[usr 4]
Mali Music and JhenĂ© Aiko join forces for the compelling duet, âContradiction.â The duet originally appeared on Chi-Raq soundtrack.Â
Once upon a time, Mali Music was a gospel artist. Prior to his 2014 R&B album, Mali IsâŠ, Mali Music was known more for his spiritually-driven endeavors. Nonetheless, Mali Is, as well as his 2017 effort, The Transition of Mali, both have their fair share of spiritual messaging. Five singles arrived ahead of The Transition of Mali, including âContradiction,â featuring JhenĂ© Aiko. Â
âContradictionâ originally appears from Chi-Raq soundtrack (2015). Itâs fittingly reprised on The Transition of Mali. It opens with guitar in the soulful, R&B tradition. Whatâs the premise of âContradiction?â Essentially, two exes address each other on their respective verses. Mali Music gives his perspective on the first verse, while JhenĂ© Aiko offers the female perspective on the second. In the end, neither is devastated because theyâre broken up, but leave the door open to reconciliation.
Mali Music sings with a dash of Jamaican accent on his verse. He avoids the patois, though:
âWe meet again good friend / You see the stars come down to meet you / You look like the last time / Let a new day come and greet youâŠâ
The key portion of his verse arrives after the aforementioned excerpt. He characterizes his ex, as well as his own feelings about the situation.
âStuck in your ways, stuck in your mind, stuck all the time / When they’re out of the room, especially mine, used to be fine / I swear I was confused, used to be blind / That was a moment in time when I thought of youâŠâ
Aiko delivers the second verse, sounding a bit more dynamic than usual. Like Mali, she gives her perspective on the former fling:
âAll in your face, all of the time / Running from everything / Run out of faith, now your are blind / Itâs such a shame itâs a / terrible waste, beautiful mind / That was a moment when I thought of you, now I am fineâŠâ
The two join forces on the second chorus and the bridge. The chorus, as aforementioned, sums up the status and the potential of the relationship between the two.
 âIf you say that itâs over, I wonât die⊠/ Iâll just come back for more / Weâll meet again for sure / If you say thatâs over, I wonât die.â
Final Thoughts
At first, âContradictionâ comes off a bit clunky. After a couple of listens, the magic is unveiled. Ultimately, thereâs much more to like about this record as opposed to criticizing it. Yet another asset to The Transition of Mali.




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