Grammy-winning pop superstar Kelly Clarkson remains a steady, consistent artist on her tenth album, the divorce-fueled chemistry.
Sometimes, it takes a dramatic life event to fuel the musical fire. That is indeed the case for đ Grammy-winning pop superstar đ Kelly Clarkson. Divorce is the central topic of her tenth album, đż chemistry. While none of us wishes the heartache and love pain that Clarkson sings about on chemistry for the original American Idol winner, the result is yet another enjoyable, well-rounded pop album. Chemistry is not game changing, but it doesnât need to be. This is Kelly Clarkson doing what she does best: singing utterly sublimely.Â
âSkip this partâÂ
âCan I skip this part / When I fall to pieces / Back here at start / Need a time machineâŠâ Kelly Clarkson commences chemistry with a bang with đ€© đ” âskip this part.â Fittingly, the ballad is emotional, tackling Clarksonâs divorce to Brandon Blackstock. Specifically, she seeks to skip the messiness, including âgossip and shame.â âSkip this partâ finds Kelly singing angelically (when doesnât she?) and delivering an authentic, well-rounded performance. The timbre of the record (đ Jason Halbert produces) proves to be another selling point, perfectly matching Clarkson as an artist.
âCanât believe I let you in, I canât believe I stayed / As long as I stayedâŠâ Matters of the heart are on full display on đ€© đ” âmineâ, the promo single from chemistry. On âmine,â Clarkson reflects post-relationship, seeking to heal from the pain (âAnd now I second guess my thoughts every step I take / Iâm losinâ hope in love, and Iâve lost all in faithâ).⯠Penned alongside đŒ â đ Erick Serna, and Jesse Shatkin, who also produces, it commences abruptly sans intro. As always, Clarksonâs vocals are radiant.⯠Furthermore, she has a tuneful melody to work with. The centerpiece is the powerful chorus, featuring a fabulous vocal arrangement and production.⯠Notably, during the chorus, we get a clever reference to Eternal sunshine of the spotless mind:âŻâGo ahead and break my heart, thatâs fine (So unkind)âŻ/ Eternal sunshine of the spotless mind (Oh, love is blind)âŻ/ Why am I missinâ you tonight? (Was it all a lie?)âŻ/ Someoneâs gonna show you how a heart can be usedâŻ/ Like you did mine.ââŻThe second verse ups the production, while the bridge features a unique change of pace and unexpected increase in tempo.⯠Clarkson asserts, âAnd you keep talkinâ, itâll come back, karma / Is the truth, I donât make you look bad, you do, darlinâ / Sabotage, your choice of art / Who the hell do you think you are.â Ooh-wee!âŻâŻđ” âmineâ = authentic, heartfelt, and enjoyable.âŻÂ Â
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On the third track, đ” âhigh road,â emotions continue to affect Kelly greatly. On this powerful number, she feels the standard she tries to uphold is arduous. People look up to her, and she tries to do her best, but in reality, she experiences her fair share of flaws, hurt, and pain.  The chorus is the centerpiece, where her robust pipes ring true. The other section to beat is the bridge: âItâs just an ego and my pride / I live my life in disguise / And when Iâm hurtinâ, itâs incognito / So everybody thinks Iâm a hero.â The transparency and vulnerability in that specific moment is awesome.Â
âmeâÂ
đ€© đ” âMeâ, the fourth track and second single from chemistry, is another winner: âBuried myself into somebody else / Shout out some parts of me, did it so casually.â Clarkson penned it alongside đŒ â GAYLE and Josh Ronen, while Jesse Shatkin and Jason Halbert produce. Clarkson sings with a warm, reflective tone.⯠The palette of sounds supporting her initially are sweet: synths and keys. There is a great build-up â percolation â to the powerful, liberated chorus. âI donât need somebody to hold meâŻ/ Donât need somebody to love meâŻ/ Donât need somebody to pick these pieces up,â she asserts, continuing, âI put together my brokenâŻ/ Let go of the pain Iâve been holdinââŻ/ Donât need to need somebodyâŻ/ When I got me.ââŻShe doesnât need a man! Additionally, in the chorus, there is nice use of choral backing vocals accentuating the emotional lead. The second verse adds a beat and has a more traditional sound. There are also impressive ad-libs, showcasing her feelings. The second chorus is absolutely stunning. Likewise, theâŻbridge â âI bet you feel the absence of my love every night / Thereâs no one else, you are the reason I said goodbyeâ â shines too. Marvelous vocals, authentic songwriting and theme, and picturesque production make đ” âmeâ beautiful.Â
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đ” âDown to youâ has a tough act to follow. The good news is it marks another consistent moment from chemistry. âDown to youâ is all about empowerment. Kelly Clarkson refuses to engage with anyone who is going to bring her down. âI canât dance with the devil on my back,â she asserts in the pre-chorus, adding, âNeed somebody who can meet me where Iâm at.â Thatâs the truth!  Furthermore, she truly sells the empowerment on the tuneful chorus, proclaiming, âThese dark days are knockinâ on my door / You ainât welcome âround here no more / On a different level than I was before / You canât bring me down to you.â Love it! đ” âchemistry,â the two-and-a-half-minute title track, finds Clarkson avoiding him. Why? Sheâs still in love with him, at least to some extent. While she tries to pretend sheâs no longer feeling him, â⊠I close my eyes and Iâm right back fallinâ.â This scientific number does a fine job of capturing the aftermath of a relationship where it is impossible not to still have feelings for the person.
âfavorite kind of highâ
Ah, there is nothing like being sky high⊠via love and romance, of course.⯠That is the high Clarkson touts on đ€© đ” âfavorite kind of highâ.âŻThe love is lit đ„ to say the least: âSo I close my eyes, kiss you how I like / Iâve been waitinâ for you.â⯠Kelly remains impressive in the vocal department.⯠Sheâs particularly strong once she ascends into that powerful, upper register.⯠The theme is simple but relatable: being so taken with someone that youâre willing to give into them without a hitch.⯠In the second verse, she asserts, âWhen youâre in the room, all I feel is youâŠâ The best moment in this exuberant pop joint is the chorus, thanks to those feelings of L-O-V-E that dominate (âWhen it comes to lovinâ youâŻ/ I donât have no control / Youâre my favorite kind of highâ). Ultimately, itâs another high-flying record from Clarkson.âŻ
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Love continues to fuel the fire on đ” âmagic.â âMagicâ feels right sequentially following đ” âfavorite kind of highâ, which gives love a positive connotation too. Clarkson touts the authenticity and realness of the love, even given the magical feeling. She is so enamored she asserts in the bridge, âI would dive into you deep / I would chance my defeat.â That is quite a plunge, indeed. The dynamic Â đ€© đ” âlighthouseâ contrasts, with irreparable love, a perfect fit for a divorce album like chemistry. âLike a wave, youâre always crashinâ into me,â she sings in the memorable chorus, later adding, âNo shootinâ stars can fix what we arenât, and / Whatâs a good lighthouse when the light is burninâ out?â A darker, more pessimistic record despite how we typically view a lighthouse, this is one of the better and most genuine joints from chemistry. âWhat you loved, what you wanted, what you held / So high when we first met in hindsight,â she sings in the bridge, âWere the things that you tried and ask me to change / As if I could do that.â That hits different!
ârock hudsonâ
Admittedly, one of the songs I was most excited about reading through the chemistry was đ€© đ” ârock hudson.â đ Rock Hudson was a beloved actor. He was tall, dark, handsome, and, although discreet, gay. It is that wrinkle that makes ârock hudsonâ even more intriguing as a Kelly Clarkson song. Kelly likens her ex to Hudson, a desirable, hunky man, who she thought was the real deal, yet, ultimately, it failed to work. Obviously, women desired to be with Hudson, but he was ultimately unattainable because he was gay. In the case of Clarkson and her ex-husband, she believed sheâd found her real life movie star, but in reality, it just didnât work out. âRock hudsonâ is one of the more thought provoking songs from chemistry thanks to the particular actor Clarkson name drops, and how she characterizes her love troubles.
đ” âmy mistakeâ fits right into the sequence of chemistry, particularly following ârock hudson.â Once again, Clarkson believes that the love they shared was unbreakable. That, of course, is not how it went down. Given whatâs went down, she calls it her mistake. Like chemistry from top to bottom, Kelly sounds amazing vocally, growing better with time.
âred flag collectorâ
đ€© đ” âred flag collectorâ provides a welcome contrast to chemistry, incorporating some country/western flavor into this pop joint. The western flavor is pronounced at the onset, setting up a cowboy-ish vibe. Of course, it should be noted, Clarkson does sing, in the chorus, âPlay cowboy in the wild, wild west.â Furthermore, the record seems to reference the Montana ranch formerly lived in by the couple which belongs to Clarkson. Furthermore, the song is about the red flags Clarkson discovered about her ex. Among the crĂšme de la crĂšme of chemistry, maybe the best thing about âred flag collectorâ are those signature, high-flying vocals.
âI hate love / Itâs a bitch sometimes / Mama, Iâm sorry for usinâ that word / But I only uses it when it applies.â Well, that says it all about the vibes on đ€© đ” âI hate love.â Itâs no surprise Clarkson feels this way given so many of the love pain oriented songs on chemistry, particularly from âlighthouseâ onward. Notably on this single, she enlists the services of đ Steve Martin, who plays the banjo. Martin isnât the only guest that arrives at the end of chemistry. The iconic đ Sheila E percussions it up on đ” âthatâs right,â which fittingly, has some Latin flavor. Basically, on the closing cut, Kelly Clarkson is going to do be true to her self â Thatâs right! âYou and I (You and I) / Really means whatever you want.â WOO!
Final Thoughts đ
All told, chemistry marks another enjoyable, well-rounded pop album for Kelly Clarkson.  Does she ever miss? Not really! To reiterate, Chemistry is not game changing, but it is rock solid from start to finish. The voice is always on-point, as it has been throughout a remarkable career spanning the early aughts (can you believe it?). Itâs safe to say, the chemistry is legit.
đ€© Gems đ: âskip this part,â âmineâ, âmeâ, âfavorite kind of highâ, âlighthouse,â ârock hudson,â âred flag collector,â  & âI hate loveâ
đ Kelly Clarkson âą đż chemistry âą đ· Kelly Clarkson / Atlantic âą đ 6.23.23
[đ·: Kelly Clarkson / Atlantic]

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