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Benjamin Elgar & Bhad Bhabie, HOE: Spicy Tunez No. 52 (2026) [📷: Brent Faulkner / The Musical Hype; Benjamin Elgar; Rizwan Aslam from Pexels; Clker-Free-Vector-Images, Gordon Johnson from Pixabay]In the 52nd edition of Spicy Tunez (2026), we explore the eyebrow-raising, naughty, sexed-up vibes behind “HOE” by Benjamin Elgar & Bhad Bhabie. 

Aww, shee-it! Prepare to be shooketh! Spicy Tunez is a column filled with naughty, sometimes controversial, and NSFW songs 👀.  Some songs merely dabble in innuendo and suggestiveness.  Others, however, go whole-hog and embrace a give-no-fucks aesthetic, thrive on sexual endeavors, utter shock value, and sometimes find themselves firmly embroiled in censorship… DUN, DUN, DUN! In the 52nd edition of Spicy Tunez (2026), we explore the controversial, eyebrow-raising, naughty, sexed-up vibes behindHOEby Benjamin Elgar and Bhad Bhabie.

“Y’all understand how it goes / What we do stay in this club.”
Noted, Benjamin Elgar.  We definitely won’t snitch on you, you Parisian hottie 😍. Benjamin tapped Bhad Bhabie aka Danielle Bregoli) aka CATCH ME OUTSIDE, HOW ABOUT THAT? for the assist on HOE, the fifth track from his 2025 album, Make It Through The Night. Elgar, Bhad Bhabie, John Ho, Loopy Ferrell, and The Last Artful, Dodgr (Alana Chenevert) wrote “HOE.” Elgar, Ho, and The Last Artful, Dodgr also produced it.

“HOE” sounds enigmatic and S-U-S from the get-go. We wouldn’t have it any other way, of course!  Set in a minor key, it’s clear naughtiness and unapologetic-ness are on the horizon. The production is minimalist at times, with more punch during the chorus. Bhad Bhabie introduces herself early, but we don’t hear from her again until the third verse.  It’s Benjamin Elgar’s time to shine and be a ho! What goes down according to our handsome pop singer? “We finessin’ and flauntin’, finna get into some ho shit,” he sings in the first verse, and adds, “Depending on how deep you wanna go /… Bend that shit back and go crazy, amazing.” Damn! Ben admits, in the pre-chorus, “Just might be looking for my baby, father / Just might, I might let him lick it,” changing genders in the second pre-chorus (“Just might be looking for my baby, mama / Just might, I might let her lick it”).  An appropriate response? Holy shit. Save holy fuck for the second verse, where he admits, “Wanna be up in my lap and see my shooter Uzi / And I usually don’t do coochie, but her booty’s on my Gucci.” Enough Benjamin, for the moment. How about Bhad Bhabie? She performs the final verse and pre-chorus, which are doozies. “Bring a female, I get licky, bend it over, put it in me (In me) / I get wetter, it get sticky, bust a nut, and that’s a quickie, ah-oh,” she brags, and adds, “He said my P-U-S-S-Y wetter than the ocean.” Yup, we saw it cumming 😈.  Anyway, Elgar concludes the bold HOE with the crème de la crème, the chorus.

“Ho shit

And they gon’ fo-lo-lo-low

… We finessin’ and flauntin’, finna get into some ho shit

And they gon’ fo-lo-lo-low

Nice lil’ late night out on the low

Gon’ do this ’til the daylight, no-no-no-no

We finessin’ and flauntin’, finna get into some ho.”

Nothing more needs to be said.  Benjamin and Bhad Bhabie were hoe-ing it up!


Benjamin Elgar » Make It Through The Night » Benjamin Elgar » 2025
Benjamin Elgar & Bhad Bhabie, HOE: Spicy Tunez No. 52 (2026) [📷: Brent Faulkner / The Musical Hype; Benjamin Elgar; Rizwan Aslam from Pexels; Clker-Free-Vector-Images, Gordon Johnson from Pixabay]

 


the musical hype

The Musical Hype (he/him) has earned Bachelor's and Master's degrees in music (music education and music theory/composition, respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Music and writing are two of the most important parts of his life.

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