A Laudable List of L Songs features songs by Adam Lambert, Al Calderon, Billie Eilish, Lizzo, Noah Guy, and Tems.
[nx_dropcap]A[/nx_dropcap]h, âL,â the 12th letter of the alphabet! Following the A through K songs, L gets its time to shine on A Laudable List of L Songs. Each of the 25 songs that appear on A Laudable List of L Songs begins with an L-word. The only exception is THE preceding the L-word, etc. A Laudable List of L Songs features songs by Adam Lambert, Al Calderon, Billie Eilish, Lizzo, Noah Guy, and Tems. So, without further ado, let us all embrace the power of L on A Laudable List of L Songs!

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1. Kyle Allesandro, âLighterâ
âLighterâ » Warner Music Norway AS » 2025
[nx_pullquote]âGolden girl dressed in ice / A heart as dark as night / You got me to dim my light / No more, (no more).â[/nx_pullquote] Kyle Alessandro will no longer sacrifice himself for a toxic lover. He should have listened to others sooner: âAnd when everybody tried to tell me / I shouldâve known that it was time to break free.â On the exuberant, liberating, minor-key pop record âLighterâ, the 19-year-old Norwegian đłđŽ singer/songwriter/producer sings, âYour reigns that kept me at your mercy / Iâll burn them to the ground /âŠI wonât fall again, Iâll be my own lighter.â Thatâs the spirit, Kyle! This terrific pop record, with various musical style cues, represents Norway in the 2025 Eurovision Song Contest. Alessandro, Adam Christopher Allskog, and Helgesen Villalobos wrote this worthy contender.
âSomewhere along the way, I lost my mind
I had to walk a hundred thousand miles
Iâm not afraid to set it all on fire
I wonât fall again, Iâll be my own lighter.â
Beginning with the chorus, Alessandro sings with more oomph while the musical accompaniment âpicks up steam,â too. With some gimmicky âeh-eh-eh-eh,â Alessandro further compels us as he rids the toxicity and reclaims himself. âI feel a spark inside me / I donât need saving,â he sings, describing himself as âmy own lighter.â Beyond the verses and chorus, there is a dynamic bridge where our liberated, talented teen drops a sickening run to lead to the closing choruses. Kyle Alessandro âkills itâ on âLighterâ. This young performer with a boyish yet remarkably mature voice is sure to make you beam with pride for many years to come.
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2. Billie Eilish, âLUNCHâ
HIT ME HARD AND SOFT » Darkroom / Interscope » 2024
[nx_pullquote]âI could eat that girl for lunch / Yeah, she dances on my tongue / Taste like she might be the one.â[/nx_pullquote] Academy and Grammy Award-winning singer/songwriter Billie Eilish is honest regarding attraction and sexuality in her song, âLUNCHâ. âIâm interested in more than just beinâ your friend,â she adds in the bridge. âLUNCHâ is the second track from her critically acclaimed, third studio album, HIT ME HARD AND SOFT. An authentic, honest, and personal track, Eilish embraces her queerness. In 2023, she came out unintentionally, stating she didnât know people were unaware of her attraction to women. Early on âLUNCH,â Eilish is transparent about having a relationship with a woman. She adds in the centerpiece, the chorus, âItâs a craving, not a crush.â The lyric legitimizes her desire â itâs no fluke.
In the verses, Eilish âopens upâ about her feelings about this girl. All the while, she maintains the lunch metaphor. âBaby, I think you were made for me / Somebody write down the recipe,â she sings in the first verse, adding, âBeen tryinâ hard not to overeat / Youâre just so sweet.â Things progress, with Eilish offering to help this girl âtake off her clothes,â desiring to âget her off.â In the second verse, sheâs impressed with her beautiful looks, complimenting her skin. She cleverly concludes the verse by singing, âSheâs the headlights, Iâm the deer.â What makes âLUNCHâ impressive is how vulnerable Eilish allows herself to be. Navigating sexuality is difficult. That is an understatement! Here, with her amazing, distinct voice and the stellar production of her right-hand man, FINNEAS, Eilish conveys her truth, masking nothing. This âLUNCHâ is delicious and makes us beam ear to ear with Pride đłïžâđ.
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3. JENNIE & Dominic Fike, âLove Hangoverâ
Ruby » Columbia » 2025
[nx_pullquote]âWe say itâs over (uh) / But I keep fucking with you (Yeah) / And every time I do, I wake up with this love hangover.â[/nx_pullquote]Wow, JENNIE. They say, âhonesty is the best policy,â and the pop singer is honest AF throughout âLove Hangoverâ, a highlight from her debut album, Ruby. She collaborates with the talented Dominic Fike, where ending a relationship for good doesnât happen. When she says, âI keep fucking with you,â sheâs not lying! Fike, Blaise Railey, Cary Gibert, Devin Workman, Ido Zmishlany, and Megan BĂŒlow penned âLove Hangover.â JENNIE and Ido Zmishlany produced it.
The groove and instrumental riffs on âLove Hangoverâ are incredibly funky. The bass line is the sugar honey iced tea. An uncertain JENNIE excels with her breathy, upper register, and sexy vocals. âFight me, fight me, fight me / You made me so unlike me,â she sings in the first verse, adding, âI donât really mind when you play me / Wanna switch it up, go crazy / I ainât gonna leave âtil you hate me.â Wow. Interestingly, the melody has some bluesy moments, which are C-O-O-L. Dominic raps instead of singing, spitting âreal talkâ:
âI had woke up in a daze, my sweat was cold, my lip was cracked
I canât leave this bitch, I had to single, double triple back
She gonâ leave me, but she wants to keep me on, whatâs up with that?â
The chorus, excerpted at the top, is quite catchy, speaking to them continuing to be tethered. Even though it is somewhat quirky, âLove Hangoverâ is an enjoyable, fun song by JENNIE and Dominic Fike.
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4. GloRilla, âLET HER COOKâ
GLORIOUS » CMG / Interscope » 2024Â
[nx_pullquote]âNever gave a damn, I ainât never gave no fuck / Fell out with them hoes, we ainât never makinâ up.â[/nx_pullquote] Oh, snap, GloRilla (Gloria Hallelujah Woods)! The Grammy-nominated rapper continues spitting on âLET HER COOKâ, âBack for everything I ever lost, Iâm on a mission / We turned the whole house into a booth, we in the kitchen.â Instead of oh, snap, itâs more like, oh, shit! âLET HER COOKâ is the 13th track from Woodsâ 2024 debut album, GLORIOUS. London Jae, Pooh Beatz, Squat, and Coupe produced this kick-ass banger.
London Jae, Pooh Beatz, Squat, and Coupe give GloRilla a malicious musical backdrop. The instrumental features its fair share of looping but packs a mean punch. An Isaac Hayes sample (âIkeâs Mood Iâ) ups the ante. Atop the production, GloRilla delivers tough, hard-nosed rhymes. In the first verse, she brags, âAss done got a lilâ fatter, now these hoes a lilâ madder (Okay) / Head done got a lilâ better, I donât even think that matter.â Ooh-wee! At the end of the verse, she memorably spits, âMy nigga ever cheat on me, I bet we break even, uh / Bitch, your nigga still my nigga, bet he can’t leave me, ho.â In the second verse, she doesnât ease up on these bi-otches! âGave you hoes the recipe (I did), can’t get this sauce again (Haha),â she bites, continuing, âGave them hoes a head start this time, slow-ass bitches lost again (Ugh, on the gang, gang).â The cadence and flow are compelling as hell in this brief banger. The chorus, excerpted earlier, is only infectious as hell â it is infectious as fuck! GloRilla continues:
âUh, let her cook (Woo)
Big Glo come through fryinâ shit (Hey), let her cook (Okay)
Too much cake, I’ll buy a bitch (On God), let her cook (Uh)
All this sauce, Iâm tryinâ shit (Hoo), let me cook.â
Itâs safe to say that Gloria Hallelujah Woods, aka GloRilla, cooks on the fierce âLET HER COOKâ.

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5. Ghost, âLachrymaâ
Skeletå » Loma Vista / Concord » 2025
[nx_pullquote]âIâm done crying / Over someone like you.â[/nx_pullquote] Oh, really, Tobias Forge? âIâm done crying / Hope youâre feeling it too now / Iâm done.â Declarative! Grammy-winning Swedish metal band Ghost comes through with a banger: âLachrymaâ (Latin for tear). The second single from Ghostâs 2025 album, SkeletĂĄ, is jam-packed. Things begin with an enigmatic intro, set initially in B minor. Soon enough, the guitars âturn up,â in all of their distorted glory. The key shifts to D minor. Joining those roaring guitars are pummeling drums hitting you right in the chest. The jagged guitar riffs and drum runs are selling points. Forge delivers strong vocals. While commanding, he never sounds like he forces anything. The melodies are tuneful. The first verse continues in D minor, âRipping through every poem / Like a vampire should.â Most of the pre-chorus that follows is in D minor, but the last line prepares for the modulation (âI can never run, and I cannot hideâ). By the chorus, excerpted earlier, the key shifts to B minor. In the post-chorus (âCrying, cryingâ), we return to D minor, where we remain for the engaging second verse (âNow that sweetâs gone sour / Seeping down the cracksâ). Before the final pre-chorus and chorus, we are âblessedâ with a jubilant, harmonized guitar solo. Speaking of harmony, the progression is adventurous throughout âLachrymaâ. Listening to the second track from SkeletĂĄ, there is no reason to shed a tear unless itâs a tear of joy, listening to the superb musicianship on display.Â
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6. ReneĂ© Rapp, âLeave Me Aloneâ
BITE ME » Interscope » 2025
[nx_pullquote]âLeave me alone, bitch, I wanna have fun.â[/nx_pullquote] Woo! ReneĂ© Rapp is locked đ in and loaded from the jump on âLeave Me Aloneâ, the opener from her 2025 album, BITE ME. The brief single catches on the first time you hear it. âIâm a real bad girl but a real good kisser,â she asserts in the first verse, adding, âWear my jeans so low, show my little back dimple,â and, âEven line my lips just to match my nipples.â Damn! Rapp co-wrote the infectious, naughty gem with Alexander 23 (Alexander Glantz), Julian Bunetta, Omer Fedi, and Steph Jones. Fedi, Bunetta, and Alexander 23 contributed the brilliant production.
âLeave Me Aloneâ is striking initially thanks to the badass, sickening beat. Matching the energy of the groove and energetic music backdrop is ReneĂ© Rapp, who brings plenty of attitude. Sheâs feisty and playful as fuâ. âSign a hundred NDAs, but I still say something / Leave me alone, bitch, I wanna have fun,â she sings in the second verse, continuing boldly, âI took my sex life with me, now the show ainât fucking / Leave me alone, bitch, I wanna have fun.â Rappâs vocals are tongue-in-cheek, mixing talk-singing and traditional, pitched vocals. Beyond the songâs most memorable line, the titular lyric, the chorus is tuneful:
âCan I tell you a secret?
Iâm so sick of it all (Uh-huh)
Come get wet in the deep end
T-t-t-take it off, c-c-c-cannonball.â
ReneĂ© Rapp âdoes the damn thingâ on the spicy, biting âLeave Me Aloneâ.
7. Lil Nas X, âLean On My Bodyâ
âLean On My Bodyâ » Columbia » 2025
[nx_pullquote]âHow you at the front of the motherfuckinâ crowd with a sad face? / Fix your motherfuckinâ face.â[/nx_pullquote] And thus begins the Lil Nas X single, âLean On My Bodyâ. Montero Lamar Hill is profane and unapologetic in the spoken word intro. The boldness carries over into the verses, where Hill is aggressive as fuâ. He is accompanied by an excellent musical backdrop that includes a hard-nosed beat and scintillating synths courtesy of Take A Daytrip and Jasper Harris.
Lil Nas X talks ample shit. The trash talk is legit. âYou know I love you, so I say this shit with love,â he asserts in the first verse, âBut please tell your fans they need to shut the fuck up.â In the same verse, he also memorably mentions his nephew beating up someone, co-signing it: âFuck it, yeah, I said it, I condone that shit / Choke that nigga out /⊠Go corona on that bitch / Walk that nigga like a dog, nephew, own that bitch.â Wow⊠The second verse continues boldly with more ferocious rhymes: âYâall my sons, but I might just Marvin Gaye yâall niggas.â Gah-da-yum, Lil Nas X! The chorus is more reverent, featuring gospel-infused vocals and vibes:
âLean on my body, Lord (Amen, amen, amen)
Bring blessings on my soul (Amen, amen, amen, amen)
And when the war is over (Thank you!)
See itâs time to tell the world the war is won (Yeah).â
Notably, the kick-ass, hard-hitting beat expands in the post-chorus that follows. Going back to the âChristianâ sensibilities, Lil Nas X petitions to God in the outro (âSave me, Lord, they scheminâ on me / Save your love, itâs leaninâ on meâ). Lil Nas X remains âsomething elseâ on âLean On My Bodyâ. He remains polarizing.

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8. Zedd & Remi Wolf, âLuckyâ
Telos » Interscope » 2024Â
[nx_pullquote]âEven though it still hurts a lot / Wouldâve been a lot worse if I stayed.â[/nx_pullquote] Oh, snap! Grammy-winning Russian-German DJ and producer Zedd (Anton Zaslavski) enlisted Remi Wolf for âLuckyâ, a single from his third album, Telos, released in 2024. He and Wolf penned âLuckyâ with dwilly (David Wilson), ellis (Ellis Lawrie), and Ilya Kozich. Zedd, ellis, and dwilly produced it. After the accompaniment begins rhythmically but sparely, it evolves into a bright, picturesque instrumental. The articulation of the synths and crispness during the drop is striking. Remi has a sick backdrop, delivering robust, expressive lead vocals. She sings a pair of verses about a defunct relationship. Even though sheâs still hurting (âNow Iâm driving, and every word around me looks like youâ), she understands her decision to leave was correct. In the chorus, she admits, âI wanted to catch you / But you pulled me like a magnet /⊠But you dragged me through the fire.â Even so, she has no regrets âbecause you taught me a lesson / Now Iâm feeling so damn lucky.â Besides her commanding and confident lead vocals, the harmonized background vocals are a treat, too. The drop, in all its infectious and repetitive glory, is the sugar honey iced tea, too (âLucky, I, I / Now Iâm feeling so damn luckyâ). Although brief, âLuckyâ is an engaging, entertaining, and well-rounded dance-pop cut.
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9. Bentley Robles & ZEE MACHINE, âLOCK ME UP!â
âLOCK ME UP!â » Bentley Robles Music » 2025Â
So, what happens when Bentley Robles (Bruno Pazzi Robles, he/him pronouns) and ZEE MACHINE (Joe Bissell, he/they pronouns) collaborate? Why, TEARS & GEARZ, of course! Also, sheer queer đ musical excellence! TEARS & GEARZ presents a short but sweet ditty entitled âLOCK ME UP!â thatâs locked in from the beginning. Robles, Joe Bissell, and producer FLORIO (Dominic Florio) penned âLOCK ME UP!â From a sound perspective, the music backdrop is bright. The keyboards and synths are scintillating, while the groove âkicks ass and takes names.â âLOCK ME UP!â âlocks upâ the fact youâll be moving your body and grooving hard to it. Robles kicks things off with fabulous singing, including ripe falsetto. He shows off the rhythmic, tuneful nature of the melody, which is constructed with great contour. âGonna light a match in your apartment,â he sings, adding, âAnd then smile at the flames.â Whoa! During the pre-chorus, the melody remains tuneful, growing more rhythmic (ââCause I canât even look up at the city / Knowing it wonât have usâ). As for ZEE MACHINE, he âbrings the heatâ in the second verse. Here, Bissell provides contrast while (1) upping the ante and (2) also impressing with some sickening falsetto (âIt doesnât feel like no coincidence / Iâve been in heaven every day that you’ve been goneâ). The section to beat is the chorus:
âSomeone lock me up
This heartbreak has got me drunk
Donât know how to get unstuck
Erasing where it was, giving me some kind of rush
I wonât get enough, âtil there’s nothing left but dust
Nothing left of us.â
Oh, snap! All said and done, âTEARS & GEARZâ entices our ears with the brief but entertaining and potent âLOCK ME UP!â. Can you say #SLAY?!
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10. Tems, âLove Me JeJeâ
Born in the Wild » RCA / Since 93â » 2024Â
[nx_pullquote]âHold me in your arms, in your love and your light.â[/nx_pullquote] Ooh-wee! Grammy-winning Nigerian Afrobeats and R&B singer Tems shines on âLove Me JeJeâ. âLove Me JeJe,â which samples the 1997 song, âLove Me JeJeâ by Seyi Sodimu is the fifth track on her album, Born in the Wild. âLove Me JeJeâ is pleasant and well-rounded. The production by GuiltyBeatz is a selling point. The repurposing of the Seyi Sodimu song bodes in Temsâ favor. The sound is chill and smooth. Furthermore, the rhythmic groove that anchors is lit. Tems delivers beautiful, easygoing vocals. Does she ever break a sweat? Nope, it doesnât seem like it! The melodies and the verses are tuneful making the ears perk up. Matters of the heart drive the narrative â not surprising given the song title. âI need your lovin’, so fresh, so clean / Love me in and out, unfailingly,â she sings in the first verse, asserting in the pre-chorus, âBecause I love, and I love, and I love, and I love you only.â Thatâs a lot of love! The section to beat is the chorus!
âIâm on your wave right now (wave)
Iâm on your wave right now, yeah (wave)
Iâm on your vibe now, you got me on your side now, yeah
Iâm on your wave right now, woah, woah, woah, yeah.â
âLove Me JeJeâ = V-I-B-E.
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11. VINCINT, âLeanâ
âLEANâ » VINCINT » 2024
[nx_pullquote]âAnd you think youâre saving yourself dressed up in all your armor / (But the tougher the skin, deeper the cuts) / Youâre standing at the edge, can you take it one step farther?â[/nx_pullquote] The talented VINCINT (Vincint Cannady, they/them) thrills on their dance-pop bop, âLEANâ. Not only is this sleekly produced record a catalyst for dance, but it also provides food for thought. On X (formerly known as Twitter), the musician, who identifies as gay and nonbinary, tweeted, ââLeanâ is one of the most vulnerable songs Iâve written for this project, it talks about the place where I exist between the binary. I hope it opens something inside of you thatâs been screaming for a release.â Thoughtful commentary on a thoughtful song, penned by Cannady and Lara Andersson, and produced by RZY and Skywalk.
VINCINT addresses a potential lover on âLEANâ who seems unable to (1) lean into them (a relationship) and (2) lean into their sexuality. âIs it problems from your past? The father that you had,â Cannady asks, continuing, âThat led you to believe / Vulnerability is weak.â The reference to vulnerability is striking, something that many gay men will relate to. Cannady suggests their prospect is sacrificing the beauty that is love. The second verse is patterned similarly: ââCause for your letting someone in / Feels like a cardinal sin.â Ugh â another superbly penned lyric that hits you right in the chest. VINCENT wants this person to live without boundaries. Of course, they will support them every step of the way. The chorus sums it up best:
âAll you need to do is
Lean into me, lean into me
You can do what you do (Do what you do)
And Iâll help you through (Iâll help you)
Lean in to me, lean into me
Put your heart on the line.â
VINCENT puts their foot into âLEANâ. The vocals are sweet, the melodies tuneful, the message on-point and the production is sleek. This is a pop song that everybody needs to hear regardless of sexuality or gender.
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12. Lizzo, âLEFTRIGHTâ
MY FACE HURTS FROM SMILING » Nice Life Recording Company / Atlantic Recording Corporation » 2025
The sex and bad bitching ways of MY FACE HURTS FROM SMILING, the surprise 2025 mixtape by Grammy-winning, multifaceted artist Lizzo (Melissa Jefferson) continues with âLEFTRIGHTâ. âGo left, go right / Go left, right, left, right / My back is achinâ, my belt too tight / My booty shakinâ from left to right.â Oh, snap, Melissa! Lizzo gives us a booty-shaking banger where she continues to give zero fuhs! Lizzo co-wrote âLEFTRIGHTâ with Pop Wansel and John Morris. Wansel and Ricky Reed produced. From start to finish, sheâs confident. âQueen Lizzy, bow down / Fuck âround and found out,â she spits in the first verse. Regarding sexual matters, Lizzy asserts, âIf he a Gemini âïž, I might take him to pound town.â More striking than pound town is what she feels: âI can feel it through his denim, thatâs a hard launch.â Damn! In the second verse, our self-described baddie continues her badass ways. Sheâs outside with her gay sons and thot daughters, after all! Sheâs bad because, âBitch, Iâm from Texas.â This badness â horniness and freakiness â finds her rapping, âTake me back to coochie cutters at the Freaknik / I can throw some ass and make a nigga sea sick / I can feel I through the boxers, baby, itâs big.â Holy shit, I mean, holy dick! In the outro, she hella bad: âIâma work them cheeks, left, right / Goddamn, daddy, left, right / Up, down, up, down, left right / You would be mad if I left, right?â Ooh-wee! Over a minimalist but potent backdrop, Lizzo puts in some serious work on âLEFTRIGHTâ.
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13. Morgan Wallen, âLove Somebodyâ
Iâm The Problem » Big Loud » 2025
[nx_pullquote]âI just wanna love somebody who wonât leave a hole in my heart / I just wanna love somebody that donât want me fallinâ apart.â[/nx_pullquote]That is a reasonable request, Morgan Wallen! The country superstar brings a different flavor to âLove Somebodyâ, an early single and the 22nd track from his fourth studio album, Iâm The Problem, released in 2025. There are lots of cooks in the kitchen when it comes to songwriting, including Wallenâs pen. Joey Moi and Charlie Handsome produced âLove Somebody,â which has a pleasant, easygoing sound from the beginning. As always, Wallen shows he possesses a great voice, sounding quite beautiful on âLove Somebody.â Even if this is a âless countryâ country song, Morgan still brings ample twang and expression. The melodies are rhythmic and tuneful in the verses. âI need someone that Iâd be proud / To take on back to my hometown,â he sings in the second verse, concluding, âHonest eyes that just ainât gonna lead.â Word. In the chorus, the melody is legato and even more tuneful. Besides a strong vocal from Wallen, thereâs a lovely, refined instrumental break that precedes the final chorus. Wallen is polarizing for various reasons, but the East Tennessean country musician is talented. He shows off such talent without a hitch on this enjoyable and memorable number.
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14. Halsey, âLonely is the Museâ
The Great Impersonator » Columbia » 2024
[nx_pullquote]âI spent years becoming cool / And in one single second, you / Can make a decade of my efforts disappear.â[/nx_pullquote] Damn, that sucks, Halsey (Ashley Frangipane). What doesnât suck, however, is âLonely is the Museâ, a highlight from the Grammy-nominated singer/songwriterâs fifth studio album, The Great Impersonator. She continues singing in the dramatic first verse, âIâm just waiting at the bar / And you rip open all my scars / By saying something like, âDidnât know you were here.â Once again, damn, that stings! Halsey captures the excruciating pain soundly in this gem co-written with Stuart Price. Austin Corona, Wyatt Bernard, and Brandon Buttner produced this dark, angsty alternative rock cut that shows a different side of Halsey.
In the second verse, Halsey cites her accomplishments yet laments the fact sheâs ââŠReduced to just a body / Here in someone elseâs bed.â The chorus and post-chorus mark the most memorable moments from âLonely is the Muse.â The lyrics continue to live in the âdarkâ with Frangipane confirming her status as a martyr (âAlways knew I was a martyr / That Jesus was one tooâ). The lyrics are poetic to the nth degree. She adds in the bridge, with the utmost drama:
âAnd when youâre done, you can discard me
Like the others always do
And I will nurse my wounds until
Another artist needs me new
And I will always reassemble to fit perfectly in view.â
By the end (outro) of âLonely is the Museâ, Halsey is at her most angst-laden, with the dynamic musical accompanying fueling the fire. This is one of the best songs of Halseyâs career, hands down đ€! Four minutes of greatness!
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15. Omar Apollo, âLess of Youâ
God Said No » Omar Apollo / Warner » 2024Â
[nx_pullquote]âIs this the last time I see you?â[/nx_pullquote] Omar Apollo asks his partner in âLess of Youâ, the third single from his sophomore album, God Said No. âIs this goodbye?â All indications suggest itâs the end of them. Omar, expectedly, is deeply affected. He sees their bond dissipating, yet, he still lusts after him. Matters of the heart look good on the handsome, Grammy-nominated pop singer/songwriter. He penned and produced âLess of Youâ with Teo Halm. The third track from God Said No finds Omar Apollo being true to himself, emotionally and thematically (âI seeinâ less of you / Iâm still undressing you / Am I depressing you? / Felt like a blessinâ, youâ). Heâs reflective and vulnerable. Where the contrast comes into play is the sound. âLess of Youâ is an about-face compared to most of his work. He dips into synth-pop, dance-pop, and modern disco. A far cry from his ballads, his bravery to âgo against the grainâ and âshake things upâ is admirable. He continues to sing well, even if his vocals arenât big, robust, powerhouse vocals. One cool moment is the post-chorus, where his voice is drenched in vocoder (âI still got a lot to say / Donât wanna end the night this wayâ). The aesthetic and vibe is sublime, reminiscent of the gay đłïžâđ club scene. âLess of Youâ is a fun one.
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16. Noah Guy, âLET U LEADâ (with Billy Lemos)
IT MUST BE LOVE (EP) » is it real LLC » 2024
[nx_pullquote]âOh, I was a leader / Spirit whole but hollow / When I crashed, I cleaned up / Washed it off and followedâŠâ[/nx_pullquote] So, what did handsome and talented Philly-bred R&B singer/songwriter Noah Guy (Noah Guy-Mozenter) do after falling short as a leader? He decided to âLET U LEADâ. In the second track from his 2024 EP, IT MUST BE LOVE, Guy collaborates with Billy Lemos, who produces the track. Additional production is credited to Solomon Fox. Instrumentally, the music sounds smooth, lush, and romantic. Noah has the perfect canvas to paint his voice.
Noah Guy eats! His vocals are sexy, smooth, and soulful. He sounds fresh, youthful, and vibrant. He does a magnificent job of bringing the tuneful melodies to life. Beyond nailing the tune, Guyâs ad-libs are fantastic. Also, the background vocals are sublime too! Matters of the heart guide the narrative in this ear-catching ballad. âOh, you wear me all down / You guide me through all,â he asserts, adding, âOh, I was a leader / Now Iâve grown to follow / Though the past it lingers, I fight on.â His fight continues in the outro, as does âmy love, my love, my baby.â The chorus is the section to beat, where Guy asserts, âI fill up to love with ya / I fill up to be in ya light.â Although âLET U LEADâ is brief (two-and-a-half minutes), Noah Guy puts his foot into it. A bop, a bop, a surefire bop!

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17. Conan Gray, âLonely Dancersâ
Found Heaven » Republic » 2024Â
[nx_pullquote]âTonight, youâre mine.â[/nx_pullquote] Noted! âLonely Dancersâ marked the first single of 2024 for the handsome, ultra-talented Conan Gray. This skinny, two-and-a-half-minute song is the fourth single from his third studio album, Found Heaven (arrives April 5, 2024). While âLonely Dancersâ musters up a short duration, itâs ample and sufficient time for Gray to put in work. He penned this ear candy alongside Ilya Salmanzadeh (ILYA), Max Martin, and Oscar Holter. ILYA, Martin, and Holter handle production duties, responsible for a decadent, picturesque backdrop, including some epic, rhythmic synths. The instrumental is potent, but the star of the show is none other than Gray. He serves up commanding, marvelous lead vocals. The first section of âLonely Dancersâ heard is the epic chorus:
âWeâre lonely dancers
Join me for the night
Weâre lonely dancers, baby
Dance with me so we donât cry
Weâre lonely dancers
Thereâs no need to hide
I know the answer, baby
Dance we me so we donât cray
La-la, la-la, la, cry
La-la, la-la, la.â
Self-explanatory whatâs going on. But, thereâs further clarification on the verse, where he spills the tea: âYour lover left you, broke up tonight / My loverâs busy kissinâ other guys, oh.â Oh, indeed. What else should they do but join each other in their misery and dance it out! âLonely Dancersâ thrives off its tuneful melodies, which recall the 1980s. Another bright spot, beyond the chorus and sole verse, is the bridge, which provides contrast and maintains the engaging nature of the song (âWait, stop, forget that guy / He donât know love, I hope he diesâŠâ). Does Conan Gray ever miss? Nope! âLonely Dancersâ is terrific.
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18. Shenseea & Megan Thee Stallion, âLickâ
ALPHA » Rich Immigrants / Interscope » 2022
[nx_pullquote]âOpen yuh mouth (Mm-mm-mm-mm) / Put up mi pum-pum (mm-mm-mm-mm) / Make yuh tongue go (mm-mm-mm-mm) / (Ooh) lick, lick, lick.â[/nx_pullquote] Whoa, Shenseea! The Jamaican singer is bold AF early on âLickâ. In case you couldnât decipher the Jamaican Creole/slang, pum-pum is pussy/vagina đ. âLickâ is the fifth track from her 2022, debut studio album, ALPHA. Featuring minimalist but sleek production work (Murda Beatz, Joseph LâĂtranger, BoogzDaBeast, and Tobias Wincorn), âLickâ samples two songs: âWorkâ by Denise Belfon and âAKAâ by Baka Not Nice. It should be noted that Shenseea gets a naughty assist from Grammy-winning rapper, Megan Thee Stallion.
Shenseea ensures sheâs the star of the show early on. Following the bold pre-chorus, in the unforgettable chorus, she encourages, sexually, âPut yuh back in it.â In the first verse, she gives him instructions and shares her preferences. âLick it well fast but not too much,â she sings, adding, âLove big dick but dat nuh enough.â Also, she informs him sheâs ready (âThis breakâ, lunch, and dinner time, my legs are open wideâ). Oh, snap! Her vocal performance is unique and filled with attitude and lust. In the second verse, Megan Thee Stallion gives us fast, unapologetic, bold bars â the expectation. âIâm thick, and your face where I wanna sit / The nigga better hope heâs still breathinâ after this.â Woo! She concludes her verse with a bang too: âPink pussy, pink lips, pink tips (tips) / Slide down on his ski trip (ski trips) / Juicy booty, need the jumpsuit (yeah) / If he ate it quick then call me fast food, ah.â Shenseea also throws in a bridge where she asserts, âBoy when your mouth full, donât talk.â Good manners, right? âLickâ is a stellar NSFW bop from Shenseea and Megan Thee Stallion. These women keep it a buck.

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19. ETHAN, âLike Itâ
DIVINE INTERVENTION (EP) » ETHAN » 2024
[nx_pullquote]âPull an all-nighter / Ainât âbout to save it for later / We on that puppy love time / Clean up then we back on site.â[/nx_pullquote] Oh, shit! Itâs easy to like âLike Itâ. ETHAN (Ethan Choryin Luo) adds in this sexy single from DIVINE INTERVENTION, âDrunk on that punch boy / Taste it on your tongue boy, hey.â He penned this naughty gem alongside Maribelle and Alex the Astronaut. Vetta Borne produced this sensational queer sex song. ETHAN sounds amazing â that tone, those sickening runs â as well as amazingly titillating, giving the listeners âsomething they can feel.â âMake it rain, boy / The way you pour that strawberry chocolate, yuh / You know it fill me up,â he sings, naughtily.
In the bridge, the passion is elevated:
âReady now, lay me down
Turn it around
Switch it up, me on top
Boy turn me out
Just the right type of dangerous
Donât talk, savor it.â
Damn! Is hooking up between them becoming more? Itâs a concern, as he emphasizes, âI just need a weekend lover, had too many weak ass lovers,â and in the chorus, declares (1) âDonât try to make it, make it something itâs not,â and (2) âDonât wanna get together, if it wonât last forever.â Still, whatever this thing is between them, especially in one of the sexiest music videos youâll ever see, itâs piping hot! The steamy âLike Itâ is the sugar, honey, iced tea.

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20. Honey Bxby, âLaying In his Bedâ
Raw Honey » Rebirth Ent. / Art@War/ Warner » 2025
[nx_pullquote]âAnd he can take it off me anywhere he wanna / âCause he fucks me in certain ways,â[/nx_pullquote] Honey Bxby (Ajaysiya Byers) asserts in âLaying In His Bedâ, the 10th track from her 2025 EP, Raw Honey. Â She adds, âYou hold me in other ways / I wish it was you, and it ainât right.â Holy shit! Yes, you heard and read right. Honey Bxby is thinking about another man while in bed with a different man! To her credit, she admits sheâs wrong. Byers, Akil âworldwidefreshâ King, and Chloe George wrote this scandalous, infidelity-laden joint (âHe think he my only bae / But you bring the fun and gamesâ). Oh, snap! King, Stephen âDiGeniusâ McGregor, Justus West, and Bankroll Got It produced it.
âLaying In His Bedâ features a sickening groove that catches the ear from the onset. The synths are colorful and electrifying. Honey Bxby delivers strong vocals. She sings with attitude and personality as she is transparent about her feelings. She is unapologetic. âDoes he notice? I lose focus,â she sings, continuing, âMy body craves something that my soul likes / I know he all in, but Iâm all out.â Well, da-yum! In the tuneful chorus, while sheâs thinking about him, it should come as no surprise that she hopes he is also thinking about her. We get a change of pace during a rapped, fast-paced bridge: âIâm sendinâ pics with my panties on (what?) / Iâm on my phone while they sittinâ out (uh) / Playinâ with my cat while the doggyâs out (uh) / See, Iâm a good girl when you come around.â Gah-day-um đł! Honey Bxby keeps it đŻ â an understatement. We listen and we donât judge, obviously, but, we know that Byers needs to figure shit out on âLaying In His Bedâ. How many times has âTryinâ to Love Twoâ worked out beyond providing a theme for a bomb song? As honest as you are with us, Honey, be honest with your men!
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21. Adam Lambert, âLubeâ
AFTERS (EP) » More is More LLC » 2024
[nx_pullquote]âSlip in the room, slip right into you.â[/nx_pullquote] Oh, snap, Adam Lambert! He adds in the first verse of âLUBEâ, âTrip to the moon, lavender blue / Drippinâ on you / Oh.â Oh, indeed! âLUBEâ is the fifth and penultimate track from his AFTERS (EP). Lambert penned âLUBEâ alongside VINCINT, Parson James, and producer NOVODOR. It features an infectious, danceable beat. The clubby feel and gay club scene are alive and well.
[nx_pullquote]âPick up the pace, give and I takeâŠâ[/nx_pullquote] Whoa đł! Lambert delivers cool, calm, collected, and sexy vocals throughout âLUBE.â He brings explicit lyrics in the pre-chorus and chorus. In the pre-chorus, he asserts, âNo, we donât need no friction / We donât need to do it dry / Yeah, we can keep it liquid / Slide your body into mine, mine.â In the chorus, he urges him to âBe a real good boy and lube it up,â promising him âGonna make you nut / Every time I move your body.â Holy smokes đ«Ł! âLUBEâ doesnât require deep analysis. Neither does lube require deep analysis, for that matter. Adam Lambert raises the temperature on this one đ„”. Not only does he S-A-N-G, making our ears perk up, but he also makes us sweat!
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22. Al Calderon, âLo100toâ
âLo100toâ » Al Calderon / Create Music Group » 2025Â
Al Calderon (Alberto Calderon) is⊠caliente como la mierda đ„”, like, phew đźâđš đ€€! Beyond his undeniable fineness, the actor and singer is talented. His talents and looks go hand in hand on the steamy joint âLo100toâ (Lo + 100 (cien in Spanish) + to = Lo siento (Iâm sorry)). Throw in sexy Spanish lyrics (âPase lo que pase / Siempre serĂ© tĂș bebĂ© / Yo sĂ© que te tengo juqueaoâ) and a video with sexy frat boys (sometimes sans clothing đ„”), and âLo100toâ is titillating to the nth degree. Translating the excerpted Spanish lyrics, it is something to the effect of, âNo matter what happens / Iâll always be your baby / I know Iâve got you hooked.â Damn!
[nx_pullquote]âPase lo que pase / Siempre serĂ© tĂș bebĂ© / Yo sĂ© que te tengo juqueaoâ[/nx_pullquote]
The Long Island-bred entertainer gives us Spanglish! In the centerpiece, the chorus, he sings, âOooh lo siento / Oh boy, you fuck me up / Yo pensaba en ti / Ya no puedo hacerlo,â which translates as âOooh sorry / Oh boy, you fuck me up / I was thinking of you / I canât do it anymore.â Ooh-wee! Notably, matters of the âsame sexâ heart are alive and well, and we would not have it any other way đ! While âLo100toâ is brief, it is electrifying. Calderon sings well. He may not break a sweat vocally, but there is no way you wonât be covered in sweat looking đ and listening đ to him đ„”. Gah-day-um!Â

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23. The B-52âs, âLove Shackâ
Cosmic Thing » RepriseâŻÂ» 1989
[nx_pullquote]âThe Love Shack is a little old place where we can get together.â[/nx_pullquote] Get together, huh? đ Is there ever a dull moment with The B-52âs? Fred Schneider, Kate Pierson, Cindy Wilson, Keith Strickland, and, formerly, Ricky Wilson (1953 â 1985) comprised an innovative, spirited dance-rock, new wave band. One of the biggest hits of their career is âLove Shackâ, the fourth track from their 1989 album, Cosmic Thing. The B-52âs wrote âLove Shackâ while Don Was produced it. A huge hit, it peaked at number three on the Billboard Hot 100. In 2024, the Recording Industry Association of America certified it as triple platinum. Notably, Fred, Kate, and Cindy sing throughout âLove Shack.â
In the unforgettable âLove Shack,â it sounds like the band is having an absolute ball. It is anchored by a fabulous, percussive groove. There is a strong presence of guitar (Strickland) and bass. Besides the rhythm section, the ears are blessed with bright, articulated horns (Uptown Horns). Playful, tongue-in-cheek vocals from the beginning set the tone: âIf you see a faded sign at the side of the road that says / â15 miles to the / Love Shackâ /⊠Looking for a love getaway.â Some of the lyrics are silly but always entertaining. The gist of the situation is a place where they can dance, have fun, and, unsurprisingly, get it on. In the Love Shack, âEverybodyâs moving, everybodyâs grooving, babyâ because it is a âFunky little shack.â Woo! The chorus, excerpted earlier, is the catâs meow â the crĂšme de la crĂšme. Another sensational part of âLove Shackâ is the epic âbang, bangâ section:
âBang, bang, bang on the door, baby
Knock a little louder, baby
Bang, bang, bang on the door, baby
I canât hear you.â
One of the best lyrics from the song, other than the repeated love shack, or the bang, bang section, is, âYour what? / Tin roof, rusted.â What does it mean? It is subject to interpretation. Fun fact: the real âLove Shackâ was Piersonâs cabin in Athens, Georgia, which sadly, burned down in 2004. Ultimately, âLove Shackâ is a surefire classic from the late 1980s. It is an enduring oldie that never gets old đ€!
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24. Divine, âLatelyâ
Fairy Tales » Modern Entertainment BV » 1998Â
[nx_pullquote]âLately (Iâve been watching you) / Been thinkinâ âbout you baby / (And everything you do) / Just sittinâ away watching the days go by.â[/nx_pullquote]Oh, the 1990s nostalgia! Short-lived R&B trio Divine â Kia Thornton, Nikki Bratcher, and Tonia Tash â is best known for one song, âLatelyâ. âLatelyâ appears on their only album, 1998âs Fairy Tales. âLatelyâ reached number one on the Billboard Hot 100 for one week in late 1998. Additionally, it earned the trio a platinum-certified single. Chris Kelly and Will Baker penned âLatelyâ while John Howcott and Donald Parks produced it.  Matters of the heart fuel âLately.â Also, the dramatic organ also infuses the ballad with some oomph. In the opening chorus, the most memorable part of the song, the trio is chill, yet the emotion is perceptible. In the first verse, they highlight the heartache: âI wish that I could weather any storm / But I guess it was a heartbreak from the norm / Was a day I will always remember / The saddest day in sweet November.â Itâs a similar situation in the second verse, where prayer â petitioning to God â is necessary (âBaby, Iâm on my knees, praying to God help me please / Bring my baby back, right back to meâ). The theme is simple, as are the lyrics, but ultra-relatable, particularly from the young collective like Divine. With so many great songs released in the 1990s, perhaps âLatelyâ doesnât get its just due. Still, pushing 30 years of age, itâs a marvelous R&B song.
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25. DeWayne Woods, âLet Goâ
Introducing DeWayne Woods & When Singers Meet » Zomba Recording LLC » 2006Â
[nx_pullquote]âI couldnât seem to fall asleep / There was so much on my mind.â[/nx_pullquote] Contemporary gospel singer DeWayne Woods seeks peace by petitioning God. He continues, âThen He said you donât have to cry / âCause Iâll supply all your needs.â Amen đ! Hallelujah đ! The inspiring and uplifting lyrics hail from âLet Goâ from his debut album, Introducing DeWayne Woods & When Singers Meet, released in 2006. Grammy-winner PJ Morton wrote and produced this enduring gem.
âLet Goâ is radiant. It features a vibrant arrangement and production. Woods excels with smooth, reverent lead vocals. The songwriting is celestial with its thoughtful, spiritually driven lyricism. The chorus is the centerpiece where fabulous, harmonized background vocals support Woodsâ dynamic lead. Woods amps up the ad-libs, digging in more during the second chorus:
âAs soon as I stop worrying (Soon as I stop worrying)
Worrying how the story ends (When I let go)
I let go (And I let) and I let God
⊠Let God have His way
(Thatâs when things) Thatâs when things start happening
Iâll stop looking at back then
I let go and Iâll let God have His way.â
Ooh-wee, that chorus makes you wanna shout! Another exceptional verse (âI have to know if Iâm to put it in His hands / That everything will be alrightâ), and an electrifying bridge (âLet go and let Godâ) help make âLet Goâ an awesome and encouraging gospel song đ.
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~ Table of Contents ~ » ~ intro ~
A Laudable List of L Songs (2025) [đ·: Brent Faulkner / The Musical Hype; Al Calderon, Art@War, Atlantic Recording Corporation, Bentley Robles Music, Big Loud, CMG, Columbia, Concord, Create Music Group, Darkroom, ETHAN, Interscope, is it real LLC, Loma Vista, Modern Entertainment BV, More is More LLC, Nice Life Recording Company, Omar Apollo, RCA, Rebirth Ent., Reprise, Rich Immigrants, Since 93â, VINCINT, Warner, Warner Music Norway AS, Warner Republic; Gustavo Fring, Kindel Media, Nina Hill, olia danilevich, zona .exe123ph from Pexels; AcatXIo, Clker-Free-Vector-Images, JL G, OpenClipart-Vectors from Pixabay] |

![A Laudable List of L Songs (2025) [đ·: Brent Faulkner / The Musical Hype; Gustavo Fring, Kindel Media, Nina Hill, olia danilevich, zona .exe123ph from Pexels; AcatXIo, Clker-Free-Vector-Images, JL G, OpenClipart-Vectors from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/10/a-laudable-list-of-l-songs.jpg?fit=300%2C300&ssl=1)

![Travis Porter, Bring It Back: Bangerz N Bopz No. 68 (2026) [đ·: Brent Faulkner / The Musical Hype; RCA Records; Art Laurence Luzon, cottonbro studio, Osmar Vasques, Sebastian Ervi, Wallyson Nascimento from Pexels; Gordon Johnson from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/09/travis-porter-bring-it-back-bangerz-n-bopz-68-2026.jpg?fit=640%2C640&ssl=1)
![Al Calderon, brokiii: Beaming with Pride No. 93 (2026) [đ·: Brent Faulkner/ The Musical Hype; Al Calderon / Create Music Group Inc.; Cristyan Bohn, Ketut Subiyanto, Luis Morales Torres, SHVETS production, Uriel Mont from Pexels; Clker-Free-Vector-Images, Gordon Johnson, Wolfgang Eckert from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/al-calderon-brokiii-beaming-with-pride-93-2026.jpg?fit=640%2C640&ssl=1)
![Conan Gray, Heather: Bangerz N Bopz No. 67 (2026) [đ·: Brent Faulkner / The Musical Hype; Republic Records; Art Laurence Luzon, cottonbro studio, Osmar Vasques, Sebastian Ervi, Wallyson Nascimento from Pexels; Gordon Johnson from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/09/conan-gray-heather-bangerz-n-bopz-67-2026.jpg?fit=640%2C640&ssl=1)