Intriguing Songs Fueled by LOVE, Vol. 6 features songs by Joji, Lionel Richie & Diana Ross, Malcolm Todd, Megan Thee Stallion, Soft Cell, and The B-52’s.
Love ❤️ is the perfect fuel for most fire 🔥. No, love won’t fuel your car. However, love can impact nearly everything else, either positively or negatively. FACTS! A broad topic, there are tons of love songs. Many love songs don’t feature the universal four-letter word in their song title. Then again, many love songs DO use the word in their title. On the multi-volume musical compendium, Intriguing Songs Fueled by LOVE, love (the word) appears in EVERY song. Following up Intriguing Songs Fueled by LOVE, Vol. 5 (2025) is Intriguing Songs Fueled by LOVE, Vol. 6 (2026), which features songs by Joji, Lionel Richie & Diana Ross, Malcolm Todd, Megan Thee Stallion, Soft Cell, and The B-52’s. So, without further ado, let’s embrace the L-O-V-E, shall we?!

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1. Megan Thee Stallion, “LOVER GIRL”
“LOVER GIRL” » Hot Girl Productions » 2025
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2. Joji, “Love You Less”
Piss In The Wind » Palace Creek / Virgin » 2026
“Love You Less” continues to showcase Joji’s versatility as an artist. It has an indie-rock, shoegaze vibe. There is a great driving feel about the track with marvelous rhythm. I love the sound of the guitars, as well as the prominence of the bass. I also adore the accompanying “oohs” during the introduction, which are eventually part of the post-chorus. Joji delivers well-rounded vocals. He is always a vibe, particularly when he sings in his lower register in an undertone. “Can’t get enough of you, no, no,” he sings in the first verse, and adds, “But you won’t set me free…” He also sounds beautiful when he ascends into his upper register, particularly his falsetto. The pre-chorus marvelously prefaces the crème de la crème, the chorus:
“I’m obsessed, you’re not sure
If I love you less, will you love me more?
I pull back, you come forward
If I love you less, will you love me more?”
The second verse is compelling, like the first: “Wastin’ my breath / ‘Cause you like it better when there’s none left.” The second pre-chorus contrasts the first, keeping “Love” engaging. There is also a compelling outro. All in all, Joji continues to impress as a singer and songwriter on “Love You Less”. The vibes are real, NO CAP!
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3. Romy, “Love Who You Love”
“Love Who You Love” » Young » 2025
The form of “Love Who You Love” stands out: intro, verse, pre-chorus, chorus, verse, pre-chorus, bridge, and chorus. While there is plenty of repetition, particularly with only one verse, the “Love” never grows boring or the least bit stale. Instead, it’s powerful and feels right. Romy is open about her love (presumably for her wife, Vic Lentaigne). “Oh, I’m in ecstasy / When she’s next to me,” she sings in the verse, and continues, “Finally, found peace / And I won’t feel guilty.” Amen, sister! With no need to hide her true self, she asserts, “Don’t care if the world can see / That shame don’t belong to me.” Her love is sufficient. In the centerpiece, the chorus, she confirms that love is love, and that is nothing short of powerful.
“Love who you love (Need your love)
I couldn’t give up if I tried to
Your love is enough.”
Accompanied by a sleek musical backdrop with a sickening beat, picturesque synths and pads, Romy has ample fuel for her love-driven fire. On autopilot, she brings the heat and a heaping dose of Pride to “Love Who You Love”.
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4. Rufus & Chaka Khan, “Do You Love What You Feel”
Masterjam » MCA » 1979
Musically, “Do You Love What You Feel” is epic. The electrifying groove from the drums and percussion instantly gets the body moving. There are hella funky riffs from the keys, guitar, and bass. Upping the ante are the orchestral music cues: articulated, crisp-sounding horns and soaring strings. Beyond the instrumental, the vocals are F-I-R-E. Chaka Khan is on autopilot, wowing with her high-energy vocals. “Baby, when you’re holdin’ me / Somehow, you seem to set me free,” she sings in the first verse, continuing joyfully, “And when I dance with you / Romance with you is all I see.” Beyond Khan’s impressive pipes, the Rufus vocalists match her exuberance (“I’ve spent so many nights / Just picking fights within myself / Until you came to me / And held me like nobody else”). The melodies are tuneful from the get-go, led by the infectious, unforgettable chorus (excerpted earlier). As the record progresses, we get outstanding riffing by the R&B chanteuse. All told, “Do You Love What You Feel” is one of the funkiest joints from the 1970s, PERIOD. The vocals, songwriting, and production are flawless. It is impressive how tight this funk cut sounds, considering the number of rhythmic lines and instruments. I’m stunned this distinct cut hasn’t been sampled more. SWV sampled it on “Do Ya” from their 2012 comeback album. Great taste!
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5. JJ,“Wasted Love”
“Wasted Love” » Warner Music Group Germany Holding GmbH / Manifester Music » 2025
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6. Kali Uchis, “Sugar! Honey! Love!”
Sincerely, » Kali Uchis, LLC / UMG Recordings, Inc. » 2025
Uchis penned “Sugar! Honey! Love!” and produced it with The Outfit. This is a song that floats along – it hypnotizes you. It begins with a silky smooth intro. The musical backdrop is calm, chill, cool, and collected. The sound is incredibly sophisticated, featuring gorgeous guitars, keys, and strings, as well as prominent bass and a solid groove from the drums. Uchis delivers lovely vocals. She sounds as cool as a cucumber for most of the song. Does she break a sweat? Barely, if at all! The chorus, the centerpiece, soars as Uchis acknowledges her come-up, which is authentic, meaningful, and thoughtful.
“And I did all my time for a crime that wasn’t mine
Made it out alive, now I’m letting the sun
Shine on me and my sweet sugar honey love
Shine all your light to this world, sugar, honey, love.”
Ultimately, “Sugar! Honey! Love!” is a fabulous gem from Kali Uchis. Her expressive vocal performance, honest delivery, and vulnerable lyricism shine.
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7. Ruben, “Love That Hurts”
So Long, Ruben (EP) » Markussen Music / Warner Music Norway AS » 2025
Ruben sounds incredible. His vocals are expressive and nuanced to the nth degree. Additionally, the vocal production is on point. And what about the production overall? Superb, with lovely keys, a groove that cooks, and a colorful sound palette. What does not hurt about “Love That Hurts” is the tuneful melodies from start to finish. Following the first verse, where Markussen establishes his brand of love, he continues to shine in the pre-chorus: “Go away / If you don’t wanna stay / If you don’t wanna wait / Just get out my way.” At least he’s honest! The chorus is the ‘cat’s meow’ – the crème de la crème!
“I want that love that hurts me, darling
I need to feel it everywhere
Shot to the heart with an endless energy
Pick me apart, how bad can it be?
I want that love that hurts me, darling.”
Here, Ruben shows off his powerful upper register. That falsetto is high-flying – to die for, keeping the pain going! “Love That Hurts” is a surefire bop.
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8. Soft Cell, “Tainted Love”
Non-Stop Erotic Cabaret » Mercury » 1981
So, what makes “Tainted Love” the cat’s meow? The sound of the record is a big deal. The electronic sound palette sounds like the 1980s through and through. At the same time, listening to “Tainted Love” in the 2020s, the aesthetic and vibe remain lit. The synths have their way with the riffs shining. Also, the groove ‘grooves hard.’ Yes, it is quintessential 80s but the charm is… charming! Also, charming are the smooth vocals by Marc Almond. The man eats in all of his androgynous glory! The love is tainted to the nth degree as Almond tries to run away from it. In the second verse, he sings, “And you think love is to pray / But I’m sorry, I don’t pray that way.” That is a mic-drop moment! Of course, the biggest mic-drop moment is the chorus where the love is tainted, tainted, tainted!
“Once I ran to you (I ran)
Now, I’ll run from you
This tainted love you’ve given
I give you all a boy could give you
Take my tears and that’s not nearly all
Oh, tainted love
Tainted love.”
Ooh-wee, Marc! A brief synth-pop, New Wave joint, “Tainted Love” in the hands of Soft Cell remains C-L-A-S-S-I-C. Yes, the duo was a one-hit wonder stateside, but, who wouldn’t want a hit the caliber of this one?! Notably, Rihanna sampled this classic on her 2005 pop hit, “SOS.”.
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9. Malcolm Todd, “Chest Pain (I Love)”
Malcolm Todd » Columbia » 2025
The chorus marvelously sums up his ailments and feelings. Beyond the centerpiece is one verse where Todd expresses his longing. “I’ve been so busy / But now that I’m alone, where did you go?” He asks, adding, “Why can’t you live at home tonight and stay with me /… Please, I wanna see what we would be if you were by my side.” Straightforward lyrics, Todd sings beautifully and honestly and sounds relatable. Beyond the singing, the musical accompaniment is sweet, blending alternative, pop, and a dash of R&B. The bass line is robust, the guitars add spice, and the keys provide color. Notably, strings amplify the drama and emotion near the end. Set in compound duple meter, “Chest Pain (I Love)” gets a nice lilting feel. Ultimately, Todd’s unfortunate experiences with the loss of love are our listening pleasure.
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10. Cub Sport, “This Boy’s In Love” – The Presets cover
“This Boy’s In Love” » Cub Sport » 2025
If you were naïve of The Presets’ original, you would assume this was a Cub Sport original. In the indie-pop collective’s hands, it becomes a stripped piano ballad. This is starkly different from The Presets’ original, which is quicker, groovier, with electronic instrumentation. Cub Sport maintains a chilling, cool vibe. Besides the piano, light strings enter, but subtlety remains the modus operandi. Nelson sings beautifully, delivering an authentic, nuanced, and tender performance. The chorus is nothing short of divine!
“This boy’s in love, love
This boy’s in love
Under the city
Under the city lights.”
In Nelson’s hands, as a gay married man (bandmate Sam Netterfield is his husband), “This Boy’s in Love” confirms an enduring same-sex relationship, one where, despite being judged for their love, they will remain ‘locked-in’ until the very end. The second verse (“Don’t tell the world what we’ve known”) grows more dynamic, but still never breaks a sweat. The second chorus is significantly louder than the rest of the song. The ‘come down’ is sweet, with Nelson wowing with his ripe falsetto. This radiant, stripped cover of “This Boy’s In Love” does not need to be overanalyzed – it is a stunning song!

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11. Ryan Cassata, “Queer Love Outlaw”
Greetings from Echo Park » Kill Rock Stars » 2025
In the second verse, Ryan Cassata counters the damned to hell arguments, singing, “I’ve already been.” Amazingly, so many people don’t see that hell endured by queer folks that he speaks of, particularly from the T(s) in LGBTQ+. Furthermore, Ryan speaks of the harsh critiques and words, that ultimately, “This pain has made me wiser, and I swear I’m better.” 👏 👏 👏! In the chorus, he asserts proudly, “I’d rather be a rebel for romance / Than please your beliefs.” Now that deserves a resounding AMEN! HALLELUJAH! Adding to his queer story, Ryan mentions “Scars on my chest,” and the fact that “We shave our head,” both significant parts of the trans experience. The bridge, excerpted above, perfectly captures pride in the queer experience, instead of doom, damnation, fire and brimstone, and perhaps, most egregious, ultra-conservative, myopic views. Yuck 🤢🤮! The ending is particularly grand, as Cassata beams with pride singing, “Oh, all my friends are outlaws / And all my friends are in love.” Cassata delivered a meaningful, queer-affirming gem with “Queer Love Outlaw”.
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12. Haddaway, “What Is Love”
The Album » BMG Rights Management GmbH » 1993
The chorus is the crème de la crème of “What is Love.” Undoubtedly, it is the section to beat – the part everyone remembers! But, there are plenty of reasons beyond the chorus why this song is the sugar honey iced tea. Halligan and Torello put in work behind the boards. The production is colorful, catching the ears from the onset with its slick, driving synths. The beat is sick, the perfect catalyst for the dance floor. Haddaway brings ample energy with his vocals. He possesses a lovely instrument that was tailor-made for this song. Not only is the melody tuneful during the chorus, but it shines in the verses, too. “No, I don’t know why you’re not there / I give you my love, but you don’t care,” he sings in the first verse, continuing, “So, what is right and what is wrong? / Give me a sign.” The second verse is penned simply as well, finding Haddaway hurt. Oh, the plight of love, particularly unrequited love! Haddaway is the star but shout out Lisa Noya for her stellar vocal ad-libs. Those runs are sweet! More than three decades later, “What Is Love” by Haddaway still slaps. It is a dance bop for the ages. It has been sampled many times.
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13. The B-52’s, Love Shack”
Cosmic Thing » Reprise » 1989
In the unforgettable “Love Shack,” it sounds like the band is having an absolute ball. It is anchored by a fabulous, percussive groove. There is a strong presence of guitar (Strickland) and bass. Besides the rhythm section, the ears are blessed with bright, articulated horns (Uptown Horns). Playful, tongue-in-cheek vocals from the beginning set the tone: “If you see a faded sign at the side of the road that says / ‘15 miles to the / Love Shack’ /… Looking for a love getaway.” Some of the lyrics are silly but always entertaining. The gist of the situation is a place where they can dance, have fun, and, unsurprisingly, get it on. In the Love Shack, “Everybody’s moving, everybody’s grooving, baby” because it is a “Funky little shack.” Woo! The chorus, excerpted earlier, is the cat’s meow – the crème de la crème. Another sensational part of “Love Shack” is the epic “bang, bang” section:
“Bang, bang, bang on the door, baby
Knock a little louder, baby
Bang, bang, bang on the door, baby
I can’t hear you.”
One of the best lyrics from the song, other than the repeated love shack, or the bang, bang section, is, “Your what? / Tin roof, rusted.” What does it mean? It is subject to interpretation. Fun fact: the real ‘Love Shack’ was Pierson’s cabin in Athens, Georgia, which sadly, burned down in 2004. Ultimately, “Love Shack” is a surefire classic from the late 1980s. It is an enduring oldie that never gets old 🤘!
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14. Lionel Richie & Diana Ross, “Endless Love”
Endless Love (Soundtrack) » PolyGram Pictures Ltd. / The Island Def Jam Music Group » 1981
Lionel Richie and Diana Ross may have lost the physical awards for a much-deserved duet, but the sheer musical excellence they gave the world is worth much more. “Endless Love” commences beautifully with a warm piano introduction. Lionel Richie draws first blood, singing tenderly in the first half of the first verse. “My love / There’s only you in my life / The only thing that’s right.” Oh, the feels! Diana Ross follows with equally tender, devoted, and thoughtful vocals in the second half: “You’re every breath that I take / You’re every step I make.” In the chorus, the centerpiece, both Richie and Ross sing harmoniously, with select solo moments for each:
“And I (I), I want to share
All my love with you
No one else will do
And your eyes (Your eyes, your eyes)
They tell me how much you care
Oh, yes, you will always be
My endless love.”
The production grows grander and lusher during the chorus, which includes the orchestra, most notably soaring strings. In the second verse, both artists duet, asserting “Two hearts / Two hearts that beat as one / Our lives have just begun.” Word. There are a few moments where Ross takes the lead first, followed by Lionel, which keeps things fresh and less predictable. The back-and-forth moments between them are stunning (“I know (I know) / (I’ve found) / I’ve found in you my endless love”). The bridge marks an especially sweet moment between the two, filled with “Boom” (literally, 13 of them). None of the luster is lost near the end of “Endless Love.” That love continues with high-flying vocal moments, namely the outro: “‘Cause no one can deny / This love I have inside / And I’ll give it all to you /… My endless love.” Lionel Richie and Diana Ross shine on “Endless Love”, a timeless, unforgettable, and incredibly sincere romantic duet. Dazzling? You bet!
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15. Donny Hathaway, “I Love You More Than You’ll Ever Know”
Extension of a Man » Atlantic » 1973
“Is that any way for a man to carry on?
Do you think I want my loved one gone?
Said I love you
More than you’ll ever know.”
The bridge, which differentiates itself from the rest of the song, has a strong argument as the section to beat (“I’m not trying to be / Just any kind of man…”). Part of the reason is the music. Beyond his dramatic, expressive, and soulful vocals, the instrumental accompaniment is divine. It is marvelously orchestrated, embracing the symphonic nature of soul music in the 1970s (winds and strings in addition to the rhythm section). Hathaway was a skilled arranger. During the bridge, the instrumental is at its best with orchestral touches. Notably, David “Fathead” Newman plays a mean tenor saxophone. Hathaway also plays (piano and organ) alongside his arranging and singing chops. Hathaway scored two top 10 hits, neither of which is “I Love You More Than You’ll Ever Know”. Regardless, this is one of his best songs, showcasing top-notch musicianship.
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Intriguing Songs Fueled by LOVE series on The Musical Hype 🔻 |

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Intriguing Songs Fueled by LOVE, Vol. 6 (2026) [📷: Brent Faulkner / The Musical Hype; Atlantic, BMG Rights Management GmbH, Columbia, Cub Sport, Hot Girl Productions, Kali Uchis, LLC, Kill Rock Stars, Manifester Music, Markussen Music, MCA, Mercury, Palace Creek, PolyGram Pictures Ltd., Reprise, The Island Def Jam Music Group, UMG Recordings, Inc., Virgin, Warner Music Group Germany Holding GmbH, Warner Music Norway AS; BYB BYB, César O’neill, David Gomes, Diana Titenko, Gustavo Henrique, Ketut Subiyanto, Laura Oliveira, My Duyen Van, Ulkar Batista from Pexels; Gordon Johnson, OpenClipart-Vectors from Pixabay] |
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