Incredible Songs: 1980s, Vol. 4 features music courtesy of The Buggles, Deniece Williams, Michael Jackson, Tracy Chapman, and Whitney Houston.
Ah, theβ―1980sβ―β what a time, what a time! What better way to reminisce on the decade than to select some of its best songs.β― There were plenty of kick a$$ rock, pop, and R&B records that stand the test of time. Honestly, there are far too many awesome musicians to recognize in one musical compendium β at least with blurbs involved. Still, we continue the process withβ―β―Incredible Songs: 1980s, Vol. 4, following
β―Incredible Songs: 1980s, Vol. 1 (2023),
β―Incredible Songs: 1980s, Vol. 2 (2023), and
β―Incredible Songs: 1980s, Vol. 3.
β―Incredible Songs: 1980s, Vol. 4β―features some of the 80s finest courtesy of
The Buggles,
Deniece Williams,
Michael Jackson,
Tracy Chapman, and
Whitney Houston among others. So, get into the spirit of the 1980s and check out these epic musical classics!
1. The Buggles, βVideo Killed The Radio Starββ―β―
The Age of Plastic β’
The Island Def Jam Music Group β’
1980β―
βOh-a oh-a.β Sigh, thatβs an iconic moment from an iconic song! The song is
βVideo Killed the Radio Starβ, the sole hit by
The Buggles in the United States.β― Of course, such fun, but silly lyrics arenβt the sole reason this 1979 record earned the English new wave band notoriety.β― This record reflects on technological advancements, particularly how such advancements have had a negative impact.β― βThey took credit for your second symphony,β
Trevor Horn sings in the first verse, continuing, βRewritten by a machine on new technology / And now I understand the problems you could see.β Does a machine really need to rewrite a masterpiece such as a symphony? Food for thought.
β―β―
Even though βVideo Killed the Radio Starβ arrived in 1979, eventually appearing on The Bugglesβ 1980 album, The Age of Plastic, is what the band sings about dated at this point? No, because technology doesnβt stop, and new technology consistently replaces old.β― In a musical context, look at how music is consumed these days. sure, βVideo killed the radio star / Pictures came and broke your heartβ back in the 80s but look at how music is consumed now. Streaming has surpassed physical sales of music, for example.β― Trevor Horn, assisted by
Debi Doss and
Linda Jardim continues to talk about the changes in the second verse: βAnd now we meet in an abandoned studio / We hear the playback, and it seems so long ago.β Besides thought-provoking lyrics, tongue-in-cheek vocals, and respectable lead vocals by Horn, the music on this Horn,
Bruce Woolery, and Geoff Downes penned track is exuberant β totally rad
. One hit The Buggles may have had, but
βVideo Killed the Radio Starβ is an awesome one that never gets old
!
Appears in :β―
- The Buggles, Video Killed the Radio Star: 1 Hit WONDERful
No. 10 (2023)β―
- 11 Alluring, RADIO
Approved Songs (2023)β―
2. Deniece Williams, βItβs Gonna Take a Miracleββ―β―
Niecy β’
Columbia β’
1982β―β―β―
βLoving you so / I was too blind to see / You letting me go / But now that youβve set me free,β
Grammy-winning R&B singer/songwriter
Deniece Williams sings on
βItβs Gonna Take a Miracleβ, continuing, βItβs gonna take a miracle / Yes, itβs gonna take a miracle / To make me love someone new / βCause Iβm crazy for you.β Oh, the plight of love β those matters of the heart
!β― βItβs Gonna Take a Miracleβ has the distinction of being one of three top-10 hits by Williams. βItβs Gonna Take a Miracle,β is the song to beat on her 1982, gold certified album,
Niecy, peaked at no. 10 on the Billboard Hot 100.β―Williams produced this update of the
The Royalettesβ 1965 joint alongside the late, great
Thom Bell.
All writers and producers on βItβs Gonna Take a Miracleβ earn incredibly high marks.β― First and foremost, this is a well-written record.β― It superbly captures the relatable feeling of struggling to move on from a past relationship β itβs literally gonna take a miracle to get over this person! Williams does a marvelous job of bringing the lyrics to life authentically with her classy and sophisticated lead vocals.β― Furthermore, she does some impressive, playful ad-libs that are a must-hear.β― Also, she receives fine support from backing vocals, upping the soulful ante. Focusing on the production, it is stunning; utterly sublime.β― βItβs Gonna Take a Miracleβ benefits from a superb, soulful groove.β― Specifically, the ostinato piano lines are lovely, while the vibraphone hits are timely. Additionally, the string orchestration is marvelous β lush and warm.β― One other note about the brilliance of this top-10 smash. The bridge provides sizable contrast to other sections of the song with the harmonic adventurousness being a big selling point.β― All told, the excellence of βItβs Gonna Take a Miracleβ speaks for itself. Itβs simply marvelous, darling!β―β―β―
Appears in :β―β―β―
- Deniece Williams, Itβs Gonna Take a Miracle: Throwback Vibez
No. 112 (2023)β―β―
- Deniece Williams: 3 to 5 BOPS No. 65 (2023)β―
- Laura Nyro vs. Deniece Williams: Head 2 Head
No. 35 (2023)β―
3. Michael Jackson, βThe Way You Make Me Feelβ
Bad β’
MJJ Productions β’
1987
In the 1980s,
Michael Jackson had TWO juggernaut albums β
Thriller in 1982 and
Bad in 1987.β― Though it was an arduous task for even a prodigious superstar like Jackson to follow up the biggest of the two juggernauts in Thriller, Bad is a masterpiece too. Bad landed five no. 1 hits on the Billboard Hot 100, including its third single,
βThe Way You Make Me Feelβ. βThe Way You Make Me Feelβ is a vibe from the onset, thanks to a fierce revving sound (for lack of a better description) and the signature 80s drum programming β gotta love that boxy sound! The groove cooks, including a bass line for the ages.β― Jackson penned this memorable number and produced it alongside the iconic
Quincy Jones.β― Even if those drums sound anachronistic in the 2020s, the charm and sheer energy of this joint never loses its freshness or luster.β―β―β―
β―
βThe Way You Make Me Feelβ is a prime example of Michael Jackson embracing being The King of Pop.β― Yes, the soulful, R&B vibes are still present, particularly those accented horns, as well as the bluesy harmonic structure, but this is a pop record.β― Jackson is in great voice, following the groove with his signature βHee-hee.β The structure is straightforward, which makes βThe Way You Make Me Feelβ incredibly accessible. Furthermore, the writing is straightforward too β love, love, love.β― βYou give me fever like Iβve never, ever known,β Jackson asserts in the first verse, adding in the pre-chorus, βI feel your fever from miles around.β In the second verse, he melts because of her β βJust hold me, baby, and Iβm in ecstasy.β Oh, the power of a crush and a relationship! Of course, the main attraction β the focal point β is none other than the chorus. Itβs repetitive but infectious and relatable, so, we STAN! βThe way you make me feel / You really turn me on / You knock me off of my feet / My lonely days are gone.β What more needs to be said about
βThe Way You Make Me Feelβ? This throwback vibe speaks for itself!β―β―
Appears in :
4. Tracy Chapman, βFast Carβ
Tracy Chapman β’
Elektra β’
1988
βYou got a fast car / I got a plan to get us outta here / I been working at the convenience store / Managed to save just a little bit of money.β Just those excerpted lyrics from
βFast Carβ, the sensational
Tracy Chapman masterpiece, which she composed herself, encompass ambition, escaping from an unideal place, and narrativize a couple seeking a better life that feels incredibly authentic and relatable.β― In the second verse of her top-10 hit (no. 6 on the Billboard Hot 100), Chapman adds, βYou and I can both get jobs / Finally see what it means to be living.β That statement truly hits home, speaking to the plight of the working class. Thatβs just one excerpt from this
Grammy-winning song (Best Pop Vocal Performance, Female). Chapman would also win
Grammys at the 31st Annual GRAMMY Awards for Best New Artist and Best Contemporary Folk Recording, while she was nominated for Record, Song, and Album of the Year for
Tracy Chapman (1988). βSee, my old manβs got a problem / He lives with a bottle, thatβs the way it is,β Chapman continues singing, continuing to be authentic to the nth degree.
Vocally, Chapman exemplifies the singer/songwriter sound.β― Sheβs expressive and nuanced, but she never forces things or over-sings. Her tone is pure from the onset.β― Thereβs a sense of poise throughout the courses of the verses, yet, simultaneously, Tracy sounds commanding and firmly in control β itβs hypnotic to a degree.β― The chorus provides a welcome change of pace, finding her upping the intensity.β― The drums contribute to this temporary dynamic burst, prior to the return of the even-keel verses.β―β―β―
βSo, I remember when we were driving, driving in your carβ―β―
Speed so fast, I felt like I was drunkβ―β―
City lights lay out before usβ―β―
And your arm felt nice wrapped βround my shoulderβ―β―
And I-I, had a feeling that I belongedβ―β―
I-I had a feeling I could be someone, be someone, be someone.ββ―β―β―β―
Itβs not just the lyrics, narrative, theme, or vocals that make βFast Carβ a surefire classic.β― The production ( David Kershenbaum) and instrumental, although relatively simple, is perfect for this folk, soft rock gem.β― Guitars, bass, drums, and percussion are more than enough to fuel the fire.
βFast Carβ is a truly a once in a lifetime song, one that remains beloved more than three decades later.β―β―β―β―
Appears in :β―β―β―
- Tracy Chapman, Fast Car: Throwback Vibez
No. 115 (2023)β―β―
- Tracy Chapman vs. Luke Combs: Head 2 Head
No. 32 (2023)β―
- 13 Stellar Songs Driven By Speed (2023)
5. Queen, βRadio Ga Gaββ―β―
The Works β’
Hollywood β’
1984
βIβd sit alone and watch your light / My only friend through teenage nights,β
Freddie Mercury asserts in the first verse of
βRadio Ga Gaβ.β― He continues singing on the highlight from
The Works, the 1984 album by
Queen: βAnd everything I had to know / I heard it on the radio.β Ooh wee! Back in the day, radio was a big, big deal. However, as time goes on, even in the 1980s, the way music is experienced shifted. Drummer
Roger Taylor wrote βRadio Gaga,β asserting, It deals with how important radio used to be , historically speaking before television, and how important it was to me as a kid.[1] Given the significance of radio, it makes perfect sense why Mercury goes on to sing, telling radio, βSo donβt become some background noise.ββ―β―β―β―
β―
There are more lyrics that stand out in βRadio Gaga.β In the pre-chorus, Mercury touts βthe powerβ of radio, adding, βYouβve yet to have your finest hour.β The chorus is tongue in cheek yet emphasizes the star of the show β RADIO! In the second verse, we get some of Taylorβs disdain for television in place of radio, specifically when Mercury sings, βSo stick around βcause we might miss you / When we grow tired of all this visual.β With the songwriting conveying a respectable message, the music proves epic as always β the expectation from Queen.β― By this time, we hear more synthesizers, idiomatic of the 80s, as well as drum programming. No worries though β we still get sweet guitar courtesy of
Brian May
! Vocally, Freddie Mercury remains beastly, marvelously bringing Taylorβs lyrics and melody to life.β― Another classic,
βRadio Ga Gaβ earned Queen another top-20 hit, peaking at no. 16 on the Billboard Hot 100.β―β―
β―
Appears in :β―
[1] Clerc, B., Burrows, S., Higgitt, C., & Ratcliffe, P. (2020). Radio Ga Ga. In Queen: All the songs: The story behind every track (pp. 338β338). essay, Black Dog & Leventhal Publishers.β―
6. Joe Cocker & Jennifer Warnes, βUp Where We Belongββ―
Ultimate Collection β’
UMG Recordings, Inc. β’
2004β―β―
βLove lift us up where we belong / Where the eagles cry, on a mountain high.β Ah,
βUp Where We Belongβ, one of the great pop classics from the 1980s.β― βUp Where We Belongβ enlisted the talents of the late, great English singer
Joe Cocker (1944 β 2014) and
Jennifer Warnes (1947 β ).β― The chorus continues, in all its glory, βLove lift us up where we belong / Far from the world below, up where the clear winds blow.β Who penned this highlight from the
An Office and a Gentleman Soundtrack (1982)? That would be
Bernard Nitzsche and Buffy Sainte-Marie.β― Kudos to them!β―β―β―
β―β―β―
It should come as no surprise that βUp Where We Belongβ is a decorated classic.β― First of all, it peaked at no. 1 hit on the Billboard Hot 100. Secondly, it won the Grammy for Best Pop Performance By A Duo or Group With Vocals, the sole Grammy win by Cocker (Warnes would win a second
Grammy).β― Songwriters Nitzsche and Sainte-Marie would be awarded the highly coveted
Academy Award for Best Original Song in 1983. βUp Where We Belongβ was THAT song.β―β―Besides the catchy chorus, where the chemistry between Cocker and Warnes is incredible, the other sections of the song, and the respective solo vocals are sweet too.β― Jennifer starts things off, setting the tone: βWho knows what tomorrow brings / In a world few hearts survive.β Sigh.β― Of course, the always distinct and expressive Cocker puts his stamp on the song, singing the second half of the first verse, as well as the following refrain (or pre-chorus if you will). In the second verse, Cocker sings first, followed by Warnes. Beyond the love-driven songwriting, elite vocal performance, and tuneful melodies, the production shines with its palette of keys shining particularly bright.
βUp Where We Belongβ is a timeless classic that speaks for itself.β―
Appears in :β―β―
- Joe Cocker & Jennifer Warnes, Up Where We Belong: Throwback Vibez
οΈ
No. 121 (2023)β―
- Belong: 3 to 5 BOPS No. 66 (2023)β―
7. DeBarge, βRhythm of The Nightββ―
Rhythm of The Night β’
Motown β’
1985β―
βWhen it feels like the world is on your shoulders / And all of the madness has got you going crazy,β
El DeBarge sings in the first verse of the huge
DeBarge classic,
βRhythm Of The Nightβ, written by a then young
Diane Warren. He continues singing, with his signature, high tenor, βItβs time to get out, step out into the street / Where all of the action is right there at your feet.β So basically, El DeBarge, and the rest of the DeBarge siblings are telling us to get moving β hit the dance floor! Rather than let life sink us, have some fun β seize the night! βRhythm of The Nightβ is a fitting closing track on the R&B collectiveβs 1985 album, also titled Closing track from
Rhythm of The Night.β― With its epic, undeniably danceable groove, and those easygoing, fun lyrics, itβs no surprise βRhythm of The Nightβ peaked at no. 3 on the Billboard Hot 100.β―β―β―
In addition to the enjoyable lyrics, βRhythmβ features terrific production work β refined, slick and funky.β―β―As often was the case in the 1980s, the sound is constructed with percussion, programming, and keys/synths. The record embraces the chill, quiet storm R&B vibe that dominated the era.β― To reiterate, El DeBarge sounds incredible singing lead with his instrument sounding clear, cool, and easy on the ears.β― While the first verse, as well as the second verse are terrific, it is the chorus, which is catchy and feel-good as albeit, that is the centerpiece.β―β― β―β―
βTo the beat of the rhythm of the nightβ―β―
Dance until the morning lightβ―
Forget about the worries on your mindβ―
You can leave them all behindβ―
To the beat of the rhythm of the nightβ―
Oh, the rhythm of the night.ββ―β― β―β―
Later, the βla-la-la(s)β featured in the outro only accentuates the vibe.β― All told, βRhythm Of The Nightβ is a must-hear 80s classic.β― Throwback gold, baby!β―β―
Appears in :β―β―
- DeBarge, Rhythm Of The Night: Throwback Vibez
No. 106 (2023)β―
- Rhythm: 3 to 5 BOPS No. 57 (2023)β―
- 15 Dazzling, Elements of Music Songsβ¦ Sort Of! (2023)β―
8. The Pointer Sisters, βSlow Handββ―
Black & White β’
Sony Music Entertainment β’
1981β―
βI want a man with a slow hand / I want a man with an easy touch / I want somebody who will spend some time with,β
The Pointer Sisters on their 1981 hit,
βSlow Handβ. Love (and sex), of course, always fuels the fire for a pop hit! The
Grammy-winning sister collective continues singing in the memorable chorus of the no. 2 Billboard Hot 100 hit, βNot come and go in a heated rush / I want somebody who will understand / When it comes to love, I want a slow hand.β Woo! βSlow Handβ appears on the album,
Black & White.β― It was penned by
John Bettis and Michael Clark, while
Richard Perry and Trevor Lawrence produce.β―β―
β―β―
βSlow Handβ shows the versatility of the Anita Pointer and company.β― Itβs a chill R&B joint, idiomatic of changing sound of the genre in the 1980s.β― Added wrinkles include both pop and country (
) vibes.β― Hearing this as a child (long after it was released
), I was always impressed by how different it sounded compared to other βR&Bβ records.β― The contrasting sound is part of the charm, not to mention those utterly sublime lead vocals by Anita.β― Thematically,
βSlow Handβ is about taking love slowly
, no rush when it comes to getting it done in the bedroom
.β― A prime example preceding the chorus:β―β―β―
βDarlinβ, donβt say a word, βcause I already heardβ―
What your bodyβs sayinβ to mineβ―
Iβm tired of fast moves, Iβve got a slow grooveβ―
On my mind.ββ―
The Pointer Sisters excel at pleasure, unafraid to embrace sensuality on this surefire classic.
Appears in :β―β―
- The Pointer Sisters, Slow Hand: Throwback Vibez
οΈ
No. 130 (2023)β―
- 13 Stellar Songs Driven By Speed (2023)
9. Michael McDonald, βI Keep Forgettinβ (Every Time Youβre Near)ββ―
If Thatβs What It Takes β’
Warner β’
1982
βI keep forgettinβ weβre not in love anymore / I keep forgettinβ things will never be the same again.β
Michael McDonald had a successful run as a member of
Doobie Brothers, an iconic, soft-rock, pop-soul collective. He also experienced a successful run as a solo artist beginning with his first and best studio album,
If Thatβs What It Takes.β― The crown jewel of his 1982, gold-certified LP is
βI Keep Forgettinβ (Every Time Youβre Near)β. βI Keep Forgettinββ was a pop hit, peaking at no. 4 on the Billboard Hot 100, his most successful solo single. βI Keep Forgettinββ is an exceptional example of sound songwriting, period (McDonald,
Ed Sanford, Jerry Leiber, and Mike Stoller). The lyrics are strong, but also, the crossover appeal is what really stands out.β― McDonald lies somewhere in the rock/pop/soul sphere, which makes him appeal to multiple audiences.β― Thematically, McDonald is struggling with a break-up.β― Sure, weβve heard βthis song and danceβ many times but it never grows old.β― Clearly, McDonald hates that things have ended, and he isnβt coping well.β― In the bridge, he asserts, βDonβt say that, donβt say that, donβt say that / I know youβre not mine anymore-anymore-anytime / But tell me how come Iβ¦β Basically, like all of us who have broken up with someone, you must work through it, sigh.
Appears in :β―β―
- Michael McDonald, I Keep Forgettinβ (Every Time Youβre Near): Throwback Vibez
οΈ
No. 62 (2022)β―
- 11 Fabulous Songs Youβll KEEP Spinning (2022)β―
- 15 Must-Hear, Throwback Vibez (2022)β―
- Forget: 3 to 5 BOPS No. 75 (2023)
10. Patrice Rushen, βForget Me Notsβ
Straight from the Heart β’
Strut β’
1982
βSending you forget me nots / To help you to remember.β Well, thatβs incredibly thoughtful,
Patrice Rushen! She continues singing in the chorus of
βForget Me Notsβ, βBaby, please forget me not / I want to remember you.β Sweet, sweet, sweet! βForget Me Notsβ appears as the opening track from the singer/songwriter/pianistβs 1982 album,
Straight from the Heart. Straight From The Heart marked the most successful album of her career, eventually peaking at no. 14 on the Billboard 200. Furthermore, βForget Me Notsβ marked the biggest hit of her career, peaking at no. 23 on the Billboard Hot 100.β―
The chorus goes a long way in solidifying the success of βForget Me Notsβ β itβs catchy, infectious, tuneful, etc. However, itβs just one of the reasons why the song was and still is a BOP.β― The funky groove is inescapable, PERIOD.β― The bass line ( Freddie Washington) is incredibly active, featuring that glorious slapping technique, which was extremely popular in the 1980s. The production (Rushen and
Charles Mims, Jr.) is a huge selling point β a V-I-B-E to the nth degree! As for the star, Patrice Rushen, she sounds incredibly refined vocally β sophisticated.β― Rushen never breaks a sweat, singing coolly yet still bringing the heat.β― Her modest approach speaks volumes as she tackles the universal topic of L-O-V-E. βWas it the simple things / That made me so crazy about you,β she sings in the first verse, continuing, βWas it your charm or your passion / Itβs not hard to believe / I love you and I need youβ¦β WOO! Unfortunately, Rushen and her lover ended up as friends, we learn in the second verse, though Patrice wants more, hence sending those βforget me notsβ and reminding him of βGood times we had.β Perhaps
βForget Me Notsβ is underrated compared to bigger R&B hits of the 1980s.β― It shouldnβt be. Just like that bass
, it still totally slaps! Rushen, Washington, and
Terri McFaddin penned a good one!β―β―
Appears in :
- Patrice Rushen, Forget Me Nots: Throwback Vibez
οΈ
No. 139 (2023)β―β―
- Forget: 3 to 5 BOPS No. 75 (2023)
11. Con Funk Shun, βLoveβs Trainββ―
To the Max β’
Mercury β’
1982
βIf you are that special lover / And love keeps you tied to another / Thatβs the way it goes on loveβs train.β Among the most beloved, popular songs by R&B/funk collective
Con Funk Shun is
βLoveβs Trainβ.β― The memorable chorus continues, βSometimes, heart strings can be broken / But you just have to keep on goinβ / Thatβs the way it goes on loveβs train.β βLoveβs Trainβ graces the bandβs 1982 album,
To the Max. To The Max didnβt earn the success of a quartet of albums by Con Funk Shun between 1977 and 1980 that were all certified gold. Also, amazingly,β―βLoveβs Train,β arguably the groupβs ace in the hole, wasnβt released as a single
.β― Regardless, the excellence of this love triangle-oriented joint makes it a surefire gem.β―β―
The gist is, he, Michael Cooper (lead vocals), wants to be with her.β― She also wants to be with him, but thereβs another in the picture:β―β―
βShe said βSugar, Honey, Darlinββ―β―
I really wanna see ya, tooβ―β―
Itβs just that someoneβs over, and babyβ―β―
I really wanna be with you.βββ―β―
Oh, the plight of love, in all of its unfairness! More unfair is that this great R&B record didnβt receive the fanfare it deserved.β― The production is warm, idiomatic of the smooth, quiet storm brand of R&B popular in the 80s: keys, rhythm guitar, prominent bass line, and a hi-hat heavy drum groove. βLoveβs Trainβ feels and sounds natural, never hurried, and takes its time. Besides the love-driven lyrics, Cooperβs vocals are buttery and silky smooth.β― His pipes ooze with romance and sexiness, even if another person involved throws a wrench in the plans. Furthermore, βLoveβs Trainβ features incredibly tuneful melodies.β― Among the most tuneful section that is not named the chorus is the pre-chorus, where Cooper ascends into his powerful upper register. While Con Funk Shun didnβt receive the attention they shouldβve for βLoveβs Trainβ, it truly is a bop.β―β―
Appears in :β―β―
- Con Funk Shun, Loveβs Train: Throwback Vibez
No. 126 (2023)β―β―
- Con Funk Shun vs. Silk Sonic: Head 2 Head
οΈ No. 37 (2023)β―
12. Whitney Houston, βOne Moment in Timeβ
I Will Always Love You: The Best of Whitney Houston β’
RCA β’
2021
βEach day I live / I want to be / A day to give / The best of me / Iβm only one / But not alone / My finest day / Is yet unknown.β What beautiful, beautiful lyrics.β― With so many hits to her name, it seems sometimes that the
Whitney Houston gem,
βOne Moment in Timeβ doesnβt get enough credit.β― This ballad was penned byβ―
β―
Albert Hammond and John Bettis. The perfect fit for a big-voiced diva like Houston, she performed it at the 1988 Summer Olympics.β― Ultimately, βOne Moment in Timeβ wouldnβt appear on a studio album.
Whitney had been released in 1987, and her next album, Iβm Your Baby Tonight didnβt arrive until November 1990. Eventually, this no. 5 hit on the Billboard Hot 100 appeared on greatest hits compilations, though sometimes, it also manages to be omitted.β― Thatβs a travesty for a gold single.β― Thankfully,
I Will Always Love You: The Best of Whitney Houston includes this moving ballad.β―
In the verses, Houston shows control.β― She never over sings highlighting the tunefulness of the melody.β― At the same time, she sings with incredible authenticity, expression, and nuance.β― The sense is always that Whitney is leading up to something bigger β truly momentous.β― That moment, of course, is the beloved chorus.β― Here, she soars, showing off her powerhouse vocals, backed by an awesome musical arrangement and grand production by the legendary Narada Michael Walden. βGive me one moment in time / When Iβm racing with destiny,β she sings radiantly, continuing, βThen in that one moment of time / I will feel / I will feel eternity.ββ― Besides the chorus, another epic moment is the bridge (βYouβre a winner for a lifetime / If you seize that one moment in time / Make it shineβ), which prepares for a truly gargantuan final chorus and the big finish, where Houston proclaims, βI will be free.β
βOne Moment in Timeβ marks another utterly sublime moment from the Whitney Houston catalog. #ICONIC.
Appears in :β―β―β―
- Whitney Houston, One Moment in Time: Throwback Vibez
No. 135 (2023)β―β―
- Moment: 3 to 5 BOPS No. 71 (2023)β―β―
- 11 Songs Where the Moment is Key (2023)β―
- 13 Songs Where U Know What TIME
It Is (2023)
13. Larry Graham, βOne in a Million Youβ
One in a Million You β’
Warner β’
1980
βBut one day, the sun
οΈ came a-shininβ through / The rain
οΈ had stopped
and the skies were blue.ββ―β―
Larry Graham (b. 1946) is renowned for playing bass in
Sly & The Family Stone as well as fronting
Graham Central Station.β― The baritone is also renowned for one big, beloved solo hit,
βOne in a Million Youβ.β― βOne in a Million Youβ is the opening track and crΓ¨me de la crΓ¨me of Grahamβs 1980 album, fittingly titled,
One in a Million You. This R&B gem
experienced pop success, reaching no. 9 on the Billboard Hot 100.β― On the R&B songs chart, it peaked at no. 1. Graham received his sole
Grammy nomination for Best R&B Vocal Performance, Male for this gem at the 23rd Annual Grammy Awards (he ultimately lost to
George Benson). β―β―β―β― β―β―
β―βOne in a Million Youβ is all about that extra special person.β― Written by Sam Dees, the lyrics are utterly sublime, beginning with epic opening lines, βLove had played its games on me so long / I started to believe Iβd never find anyone.β That sentiment is so relatable.β― Likewise, in the second verse, Graham admits, βI was a lonely man with empty arms to fill.β What happened, though? βThen, I found a piece of happiness to call my own / And life is worth livinβ again / For to love you, is to live.β Yes, yes, yes
οΈ
οΈ
οΈ! The chorus is where the singerβs bread is truly buttered.β― The expressiveness with which he sings amplifies the level of authenticity, particularly as the record progresses.β―
βA one in a million chance of a lifetimeβ―β―
And life showed compassionβ―β―
And sent to me a stroke of love called βYouββ―β―
A one in a million you.ββ―β―
Well-performed, well-written, and well-produced, βOne in a Million Youβ is an R&B classic for the ages.β― Yes, it was the only pop hit for Graham as a solo artist, but it cemented his legacy, PERIOD.β―β―
Appears in :β―β―
- 12 Songs Focused on a Million (2021)β―
- Larry Graham, One in a Million You: 1 Hit WONDERful
No. 12 (2023)
Incredible Songs: 1980s, Vol. 4 (2023) [
: Brent Faulkner / The Musical Hype; Columbia, Elektra, Hollywood, The Island Def Jam Music Group, Mercury, MJJ Productions, Motown, RCA, Sony Music Entertainment, UMG Recordings, Inc., Warner; Alexander Antropov, OpenClipart-Vectors, thank you for
from Pixabay]