainment • 🗓 7.21.22
[📷: 1501 Certified Entertainment / 300 Entertainment, Brent Faulkner, The Musical Hype, OpenClipart-Vectors from Pixabay]

![Megan Thee Stallion, “Pressurelicious” [📷: 1501 Certified Entertainment / 300 Entertainment, Brent Faulkner, The Musical Hype, OpenClipart-Vectors from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2022/07/megan-thee-stallion-pressurelicious-1.jpg?fit=300%2C300&ssl=1)


![Blaque, Bring It All to Me: Bangerz N Bopz No. 69 (2026) [📷: Brent Faulkner / The Musical Hype; Columbia Records; Art Laurence Luzon, cottonbro studio, Osmar Vasques, Sebastian Ervi, Wallyson Nascimento from Pexels; Gordon Johnson from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/09/blaque-bring-it-all-to-me-bangerz-n-bopz-69-2026.jpg?fit=640%2C640&ssl=1)
![Thomas Dekker, Muscle Man: Beaming with Pride No. 95 (2026) [📷: Brent Faulkner/ The Musical Hype; Thomas Dekker; Cristyan Bohn, Ketut Subiyanto, Luis Morales Torres, SHVETS production, Uriel Mont from Pexels; Clker-Free-Vector-Images, Gordon Johnson, Wolfgang Eckert from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/thomas-dekker-muscle-man-beaming-with-pride-95-2026.jpg?fit=640%2C640&ssl=1)
![Karl Alvar, I’m Cumming Super Hard: Spicy Tunez No. 68 (2026) [📷: Brent Faulkner / The Musical Hype; Butt Swag Records; Rizwan Aslam from Pexels; Clker-Free-Vector-Images, Gordon Johnson from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/karl-alvar-im-cumming-super-hard-spicy-tunes-68-2026.jpg?fit=640%2C640&ssl=1)