60 Best Songs of 2025 | Playlist

60 Best Songs of 2025  features songs by Bad Bunny, Chappell Roan, Doechii, Kehlani, Sabrina Carpenter, and sombr.  

Ah, the time has come, as it does every year. The ambitious and arduous task of I, The Musical Hype picking the best songs of the year 😬 😮‍💨. It is SUBJECTIVE. Every year, there are surprises. Every year, there are omissions, some of which are glaring. Sometimes, I rank the songs. Sometimes I don’t.  Even if the songs are ranked, what does it mean in the long run? In the best songs of 2025, like the 60 Best Songs of 2024, I have selected 60 songs. The criteria: (1) the song was released in 2025, (2) the song peaked in 2025, or (3) appeared on an album released in 2025. There are no rankings or tiers this year.  All songs appear alphabetically by artist. 60 Best Songs of 2025  features songs by Bad Bunny, Chappell Roan, Doechii, Kehlani, Sabrina Carpenter, and sombr. So, without further ado, let’s explore this lengthy list or check out the hyperlinked Table of Contents to read my commentary on the 60 Best Songs of 2025.

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~ Table of Contents ~ 

1. Alex Warren, “Ordinary”	2. Ari Lennox, “Soft Girl Era”	3. Artemas,  “southbound”	4. Bad Bunny, “DtMF”
5. Baths, “Sea of Men”	6. Behemoth, “The Shit Ov God”	7. BigXthaPlug & Bailey Zimmerman, “All The Way”	8. Brandon Lake & Jelly Roll, “Hard Fought Hallelujah”
9. Cardi B, “Outside”	10. Chappell Roan, “The Giver”	11. Chappell Roan, “The Subway”	12. Clipse, “Chains & Whips” (Ft. Kendrick Lamar & Pharrell Williams)
13. CMAT, “Take A Sexy Picture Of Me”	14. Conan Gray, “This Song”	15. Conan Gray, “Vodka Cranberry”	16. David Archuleta, “Crème Brulée”
17. Doechii, “Anxiety”	18. Doja Cat, “Jealous Type”	19. Drake, “NOKIA”	20. Durand Bernarr, “Here We Are”
21. Ed Sheeran, “Azizam”	22. Ed Sheeran, “Sapphire”	23. Ghost, “Satanized”	24. GIVĒON, “TWENTIES”
25. Hailey Whitters, “Casseroles”	26. HAIM, “Relationships”	27. HUNTR/X, “Golden”	28. Jake Wesley Rogers, “God Bless”
29. Jessie Murph, “Touch Me Like A Gangster”	30. Justin Bieber, “DAISIES”	31. Kehlani,  “Folded”	32. Kisos, “Sludge”
33. Klovis Gaynor & The Urinal Cakes, “THE METH SONG”	34. Laufey, “Snow White”	35. Lady Gaga, “Abracadabra”	36. Lola Young, “Post Sex Clarity”
37. Lorde, “What Was That”	38. Lucy Dacus, “Ankles”	39. Mariah Carey, “Play This Song” (Ft. Anderson .Paak)	40. Miley Cyrus, “Something Beautiful”
41. Olivia Dean, “Man I Need”	42. Perfume Genius, “It’s a Mirror”	43. RAYE, “WHERE IS MY HUSBAND!”	44. Reneé Rapp, “Leave Me Alone”
45. ROLE MODEL, “Sally, When the Wine Runs Out”	46. ROSALÍA, “Berghain” (Ft. Björk & Yves Tumor)	47. Sabrina Carpenter, “Manchild”	48. Sabrina Carpenter, “When Did You Get Hot?”
49. Saja Boys, “Soda Pop”	50. sombr, “12 to 12”	51. sombr, “back to friends”	52. Tame Impala, “Dracula”
53. Tate McRae, “Sports Car”	54. Teddy Swims, “Are You Even Real” (Ft. GIVĒON)	55. The Irrepressibles,  “What I Am! Queer”	56. The Weeknd, “Wake Me Up” (Ft. Justice)
57. Tyler Childers, “Oneida”	58. Tyler The Creator, “Sugar on My Tongue”	59. Whitechapel, “Hymns in Dissonance”	60. YUNGBLUD, “Zombie”
More Bops from 2025

 

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1. Alex Warren, “Ordinary”

You’ll Be Alright, Kid » Atlantic Recording Corporation » 2025 

Breakout pop singer-songwriter Alex Warren released a dominant hit in 2025. “Ordinary” was inescapable. The Warren, Adam Yaron, CAL, and Mags Duval-penned song spent 10 weeks at number one on the Billboard Hot 100. It has been certified triple platinum by the Recording Industry Association of America. So, what else makes “Ordinary” extraordinary? It’s an enjoyable, well-rounded pop song. The plucked ostinato at the beginning sets the tone.  It recurs throughout the record. Warren impresses with his warm vocals.  He sings with a beautiful tone, bringing the tuneful melody to life. “So, if our time is runnin’ out,” he sings, “Day after day / We’ll make the mundane our masterpiece.” During the pre-chorus, there is the welcome addition of dramatic left-hand piano. The section to beat is the gargantuan chorus.  Mammoth drums, keys, and layered vocals fuel Warren’s fire.

“Somethin’ so out of the ordinary

I want you laying me down ‘til we’re dead and buried

On the edge of your knife, stayin’ drunk on your vine

The angels up in the clouds are jealous knowin’ we found…”

During the second verse, Warren ascends the octave, upping the ante.  Additionally, he digs in more during the second iteration of the chorus. Beyond the chorus, the bridge is big and picturesque: “Somethin’ so heavenly, higher than ecstasy.” Warren brings things down during the final chorus before rising to the occasion one final time.  “Ordinary” is more than an ordinary pop song.  It is one of 2025’s biggest pop bops.

Appears in:

Alex Warren, Ordinary: Bangerz N Bopz No. 84 (2025) An Outstanding Collection of O Songs (2025)

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2. Ari Lennox, “Soft Girl Era”

“Soft Girl Era” » Interscope » 2025

Oh, snap, Ari Lennox (Courtney Salter)! The Grammy-nominated R&B singer/songwriter is in her “Soft Girl Era”! “Ain’t tryna do nothing but look pretty in here,” she continues singing in the chorus, adding, “Hurry up and put me in my soft girl era.” Lennox penned “Soft Girl Era” alongside Ant Clemons, Gabrielle Rodgers, and producers Jermaine Dupri and Bryan-Michael Cox. The sound of the record is terrific.  It thrives off an awesome percussive groove and is anchored by a big, soulful bass line.  There is nothing ‘soft’ about Lennox’s vocal performance.  She ‘brings the heat’ as she touts her new era: “I can be your passenger princess / Move quick for a bitch, add interest / Don’t you tell nobody what you witnessed / ‘Cause what we doin’ ain’t no one’s business but you.” Yeah, Lennox is not too soft, particularly later when she asserts, “I can’t let you fuck me out the bonnet.” Woo! Throughout, “Soft Girl Era” features ear-catching, rhythmic, tuneful melodies. Lennox also gets a lift from lovely background vocals that deliver sickening harmonies.  All in all, Lennox’s “Soft Girl Era” is not ‘soft’ in quality.  Once more, Ari ‘brings it.’

Appears in:

Girl, These Songs Are About You, Vol. 2 (2025) 11 Exhilarating Era Songs (2025) A Spectacular Compendium of S Songs (2025)

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3. Artemas, “southbound”

LOVERCORE » Artemas » 2025

Gah-day-um, Artemas! The talented English, Gen-Z musician sounds his most inspired when the bedroom fuels his music. “Southbound” is no exception, where pleasure is a big deal, first referenced in the intro: “In love, love, don’t make me crush you / I want to kiss you, ugh.” Artemas composed “southbound” alongside Jesse Fink, Kevin White, and Daintree. He produced the track with White and Daintree.

Fittingly, “southbound” features dark, sketchy, and sensual musical accompaniment.  The electronic sound palette is a perfect means to represent the chemistry between two lovers. A horny Artemas is an exciting Artemas.  “Baby likes it messy, yeah, she loves to cause a scene,” he asserts in the first verse, continuing, “Touchin’ me in public like she wants the world to see.” Before he comes right out and says he wants to fuck her all night like a p0rn star, he is willing to do anything for her, including, “You ask, I’m crawlin’ on my knees, at your feet.” The centerpiece is the chorus, where he leaves little to the imagination:

“I want to kiss you on the mouth

Take my tongue and lead it southbound

Baby, put some faith in me

Put your waist in my face

Come on, violate me

I want you to violate me.”

Hard to imagine anyone not feeling turned the fuck on after listening to “Southbound”. To reiterate, a horny Artemas is an exciting Artemas.

Appears in:

Artemas, southbound: Midnight Heat No. 24 (2025)

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4. Bad Bunny, “DtMF”

DeBÍ TiRAR MáS FOToS » Rimas Entertainment LLC » 2025

Translated to English, the lyrics read, roughly, “Another beautiful sunset I see in San Juan / Enjoying everything that the departed are missing out on.” Grammy-winning Puerto Rican 🇵🇷 rapper, singer, and songwriter Bad Bunny (Benito Antonio Martínez Ocasio, b. 1994) shines bright like a diamond on his Grammy-nominated song, “DtMF”. “DtMF” is an acronym for “Debí Tirar Más Fotos,” which translates as “I Should Have Taken More Photos” in English. “DtMF” is the penultimate track from his 2025 Grammy-nominated album, also titled DeBÍ TiRAR MáS FOToS. Bad Bunny wrote “DtMF” with MAG, JULiA LEWiS, Scott Dittrich, and Tyler Spry. MAG, Dittrich, LEWiS, and Spry also produced the highlight with La Paciencia and Hydra Hitz.

“Pero queriendo volver a la última vez / Que a los ojos te miré,” Bad Bunny sings, and continues, “Y contarte las cosas que no te conté (Te parece’ a mi crush, jaja) / Y tirarte la’ foto’ que no te tiré (Acho, jura’o te ves bien linda, déjame tirarte una foto).” The intriguing lyrics, excerpted from the first verse, translate as “But wanting to go back to the last time / That I look into your eyes / And tell you the things I didn’t tell you (You look like my crush, haha) / And to take the pictures I didn’t get to take (Damn, I swear you look so pretty, let me take a picture of you).” In this captivating and colorful “DtMF,” Bad Bunny is in nostalgic, recollective, and regretful mode. In the chorus, the crowning achievement of the record, he regrets not making more memories. “Debí tirar más fotos de cuando te tuve /Debí darte más beso’ y abrazo’ las vece’ que pude [I should’ve taken more pictures when I had you / I should’ve given you more kisses and hugs whenever I could],” he sings, and continues, “Ojalá que los mío’ nunca se muden / Y si hoy me emborracho, pues que me ayuden [I hope my people never move away / And if I get drunk today, I hope they help me out].” Accompanied by a picturesque, sleekly produced backdrop (those keys and synths radiate, while the rhythmic groove provides a mean anchor once it enters), Bad Bunny is authentic, sincere, and on autopilot on this thoughtful Latin pop number. Even if you barely understand a lick of Spanish, “DtMF” is sure to move you and greatly enhance your playlist.

Appears in:

Bad Bunny, DtMF: Wacky Wednesday No. 50 (2025)

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5. Baths, “Sea of Men”

Gut » Basement’s Basement » 2025

 Baths (Will Wiesenfeld) brings the fucking heat on “Sea of Men”, a single and the second track from his 2025 album, Gut. The title is quite clever, resembling a certain male body fluid… Anyways, locked in on this self-penned and self-produced affair, he delivers compelling lyrics, fantastic vocals, and incredibly colorful, ornate production.  In other words, Weisenfeld slays 💅!

Pausing on the lyrics, the sounds are epic. Baths’ grooves always stand out.  The rhythmic nature of the song is a huge selling point. It also gets high marks for the strings, which add depth to the sound.  Beyond that, the keyboards and programming are striking. Also, the instrumental has time to shine beyond the emotional, honest, and poetic lyrics.  Part of the allure of Baths’ vocal performance is his gorgeous falsetto as well as vocal layering. Of course, it is the intriguing lyrics that truly make “Sea of Men” kick ass and take names. The chorus is the section to beat:

“The awful volume

The stink of the sea

In soiled snails crusted over

It hurts when I breathe.”

Word.  There is also sickening repetition towards the end of this four-minute-plus gem as Weisenfeld asserts, “And everybody’s on their knees.” They are not praying to The Son of God, Jesus, I’d assume! Baths eats on “Sea of Men”, period.

Appears in:

Baths, Sea of Men: Beaming with Pride No. 83 (2025)

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6. Behemoth, “The Shit Ov God”

The Shit Ov God » Nuclear Blast » 2025

‘Holy shit’ is an appropriate reaction to the intro of “The Shit Ov God”. The Polish metal band Behemoth is fascinating.  They have consistently embraced anti-Christian, blasphemous, and satanic elements in their music. That is part of their allure.  Behemoth remains ‘infernal as hell’ on the promo single and third track from their 13^th studio album, The Shit Ov God.  “The Shit of God” is dark, heavy, and hellish. Who would have it any other way or expect something different? This shit that Nergal (Adam Darski) sings about, as well as the rest of the band plays, hits you right in the chest.  Nergal’s vocals are coarse and unrefined, while the lyrics are damning.  “You brighten the north, I rage down south,” Nergal sings in the first verse, continuing, “This heretic’s homily I offer thee now.” And, holy shit, the homily, which appears in the chorus, is heretical to the nth degree. Behemoth scrambles the letters of Jesus and In His Service, transforming them into pessimistic, unholy things:

“I for ingrate

E to eradicate

S for scorn

U for useless

S for the shame

J for the joyless

H to humiliate

S for thy son unloved

We are the shit ov God

We are the shit ov God.”

Wow… In the second verse, Nergal continues embracing the left-hand path: “They say you’re almighty, an illusion I quell / You serve up in Eden, I reign in hell.” Behemoth remains firmly committed to its renowned atheistic, satanic vibes on “The Shit Ov God”.

Appears in:

13 Songs That Capture a Nontraditional Church Experience (2025) Bops That Pop: Jan, Feb & March 2025 13 Unapologetic Songs Where the Curses Fly (2025) A Spectacular Compendium of S Songs (2025)

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7. BigXthaPlug & Bailey Zimmerman, “All The Way”

I Hope You’re Happy » BigXthaPlug / UnitedMasters LLC » 2025

Woo! Yee-haw, Bailey Zimmerman! Country and rap don’t always mesh. A successful fusion of the two genres is a rarity. But, rapper BigXthaPlug (Xavier Landum) and country music star Zimmerman make the country-rap fusion work on the enjoyable single, “All The Way” from BigX’s 2025 album, I Hope You’re Happy. BigXthaplug co-wrote “All” with Jenna Johnson, KK Johnson, BandPlay, Ben Johnson, Austin Shawn, and Charles Forsberg III. BandPlay and Charley Cooks produced.  The sound is countrified, particularly during the chorus, but there are also country music cues during BigX’s verses (guitar riffs). “All The Way,” an example of a successful crossover cut, debuted impressively on the pop charts, peaking at number four on the Billboard Hot 100.

Zimmerman, the first voice heard on this collaboration, sounds terrific in the chorus. Excerpted earlier, he adds, “Burn all the bridges, don’t ask forgiveness / Walk away like I’m someone you hate.” Word.  If they are breaking up, it needs to be a clean break without sugarcoating shit! While Bailey holds it down in the crème de la crème, BigXthaplug brings the heat throughout two verses.  His cadence and flow are engaging, with his rhymes anchored by a trap beat… with those country cues, too. BigXthaplug is more aggressive, describing the end of the relationship, asserting in the first verse, “Ayy, if it’s over, it’s over, so fuck it / Just don’t act like my love wasn’t nothin’ / Like I wasn’t the one you was holdin’ at night / Tellin’ all of your secrets and huggin’.” Ooh-wee! Beyond those alluring rhymes, BigXthaplug adds the likes of, “Mama said it was fish in the sea, I got lost in the pool,” the suspect “Sent a text, it turned green, why the fuck it ain’t blue,” and “Said you’d stay and you wanted my name and you left, so I’m guessin’ that you never meant it / Said you’d try and hold on ‘cause the love was so strong, now I’m standing alone this kitchen.” That’s just the first verse, of course.  At the end of the second, he speaks his peace regarding how she moved:

“Thought this shit was fair game, but you made up the rules

On my heart, left a scar and a bruise

Hope that you can stand on all the shit that you did

‘Cause I’m done, yeah, I’m finally through.”

BigX and Bailey show that, when done thoughtfully, rap and country can co-exist and create a bop that’s not corny or crappy.  “All The Way”, hence, is a win!

 

Appears in:

BigXthaPlug & Bailey Zimmerman, All The Way: Dazzling Duets No. 9 (2025) 15 More Songs Filled with ALL (2025)

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8. Brandon Lake & Jelly Roll, “Hard Fought Hallelujah”

King of Hearts » Brandon Lake / Provident Label Group » 2025

Christian singer-songwriter Brandon Lake turned heads with his 2025 album, King of Hearts. Perhaps the most moving song is “Hard Fought Hallelujah”, which he sings with beloved country musician, Jelly Roll. Lake and Jelly Roll co-wrote “Hard Fought Hallelujah” with Steven Furtick, Benjamin William Hastings, and Chris Brown (of Elevation Worship). Micah Nichols and Rodrick Simmons produced the epic, high-flying CCM duet. It reached number 40 on the Billboard Hot 100, a rare feat for Christian music.

The musicianship is one of the things that stand out. There are numerous musical cues from country, rock, and gospel. Two key instruments are the guitar and the organ. Both instruments, as well as the rest of the band, give Lake and Jelly Roll a celestial backdrop. Lake takes first blood on this collaborative version of this song.  He sounds incredibly authentic in his performance, exhibiting gritty, nuanced, and incredibly powerful vocals. “There’s times when my hands go up freely / And times that it costs,” he sings, continuing, “There’s days when a praise comes out easy / And days when it takes all the strength I’ve got.” Say that, say that! Lake follows up the first verse with the high-flying chorus (excerpted earlier), which is chock-full of soul. He continues:

“God, You’ve been patient

God, You’ve been gracious

Faithful whatever I’m feeling or facing

So, I’ll bring my hard-fought, heartfelt

It is well, hallelujah

Woah-oh-oh-oh

Hallelujah, hallelujah.”

During the chorus, Lake gets great support from the choir. Although he has a tough act to follow, Jelly Roll shines, too, elevating the spirit. He concludes the second verse, powerfully, “My head, heart, and hands are feeling heavy / And that’s when I lift them just a little higher.” Joined by the anointed choir, Jelly Roll sings the mighty chorus, which only grows more spirited with each iteration.  The bridge marks another stirring moment from Lake and Jelly Roll, who show tremendous vocal chemistry duetting.  The words are few, but this section transitions to the biggest, most moving chorus of them all, and the first where both artists sing together.  Lake and Jelly Roll cap things off with an outro, where, even after five-plus minutes, you don’t want “Hard Fought Hallelujah” to end.  A terrific, thoughtfully written and performed Christian record, “Hallelujah” is best experienced by listening, letting it touch your heart and, most importantly, your soul.

Appears in:

Brandon Lake & Jelly Roll, Hard Fought Hallelujah: Dazzling Duets No. 8 (2025) 13 Songs That Go Incredibly HARD, Part 1 (2025)

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9. Cardi B, “Outside”

AM I THE DRAMA? » Atlantic Recording Corporation » 2025

According to the gospel of Cardi B, “Outside niggas love a outside bitch / But be mad when they – get some outside” (*cough, cough – Offset shade). The Grammy-winning rapper dropped “Outside” as a promo single for her long-awaited sophomore album, AM I THE DRAMA?. Cardi is aggressive, hard-nosed, and tough-minded. She gives us a well-rounded cadence and flow. She gets a lift from the malicious-sounding, minor-key instrumental. HeyMicki, Charlie Heat, and DJ SwanQo, all credited as writers, produced it. The beat makes you nod your head.  While the looped synths are sort of been there, done that, they are still effective. The spare brass moments are a highlight of the backdrop. Cardi B is unapologetic, asserting in the pre-chorus, “Next time you see your mama, tell her how she raised a bitch.” Oh, shit! The chorus that follows is fun, where the rapper is liberated, you might say:

“(I’m goin’ out), on the pop-out (Side), ‘cause it’s hot out

(I’m goin’ out), You was playin’ gamеs (Side), now you on timeout

(I’m goin’ out), Wherе the fine niggas? (Side), I’m tryna find niggas

(Out), I been cuffed up too long (Side), let me remind niggas (Yeah).”

Woo! The verses yield some memorable lines whether its, “I like my niggas black and country, that’s just what it is / I can tell that he excited ‘cause he go from small to big,” or, “Booty cheeks gotta shake, flirty niggas got some pape’ / Let me know the time and place, I’m just tryna ride his face.” Da-yum, Cardi! All in all, “Outside” is an entertaining rap banger.

Appears in:

An Outstanding Collection of O Songs (2025)

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10. Chappell Roan, “The Giver”

“The Giver” » Amusement / KRA International Inc. / Island » 2025

Oh, snap, Chappell Roan (Kayleigh Rose Amstutz)! The Grammy-winning pop singer/songwriter has been open about her queerness early on in her career. “The Giver” is no exception, where she expresses her sexual expertise to the same sex, unlike boys, who “may need a map.” It is a clever lyric from the first verse.  Amstutz penned “The Giver” alongside Daniel Nigro and Paul Cartwright. Nigro produced the track.

Chappell Roan asserts in the chorus, the centerpiece of “The Giver.” She continues, “So, take it like a taker / ‘Cause, baby, I’m a giver /… Ain’t no country boy quitter / I get the job done.” Damn! The sexual innuendo is ripe throughout “The Giver.” In the second verse, she sings, “Good luck finding a man who has the means / To rhinestone cowgirl all night long.”  Roan is referencing the famous Glen Campbell (1936 – 2017) classic, “Rhinestone Cowboy”, and the sexual position, cowgirl.  Wow! Amstutz delivers a strong vocal performance throughout “The Giver”. Fittingly, the record has country music cues (fiddle, banjo), which match the various country/ country music references.  Also, like many country male musicians, Chappell is confident about her ability to woo the ladies. “The Giver” marks another entertaining, high-flying joint from Chappell Roan.

Appears in:

Bops That Pop: Jan, Feb & March 2025 Bops from 2025 That Make You Beam with Pride A Gripping Cluster of G Songs (2025) 15 Songs Where Girls Like Girls (2025)

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11. Chappell Roan, “The Subway”

“The Subway” » KRA International Inc. / Island » 2025

Who, Chappell Roan (Kayleigh Rose Amstutz)? An ex. Enough said!  The Grammy-winner shines on  “The Subway”, which she penned with producer and multi-instrumentalist Dan Nigro. Beyond standard pop instrumentation (keys, guitar, bass, drums), which sounds striking, strings are incorporated into the musical backdrop. The soundscape supporting Amstutz is celestial. Roan sings beautifully and expressively. Matters of the heart, specifically heartbreak, fuel the fire. In the first verse, she sees her ex-girlfriend on the subway. Recognizing her specific features, she asserts, “I nearly had a breakdown.” Relatable. Later, after someone else wears the same perfume, she adds, “It almost killed me / I had to leave the room.” In the second verse, she still can’t get past her: “If in four months this feeling ain’t gone / Well, fuck this city / I’m movin’ to Saskatchewan.” In the chorus, she sings, “It’s just another day and it’s not over / ‘Til it’s over, it’s never over.” She adds in the post-chorus, “But I’m still counting down the days / ‘Til you’re just another girl on the subway.” Some of Roan’s biggest, baddest, and most expressive vocals arrive during the outro, excerpted earlier.  If no other section of “The Subway” gives you the feels, the outro certainly will.  Superb from start to finish, Chappell Roan put her foot, and her heart, into this Grammy-nominated gem.

Appears in:

A Spectacular Compendium of S Songs (2025)

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12. Clipse, “Chains & Whips” (Ft. Kendrick Lamar & Pharrell Williams)

Let God Sort Em Out » Clipse / Roc Nation Distribution » 2025

Oh, shit! Clipse – Pusha T (b. 1977) and Malice (b. 1972) – made a big-time comeback in 2025 with Let God Sort Em Out, their first album in 16 years.  One of the brightest spots on the LP is the second track, the banger “Chains & Whips”. Assisting Pusha T and Malice on the track is award-winning rapper extraordinaire, Kendrick Lamar (b. 1987), and the highly decorated rapper, singer, and producer Pharrell Williams (b. 1973).  Pusha T, Malice, Lamar, and Williams penned “Chains & Whips.” Williams also produced it.

The sound palette stands out on “Chains & Whips.” This isn’t surprising given that Pharrell Williams is behind the board.  There is a ripe, guitar-like synth, organ, and a strong syncopated beat.  The badass chorus, performed by Pusha T and excerpted earlier, is a huge selling point.  It sets the tone for this Grammy-nominated song. All participants bring the heat on this track, delivering compelling cadences and flows. Pusha T performs the first verse, rapping plenty of biting, bold, and unapologetic bars. “You know I know where you’re delicate / Crush you to pieces, I’ll hum a breath of it,” he spits, and adds, “I will close your heaven for the hell of it.” Oh, hell! Malice performs the second verse, referencing the Bible (“John 10:10, that’s my usual”), funerals, and The Revenant (“You ain’t thrive in the snow like it’s The Revenant”). Pharrell Williams performs the post-chorus, which precedes the third verse: “…And it ain’t the Lord’s voice, and then you realize / That the devil is talkin’ to you.” Kendrick Lamar performs the third and final verse, where unsurprisingly, he’s on autopilot. “I’m not the candidate to vibe with / I don’t fuck with the kumbaya shit,” he raps, and adds, “All that talent must be godsent / I send yo’ ass back to the cosmics.”  And that’s only the beginning of an epic verse! Williams performs the outro, a reprisal of the post-chorus, which caps off a track that kicks serious ass. Clipse put their foot into “Chains & Whips”, NO CAP! One of the best songs of the year without question!

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13. CMAT, “Take A Sexy Picture Of Me”

EURO-COUNTRY » CMATBABY / AWAL Recordings Ltd. » 2025

That sounds heavy. Irish singer/songwriter CMAT (Ciara Mary-Alice Thompson) brings it on the memorable indie-pop/country/country-pop tinged song, “Take A Sexy Picture Of Me”, which she penned herself.  Oli Deakin produced this refreshing song from her 2025 album, EURO-COUNTRY, which was inspired by something awful: body shaming.

Despite being body-shamed, CMAT took an adverse situation and wrote a killer song. “Take A Sexy Picture Of Me” has plenty of selling points.  She delivers expressive, nuanced vocals.  Her tone is celestial.  Every note and melody that she sings, you buy what she’s selling. The songwriting is pitch-perfect and personal from the beginning.  Her aspirations for sexiness began young: “Nine years old, tryna wax my legs with tape.” In the second verse, she discusses things she did and with whom, but seems regretful as she asks, “Now tell me, what was in it for me?” The chorus, excerpted earlier, is the section to beat. It’s tuneful, with sensational lyrics. Another high point that catches the ear is the bridge, which distinguishes itself from the verses and chorus.  Older now, CMAT laments her window closing:

“You haven’t looked at me the same

Since I turned twenty-seven

Where goes my potential?

Oh, she’s up in heaven

Rest in peace to any chance of me

Dating within the station…”

Beyond the elite singing and personal and relatable songwriting, the production is top-notch.  Ultimately, “Take A Sexy Picture Of Me” is epic.  CMAT put her foot into this one.

Appears in:

15 Songs Focused Only on Me, Vol. 3 (2025)

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14. Conan Gray, “This Song”

Wishbone » Conan Gray / Republic  » 2025

Matters of the heart appear in the first line of the first verse of “This Song”, the first single from Wishbone, the fourth studio album by the handsome and talented Conan Gray. “This Song” finds Gray being shy about confessing to a close friend that he loves them (“I hope you can see if you read through these lines”). Gray wrote “This Song” while Ethan Gruska and Dan Nigro produced it.  The musical accompaniment shines, delivering gorgeous folk-pop and pop/rock vibes.  In addition to the standard instrumentation (keys, guitar, bass, and drums), the strings up the ante.

Conan Gray impresses with his beautiful voice. He masterfully brings the terrific, tuneful melodies to life. He is authentic and sincere as he sings about his relationship with this person, including “You joke ‘bout your mother / She can’t help but cry when she hears Elton John,” and “Your brown racer jacket, my hands through the sleeves / The smell of your perfume is all over me.” Cleverly, Gray references other songs throughout his career, which makes “This Song” feel even more accomplished. The chorus, which soars, is the crème de la crème. Gray’s expression and nuance are particularly exceptional:

“That I wrote this song about you

Something I wish you knew

Something I’ve tried to say

But now I’ll say it straight

I wrote this song for you.”

The music video is notable, too. It’s queer, depicting a desire between two boys.  There is apparent sexual confusion from Gray’s love interest, played by Corey Fogelmanis, while Gray, like in the song, is in love, beyond friendship, with him.  A big moment happens. They share a kiss, and their mutual love is confirmed. Aww! Jam-packed, “This Song” is authentic, beautiful, honest, and vulnerable.

 

Appears in:

15 Intriguing Songs Where The Keyword is SONG (2025)

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15. Conan Gray, “Vodka Cranberry”

Wishbone » Conan Gray / Republic  » 2025

Uh-oh… those pesky matters of the heart are in play, and it’s giving sad vibes! From the beginning, the gorgeous “Vodka Cranberry” is emotional and heart-wrenching. It marks the second single from Conan Gray’s fourth studio album, Wishbone. Following the queer romantic narrative of the fabulous promo single, “This Song”, “Vodka” sadly sees this relationship fall apart. “It’s in the way you say my name / So quick, so straight, it sounds the same.” The straightness of Gray’s partner, portrayed by Corey Fogelmanis in the music video, plays a sizable role.  Gray co-wrote “Vodka Cranberry” with Grammy-winning singer/songwriter/producer Dan Nigro, who also produced it. Once again, one of pop’s more underrated artists delivers a musical home run.

“Vodka Cranberry” is four minutes of musical excellence.  Sound-wise, there is a mix of alternative and folk-pop cues.  The rhythmic acoustic guitar, as well as the strings, are key instruments shaping the backdrop. The handsome, talented Conan Gray is the focal point – the cherry on top. As always, he delivers gorgeous, nuanced vocals.  You can sense the emotion he expresses as we see an all too common narrative where love should be love, but it’s complicated by internal homophobia and heteronormativity.  I love the playfulness of the melody Gray sings during the pre-chorus as he shares their compromised love status (“‘Cause I know what you’re too scared to say, oh-oh-oh”). He sounds particularly exceptional during the chorus as he gives an unfortunate ultimatum:

“Speak up, I know you hate me

Looked at your picture and cried like a baby

Speak up, don’t leave me waiting

Got way too drunk off a vodka cranberry

Called you up in the middle of the night

Wailing like an imbecile

If you won’t end things, then I will.”

Upping the ante on “Vodka” is the bridge, which contrasts the verses and chorus while still emphasizing taking action to end things. That sustained high note at the end of the bridge is insane! “Vodka Cranberry” is sublime.  Elite vocals, thoughtful songwriting, and stellar musical accompaniment and production. I love Conan Gray, and this song (and music video) only confirms it more!

 

Appears in:

A Random Mix of 15 Food, Drink & Hunger Songs (2025)

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16. David Archuleta, “Crème Brulée”

Earthly Delights (EP) » Archie Music » 2025

 

Since coming out, the world has seen a far more liberal, liberated David Archuleta, the ‘short king’ with an amazing voice, who is also incredibly easy on the eyes. The Latino hottie fulfills our fantasies, quenching our thirst with the flirty, decadent “Crème Brulée”.  He sings his cute little ass off and shows off his cuteness in a must-see music video. Archuleta wrote “Crème Brulée” with Robyn Dell’Unto and Ryan Nealon. Michael Blum produced it. 

David Archuleta is confident and G-A-Y from the get-go. “Crème Brulée” finds him embracing it unapologetically, with no strings attached.  See the second verse: “Poor you, won’t leave my bedroom / Your serotonin on the nightstand / I’m not even tryin’.” Yes, you read and heard right.  Our innocent David has had a boy over, and the pleasure was sweet as… The rush begins in the pre-chorus, with “three-word phrases, skipping stages,” and is fully realized in the chorus:

“Oh, no, there goes all of your clothes

Speaking words, you don’t know

Yo te vuelvo loco, loco

Oh, no, you want me in slow mo

Snap me like a photo

Yo te vuelvo loco, loco

I can’t help but you don’t wanna wait (Okay)

Now you’ve had a taste of crème brûlée (Yo sé)

Oh, no, there goes all of your clothes

Speaking words, you don’t know

Yo te vuelvo loco, loco.”

Archie’s voice is top-notch.  He is accompanied by a sleek musical backdrop that ‘ups the ante’ of the sexiness.  The “Crème Brulée” he serves up is tasty… and makes you feel things 🤭 😈. 

Appears in:

David Archuleta, Crème Brulée: Beaming with Pride No. 25 (2025) Bops from 2025 That Make You Beam with Pride A Random Mix of 15 Food, Drink & Hunger Songs (2025)

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17. Doechii, “Anxiety”

Alligator Bites Never Heal (Extended) » Top Dawg Entertainment, LLC / UMG Recordings, Inc. » 2025 

 “Anxiety”, a big hit by Grammy-winning rapper Doechii, samples a prominent, Grammy-winning one-hit wonder, “Somebody That I Used To Know” by Gotye featuring Kimbra. “Anxiety” also sounds familiar because Sleepy Hallow released a song named “A N X I E T Y”, where Doechii was sampled. Her song dates back to 2019.  The official finished version was written by Doechii, Luiz Bonfá, and Gotye.  Gotye is also credited as the producer. Doechii delivers a compelling performance over the indie-pop backdrop that charmed the world.  She sings the chorus, which is one of the best parts of the song (excerpted above).  Still, her bread is buttered with her rapping. When she begins rapping, her cadence and flow are electrifying. She kicks off the first verse with fun wordplay: “Solo, no mojo / I bounce back, no pogo / Unhappy, no homo / New brands, no logos.” Word! The end of the verse is equally intriguing: “Okay, next thing, my life is a wet dream / I call it a sex scene, the back is a nice tease.” The second verse is alluring as well, referencing Florida, water, and memorably spitting, “No limits, no borders / What’s in that new world order? Marco (Marco), Polo (Polo)…”. In the bridge, she mentions her anxiety, bringing out the anxiousness to a tee in the chorus. Doechii continues to show her range and talent in “Anxiety”.

Appears in:

21 Randomly Curated, Amazing A Songs (2025) Bops That Pop: Jan, Feb & March 2025

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18. Doja Cat, “Jealous Type”

Vie » Kemosabe / RCA » 2025 

Grammy winner Doja Cat (Amala Zandile Dlamani) is the “Jealous Type”! “Jealous Type” is the second track from her fifth studio album, Vie. She penned “Jealous Type” with producers Jack Antonoff and Y2K (Ari Starace). “He loves me / But he can’t hold this above me,” she sings in the first verse, and continues, “When my eyes are green, I’m ugly / You’re vain and hip to rushing.” Doja is accompanied by sleek sounds: colorful pads, synths, and rhythmic drum programming. Amala serves up chill, easy-going vocals when she sings, never forcing things.  The chorus is awesome. It’s tuneful with memorable lyrics.

“Boy, let me know if this is careless, I (Let me know)

Could be torn between two roads that I just can’t decide (Just can’t decide)

Which one is leading me to hell or paradise (Oh)

Baby, I can’t hurt you, sure, but I’m the jealous type

I’m the jealous type.”

Doja confirms that she’s the jealous type even more on the post-chorus, an extension of the chorus. Rapping Doja returns briefly during the second verse, contrasting her smooth vocal delivery with a more assertive, hard-nosed sound.  “Nigga, you must be on Molly ‘cause y’all ain’t kick it when we started up,” she spits, and adds, “And if she really was a friend like you said she was / I would’ve been locked in, but I called your bluff.” Ow!  No worries, following those assertive rhymes, she returns to more relaxed vocals within the same verse. All in all, “Jealous Type” is an enjoyable, well-rounded pop single.  Slickly produced with a respectable performance by Doja Cat, it’s a pleasant addition to the pop playlist in 2025.

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19. Drake, “NOKIA”

$ome $exy $ongs 4 U » OVO Sound / Republic » 2025 

Drake asks in the pre-chorus of his hit, “NOKIA”. Given the repetition, as well as that s-bomb, he seems to be annoyed by whoever it is.  In the chorus, multiple girls are questioned as the calling culprit: “Is it Stacy? /… Is it Becky?” At one point, it’s asked, “Is it PARTY?” referencing his $ome $exy $ongs 4 U collaborator, PARTYNEXTDOOR. “NOKIA” is the 14^th track from $ome $exy $ongs 4 U. Elkan produced this Drake solo bop that peaked at number two on the Billboard Hot 100.

“NOKIA” is a two-part song. Part one features a danceable groove and the looped question,  “Who’s calling my phone?” The chorus, referenced above, is infectious.  In the sole verse in part one, Drake drops a respectable cadence and flow. “The way I feel right now, I feel like we need to be alone,” he raps, and adds, “So, if you just playin’ around, you need to tell your girl, ‘Take your fine ass home,’ and that’s real.” In the verse, he also touts his and his collective’s success, asserting, “We had a lock on the game, but it’s more to come.”  Part two marks a change of pace, triggered by the intro, “Baby girl.” The tempo is slower after the 1:30 mark, but the groove remains potent, and the synths remain bright. The baby girl becomes part of the chorus performed by Elkan and Drake:

“Baby girl

Let me see you do your dance, let me see you twirl

Shakin’ ass in the club with your home girls

Take a pic for the ‘gram, show the whole world (Show the whole world), yeah

… Is that your bestie?

I’ma ice both of y’all like Gretzky

I’ma at you like bless me

Hit the dance floor, get nasty, impress me.”

Ooh-wee! Drake drops the second verse, the sole verse in part two.  Among the most intriguing lyrics are, “You got some bass in the drunk, my love, damn,” “How many hoes in this club? / Is it really just me, my love?”, and “You know my dad ‘nem pimpin’ for real / You ever been down to Memphis, Tennessee, my love?” “NOKIA” is a jam-packed, winning rebound for Drake following many Ls (namely that rap beef with Kendrick Lamar).

Appears in:

Drake, NOKIA: Bangerz N Bopz No. 83 (2025) A Noteworthy Compendium of N Songs (2025)

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20. Durand Bernarr, “Here We Are”

BLOOM » Durand Bernarr/DSING RECORDS/Create Music Group, Inc. » 2025

Oh, snap! Those memorable lyrics hail from talented R&B singer-songwriter, Durand Bernarr (Bernarr Durand Ferebee Jr.). “Here We Are”, serves as proof that R&B is alive, well, and intriguing to the nth degree. “Here” is the 11^th track from Bernarr’s 2025 album, BLOOM. Bernarr penned it with Timothy Bloom, Bellarose Jade Blü, and Lyle Johnson. Bloom, Johnson, Alex Yake, Kent Hooper, Jeff Jackson, and Ronald Yonni Ferebee Jr. produced it.

“Here we are / Healing our wounded scars.” Oh, boy! A great groove is established from the beginning of “Here We Are.” Soulful guitars and keys provide the perfect musical accompaniment for Durand Bernarr. Additionally, lush, warm strings amplify the vibe. You know what else is soulful? Bernarr who delivers some high-flying vocals, including a gritty middle register, ripe falsetto, and some otherworldly runs. There are some playful, rhythmic vocal lines worth noting, too. “We’ve been friends for quite some time / Nothing wasted but ideal minds,” he sings in the second verse, and adds, “He left you without saying a word / But all you wanted was just to be heard.” Durand brings the tuneful melodies and heartbroken, love-centric lyrics to life effortlessly, particularly the chorus, excerpted earlier, and continues as follows: “Here we are / Under the northern star.” Notably, the bridge section does a fine job of distinguishing itself from the rest of the song. It solidifies a beautiful bond between two people who were hurt by someone else:

“Being here with you

Made the pain so worthwhile

Cause I cherish you

And I know what you do, too

What’s the use?

It’s what we are.”

Nominated for a Grammy for Best Traditional R&B Performance, Durand Bernarr kills it on the dramatic, expressive “Here We Are”. Not only is this one of the best R&B songs of 2025, but it’s also one of the best songs of 2025 regardless of genre.

Appears in:

Durand Bernarr, Here We Are: Bangerz N Bopz No. 103 (2025)

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21. Ed Sheeran, “Azizam”

Play » Ed Sheeran Limited / Warner Music UK Limited » 2025

Striking lyrics, Ed Sheeran. But, first things first.  What does azizam mean? The key lyric from “Azizam,” the third track from Sheeran’s 2025 album, Play, is a Persian word that means, my dear. Even without knowing what the word means, there are plenty of context clues that make this an infectious, unforgettable pop bop. Sheeran penned and produced this top 30 pop hit with Johnny McDaid, Savan Kotecha, and ILYA. Backed by sleek musical accompaniment features guitars, keys, and programming, Mr. Sheeran is on autopilot.

“Azizam” features fun lyrics from start to finish.  In the first verse, Sheeran has his thoughts on her, [his] dear: “I wanna be nowhere but here with you now.” Word. In the second, similarly, he asserts, “I wanna get lost in your ocean and drown,” and adds, “I wanna be all that you see.” Oh, snap! In the pre-chorus, another striking moment, he informs her, “And if love’s just a game, then come and play.” The chorus, excerpted earlier, is the section to beat, PERIOD. It is memorable and tuneful to the nth degree.  It is also the first section of the song introduced to listeners, setting the tone.  While Sheeran hasn’t quite been the force he was in the 2010s, “Azizam” reminded listeners of the side of the Grammy-winning singer-songwriter who can serve up simply irresistible bops.

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22. Ed Sheeran, “Sapphire”

Play » Ed Sheeran Limited / Warner Music UK Limited » 2025

“Azizam” has a strong case as the crowning achievement of Play, the eighth studio album by Grammy-winning English pop singer-songwriter Ed Sheeran.  However, “Sapphire,” the second track from Play, is a vibe in its own right! Sheeran penned “Sapphire” with Savan Kotecha, ILYA, Johnny McDaid, Arijit Singh, Avinash Chouhan, and Mayur Puri. Sheeran, McDaid, Kotecha, and ILYA produced it. It begins with the lovely, expressive, warm  vocals by Sheeran during the first verse: “And I know that / You carry the world on your back / But look at you tonight.” The pre-chorus picks up steam, inviting groove to the mix: “The lights, your face, your eyes / Exploding like fireworks in the sky / Sapphire.” The Punjabi music cues are one of the coolest features of “Sapphire.” The beat bangs! There are utterly infectious lyrics during the chorus, the centerpiece of the record.

“Touching on your body while you’re pushing on me

Don’t you end the party, I could do this all week

We’ll be dancing till the morning, go to bed, we won’t sleep

ਚਮ-ਚਮ ਚਮਕੇ ਸਿਤਾਰੇ ਵਰਗੀ (Sapphire).”

The chorus also features Punjabi lyrics, “ਚਮ-ਚਮ ਚਮਕੇ ਸਿਤਾਰੇ ਵਰਗੀ,” Romanized as “Cama-cama camakē sitārē varagī,” which translates as “Like a bright, shining star.” The second verse is more lively than the first, anchored by the sickening beat. “You are my spring flower, watching you bloom, wow,” Sheeran sings, and continues, “We are surrounded, but I can only see.” Throughout, he wows with his optimistic, energetic vocals. On the bridge, the Punjabi phrase is highlighted multiple times, in all its glory. All told, “Sapphire” is one of the most fun and infectious pop songs from Ed Sheeran’s catalogue. It’s a shame this surefire pop vibe merely cracked the top 75 of the Billboard Hot 100.

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23. Ghost, “Satanized”

Skeletá » Loma Vista Recordings » 2025

Oh, snap! “A demonic possession / Unlike any before.” Damn. More like, damned! Regarding Ghost, the Grammy-winning Swedish band excels at blasphemy, heresy, and Satanism. “Satanized”, the promo single from Skeletá, is no exception. Tobias Forge brings the heat – hellish heat! Forge, Salem Al Fakir, and Vincent Pontare composed an infernal, religiously skeptical listening experience.  Gene Walker produced it. Despite the darkness of the minor key, “Satanized” features an exuberant music backdrop.  The guitars roar in sinfulness! Forge delivers clear and expressive vocals. He brings the melodies to life and catches our ears with those sharp, damning lyrics. “I’ve invested my prayers / Into making me whole,” he adds in the first verse.  In the second and third verses, Forge’s character, Papa V Perpetua, is skeptical of the church, God, and religion.  “Through a life of devotion / I’ve been quelling my urges to burst,” he sings in the second verse, continuing, “I’ve been fighting the notion / To, by love, be coerced.” Damn, again! In the third, he asserts, “I have begged God for the remedy / But I’m no longer sure.” The centerpiece is the chorus, where Papa V Perpetua has switched to the left-hand path, full throttle:

“Blasphemy, heresy

Save me from the monster that is eating me

I’m laicized

Blasphemy, heresy

Save me from the bottom of my heart I know

I’m satanized.”

Holy shit! Feels like an appropriate response. Even if you are a God-fearing Christian, you cannot deny how much ass Ghost kicks on this blasphemous, heretical, and satanic gem.  “Satanized” rocks!

Appears in:

Bops That Pop: Jan, Feb & March 2025 13 More Songs That Capture a Nontraditional Church Experience (2025)

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24. GIVĒON, “TWENTIES”

BELOVED » Epic / Not So Fast LLC » 2025

But, as Grammy-nominated R&B singer/songwriter GIVĒON (Giveon Evans) discovers, “But I was just young and dumb.” Bummer! “TWENTIES” marked Evans’ first single of 2025 and the third track from his second studio album, BELOVED. He penned the refined track alongside producers Sevn Thomas and Maneesh. Essentially, GIVĒON sings about wasting his young, ‘fun’ years on her:

“Spending my twenties on you (Oh)

I poured my heart in it

Don’t get me started

Spend my time wondering why

I spent my twenties on you.”

Live and learn. “TWENTIES” gives Evans more of a neo-soul and adult contemporary R&B sound.  It suits him perfectly.  Commencing with a distinct drum riff, the groove of “TWENTIES” settles into lilting, compound duple meter.  The production is gorgeous – lush, refined, and warm to the nth degree.  Evans delivers fabulous, nuanced, and soulful vocals. He sings with incredible authenticity and sincerity regarding wasting his twenties on her.  “Is anything black and white / When you’re barely twenty-two?” Nope. In the second verse, he continues singing, “I could tell the ship was goin’ down / I was so young and dumb.” To reiterate, live and learn (the singer turned 30 in February 2025). Ultimately, “TWENTIES” marks another terrific addition to the GIVĒON catalog. To quote Coming To America, “Goddamn, that boy can sing… He good”!

Appears in:

Bops That Pop: Jan, Feb & March 2025

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25. Hailey Whitters, “Casseroles”

Corn Queen » Pigasus / Big Loud / Songs & Daughters » 2025

 Grammy-nominated country singer/songwriter Hailey Whitters sings, continuing, “He wonders what he’s gonna do / When the casseroles stop coming.” “Casseroles” piqued my interest initially because of the song title. The 11^th track from Whitters’s 2025 album, Corn Queen, is better than its distinct title.  This is country music storytelling at its finest. Hillary Lindsey, James Slater, and Tom Douglas penned “Casseroles.” Jake Gear produced it. The musical accompaniment is superb – it is classy and incredibly refined. It features traditional country instrumentation, including guitars and pedal steel.  Whitters paints this backdrop gorgeously with her dynamic voice.  She sings authentically and expressively, making you believe every note and every lyric she sings.  Beyond her solo moments, the harmonized vocals add to the excellence. The melody is radiant in the verses and chorus. Whitters is introspective in the second verse, pondering, “What kind of friend have I been / Am I tinfoil and Pyrex, I show up, that’s it.” She determines, “I could do so much better / Wrap you in my arms and a handwritten letter / I’ll hold your umbrella when the rain pours.” I wish I had composed those lyrics – perfect! The chorus is the crowning achievement:

“And those old six strings keep strumming

And those wild-winged hummingbirds keep humming

I don’t know how, but this world keeps on turning

And love keeps on loving

After casseroles stop coming.”

No deep analysis is necessary. “Casseroles” speaks for itself. Whitters ‘put her foot’ into this stunning, ‘must-hear’ dish!

Appears in:

Bops That Pop: Jan, Feb & March 2025 A Collection of Randomly Curated C Songs (2025) A Random Mix of 15 Food, Drink & Hunger Songs (2025)

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26. HAIM, “Relationships”

I quit » Haim Productions Inc. / Columbia » 2025

Word.  Grammy-nominated alternative sister trio HAIM (Danielle Haim, Este Haim, and Alana Haim) is talking about “Relationships” in 2025.  “Relationships,” the third track from their album, I quit, is a bop from the get-go.  Beyond the spoken word intro (excerpted above), it thrives off unique production courtesy of Danielle Haim, Rostam (Rostam Batmanglij), and Buddy Ross. Among the ear-catching sounds are hip-hop scratches, a sickening groove (drum programming), a robust bass line, and a warm keyboard.  The sound is a key part of the success of “Relationships” without question.  Beyond the superb instrumental, the singing and lyrics stand out on “Relationships.”  “Relationships, oh / What’s all this talk about relationships,” Danielle asserts in the first verse.

By the memorable chorus, some salty language intensifies the sentiment:

“Baby, how can I explain

When an innocent mistake

Turns into seventeen days? Fuckin’ relationships.”

Damn… or better yet, FUCK! Speaking of ‘fuck,’ another bomb appears in the second verse: “I’ve been averse to conflict / But you really fucked with my confidence.” Oh, snap! Potty mouth aside, “Relationships” thrives off its sweet, rhythmic melodies and gorgeous upper-register vocals. Danielle’s tone is sweet. HAIM ‘put in work’ on this highly enjoyable bop, PERIOD! 

Appears in:

Bops That Pop: Jan, Feb & March 2025 A Riveting Collection of R Songs (2025)

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27. HUNTR/X, “Golden”

KPop Demon Hunters (Soundtrack from the Netflix Film) » Republic » 2025 

Ah, destiny! Reaching for the stars and not allowing anything or anyone to inhibit! KPop Demon Hunters was huge in 2025.  That might be a massive understatement. Not only was the film big, but so was KPop Demon Hunters (Soundtrack from the Netflix Film). The biggest song from the soundtrack, “Golden”, arrived courtesy of the three-member fictional girl group from the film, HUNTR/X, comprising Rumi, Mira, and Zoey. EJAE (b. 1991) portrays the singing voice of Rumi, AUDREY NUNA (b. 1999) portrays the singing voice of Mira, while REI AMI (b. 1995) portrays the singing voice of Zoey. The accolades for “Golden” are impressive. It was nominated for multiple Grammys, including Song Of The Year. It reached number one on the Billboard Hot 100. “Golden” was written by EJAE and Mark Sonnenblick. IDO (KOR), 24, Teddy Park, and Ian Eisendrath produced it.

Although primarily performed in English, “Golden” features some Korean lyrics, too.  All three girls perform in the verse. Each delivers memorable lyrics about achieving their dreams, goals, and stardom despite past failures and being misunderstood. Zoey (AMI) asserts, “I lived two lives, tried to play both sides / But I couldn’t find my own place.” As for Mira (NUNA), she was “Called a problem child ‘cause I got too wild / But now that’s how I’m getting paid, on stage.” Rumi (EJAE) performs the uplifting pre-chorus, “No more hiding, I’ll be shining / Like I’m born to be / ‘Cause we are hunters, voices strong / And I know I believe,” as well as the crème de la crème, the chorus:

“We’re goin’ up, up, up

It’s our moment

You know together we’re glowin’

Gonna be, gonna be golden

Oh, up, up, up

With our voices

… Gonna be, golden be golden.”

The post-chorus, excerpted earlier, marks another triumphant moment from “Golden.” Beyond the memorable lyrics and tuneful melodies, “Golden” features fantastic production. The musical accompaniment is driving, rhythmic, and sleek, matching the positive vibes conveyed lyrically. Yes, “Golden” is a children’s song from a soundtrack, but it is a special, high-flying one that will be remembered and revered for years to come.

Appears in:

HUNTR/X, Golden: Music Lifts No. 40 (2025)

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28. Jake Wesley Rogers, “God Bless”

In The Key Of Love » Facet / Warner »  2025

Two lines into “God Bless”, Midwest-bred pop singer/songwriter Jake Wesley Rogers is locked in and loaded. The openly gay musician expresses how complicated sexuality is from the pressure of loved ones and desiring to be yourself.  Wesley Rogers continues in the first verse from the sixth track of his 2025 debut album, In The Key Of Love, “You taste just like honey on cornbread / I feel so alone when you’re not in my bed.” Regardless of your sexuality, those lines should resonate. Rogers penned this thrilling ballad alongside Greg Wells. Mike Sabath produced it.

From the beginning, Rogers spoils us with his fabulous vocals.  His tone is terrific, while his ad-libs and riffs give you chills.  He sings authentically and sincerely. The second verse is as impressive as the first. “We’re having car sex in a business park / Like we’re the last couple on Noah’s ark,” he sings honestly and memorably. His ‘bread is buttered’ in the chorus, which excels melodically and lyrically:

“God bless the straight man in a dress

God bless threesomes when I’m celibate

God bless doing mushrooms with an atheist

God bless, it’s a beautiful fucking mess

God bless the trans kid in Texas

God bless the gods that don’t exist

Sometimes I wish it all would end

But, God bless, it’s a beautiful fucking mess.”

Supporting Rogers in the post-chorus are choral vocals, which are everything.  They give off gospel vibes.  Beyond the singing and songwriting, the musical backdrop is incredible, too. The arrangement and production are never overdone – it is just right.  As awesome as the instrumental is, Mike Sabath ensures that the focal point is Jake Wesley Rogers.  Is there any way you can listen to the blessing that is “God Bless” and not beam with pride? Nope! It is awesome!

Appears in:

Jake Wesley Rogers, God Bless: Beaming with Pride No. 27 (2025) 13 Songs That Feature Names, Vol. 6 (2025) Bops from 2025 That Make You Beam with Pride A Gripping Cluster of G Songs (2025) 13 More Songs That Capture a Nontraditional Church Experience (2025)

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29. Jessie Murph, “Touch Me Like A Gangster”

Sex Hysteria » Columbia » 2025 

Oh, snap, Jessie Murph! Truly, WE LISTEN AND WE DON’T JUDGE! “I’d like to know, how far you gon’ go? / How far we gon’ go?” she continues in the pre-chorus. The Alabama-bred pop singer-songwriter brings the sass and the spice on “Touch Me Like A Gangster”, a single and highlight from her sophomore album, Sex Hysteria. Although the sex is progressive, “Touch Me Like a Gangster” has a classic, incredibly refined sound.  Bēkon, Laura Veltz, and Jeff “Gitty” Gitelman produced this pop track with retro and vintage-sounding vibes (old-school pop and a dash of soul). The most impressive part of the song is the vocals. Murph sounds distinct from the first note, showing off her gritty, sultry, and throaty vocals. I love how Murph’s voice cuts – like scissors, baby! Of course, the sex can’t be ignored.  It is part of the charm and success of the song as well. Despite appreciating his tenderness, in the first verse, Murph informs him, “Boy, I got a sign that you’ll wanna see, baby.” In the second verse, she asserts, “You look like you like whips and chains, won’t you do something insane, baby?” Ooh-wee.  The section to beat, the crowning achievement, the crème de la crème, is the chorus.  It is bold, tuneful, and unforgettable to the nth degree!

“I’ll tell you this, my love

I do not give a fuck

I want you on your worst behavior

Touch me like a gangster

Rock me, baby boy, give it hell

This bed ain’t gon’ break itself.”

Damn, girl! Naughty, naughty, naughty, “Touch Me Like A Gangster” is that surefire guilty pleasure you aren’t able to resist.

Appears in:

15 Incredibly Likable LIKE Songs (2025) 15 More Marvelously Tactile Touch Songs (2025)

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30. Justin Bieber, “DAISIES”

SWAG » ILH Production Co. LLC / Def Jam Recordings / UMG Recordings, Inc. » 2025

Word. Justin Bieber (b. 1994) returned in 2025 with a heaping dose of… wait for it… SWAG! He had so much swag that he unleashed even more of it, hence, SWAG II.  Among the best songs, chock-full of all that swagger, was “DAISIES”. “DAISIES” is the second track from SWAG, and the second track on the second disc of the expanded version, SWAG II.  Bieber penned “DAISIES” with Sir Dylan (Dylan Patrice Wiggins), Eddie Benjamin, Tobias Jesso Jr., Carter Lang, ​Dijon, Daniel Chetrit, and Mk.gee. Benjamin, Lang, ​Dijon, Chetrit, Sir Dylan, and Mk.gee also produced it. “DAISIES” performed well on the pop charts, debuting and peaking at number two on the Billboard Hot 100.

There are many reasons why “DAISIES” is a surefire vibe. It begins with the sound of the record, fueled by guitars.  Given the way the instrument is used, it helps give “DAISIES” an alternative pop and alternative R&B vibe, which makes the song stand out. The star of the show, Justin Bieber, shines with his sweet, well-rounded vocals. He sings with incredible ease.  When love fuels the fire, it’s also easy to sing with ease! “Blowin’ kisses like, ‘Will you catch ‘em or not?’” he sings in the second verse, and adds, “I’m Cupid with arrows, babe, I’m just shootin’ my shot.” And, if Bieber didn’t make it clear, friendship is off the table: “Just skin-to-skin, I wanna get closer, and closer, and closer.” “DAISIES” thrives from tuneful melodies from the get-go.  The section to beat, unsurprisingly, is the chorus:

“The way you got me all in my head

Think I’d rather you in my bed

Whatever it is, you know I can take it

I’m countin’ the days, how many days ‘til I can see you again?”

Self-explanatory, with no need for further analysis.  The bridge is also self-explanatory, with Bieber informing us she’s got him in his feelings! Fun and sweet, Justin Bieber throws those petals on the memorable, matters-of-the-heart-driven, Grammy-nominated “DAISIES”.

Appears in:

Justin Bieber, DAISIES: Bangerz N Bopz No. 104 (2025)

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31. Kehlani, “Folded”

“Folded” » Atlantic Recording Corporation » 2025

Those pesky matters of the heart have reared their ugly head on “Folded”, one of the best songs by Grammy-nominated R&B singer-songwriter Kehlani (Kehlani Parrish) [she/her/they/them]. Kehlani co-wrote “Folded” with Andre Harris, DIXSON, Kamal Wilson, Don Mills, Donovan Knight (D.K. the Punisher), and Khris Riddick-Tynes. Harris, Mills, D.K. The Punisher and Riddick produced it.  The backdrop is gorgeous: lush, striking, and sleekly executed in every way. Parrish has ample fuel for her vocal fire, though she’s on autopilot from the get-go.

Kehlani delivers one of the premier vocal performances of her career.  Her instrument sounds pitch-perfect and radiant, delivering impressive runs and utterly sublime nuances. Her performance sounds authentic, as she lays it out there for this person.  She brings the oomph to the tuneful melodies, while the lyrics are incredibly memorable.  In “Folded,” she seems to battle between still loving and being open to try again with this person, yet she is also prepared to send them on their way. “Can you come pick up your clothes? / I have them folded / Meet me at the door while it’s still open,” she sings in the unforgettable chorus, continuing, “I know it’s getting cold out, but it’s not frozen / So come pick up your clothes / I have them folded.” With the door still ajar, in the pre-chorus, Parrish asserts, “I’ll let your body decide if this is good enough for you / Already folding it for you / Already folding it for you.” Superb vocals, writing, and production earn the Grammy-nominated “Folded” a spot near or at the top of Parrish’s fabulous catalog.

Appears in:

13 Rad Fitting, Clothing-Related Songs (2025)

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32. Kisos, “Sludge”

“Sludge” » Miller Place » 2025

Being covered in a muddy deposit or slushy mass is not ideal, Kisos! The good news is that “Sludge” is another terrific song from the incredibly creative, fearless, and talented queer alt-pop artist. Muddy AF as he may be, Kisos (all pronouns), never ceases to amaze musically.  Where does one begin with “Sludge?” It features ear-catching sounds from the beginning. The intro sets the enigmatic and unsettling vibe. Solidifying his “under the gutter,” “thick putrid layers of hatred” situation, is a minor key – good old dark C minor! Amplifying the sludge-fest, Kisos has an intense electronic backdrop supporting him. The synths and programming are fresh. Perfect fuel for a sludgy fire.

The backdrop is sick, as are Kisos’ vocals. The performance is playful and dramatic.  This feels right given the theme and lyrics.  “I felt your bitterness biting / The first time we touched,” he asserts, continuing, “Constricting my circulation / Nerves going numb.” Deep! When Kisos belts, you truly feel the intensity of his feelings, which are, rightfully, likened to being covered in mud. “The odor is overwhelming / My arms are tired from scrubbing,” he later sings, inquiring, “Did you think no one would notice / Open sores that you’re exposing.” Besides the poetic but devastating lyrics, the melodies are stunning.  The contour is sweet, making them tuneful and latching on with ease.  Despite this seemingly unbearable situation, Kisos’ falsetto is sweet. Adding to the excellence are powerful, harmonized vocals during the chorus. Also, some instrumental tweaks ‘up the ante’ too (gotta love a change in the beat 😉). Beyond the chorus, the third verse (the bridge to my ears) is the section to beat:

“You forced sludge into my mouth

I blamed myself for not ripping you out

Forgave the years of abuse

Still make excuses even now.”

Relatable, relatable, relatable. Kisos has us totally gagging by the final chorus of “Sludge”, singing his muddy ass off.  This is one of his best songs to date.  Also, it may be one of the best songs of 2025 you haven’t heard… until now!

Appears in:

Kisos, Sludge: Wacky Wednesday No. 18 (2025) Bops from 2025 That Make You Beam with Pride

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33. Klovis Gaynor & The Urinal Cakes, “THE METH SONG”

SAVE ME 4 THE SPANK BANK » klovisgaynor » 2025

New York City-based queer musician, Klovis Gaynor, is one of a kind. In 2025, Klovis Gaynor and The Urinal Cakes (Klovis, Brayden Baird, Dane Bundschuh, Josh Hausman, and Larah Helayne) released an ambitious debut album, SAVE ME 4 THE SPANK BANK, described as ‘the sound of crying, the sound of fucking, the sound of banging pianos, distorted guitars, fear, lust, hate, cum, cum & more cum’. One of the most ear-catching songs from the album is “THE METH SONG”. Not only is cum involved, but so are drugs: “Meth, PCP, Four Loko / And fuck me!” Holy fuck! Even though this queer punk song is raw and rough around the edges, the musicianship is elite: creative songwriting, an authentic, playful vocal performance, brilliant, distorted guitars, and clever riffs. “THE METH SONG” is weird as fuck (and also, about fucking, too), but that is a big part of its charm.

From the beginning, a lot is going on. You see, “THE METH SONG” is one of those epic musical selections where you hear something new with every listen. After listening to this gem several times, I found myself more and more drawn to it.  It grows more impressive as Klovis sings about drugs, icky boys, and what sounds like filthy sex. Gaynor delivers a dramatic, emotional, and playful vocal performance. The lyrics are poetic and raw to the nth degree.  Klovis dips into spiritual matters, with ample blasphemy, of course! “I know Jesus was a slut / He told me in the shower,” Gaynor sings, continuing, “He showed me with his powerful tool / He made me drink, he made me vomit / Neon green, 4 Loko…” Damn, or maybe, damned… The use of Jesus’ body ‘hits different’ at the hands of Klovis.  As ear-catching as the Jesus lyrics are, some of the most memorable moments occur during the centerpiece, the chorus.  Here, Klovis shouts. “Old men, older the better! / Strange men, stranger the better! / Love me, know me ‘til I can’t remember / Fuck me, drug me, ‘til I get better!”  Wow… speechless 😶! Also, if you were unaware, “The best lay of your life / Has always been laying down to die.” And that is how “THE METH SONG”  ends. Ultimately, it is a breath of musical fresh air, even as filthy, raw, and unrefined as it is🤘.

Appears in:

Klovis Gaynor & The Urinal Cakes, THE METH SONG: Wacky Wednesday No. 20 (2025) Bops from 2025 That Make You Beam with Pride 15 Addictive Songs About Alcohol, Drugs & Substances (2025) A Marvelous Sampling of M Songs (2025) 15 Intriguing Songs Where The Keyword is SONG (2025)

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34. Laufey, “Snow White”

A Matter Of Time » Vingolf Recordings / AWAL Recordings America, Inc. » 2025

That is depressing, downtrodden, and negative, Laufey (Laufey Lín Bing Jónsdóttir). She continues singing in the first verse of “Snow White”, “I don’t think I’m pretty, it’s not up for debate / A woman’s best currency’s her body, not her brain.” Again, depressing, but darkly poetic, and undoubtedly, relatable. I’m a man, and I find myself co-signing these self-deprecating, don’t feel good enough lyrics. The good news is that “Snow White,” the fourth single from the Grammy-winning, Icelandic-Chinese singer/songwriter’s third studio album, A Matter Of Time, is utterly sublime. Laufey penned “Snow White” and produced it with Spencer Stewart.

The songwriting is top-notch. The lyrics are thoughtful and sincere: “But mirrors tell lies to me, my mind just plays along / The world is a sick place, at least for a girl.” Laufey digs in and shows off her vulnerable side. Brilliantly, as she shares her insecurities, she references the fairy tale, Snow White: “Sometimes, I see her, she looks like Snow White / She’s everything I am, but my wrongs are turned to rights.” Her vocals are authentic and beautiful. She sounds incredibly refined every time she sings. She always seems to sing the right notes, with the appropriate dynamics, expression, and emphasis at just the right time. As “Snow White” progresses, Laufey steps up her game, singing more dynamically, giving a bigger performance. Beyond Laufey’s top-notch musicianship, the musical accompaniment is elite. Initially, she’s accompanied by rhythm guitar.  The backdrop expands, adding the lush, rich sound of the cello, one of the instruments Laufey plays.  “Snow White” is a homerun for Laufey.  The only rub: the insecurities she feels! She is beautiful, gifted, and talented!

Appears in:

White is the Color of These 13 Songs (2025) A Spectacular Compendium of S Songs (2025)

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35. Lady Gaga, “Abracadabra”

MAYHEM » Interscope » 2025

Well, that’s fascinating, Lady Gaga (Stefani Germanotta)! The award-winning singer, songwriter, and actress put her dancing shoes on in “Abracadabra”, the ‘magical’ third single from her seventh studio album, MAYHEM.  Lady Gaga, watt (Andrew Watt), Cirkut (Henry Walter), John McGeoch, Pete Edward Clarke, Steven Severin, and Siouxsie (Susan Janet Ballion) penned “Abracadabra.” “Abracadabra” interpolates “Spellbound” by Siouxsie and the Banshees. Gaga, watt, and Cirkut produced it.

“Abracadabra” features some sickening dance music cues. An electrifying groove helps “Abracadabra” cook.  Also, the darker tilt of the song, alongside the minor key, makes it compelling.  As always, Lady Gaga brings her ‘A game,’ delivering a personality-laden performance, showing off her powerful pipes. The songwriting is intriguing. “Pay the toll to the angels / Drawin’ circles in the clouds,” she sings in the first verse, continuing, “Keep your mind on the distance / When the devil turns around.” Word. In the refrain, she asks to “Save me from this empty flight / In the game of life.” Life is a key component of “Abracadabra.” Melodically, the song is colorful, particularly with accidentals that give it a Dorian flavor. The section to be is the Infectious, tuneful chorus with some nonsensical syllables in the mix:

“Abracadabra, amor-oo-na-na

Abracadabra, morta-oo-ga-ga

Abracadabra, abra-oo-na-na”

In her tongue she said, ‘Death or love tonight’.”

In “Abracadabra”, Lady Gaga remains true to herself and the artist we’ve come to know and love.

Appears in:

21 Randomly Curated, Amazing A Songs (2025) Bops That Pop: Jan, Feb & March 2025 Bops from 2025 That Make You Beam with Pride

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36. Lola Young, “Post Sex Clarity”

I’m Only F**king Myself » Day One Music Limited / Universal Music Operations Limited » 2025

 

👀. Noted, Lola Young.  Is there any double entendre here, by chance? Anyways, in the pre-chorus of the boldly titled “Post Sex Clarity”, she asserts, “Ooh, you make me wanna, make me wanna lose myself, myself.” Damn. So, to provide some context, the phrase post-nut clarity has been thrown, specifically referencing how men feel post-ejaculation. Lola Young depicts her own lightbulb post-sex on the eighth track from her unapologetically titled 2025 album, I’m Only F**king Myself.  Young penned “Post Sex Clarity” with Conor Dickinson and producers Solomonophonic, Manuka (William Brown), and Carter Lang.

In the second verse, Young describes the pleasure and, of course, the clarity. “No, they didn’t do it how you just did it / So I want you to stay,” she sings, and adds, “I just came to my senses, and I still don’t regret it / Not one little bit, and I’m not usually like that.” The chorus, the centerpiece of the record, expresses this post-sex clarity at its clearest.  Lola clarifies:

“When I’m lyin’ in bed, got post-sex clarity

I still love you, and I don’t know why

‘Cause every other man didn’t mean a God damn to me

When I finish, it’s not the end of you and I.”

Holy sex! Holy post-sex? Holy post-sex clarity? Something like that.  Regardless, Lola Young brings the heat on “Post Sex Clarity”.  She sings beautifully, expressively, openly, and unapologetically. The melodies are tuneful, while the lyrics, as excerpted, are intriguing from start to finish. She’s backed by a warm backdrop, characterized by its ripe, soulful guitars, prominent bass line, and an anchoring groove.  This is a bold, if less-explicit-than-expected, relatable sex pop bop.

Appears in:

Lola Young, Post Sex Clarity: Midnight Heat No. 78 (2025)

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37. Lorde, “What Was That”

Virgin » Universal Music New Zealand Limited » 2025

Grammy-winning alternative pop singer/songwriter Lorde (Ella Marija Lani Yelich-O’Connor) is in the aftermath of a breakup. There is no wedding veil, which might have been her expectation with her ex before they went their separate ways. The Kiwi musician shares her grief, introspection, and reflection beautifully on her comeback single, “What Was That”.  Lorde co-wrote the second track from her fourth studio album, Virgin, with Jim-E Stack.  Yelich-O’Connor, Jim-E Stack, and Dan Nigro produced it.

Initially, “What Was That” is minimalist in sound.  The keys and synths catch the ear. Lorde wows with those signature, raspy vocals.  She thrives in her middle and lower registers. In the first pre-chorus, she shares her feelings regarding their end: “Oh, I’m missing you.” In the chorus, she recollects their relationship, which includes drug use (“MDMA in the back garden, blow our pupils up / We kissed for hours straight, well, baby, what was that?”).  During the chorus, “What Was That” begins to pick up more steam instrumentally. Likewise, Lorde brings it more by exploring a range of emotions regarding their now defunct relationship (“Since I was seventeen, I gave you everything / Now we wake from a dream, well, baby, what was that”). The second verse is more developed, featuring more instrumentation. Even so, it never sounds overdone. It is well-produced. Like the first, Yelich-O’Connor tries to process everything, informing him, “Don’t you know you’re still with me / When I’m out with my friends?” She acknowledges, “You weren’t feeling my heat.” Oh, snap! It’s giving unrequited love! One of the best lyrics from the fabulous “What Was That” is “When I’m in the blue light, I can make it alright.” Lorde shines on this one.

Appears in:

15 Captivating Songs That Ask a Question (2025) Who, What, When, Where, Why, How Songs (2025)

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38. Lucy Dacus, “Ankles”

Forever Is A Feeling » Lucy Dacus / Geffen » 2025

Grammy-winning singer/songwriter Lucy Dacus establishes a high bar on “Ankles” early on. “And I’ll throw a fit / If it’s all I can do,” she continues singing in the love-oriented first verse. “Ankles” is a promo single and the third track from Dacus’ fourth studio album, Forever Is A Feeling. Dacus penned it, producing alongside Blake Mills.

“Ankles” features ear-catching, driving, rhythmic strings from the onset. Besides the strings, plenty of excellent rhythmic lines contribute to the colorful vibes of the musical accompaniment. “Ankles” is anchored by a solid groove. The backdrop is perfect for Dacus, who delivers a cool, calm, and collected vocal performance. She never gets too high or too low. She never sounds like she even thinks of breaking a sweat. Expectedly, the songwriting is top-notch. “Agent of chaos, angel of death / One of three ancient fates,” she sings the poetic lyrics in the second verse, adding, “Playing with your scissors again.” Beyond radiant vocals and elite songwriting, the melodies are tuneful, particularly during the chorus:

“Pull me by the ankles to the edge of the bed

And take me like you do in your dreams

I’m not gonna stop you

I’m not gonna stop you this time, baby.”

The excellence of “Ankles” speaks for itself. Dacus continues to be one of the best songwriters of the 21^st century.

Appears in:

21 Randomly Curated, Amazing A Songs (2025) Bops That Pop: Jan, Feb & March 2025 Bops from 2025 That Make You Beam with Pride

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39. Mariah Carey, “Play This Song” (Ft. Anderson .Paak)

Here For It All » MARIAH / gamma. » 2025

Noted, Mariah Carey and Anderson .Paak. The Grammy-winning musicians duet on, you guessed it, “Play This Song”! “Play This Song” is the second track and third single from Carey’s 16^th studio album, Here For It All. Carey penned “Play This Song” with Paak, Daniel Moore II, Rae Khalil, Jairus “J-Mo” Mozee, and J.LBS. Carey, Paak, and Moore II produced it. Classy, refined, and sophisticated are perfect ways to describe the musical accompaniment. The sound lies somewhere between neo-soul, adult contemporary R&B, and soul pop. The nostalgic, throwback vibes are in full force.  Fueling this backdrop are smooth guitar, keys, bass, drums, and colorful horns. Matching the old-school vibes is a more adventurous harmonic progression and, jazzy influence.

Following the intro, Mariah Carey blesses us with her refined, soulful pipes. “And your friends don’t talk about it,” she sings in the first verse, and continues, “About your suffering in your silence / Boy, I know you miss me.” Missing one another is key throughout “Play This Song,” explored by both singers. Paak joins her, memorably concluding the verse with “You know we got some history / Listen by yourself, please listen by your damn self.” The titular lyric/chorus follows, with Anderson .Paak matching Carey’s energy and vocals, leading the charge in the second verse. His tone is stunning. “I told Pookie, DeShawn, and Ron,” he sings, joined by Carey, “We were getting back together / Although, I highly doubt it.” Later in the song, the names change, but the sentiment remains the same (“I told Keisha, Chante, and Tots / We were getting back together / Although, I highly doubt it”).  In the third verse, a bridge of sorts, the harmonic progression changes.  The chords are glorious, as are Carey’s vocals. She states, “And I know you miss me, babe / Don’t pretend like you don’t feel the same.” Later, Paak delivers one of the most memorable lines in the fourth verse: “At the drive-in eating with your little friend / I used to buy you steaks and scrimps / Don’t act like you don’t miss me.” Much more could be said about the theme and lyrics. All told, “Play This Song” doesn’t require extensive analysis. The music, in all its excellence, speaks volumes.  The melodies are tuneful.  The songwriting is relatable.  The vocal chemistry between two fine vocalists is superb. “Play This Song” is a masterclass in duetting, a part of the reason for another fabulous comeback for Mimi.

Appears in:

Mariah Carey & Anderson .Paak, Play This Song: Dazzling Duets No. 21 (2025)

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40. Miley Cyrus, “Something Beautiful”

Something Beautiful » MCEO Inc. / Columbia » 2025

Miley Cyrus ‘comes out swinging’ on “Something Beautiful”, the second track from her ninth studio album, Something Beautiful. “Beautiful” finds Cyrus delivering stunning vocals with a top-notch tone and gorgeous balladry. If you are musically eclectic, “Something” thrives off sounds associated with various genres, including pop, rock, jazz, and R&B. Each section embraces a different stylistic identity while meshing seamlessly when it’s all said and done. “Something Beautiful” features poetic, ear-catching lyrics. “Ah, water to red wine, kissing to kill time / Oh my, yeah / Ah, watching the doves cry into the sunrise,” Cyrus sings in the first verse.  In the second, she asserts, “I drown in devotion (Devotion), as deep as the ocean (The ocean) / So don’t let me go, no, no, no.” Marvelous, jazzy touches (horns, harmonic progression) occur during the varied pre-choruses (“Flash, bang, spark / Lighting up the dark / Bomb, bomb”). This section differentiates itself from the verses.  During the chorus, there are some experimental cues (big distorted, noisy guitars). Cyrus’ vocals are distorted and even more playful:

“Boy, I’m losing my breath, yes

Boy, you’re marking up my necklace

Boy, I’m losing my breath

I’m undressing, I’m confessing that I’m so obsessed, yes.”

The loud, distorted section continues into the outro, expanding its wildness (“Eat my heart, break my soul / Take my parts, let me go…”).  So much can be said regarding “Something Beautiful”.  It is a beautiful,  epic song from Miley.

Appears in:

Bops from 2025 That Make You Beam with Pride A Spectacular Compendium of S Songs (2025)

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41. Olivia Dean, “Man I Need”

The Art of Loving » Universal Music Operations Limited » 2025

Olivia Dean (b. 1999) experienced ample success with “Man I Need,” the seventh track from her 2025 album, The Art of Loving. “Man” peaked at number four on the Billboard Hot 100, which is incredibly impressive. Dean penned “Man” with  Tobias Jesso Jr. and producer Zach Nahome.

What makes “Man I Need” the sugar, honey, iced tea? There is plenty to sink one’s teeth into! It begins with a great groove.  The sweet musical cues led by keyboards catch the ears, too.  Dean brings the heat with her cool, soulful vocals, particularly during the verses. “Introduce me to your best friend / I can come and slot right in,” she sings in the first verse, and continues, “A satellite ain’t even that far / I, I kinda wonder where you are.” In the second, she tells him, “So, baby, let’s get on the same page / Stop making me read between the lines.” Word.  The melodies are tuneful throughout.  A strong pre-chorus (“…So, don’t be shy”) sets up the magical chorus impeccably:

“Just come, be the man I need

Tell me you got something to give, I want it

I kinda like it when you call me ‘Wonderful’

Whatever the type of talk it is, come on then

I gotta know you’re meant to be the man I need

Talk to me

Talk to me.”

“Man I Need” is a surefire vibe the first time you hear it. You won’t be able to get enough of this earworm, which easily ranks among the best songs of 2025.

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42. Perfume Genius, “It’s a Mirror”

Glory » Perfume Genius / Matador » 2025

Does Perfume Genius (Mike Hadreas) ever miss? No. “It’s a Mirror” is another epic song from the musician. Hadreas penned it while Blake Mills produced it, playing multiple instruments and providing background vocals.  One reason why the single from Glory is sensational is the hip, indie vibe. An alternative/art rock cut, “It’s a Mirror” stands out the first time you hear it.  It features ear-catching musical accompaniment with multiple guitars, an overt drum groove, and piano.  The harmonic progression contributes to the high level of musicality. Supported by a sweet instrumental, the ‘star of the show,’ Hadreas, delivers a strong vocal performance, bringing the tuneful melodies to life.

The songwriting is the sugar honey iced tea – it’s given crème de la crème, baby! The lyricism is authentic, poetic, and thoughtful. Listening to Perfume Genius sing, you feel he bears his soul. “What do you get from the stretching horizon / That you’d leave me spiraling with no one to hold?” he sings in the first verse. In the second, he sings vulnerably, “I still run and hide when a man’s at the door.” I felt that. A short refrain highlighting the titular lyric appears after the first two verses.  The chorus arrives after the second refrain, highlighting the keyword, mirror:

“It’s a mirror, holy terror

Taking focus off the horizon

It’s a chorus reaching for us

Swarming locusts wherever you go.”

A post-chorus follows. An instrumental break precedes the third and final verse which is also emotional (“Can I move on without knowing specifics / While memories hum like a hive shaken out”). A final chorus caps off  “It’s a Mirror”, another stellar song from the ever-consistent Perfume Genius.

Appears in:

13 Songs That Explore It, Vol. 3 (2025) Bops That Pop: Jan, Feb & March 2025 Bops from 2025 That Make You Beam with Pride

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43. RAYE, “WHERE IS MY HUSBAND!”

“WHERE IS MY HUSBAND!” » RAYE / Human Re Sources » 2025

 

Grammy-nominated singer/songwriter RAYE (Rachel Keen) never fails to impress! In “WHERE IS MY HUSBAND!” she’s waiting for a great man to make her his wife.  She penned and produced  “HUSBAND” alongside Mike Sabath. “Why is this beautiful man waiting for me to get old?” she asks in the first verse, and adds, “Wait till I get my hands on him, I’ma tell him off, too / For how long he kept me waitin’, anticipatin’.” The loneliness has really gotten to RAYE in the second verse, where, “I’m doing lonely acrobatics, unzipping my dress at 2 am / And I’m tired of living like this.” Her loneliness and yearning are our listening pleasure. From start to finish, RAYE wows with her commanding, distinct, expressive, and nuanced instrument.  The melodies are rhythmic and tuneful, while the lyrics are engaging, memorable, and in most instances, relatable.  Further fueling her fire is a colorful musical accompaniment, which has some jazz, soulful, and vintage touches.  Though old-school is easily perceptible, “WHERE IS MY HUSBAND!” sounds incredibly refreshing in the year of our Lord, 2025.  All told, RAYE knocks it out of the park with this joint.

Appears in:

15 Striking Husband & Wife Songs (2025)

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44. Reneé Rapp, “Leave Me Alone”

BITE ME » Interscope » 2025

Woo! Reneé Rapp is locked 🔒 in and loaded from the jump on “Leave Me Alone”, the opener from her 2025 album, BITE ME. The brief single catches on the first time you hear it. “I’m a real bad girl but a real good kisser,” she asserts in the first verse, adding, “Wear my jeans so low, show my little back dimple,” and, “Even line my lips just to match my nipples.” Damn! Rapp co-wrote the infectious, naughty gem with Alexander 23 (Alexander Glantz), Julian Bunetta, Omer Fedi, and Steph Jones. Fedi, Bunetta, and Alexander 23 contributed the brilliant production.

“Leave Me Alone” is striking initially thanks to the badass, sickening beat. Matching the energy of the groove and energetic music backdrop is Reneé Rapp, who brings plenty of attitude. She’s feisty and playful as fu—. “Sign a hundred NDAs, but I still say something / Leave me alone, bitch, I wanna have fun,” she sings in the second verse, continuing boldly, “I took my sex life with me, now the show ain’t fucking / Leave me alone, bitch, I wanna have fun.” Rapp’s vocals are tongue-in-cheek, mixing talk-singing and traditional, pitched vocals. Beyond the song’s most memorable line, the titular lyric, the chorus is tuneful:

“Can I tell you a secret?

I’m so sick of it all (Uh-huh)

Come get wet in the deep end

T-t-t-take it off, c-c-c-cannonball.”

Reneé Rapp ‘does the damn thing’ on the spicy, biting “Leave Me Alone”.

Appears in:

A Laudable List of L Songs (2025)

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45. ROLE MODEL, “Sally, When the Wine Runs Out”

Kansas Anymore (The Longest Goodbye) » Interscope » 2025

Uh-oh, ROLE MODEL (Tucker Pillsbury).  Is it a green flag or a red flag? He adds in the first verse of the colorful “Sally, When the Wine Runs Out”, “Heard through a friend she’s a born-again wildcard / She was telling me wild things / Oh, she was telling me wild things.” Oh, snap! Early on, the fifth track from the deluxe version of his sophomore album, Kansas Anymore (The Longest Goodbye), proves to be one of Pillsbury’s best and most intriguing. He co-wrote “Sally” with Annika Bennett. Harrison Whitford and Noah Conrad produced it, playing multiple instruments that comprise the musical accompaniment. The timbre is striking (acoustic guitar, electric guitar, keys), embracing folk, country-western flavored pop/rock, a fitting sound for ROLE MODEL. Notably, Whitford, Phoebe Bridgers’ tour guitarist, performs the solo.

As ROLE MODEL sings about Sally, he sounds beautiful. He never under- or oversings. In the second verse, he reveals, “She grabbed my hand at the intersection / I spilled my guts at the red light.” In the third verse, he is more emotional, vulnerably sharing, “I open up while she’s flipping through pages / Getting lonely as the days get dark.” Beyond terrific lead vocals, upping the ante are stunning vocal harmonies.  The centerpiece – the crowning achievement – is none other than the infectious, tuneful chorus.

“Sally

That feeling’s coming around

Please don’t go falling in love

Then disappear when the wine runs out (Hey)

Sally

I’ll buy a couple of rounds

Don’t let me think I’m enough

Then disappear when the wine runs out.”

As awesome as the chorus is, the bridge section matches the brilliance, as Pillsbury sings about falling in love, probably all too quickly 😏: “Aw, shit, here we go again, I’m falling headfirst / Ankles hit the two-step, Sally makes my head hurt.” ROLE MODEL puts both his feet 🦶 and heart ❤️ into “Sally, When the Wine Runs Out”.

Appears in:

ROLE MODEL, Sally, When the Wine Runs Out: Bangerz N Bopz No. 63 (2025) 13 Songs That Feature Names, Vol. 7 (2025)

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46. ROSALÍA, “Berghain” (Ft. Björk & Yves Tumor)

LUX » Columbia » 2025

Say what, ROSALÍA (b. 1992), rather, say what, choir?  Translated from German (!) to English, the chorus of “Berghain”, the single and sixth track from her fourth studio album, LUX, reads, “His fear is my fear / His rage is my rage / His love is my love / His blood is my blood.” The Grammy-winning Spanish 🇪🇸 singer-songwriter incorporates German on the track. Berghain is a German word, referencing a nightclub in Berlin, and a mountain grove. On this collaboration with Grammy-nominated Icelandic 🇮🇸 singer-songwriter Björk (b. 1959) and the talented, nonbinary musician Yves Tumor (Sean Bowie, b. 1989), the latter meaning, a mountain grove, was the inspiration. “Berghain” is one of the most distinct and unique moments from ROSALÍA to date. ROSALÍA composed “Berghain” with Björk, Yves Tumor, Noah Goldstein, Jake Alexander Miller, and Sir Dylan (Dylan Patrice Wiggins). She produced it with Goldstein, Miller, and Sir Dylan.

ROSALÍA performs the verses on “Berghain.” The first verse is sung in German operatically. “Ich bewahre viele Dinge in meinem Herzen auf / Deshalb ist mein Herz so schwer,” she sings, which imperfectly translates as, “I keep many things in my heart / That’s why my heart is so heavy.” The second verse is performed in Spanish, translating in English as, “I’m just a sugar cube / I know that heat melts me / I know how to disappear / When you come, that’s when I leave.” Regardless of the language, ROSALÍA excels with her beautiful vocals and an authentic, captivating performance. Björk arrives in the third and final chorus, memorably singing, “This is divine intervention.” She expands on the statement in the bridge, with her distinct, easily recognizable voice: “The only way to save us is through divine intervention / The only way I will be saved (Is through) divine intervention.” Yves Tumor concludes “Berghain” boldly, asserting, “I’ll fuck you ‘til you love me.” All three performances are award-winning, accompanied by a grand, adventurous, and lush backdrop. That accompaniment includes choir and the soaring strings of the London Symphony Orchestra.  A big, bold, and striking record, “Berghain” is special the first time you hear it.  Not only is it the crème de la crème of LUX, but it is also among the best songs of 2025.

Appears in:

ROSALÍA, Berghain: Wacky Wednesday No. 51 (2025)

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47. Sabrina Carpenter, “Manchild”

Man’s Best Friend » Island » 2025

 

Sabrina Carpenter has a bone to pick with a manchild (a man who has the qualities of a child: a childlike man) on her number one hit, “Manchild”. “You said your phone was broken, just forgot to charge it,” she sings in the first verse, and continues, “Whole outfit you’re wearing, God, I hope it’s ironic.” Carpenter co-wrote “Manchild” with Amy Allen and Jack Antonoff, with whom she also produced it.  Interestingly, the song is a blend of pop, country, and synth-pop.

At the beginning, the expected colorful synths and drum programming catch the ear, locking down the pop and synthpop vibes.  Later, specifically the chorus, more country influence arrives, locked in thanks to banjo, acoustic, and electric guitars. There also appear to be less-traditional instruments that contribute to the song’s distinct sound. The unique backdrop matches Carpenter’s playful, personality-laden vocal performance.  At times, she talks-sings, adding to the allure.  The lyrics are simultaneously entertaining and scathing: “Why so sexy if so dumb? / And how survive the Earth so long?” she sings in the second verse, and concludes, “I choose to blame your mom.” Burn! The section to beat is the chorus, in its infectious, tuneful glory:

“Man-child

Why you always come a-running to me?

Fuck my life

Won’t you let an innocent woman be?

Never heard of self-care

Half your brain just ain’t there

Man-child

Why you always come a-running, taking all my loving from me?”

I love the instrumental hits during the chorus as well. Carpenter brings a successful contrast to her musical catalog with “Manchild”.  The stylistically ambiguous instrumental, coupled with those funny but on-point lyrics, shows her artistic evolution.

Appears in:

A Marvelous Sampling of M Songs (2025)

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48. Sabrina Carpenter, “When Did You Get Hot?”

Man’s Best Friend » Island » 2025

 

If you didn’t catch on, Sabrina Carpenter is not wet. The Grammy-winning pop singer/songwriter continues in the first verse of “When Did You Get Hot?”, “‘Bout time I get / Back on the horse to the rodeo.” Damn right, girl! “When Did You Get Hot?” is the eighth track from her 2025 album, Man’s Best Friend.  She penned this piping hot song with Amy Allen, Jack Antonoff, and John Ryan. She produced it with Antonoff and Ryan.

Before revisiting the lyrics and the subject of hotness, the sound of “When Did You Get Hot?” is pleasant. It features an infectious, rhythmic groove and recalls late 90s-00s pop and R&B. The keys and synths are tasteful.  Carpenter’s melodies are rhythmic. She delivers them with playful, breathy, and easygoing vocals. In the pre-chorus, a friend asks her if she knows Devin, who has become quite the snack!  In the unforgettable chorus, she has questions for him:

“When did you get hot?

All of a sudden, I could look you up and down all day (Hey)

When did you get hot?

I think I would remember if you had the face

I did a double take, triple take

Take me to naked Twister back at your place

Baby, baby, mm, it’s thickening the plot

When did you get hot?”

Of course, naked Twister isn’t the naughtiest line.  Before characterizing him as “an ugly kid, but you’re a sexy man,” she sings, “I bet your light rod’s, like bigger than Zeus’s.” Only Sabrina Carpenter would pen such lyrics. I love her big, dramatic ascending vocal moment that occurs before the second iteration of the chorus.  Also, worth noting is the lovely vocal arrangement, specifically those background vocals! Fittingly, the fun and engaging  “When Did You Get Hot?” fades out, with Carpenter continuing to be in awe of his hotness. 

Appears in:

Sabrina Carpenter, When Did You Get Hot?: Midnight Heat No. 83 (2025) Who, What, When, Where, Why, How Songs (2025)

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49. Saja Boys, “Soda Pop”

KPop Demon Hunters (Soundtrack from the Netflix Film) » Republic » 2025

Ooh-wee! “Soda Pop” is the third track from KPop Demon Hunters (Soundtrack from the Netflix Film).  The song is attributed to Saja Boys (Mystery, Abby, Jinu, Baby, and Romance), Andrew Choi, Neckwav, Danny Chung, KEVIN WOO, samUIL Lee, and, of course, the KPop Demon Hunter Cast.  Although brief, “Soda Pop” catches the ear the first time you hear it.  24, Dominsuk, and Ian Eisendrath produce a mean-sounding K-pop bop!

By mean, I mean that “Soda Pop” is sleekly produced. The sound is bright and exuberant. This talented collective of singers delivers youthful, energetic vocals, beginning with Jinu in the first verse. “Don’t want you, need you / Yeah, I need you to fill me up,” he sings, and adds, at the end of the verse, “Every sip makes me want your, yeah.” Oh, yeah! The second verse features contributions from Mystery, Romance, and Abby. Mystery concludes, “When you’re in my arms, I hold you so tight / Can’t let go, no, no, not tonight.” Oh, the bubblegum-laden feels! The rhythmic, tuneful melodic lines are alluring. So is the lush pre-chorus that builds up to the infectious chorus. The chorus is the crème de la crème. It is the centerpiece of this pop bop!

“You’re all I can think of

Every drop I drink up

You’re my soda pop

My little soda pop

Cool me down, you’re so hot

Pour me up, I won’t stop

You’re my soda pop

My little soda pop.”

The soda pop remains potent in the third verse, a rap with a darker, more hard-nosed sound. Baby swears by her: “You hit the spot / Every little drip and drop, fizz and pop, ah.” Abby needs a second round: “And pour a lot and don’t you stop / ‘Til my soda pop fizzles out.” The second pre-chorus sets up an epic key change in the final chorus. The fizz is lofty with some sick high-flying vocal ad-libs. Ultimately, “Soda Pop” is delightful.  This K-pop bop is fun, innocent, and inoffensive.

Appears in:

Saja Boys, Soda Pop: Bangerz N Bopz No. 82 (2025) A Random Mix of 15 Food, Drink & Hunger Songs (2025) A Spectacular Compendium of S Songs (2025)

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50. sombr, “12 to 12”

I Barely Know Her » SMB Music LLC / Warner » 2025

Noted, sombr (Shane Boose). He adds, “I am not the least compelled / By anyone but yourself.” Also, noted. The 20-year-old Gen-Z singer, songwriter, and producer brings freshness.  “12 to 12” is an undeniable bop from the start.  It was written by Boose and produced with Tony Berg.  The sounds are the first things that catch the ears – colorfully, striking keys and synths, beefy guitars, a bass line to die for, anchored by an epic groove that makes you rise to your feet.  The musical backdrop is ample fuel for sombr’s fire.

Even with the help of the music to gas him up, sombr is on autopilot. Matters of the heart are the real fuel: “My mistake / If I’d known that it would happen this way / I’d never looked at you, looked in the first place.” Boose’s voice is delightful.  He sings expressively, bringing the tuneful melodies to life. His falsetto is stunning during the pre-chorus, where he asks, “Was it always in your plan to leave eventually?” The chorus is the crowning achievement:

“In a room full of people, I look for you

Would you avoid me, or would you look for me too?

Tell me, is our story through? (Through)

Or do our hearts still beat in tune?”

Vocal harmonies up the ante during the chorus.  Another bright spot is the bridge where Boose’s voice sounds particularly special (“Maybe in another world / I won’t feel so unlovable (Unlovable) / Oh (Unlovable).” Fresh, young, and talented, sombr ate, and left no crumbs on “12 to 12”.

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51. sombr, “back to friends”

I Barely Know Her » SMB Music LLC / Warner » 2025

Aww, sombr (Shane Boose) – the feels, the feels, feels! Unfortunately, the ascending Gen-Z singer-songwriter became far too attached on “back to friends”. “Back to Friends” is the fourth track from Boose’s 2025 debut album, I Barely Know Her.  The song, which he wrote and produced himself, marks his highest charting hit to date on the Billboard Hot 100.  “It was last December / You were still layin’ on my chest,” sombr asserts in the second verse, and adds, “Didn’t want you to move your head.”  Despite the sweet, intimate moments sombr recalls, he and she weren’t exclusive. The unforgettable chorus, the crowning achievement of “Back to Friends,” spells out the conundrum clearly.

“How can we go back to being friends

When we just shared a bed?

How can you look at me and pretend

I’m someone you’ve never met?”

Relatable to the nth degree. The bridge speaks more to the actuality of their relationship, labelling it as casual.  Despite the bummer of this lack of exclusivity, sombr eats, delivering a beautifully crafted and enjoyable alternative pop song.  His vocals, drenched in distortion, are authentic, nuanced, and sincere, while the musical accompaniment is striking with keys, guitar, and big drums. “Back to friends” is another winner from a young artist with plenty of potential.

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52. Tame Impala, “Dracula”

Deadbeat » Columbia » 2025

Tame Impala, the Grammy-winning alternative project of talented Aussie musician Kevin Parker (b. 1986), returned in 2025 with their first album in five years, Deadbeat.  One of the highlights of Deadbeat was the third track and single, “Dracula”. Parker penned the colorful “Dracula” with songwriter and producer Sarah Aarons. Parker produced it himself.

From an initial listen, “Dracula” is a gem. The production kicks ass and takes names.  The groove takes the cake as the best instrumental moment from the accompaniment.  But, beyond the groove, the keys, synths, and programming are all on point. Specifically, the haunted, Dracula-like sounds (organ flavors) help set the tone and bring the lyrics to life.  Kevin Parker sounds amazing as he sings, bringing the melodies to life and also exhibiting plenty of personality.  The songwriting is memorable. “The shadows, yeah, they keep me pretty like a movie star / Daylight makes me feel like Dracula,” Parker memorably sings at the end of the first verse.  In the second, he drops a bomb: “Now I’m Mr. Charisma, fuckin’ Pablo Escobar.” Word! He follows the line up with another banger: “My friends are saying, ‘Shut up, Kevin, just gеt in the car.’”  Following each verse, Parker unveils the refrain: “In the darkness, I would never leave.” That sounds fitting given the Dracula references.  There is also the centerpiece, the chorus, excerpted earlier, in all of its vampirical glory. Vampires and sun don’t mix! The bridge can’t be denied either: “But please, do you think about what it might mean? / ‘Cause I dream about you in my sleep / That you ever love someone like me, like me (Oh).” Tame Impala put their foot into “Dracula”, which earned them their first top 40 single on the Billboard Hot 100.  Regardless of the pop success, this haunted song is one of the best of 2025.

Appears in:

Tame Impala, Dracula: Wacky Wednesday No. 52 (2025)

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53. Tate McRae, “Sports Car”

So Close To What » RCA » 2025

Hmm, wonder what Tate McRae is getting at on “Sports Car”?  No deep analysis is necessary – she’s being naughty! “Sports Car” is the third single and seventh track from her third studio album, So Close To What.  McRae, Julia Michaels, and producers Ryan Tedder and Grant penned “Sports Car.” It features mammoth drums and some whacky synths.  The sound is clubby with its hip-hop-infused pop vibes. McRae does a little bit of everything vocally – breathy vocals, ‘falsetto,’ and sexy whispers.  The keyword is ‘sexy’ as the big takeaway from “Sports Car” is naughtiness – sexual endeavors. “In the alley, in the back / In the center of this room / With the windows rolled down / Boy, don’t make me choose,” she sings in the pre-chorus regarding ‘where’ it ‘goes down.’ The crowning achievement is the chorus:

“I think you know what this is

I think you wanna uh

No, you ain’t got no Mrs.

Oh, but you got a sports car

We can uh-uh in it

While you drive it real far

Yeah, you know what this is

Yeah, you know what this is.”

Oh, the innuendo! “Sports Car” is a ‘thrill.’ McRae is having fun with him on this fun and titillating pop banger.

Appears in:

Tate McRae vs. ETHAN: Head 2 Head No. 5 (2025) Bops That Pop: Jan, Feb & March 2025 A Spectacular Compendium of S Songs (2025)

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54. Teddy Swims, “Are You Even Real” (Ft. GIVĒON)

I’ve Tried Everything But Therapy » SWIMS Int. / Warner » 2025

Teddy Swims (Jaten Dimsdale) asks in the first verse of “Are You Even Real”, a single from I’ve Tried Everything But Therapy (Part 2). “How could someone like you / Wanna give me love?” Word. Dimsdale taps Grammy-nominated R&B artist GIVĒON (Giveon Evans) for the assist on this soulful ballad.  Set in a lilting, compound duple meter, the aesthetic is old-school. The drum groove and big bass line are big boosts on this Peter Thomas and Julian Bunetta-produced gem. Swims delivers marvelous, smooth vocals.  He ‘draws first blood,’ showing off the magnificence of his instrument.  This includes ripe falsetto and top-notch ad-libs.  GIVĒON is a force too, contrasting Sims with his deeper voice in the second verse: “I can feel the rush / Even when you slow-dance for me / Lookin’ at you layin’ right there / Are you from this world? I swear.” There is more punch instrumentally during Giveon’s verse, upping the energy level.  Like Swims, his vocal ad-libs are glorious.  The section to beat is the chorus:

“Tell me

Are you? Are you?

…Made up in my head, or are you in my bedroom

Questions that I ask ever since I met you

…Questions that I ask every time that I wake up.”

“Are You Even Real” is a bop that ranks among the best of 2025, easily.

Appears in:

13 Songs Where YOU Are the Focus (2025) 21 Randomly Curated, Amazing A Songs (2025) Bops That Pop: Jan, Feb & March 2025 15 Captivating Songs That Ask a Question (2025) 11 Thrilling ARE Songs, Part 3 (2025)

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55. The Irrepressibles, “What I Am! Queer”

Yo Homo » Of Naked Design » 2025

Amen! “All of the women fighting against the oppression from men.” Amen! “All of the queers who can’t express their truth.” Amen! And everyone who’s afraid of rejection for being themselves.” And again, I say, amen! Those of us who identify as queer want to live our lives freely, without being accosted, bullied, disrespected, or repressed. The Irrepressibles released the moving “What I Am! Queer”, which celebrates queerness and looks forward to a better, more promising tomorrow. Jamie McDermott says it best himself: “Freedom is for everyone!”

“What I Am! Queer” begins minimally, with McDermott singing authentically, beautifully, and honestly. Supported by bass and finger snaps, Jamie hauntingly recollects a rough and tumble past: “As a teen, I felt alone, no one to understand aloneness that I felt /… We were led to fear all the color in the night!”  Soon enough, he puts that ugly, repressed past behind him, accompanied by a grander soundscape, including chilling background vocals. Embracing his queerness, he sings out and proudly:

“Don’t expect me to apologize!

Who I am is painted in the skies

You think I’m wrong? I know I’m right

But through love, we’ll all make it.”

Jamie and the Irrepressibles are 1000% correct! They tell the truth as they preach about that “life and it’s waiting for you,” and “a time where you won’t feel shame.” Sadly, many don’t see the pain inflicted upon queer individuals. They are stuck in holier-than-thou, narrow-minded ways. But, this song is not about wallowing in pain or sorrow – it’s about living life proudly! Beyond its marvelous vocals and pitch-perfect songwriting, the musical arrangement is EPIC. There are layers of striking rhythmic strings and choral vocals that elevate the musicianship to a whole other level. When all the parts, including string and choral parts, are put together, “What I Am! Queer” is breathtaking. This is an awesome, uplifting song that everybody needs to hear!

Appears in:

The Irrepressibles, What I Am! Queer: Beaming with Pride No. 66 (2025) Eye 👁 This List of Must-Hear “I” Songs, Vol. 5 (2025) Give Me 15 Striking L, G, B, T, Q, I, A, 2S Songs (2025)

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56. The Weeknd, “Wake Me Up” (Ft. Justice)

Hurry Up Tomorrow » The Weeknd XO Music ULC / Republic » 2025

Damn, The Weeknd (Abel Tesfaye). The Grammy-winning Canadian R&B/pop singer/songwriter commences his 2025 album Hurry Up Tomorrow with a bang 💥. “Wake Me Up” is an epic, two-part song featuring electronic duo Justice (Gaspard Augé and Xavier de Rosnay). “Wake Me Up” runs north of five minutes in duration. The Weeknd composed “Wake Me Up” alongside Justice, MIKE DEAN, Johnny Jewel, Rod Temperton (1949 – 2016), Belly, and Vincent Taurelle. Where does Rod Temperton come into the mix? “Wake” samples the Michael Jackson classic “Thriller”, written by Temperton. The Weeknd, Justice, DEAN, and Jewel produced it.

Part I features a sole, dramatic verse excerpted above.  The Weeknd continues singing, “No afterlife, no other side / I’m all alone when it fades to black.” Part I is set in a minor key and has an enigmatic, foreboding nature.  Part II features two verses, pre-choruses, choruses, and an outro. It is groovier, with ample thrilling vibes via “Thriller”.  While it is still set in the minor key of the first, it isn’t quite as intense.  Lyrically, Tesfaye references past songs: “And I can’t find the horizon (horizon) / I’m running out of time (Time),” he sings in the first verse.  In the second verse, he memorably sings, “Cleanse me with your fire (Hey) / Open up my eyes.” The chorus is the centerpiece, in all of its tuneful glory:

“Wake me up, come find me

It feels like I’m dying

Wake me up, these demons

Keep creeping, don’t fear ‘em

Wake me up.”

Ultimately, “Wake Me Up” is a terrific way to commence Hurry Up Tomorrow.  It is well-written and well-produced. As always, The Weeknd ‘brings it’ with his ripe tenor.  Bop, bop, bop, all day long!

Appears in:

The Weeknd, Wake Me Up: Bangerz N Bopz No. 34 (2025) 13 UP Songs That Sho Nuff Don’t Disappoint! (2025) 15 Songs Focused Only on Me, Vol. 3 (2025)

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57. Tyler Childers, “Oneida”

Snipe Hunter » RCA » 2025

Indeed, they do, Tyler Childers. The Grammy-nominated Kentucky-born and bred country artist returns with another top-notch song, “Oneida”, which appears on his 2025 album, Snipe Hunter.  Childers wrote “Oneida” while Rick Rubin produced it.

“Oneida, I know that I’m younger than most

But I’m willing if you’ve got the time

To buy us some wine.”

From the beginning, Tyler Childers is on autopilot.  The songwriting is spot-on from the thoughtful, narrative approach to the endearing, engaging, and tuneful chorus excerpted above. Not only are the lyrics delightful, but so are Childers’ vocals.  He delivers a commanding, dynamic, nuanced, and powerful vocal performance. His tone is elite. Adding to the excellence is the sound of the record – the marvelous accompaniment.  Things begin simply with an acoustic guitar.  Gradually, the instrumental builds up, adding bass, piano, steel guitar, accordion, fiddle, and last but not least, drums.  During the marvelous instrumental section following the second chorus and preceding the third and final verse, Jesse Wells delivers a sweet fiddle solo.  With “Oneida”, Childers continues to prove that he is not only one of the Bluegrass state’s finest country musicians but also among the elite in the genre. This song checks off all the boxes, delivering a truly authentic brand of country music.

Appears in:

13 Songs That Feature Names, Vol. 7 (2025) An Outstanding Collection of O Songs (2025)

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58. Tyler, The Creator, “Sugar on My Tongue”

DON’T TAP THE GLASS » Columbia » 2025

Tyler, The Creator (Tyler Okonma) sings in the first verse of “Sugar On My Tongue”. He continues, “Invite me if you come, come, come /… It’s all I want to eat, eat, eat.” Gah-day-um, T! “Sugar On My Tongue” is the second track from the rapper/singer/producer’s surprise 2025 album, DON’T TAP THE GLASS. “Sugar” is one of the most fun moments, filled with energy… and sex… The drum run sets the tone in the intro.  The beat is hard-hitting, while the backdrop is set in a minor key. Another pro regarding the musical accompaniment is the colorful, striking synths.

Tyler, The Creator infuses plenty of personality into his melodic rap performance. Case in point: “Tell the bitches that you know / What you heard about me?” “Sugar” thrives thanks to tuneful melodies and Tyler’s memorable, sexually charged bars. Among the naughtiest lyrics are the titillating, “I got a brush, give me your walls and I’ll paint, uh-huh / Don’t need no air, I stay down there ‘til I faint.” Also, the double entendre on the bridge shines: “You wanna get me up and never be locked in?” The chorus is infectious – sugary sweet:

“Like sugar on my tongue

Can I steal that from you?

Like sugar on my tongue

Can I steal before I go?”

Ultimately, “Sugar On My Tongue” is a naughty little bop from Tyler, The Creator, who never seems to have a shortage of creativity.

Appears in:

Tyler, The Creator, Sugar On My Tongue: Midnight Heat No. 69 (2025) 13 Sugary Sweet SUGAR Songs (2025)

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59. Whitechapel, “Hymns in Dissonance”

Hymns in Dissonance » Metal Blade » 2025

 

Say what, now?! What the hell does that mean? The lyrics from the intro of “Hymns in Dissonance” are reversed… Dissonance indeed! What Phil Bozeman, the Whitechapel frontman sings is “Father of lies / Father of the abyss / We come from below / Open your eyes King Lucifer / Murder them all.” Hellish to the nth degree! “Hymns in Dissonance” is the second track from the Tennessee death metal band’s ninth studio album, Hymns in Dissonance.

“Hymns in Dissonance” is chaotic, noisy, and infernal from the onset. The pummeling drums and jagged guitars hit you right in the chest. Throughout, there are different musical changes, particularly tempo changes during various sections. Bozeman’s boisterous, unclean vocals catch the ears from the beginning.  With reversed lyrics setting the tone, the songwriting draws ample attention.  The lyrics are intense and intriguing.  “I stand before this withered sepulcher / Saturating my flesh in sulfur,” Phil sings in the first verse, adding, “The fruitful now rotten / Restrained by roots of feces and mold.” Damn – more liked damned!  It gets worse: “Feel the worms crawl in your evеry orifice/ Your eyes start to jaundice as they make their way through / Converted to our ways, you can’t ignore this / Saved from the faith that’ll fuck you.” Faith that’ll fuck you, huh? “Hymns in Dissonance,” indeed.  In line with sinfulness, in the third verse, Bozeman asserts, “As you lay impaled on this inverted cross / I masticate the throats of your lambs / As I masturbate to the sound of them choking.” Yes, it’s giving unholy shit! The chorus can’t be denied either, referencing previous Whitechapel songs, and memorably stating, “To all that are dead, stay dead / We are the means to a messiahbolical end.” Dark, damning, anti-Christian (“The trinity denied”) and Satanic AF, “Hymns in Dissonance” is something else, and we wouldn’t have it any other way.

Appears in:

Whitechapel, Hymns in Dissonance: Bangerz N Bopz No. 15 (2025) 13 Songs That Capture a Liberal Church Experience (2025) Bops That Pop: Jan, Feb & March 2025 A Heaping Dose of H Songs (2025) 15 Striking I-N In Songs (2025)

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60. YUNGBLUD, “Zombie”

Idols » Locomotion Recordings / Capitol » 2025

 YUNGBLUD (Dominic Harrison) released an honest, personal, and vulnerable single with “Zombie”. “Zombie” is the fourth track from Harrison’s fourth studio album, Idols. Harrison sings about losing his grandmother. He penned “Zombie” with producer Matt Schwartz.

@yungblud

zombie. 🤍

♬ Zombie – YUNGBLUD

“Zombie” begins with a rhythmic guitar. Soon, the sound becomes grander, maintaining a dark vibe. Despite the dark vibes, YUNGBLUD delivers beautiful, expressive, and sincere vocals. The melodies are gorgeous during the verses. I love Harrison’s melisma. The lyrics are thought-provoking. “If I was to talk about the words / They would hurt, they would hurt,” he sings emotionally in the first verse, and continues, “So, if you were to ask about the pain / I would lie, I would lie.” Sometimes, the truth is too painful.  In this situation, it feels more fitting to lie to protect loved ones. In the second verse, YUNGBLUD sings, “We could catch a spaceship to the moon / But we’d crash, it wouldn’t last / Because the world is just a figment of the fools.”

Harrison’s vocals are much grittier during the big and powerful, zombie-driven chorus:

“Oh, I know that I can’t live without you

But this world will keep turning if you do

Would you even want me looking like a zombie?

Would you even want me, want me, want me?”

Being a zombie is not ideal.  It is optimal to be alive and well and not the shell of one’s former self. Harrison stated that seeing his grandma’s decline was incredibly difficult. Ultimately, “Zombie”, a four-minute ballad, is a deep, moving, and incredibly powerful song from YUNGBLUD.

Appears in:

YUNGBLUD, Zombie: Bangerz N Bopz No. 80 (2025) 13 Spectacular Songs About Zombies (2025)

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More Bops from 2025

Artemas, “Give Me More” (Ft. Mareux) Clipse, “P.O.V.” (Ft. Tyler, The Creator) Clipse, “The Birds Don’t Sing” (Ft. John Legend & Voices of Fire) Durand Bernarr, “Overqualified” Florence + The Machine, “Everybody Scream” Ghost, “Lachryma” Jamal Roberts, “Heal” Joji, “Past Won’t Leave My Bed” Justin Bieber, “Go Baby” Justin Bieber, “Yukon” Kehlani, “Out the Window” Lady Gaga, “Garden of Eden” Leon Thomas, “Dirt on My Shoes” (Ft. Kehlani) Luke Combs, “Back In The Saddle” Mariah Carey, “Type Dangerous” PinkPantheress, “Illegal” Ravyn Lenae, “Love Me Not” ROSALÍA, “La Perla” (Ft. Yahritza Y Su Esencia) Sabrina Carpenter, “Tears” sombr, “undressed” Steve Lacy, “Nice Shoes” Taylor Swift, “The Fate of Ophelia” The Beaches, “Lesbian Of The Year”

 

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60 Best Songs of 2025 (2025) [📷: Brent Faulkner / The Musical Hype; Amusement, Archie Music, Artemas, Atlantic Recording Corporation, AWAL Recordings America, Inc., AWAL Recordings Ltd., Basement’s Basement, Big Loud, BigXthaPlug, Brandon Lake, Capitol, Clipse, CMATBABY, Columbia, Conan Gray, Day One Music Limited, Def Jam Recordings, Ed Sheeran Limited, Epic, Facet, gamma., Geffen, Haim Productions Inc., Human Re Sources, ILH Production Co. LLC, Interscope, Island, Kemosabe, klovisgaynor, KRA International Inc., Island, Locomotion Recordings, Loma Vista Recordings, Lucy Dacus, MARIAH, Matador, MCEO Inc., Metal Blade, Miller Place, Not So Fast LLC, Nuclear Blast, Of Naked Design, OVO Sound, Perfume Genius, Pigasus, Provident Label Group, RAYE, RCA, Republic, Rimas Entertainment LLC, Roc Nation Distribution, Songs & Daughters, SWIMS Int., The Weeknd XO Music ULC, Top Dawg Entertainment, LLC, UMG Recordings, Inc., UnitedMasters LLC, Universal Music New Zealand Limited, Universal Music Operations Limited, Vingolf Recordings, Warner, Warner Music UK Limited; AcatXIo, faraindahouse (Artificial Intelligence), OpenClipart-Vectors from Pixabay]

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