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Ezra Furman, Janelle Monáe, Troye Sivan, Sam Smith, and Years & Years are just a few of the musicians appearing on “53 LGBTQ Songs That Beam with Pride.”

Every year, there is a fresh crop of incredible, intriguing songs that incorporate LGBTQ themes.  Queer elements have appeared in music historically, but the elements are much more overt in the 2010s.  The LGBTQ community is definitely embraced more now than ever before – their voice is larger and more robust.  That said, as with any oft-marginalized community, there’s still plenty ways to go. After previously focusing merely on songs from 2018, 53 LGBTQ Songs That Beam with Pride features songs that incorporate notable LGBTQ issues and themes and/or performed by LGBTQ musicians.  Among musicians contributing songs to this list include Ezra Furman, Janelle Monáe, Troye Sivan, Sam Smith, and Years & Years.

Please check out the updated editions of this list: A Compendium Comprised of 100 Notable LGBTQ+ Songs  (2020) & Totally Awesome LGBTQ+ Songs Beaming with PRIDE (2019)

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1. Years & Years, “Sanctify”

Palo Santo • Universal Music • 2018

British electro-pop band Years & Years brilliantly fuses sexuality and spirituality on “Sanctify”, the promo single from their 2018 album, Palo Santo.The production is bright, despite being set in a minor key (there are some major moments). Anchored by a beat fit for any hip-hop record, plus fine keyboard/synth work, the backdrop sets up Y&Y for a surefire bop.  Adding to the glory, frontman Olly Alexander delivers exuberant, expressive vocals, filled with authenticity. The chorus is the centerpiece, but there are numerous notable lyrics, including the following excerpt with a double meaning:

“You don’t have to be straight with me

I see what’s underneath your mask

I’m a man like you, I breathe the rituals of the dancer’s dance…”

The “straight” lyric is key, as Alexander, who is gay, was inspired with experiences with straight guys.  In the linked article from Attitude, Olly asserts said straight guys were “struggling with their sexuality.” He touches upon issues of masculinity in regards to sexuality. “Sanctify,” hence, is a superb addition to the LGBTQ repertoire, as well as socially-conscious music overall.

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2. Janelle Monáe, “Pynk”

Ft. Grimes

Dirty Computer • Bad Boy • 2018

“Pynk, like the inside of your… baby.” Dirty Computer, the third album by eclectic R&B artist Janelle Monáe, is by far her boldest and most personal, with highlight “Pynk” leading the charge. On the verses, Monáe likens pynk to vagina, women in general, and feminism. The theme of the record – feminism and same-sex female attraction/love – earns more attention than the production and sound of the record, which is excellent in its own right. Dirty Computer comes off as Monáe’s coming out party – she officially came out as pansexual during the album rollout.

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3. Troye Sivan, “Bloom”

Bloom – Single • Capitol • 2018

“And it’s true, baby / I’ve been saving this for you, baby.” Alternative pop musician Troye Sivan has been honest about his life as an openly gay man, highlighted by his superb debut album, Blue Neighbourhood.  He continues his honesty and openness on his single, “Bloom”. On the first verse, he takes us on a trip:

“Take a trip into my garden / I’ve got so much to show ya / The fountains and the waters / Are begging just to know ya.”

Following the first verse, the refrain provides more perspective as to where Sivan is going – He’s seems willing to bloom sexually.  The innuendo is ‘out of the roof.’ Even though “Bloom” encompasses the physical, Sivan also highlights the emotions of the experience, which is what separates this from songs merely about empty sex.  On the pre-chorus, he sings, “Hold my hand if I get scared now,” which represents vulnerability, a legitimate emotion associated with losing one’s virginity.  On the chorus, Sivan exhibits dedication to his boyfriend, willing to ‘give it up’ because he truly ‘feels some type of way’ about him.

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4. Hayley Kiyoko, “What I Need”

Ft. Kehlani

Expectations • EMPIRE • 2018

Hayley Kiyoko, also nicknamed “Lesbian Jesus,” enlists Grammy-nominated, bisexual R&B singer Kehlani on “What I Need,” one of many highlights from her debut album, Expectations. The chorus is incredibly infectious, easily getting stuck in one’s head. Perhaps more important than the catchiness of the record is that it’s a perfect example of being fearless when it comes to sexuality. “When we’re alone, girl, you wanna own it,” Kiyoko sings on her verse.

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5.MNEK, “Tongue”

Tongue – Single • Virgin • 2018

23-year old rising English dance, pop, and R&B artist MNEK showcases massive potential on his utterly infectious single, “Tongue”. “Tongue” begins abruptly with MNEK showcasing the beauty of his voice. He possesses a gorgeous tone and a compelling falsetto, particularly on the pre-chorus section.  A surprising change of pace occurs on the chorus, where he begins singing in his lower register, in somewhat tongue in cheek fashion.  Ultimately, it’s this part of the song that’s the crowning achievement of “Tongue.”

“So, I’m putting both hands over my mouth
I can only hope nothing’s gonna come out
But there it is on the tip of my tongue
(I think I love you)
I think you’re the one.”

In the music video, MNEK is true to self, giving the visual a clear, unapologetic LGBTQ vibe.

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6. Carlos Vara, “Numb”

Numb – Single • Carlos Vara • 2018

“You fill me up to pour me up / You build me just to break me down.” “Numb” is the debut single by 20-year old, Nashville-based pop-soul newcomer, Carlos Vara. It blends old-school soul with some modern pop and urban contemporary trickery.  Among the superb sounds are the vintage guitar chords, dusty, hard-hitting drums, a dash of trumpet, and synths. Narratively, Vara’s lover has him completely out of sorts.  With his expressive, robust pipes, he sums up his feelings, particularly on the chorus, the record’s centerpiece.

“You make me go numb

Hypnotized, I know it’s dangerous

Don’t speak, just make me come down.”

While “Numb” isn’t tailored specifically to LGBTQ circles, Vara is openly gay.

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7. cupcakKe, “Crayons”

Ephorize • cupcakKe • 2018

“Yeah, in conclusion, the gays ain’t losing / Like boomerang ‘cause I’m all about the movement.” CupcakKe is ‘one of a kind’ – there’s really no other way to describe the risqué, unapologetic rapper.  On “Crayons,” she cools off her oft oversexed rhymes in favor of a truly respectable LGBTQ anthem.  Perhaps “Crayons” isn’t amongst the most heavyweight anthems of “love is love,” but it successfully conveys a socially relevant message.  This isn’t the first anthem by cupcaKke, who released “LGBT” back in 2016.

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8. Hayley Kiyoko, “Curious”

Expectations • EMPIRE • 2018

Hayley Kiyoko shines on “Curious”, one of many standouts from her debut album Expectations.  She is exuberant, sparkling in her upper register on the infectious pre-chorus. She follows up with incredibly rhythmic vocals on the chorus, where her attitude and feistiness are a pro. Sexuality plays a pivotal role here (and on Expectations as a whole), as Kiyoko is curious about a previous relationship with a girl who is now with a boy.  This fun, well-produced record that builds a strong case for Kiyoko artistically.

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9. Ezra Furman, “Suck the Blood from My Wound”

Transangelic Exodus • Bella Union • 2018

Gender-fluid rock musician Ezra Furman maintains something of cult-following. Self-described as a ‘Queer Outlaw Saga,’ Furman’s 2018 album Transangelic Exodus is incredibly underrated as well as incredibly special. “I woke up bleeding in the crotch of a tree,” Furman sings on phenomenal opening highlight, “Suck the Blood from My Wound.”  Furman sings with incredible grit, delivering his concept of transangelicism.

“Blood on my angel’s lips blends with his make-up

… Peeling off bandages to unfold his wings

The doctors said they’d have to stay on for another three weeks

Fuck it baby, let ‘em bruise, let ‘em break

But bleed, let ‘em bleed.”

Sure, Furman has a concept in mind, but more relatable, “Suck the Blood from My Wound” encompasses body transformation, a prevalent social issue generally, and specifically to the trans community.

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10. Rita Ora, “Girls”

Ft. Cardi B, Bebe Rexha & Charli XCX

Girls – Single • Atlantic UK • 2018 

“I ain’t one-sided, I’m open-minded / I’m fifty-fifty and I’m never gonna hide it.” Perhaps, her heart was in the right place, but Rita Ora falls far short on her star-studded bisexually-driven anthem, “Girls”, which features Cardi B, Charli XCX, and Bebe Rexha. Typically, socially-charged songs, particularly those with a LGBTQ tilt, are applauded.  That has NOT been the case with  “Girls,” which has received widespread criticism.  Does this record, also considered to be among the worst songs of 2018 deserve a spot on this list? It’s debatable, but to Ora’s credit, she is making a statement about sexuality, albeit poorly stated.

On the aforementioned Rita Ora excerpt from the first verse, she seems to be admitting that she’s bisexual, or at least not merely heterosexual.  Charli XCX follows up with the pre-chorus encompassing a lesbian relationship, ménage trois, and kush – hmm. On the chorus, both admit, “I just wanna kiss girls.” Rexha joins on the second verse, focusing on same-sex attraction with Cardi B capping things off: “I steal your bitch, have her down with the scissor / Tonight, I don’t want a dog, I want a kitten.” Again, Ora and company oversimplify bisexuality, same-sex attraction, and sexuality in general.  This is a misguided pop record through and through, that had it been executed properly, could’ve packed a mightier punch.

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11. ZEE MACHINE, “Brainchemistry”

Brainchemistry – EP • ZEE MACHINE • 2018

Brainchemistry marks the debut EP from up-and-coming California pop artist ZEE MACHINE.  On the spirited, minor-key title track “Brainchemistry,” ZEE MACHINE asserts he can’t change the way he is wired.  How is he wired exactly? Well, he’s gay, and nothing that anybody says is going to change that. Sounds sensible. This is a fast-paced, ‘out and proud’ anthem, and nothing’s gonna kill his vibe.  To quote Adam Lambert, ZEE MACHINE doesn’t seem to give “Two Fux” what anybody thinks about him.

 

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12. Janelle Monáe, “I Like That”

Dirty Computer • Bad Boy • 2018

Janelle Monáe characterizes herself throughout the course of the soulful “I Like That”, among many highlights from her third studio album, Dirty Computer. On the verses, she paints a picture of eclecticism and nonconformity.  On the second verse, she asserts, “Take a different type of girl to keep the whole world afloat.” There’s dualism about the particular lyric.  In one token, Monáe is revealing more about her sexuality to the world.  In another token, she simply seems to be asserting she’s a special, truly unique person who can’t be pigeonholed.  On the pre-chorus, she continues this characterization, while she snarls on the chorus.

“And I like that

I don’t really give a fuck if I was just the only one

Who likes that

I never like to follow, follow around, the chase is on.”

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13. Troye Sivan, “My My My!”

My My My! – Single • Capitol • 2018

Troye Sivan has a winning record on hands with “My My My!”, which is groovy, honest, and sexy.  The record features sleek, modern production work, a sound that perfectly matches the low key, mid-register vocals of Sivan on the verses and pre-chorus.  Despite the fact that Sivan keeps things ‘cool, calm, and collected,’ “My My My!” packs a punch. Lyrically and vocally, Sivan gives off a sexy vibe.  On the first verse, he sings, “Don’t make me wait another day / ‘Cause passion is passion / You know it just as well as me.” He goes on to say, “Now, let’s stop running from love / Let’s stop, my baby.” The arrival point is the chorus, which amps up the energy level.  He’s not one who opts for gospel histrionics, but still, his passion and authenticity are indisputable.

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14. Hayley Kiyoko, “He’ll Never Love You (HNLY)”

Expectations • EMPIRE • 2018

Hayley Kiyoko, also known as “lesbian Jesus,” came out roaring on her debut album, Expectations.  Throughout the course of Expectations, Kiyoko isn’t afraid to speak from a queer perspective. On “He’ll Never Love You (HNLY),” she encourages her ex-girlfriend to come back to her and ditch her boyfriend.  While “He’ll Never Love You” isn’t particularly complex, it does shed light on a relevant bisexual or perhaps even “hetero-curious” situation.

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15. Jesse Saint John, “FAKE IT”

FAKE IT – Single • We Are: The Guard • 2018 

According to Out, Jesse Saint John, “that blonde L.A. wild child with a taste for bombast and badassery – has finally emerged with some music of his own.”  Jesse Saint John, hence, takes the reins as a solo artist on the enjoyable, 80s-infused “Fake It”, his second career single. Providing further insight into the ‘decorated newbie,’ Billboard states Saint John  “has collaborated with the likes of Britney Spears, Camila Cabello, Sia, and Charli XCX.”  Decorated indeed.

“Fake It” commences enigmatically, before the 80s are reborn right before our eyes incorporating rhythmic synths, lush pads, and that signature, boxy drum programming.  Even though 80s pop and new wave has a big influence, there are also some modern touches (808s), keeping things fresh. Overall, the sound is fitting for Saint John, who delivers relatively cool vocals, packing more punch on the chorus.  “Fake It” is about vibe, and he slays in that department.

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16. Tyler, the Creator, “OKRA”

OKRA – Single • Columbia • 2018

We conclude this edition of the list with arguably the most controversial choice yet. For the most part, “OKRA” is a song that certainly doesn’t sound like it fits the LGBTQ bill in the least.  Maybe it doesn’t, however, the third verse raises curious case of the potentially ambiguous sexuality of Tyler, the Creator. Tyler seems to join the bandwagon in admiration for young, burgeoning, Academy Award-nominated actor, Timothée Chalamet.

“Tell Tim Chalamet to come get at me / Skin’ glowing, clear of acne.”

Looking back on his 2017 Grammy-nominated album, Flower Boy, he did admit to “kissing white boys.” Even with a fancy for Chalamet, he later references his “bitch mixed like jambalaya.” Perhaps he really is just complimenting Chalamet’s skin… who knows with Tyler. Regardless, isn’t it possible “Okra” dabbles in sexual fluidity, whether intentionally or merely for shock value?

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17. Tove Lo, “bitches”

Ft. Charli XCX, Icona Pop, Elliphant & ALMA

Bitches – Single • Universal • Release: 2018

Swedish artist Tove Lo always seems to ‘push the envelope.’ A perfect example arrives via “bitches”, the seventh track from her 2017 album, BLUE LIPS (lady wood phase II).  In 2018, Tove Lo returned with a remix of the record, featuring Charli XCX, Icona Pop, Elliphant, and ALMA.  The song explores lesbianism (Tove Lo is bisexual).  She starts things off bluntly with lines like “Know your own love, I don’t fuck with no glove” and “Let me be your guide when you eat my pussy out.” Charli XCX, drops in for the pre-chorus asserting, “All the girls stare at me, drop lip / Dripping in harmony, like Fifth.” Joined by Tove Lo, they deliver the ‘filter-less’ hook: “Bitches, I don’t trust ‘em / But they give me what I want for the night / Bitches, I don’t trust ‘em / But I tell ‘em and they do what I like.”

Icona Pop arrives for the second verse, ending with a bang: “So, baby, spread your legs, I’ll do the same, already cumming.” On the third verse, Elliphant and ALMA trade solo lines, while also performing alongside Tove Lo.  So, what does one make of this blunt record? Depends on who you are, where you are, and what your perspectives are.  What is clear is that Tove Lo isn’t afraid to speak about her sexuality and manages to get unique pop single out of it.

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18. Ezra Furman, “Compulsive Liar”

Transangelic Exodus • Bella Union • 2018

“I’ve got one fatal flaw: I’m a compulsive liar.” Gender-fluid rock musician Ezra Furman delivered a masterpiece with Transangelic Exodus. Among the highlights is “Compulsive Liar,” the sixth song off the album On “Compulsive Liar,” Furman discusses about hiding and lying about his sexuality. Speaking about the act of lying and his feelings, he sings, “And I can trace the habit / To when I was eleven / And I thought boys were pretty / And I couldn’t tell no one.” He continues to impart his story, singing about that “all-protective closet”:

“It opens at a young age: / That all-protective closet / Just lock the door / And settle in among the raincoats / The longer you stay in there / The More you’ll get distorted/ The more contorted all your lies will have to be.”

Deep. Obviously, Furman’s solution is to be honest and tell the truth: “Stand up and turn the doorknob.”

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19. Sufjan Stevens, “Mystery of Love”

Call Me by Your Name • Madison Gate • 2017

“Hold your hands upon my head / Till I breathe my last breath.” Sufjan Stevens is poetic throughout the course of “Mystery of Love,” a song appearing from the soundtrack to the Academy-Award-nominated film, Call Me by Your Name.  Call Me by Your Name is a film depicting a gay coming of age story. Stevens performs in his usual hushed manner, depicting new love as well as the hardships and plights of love.  Clever throughout its course, some of the cleverest Sufjan Stevens lyrics occur in the second verse, which references Hephaestion and Alexander, the Great.

“Lord, I no longer believe / Drowned in living waters / Cursed by the love that I received / From my brother’s daughter / Like Hephaestion, who died / Alexander’s lover / Now my riverbed has dried / Shall I find no other?”

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20. Sam Smith, “HIM”

The Thrill of It All • Capitol • 2017

Much of The Thrill It All sounds familiar in regards to Sam Smith establishing a sound and vibe.  “HIM” maintains that familiarity, but also exhibits a ‘different look.’  That different look goes beyond the high-flying, robust choral vocals backing him.  Smith is both spiritual, praying to God, and opens up about his sexuality.

“Holy father, we need to talk / I have a secret that I can’t keep / I’m not the boy that you thought you wanted / Please don’t get angry, have faith in me.”

The message goes beyond Smith’s own status as a gay man; it’s all encompassing.  This is crystal clear on the chorus.

“Don’t you try and tell me that God doesn’t care for us / It is him I love, it is him I love.”

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21. Trey Pearson, “Love is Love”

Love is Love • Trey Pearson • 2017

Trey Pearson, the former frontman of Christian rock band Everyday Sunday, shocked the world when he came out as a gay man in 2016.  Homosexuality is far more widely accepted than it once was, but the Christian/Christian music community is a bit of a different situation.  Unsurprisingly, Pearson exited the band as well as left the Christian rock scene.  According to a Huffington Post article written by Curtis M. Wong, Pearson states: “When I came out, I lost a lot of people in my life…I had to just completely start over and rebuild relationships and figure out my life as an out gay man.” Pearson may have had to rebrand and rebuild himself, but he certainly didn’t quit music.  On November 17, 2017, he released his brief debut album, Love is Love.

“And I never believed before now / Maybe tonight we’ll find out / Don’t wanna leave / Can’t get enough / I know that love is love.”  Title track “Love is Love” beams with pride for many reasons.  Firstly, the song arrived on October 11, which is National Coming Out Day. Secondly, via his conversation with Billboard, Pearson describes the song as “an anthem celebrating the freedom to love each other, without fear, because all you need is love.” In the aforementioned Huffington Post article, regarding the music video for “Love is Love,” Pearson states, “I really wanted to capture the range of emotions I’ve felt in the past year… I felt like I was able to feel completely vulnerable.”

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22. Logic, “1-800-273-8255”

Ft. Alessia Cara & Khalid

Everybody • Def Jam • 2017

With the release of the Grammy-nominated “1-800-273-8255”, Logic released the biggest, heaviest, and most meaningful song of his career.  What makes “1-800-273-8255” so heavy? The title is the phone number for the National Suicide Prevention Lifeline. Logic approaches the song as a progression, starting from the suicidal perspective, encouraging the suicidal person to embrace life, and the suicidal person coming to the desire to live. He’s assisted by an angelic Alessia Cara and Khalid, who provides the punctuation mark, as the suicidal person who’s seen the light.  What’s the significance of the song, and suicide itself to the LGBTQ community? Suicide is a major issue. While the song doesn’t explicitly mention homosexuality or sexuality whatsoever, it’s a key component of the accompanying music video, which focuses on a black gay teen struggling with his sexuality. He contemplates suicide, but gets the proper help, as well as acceptance, a driving factor in his suicidal endeavors.

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23. Tyler, the Creator, “Garden Shed”

Flower Boy • Columbia • 2017

Before there was “Okra”, there was a slow jam named “Garden Shed.” “Garden Shed” is a highlight from Flower Boy, the 2017 Grammy-nominated album by Tyler, the Creator.  The record at hand is potential source suggesting that the rappers is/has coming out / came out.  On the chorus, Estelle (famous for “American Boy”)  provides potential imagery that hints at this: “Don’t kill a rose / Before it could bloom / Fly, baby, fly / Out the cocoon.” Later, Tyler seems to address his sexuality himself, without explicitly saying he’s gay, bisexual, or otherwise.

“Truth is, since a youth kid, thought it was a phase / Thought it’d be like the phrase; ‘poof,’ gone /But it’s still goin’ on.”

I TRIED TO COME OUT THE DAMN CLOSET LIKE FOUR DAYS AGO AND NO ONE CARED HAHAHHAHAHA

— Tyler, The Creator (@tylerthecreator) April 13, 2015

To quote Kacey Musgraves, “Follow Your Arrow”.

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24. Halsey, “Strangers”

Ft. Lauren Jauregui

hopeless fountain kingdom • Astralwerks • 2017

Alt-pop artist Halsey, who is bisexual, tackled a lesbian relationship on her 2017 hit, “Strangers”, which appears on her sophomore album, Hopeless Fountain Kingdom. Its content is different from most of the songs featured on the album. Early on, it establishes itself as an LGBTQ song.  On the first verse, she sings: “She doesn’t kiss me on the mouth anymore / ‘Cause it’s more intimate, than she thinks we should…” The chorus confirms the LGBTQ tilt:

“Said that we’re not lovers, we’re just strangers / With the same damn hunger / To be touched, to be loved, to feel anything at all.”

Lauren Jauregui, a member of Fifth Harmony (also bisexual), similarly shares her side of the story on the second verse. Both unite on the bridge:

“I miss the mornings with you laying in my bed / I miss the memories replaying in my head / I miss the thought of a forever, you and me / But all you’re missing is my body.”

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25. Superfruit, “GUY.exe”

Future Friends • RCA • 2017

Both members of Superfruit, Mitch Grassi and Scott Hoying – also members of Pentatonix – are openly gay. Notably on “GUY.exe.,” Mitch and Scott fearlessly lay out what they look for in the perfect MAN.  More and more, pop music has become more open-minded, exploring beyond exclusively heterosexual love scenarios.  What stands out about “GUY.exe.” is that essentially, Superfruit looks for some of the same characteristics as the heterosexual crowd.

“Oh I, wish I could synthesize / A picture perfect guy / Oh I, oh I / Six feet tall and super strong / We’d always get along / Alright, alright / Oh, he’d pick me up at eight / And not a minute late / Cause I don’t like to wait, no / Kind and ain’t afraid to cry / Or treat his momma right / That’s right, that’s what I like.”

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26.Young M.A., “OOOUUU”

Herstory • M.A Music • 2017

Normally, a rap song titled “OOOUUU” doesn’t seem fitting to appear on a serious, socially-conscious playlist.  However, when the respective rapper is a member of the LGBT community and is unafraid to show it, it amplifies the significance of said song.  Young M.A., who is openly gay, raps about sexual endeavors numerous times throughout the course of this banger.  She’s as bold with sexual references directed towards women, as her male counterparts are.

“Baby gave me head, that’s a low blow / Damn she make me weak when she deep throat / I need a rich bitch not a cheap ho / They be on that hate shit, I peep though.”

There’s also this:

“If that’s your chick, then why she texting me? / Why she keep calling my phone speaking sexually / Every time I’m out, why she stressing me? / You call her Stephanie? I call her Head-phanie (OOOUUU).”

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27. Declan McKenna, “Paracetamol”

What Do You Think About the Car? • Columbia • 2017

“Paracetamol” is arguably most moving song from What Do You Think About the Car? the debut album by British singer/songwriter Declan McKenna.  Situational, numerous relevant topics are covered throughout the song, including suicide.

“…A boy, fifteen with a gun in his hand / And the people with no audience say should be hanged /…A girl, fifteen, with her head in a noose / because she’s damned to live, well she’s damned to choose.”

The significance of the girl leads to the subject of love, which takes on a number of meanings contextually, including acceptance, embracement, and various relationships.  “Paracetamol” was influenced by the death of Leelah Alcorn, an Ohio transgender teen whose story affected the world.  This record is aimed at building respect and acceptance of the LGBT community.  Paracetamol is a pain reliever. McKenna seeks to ease the pain of a troubled community.

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28. Syd, “Body”

Fin • Columbia • 2017

“The bed is your stage / Take it away / Put on a show / Put on a play.” Openly gay R&B musician Syd (The Internet) embraces ‘the body’ on “Body,” a gem from her solo album, Fin.  When it comes to talking body, Syd approaches it in a sexual context.  Keeping it authentic, she keeps it honest in regards to her sexuality, asserting, “Girl I swear, I can hear your body babe.”

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29. Caleb De Casper, “Good Boy”

Good Boy – single • Caleb De Casper • 2017

“Tell me I’m the only one who can make you scream / When we’re lying underneath the sheets and you’re not being mean.” Caleb De Casper is a songwriter, performing/recording artist based in Austin, Texas who blends ‘horror cabaret’ and ‘full-band theatrical glam rock.’ For his colorful single “Good Boy”, De Casper has a clear set of objectives he wants the listeners to takeaway.  Among those objectives is the concept of the song. According to De Casper, “the lyrics tell the story of a fatal same-sex attraction.” Lyrically, he accomplishes his tale, with nuanced vocals to match.  The Fatal Attraction hits listeners early on in the first verse, as De Casper sings:

“Tell me I’m the only one, who can turn you on / Even though we always ride around with your feelings off.  / Tell me I’m the only one who can light your fire / Even though the way that you act, leaves my matches tired.”

Killed it. That obsessiveness continues on the second verse, growing more intense and suggestive. He brings it all together on the chorus, which is infectious…in a somewhat creepy, sort of way!

“I can be your good boy (I can be your good boy) / You make me a bad boy (you make me a bad boy).”

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30. Frank Ocean, “Chanel”

Chanel – Single • Blonded • 2017

From the start of “Chanel”, Frank Ocean keeps it real, referencing sexuality, specifically, bisexuality: “My guy pretty like a girl / And he got fight stories to tell / I see both sides like Chanel / See on both sides like Chanel.” Before releasing Channel Orange in 2012, Ocean revealed he was bisexual, a rarity in hip-hop music and culture.  Here, he is comfortable sharing his sexual preferences, likening it to Chanel.  There are more references to sex as well, particularly the male member (catch the drift?).

“Dick could roll the eyes back in the skull / Rolling when you ride, poppin’ / Rolling when you ride / Ride the Rodman / Got one that’s straight acting / Turnt out like some dirty plastic.”

The most fascinating part of the aforementioned is the reference to roles in the gay community (‘straight acting’).  His boyfriend is gay, but publicly presents himself as a straight male.  In addition to his sexuality, Ocean also references cars and his career. “Chanel” is most powerful because it is personal, finding Ocean sharing his innermost thoughts and philosophies.

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31. Tyler Glenn, “G.D.M.M.L. GRLS”

Excommunication • Island • 2016

“Gay’s not a challenge that I’ll overcome / Not a thing to be tolerated / If I kiss a boy, I’m gonna kiss, that cool? / Am I fucking up your day? Now that’s just rude…” “G.D.M.M.L. GRLS” definitely sounds like something that Neon Trees frontman Tyler Glenn needed to get out of his system.  He gets personal about his sexuality and the hurdles associated with it. This heavily produced, intense record, showcases Glenn’s disillusionment with the Mormon church, who denounce homosexuality. On the chorus, he asserts inability to change his sexual preference:

“I keep on hearing evil voices, voices / … They keep on messing with my choices, choices / … God didn’t give me alternative, no / when she put me on the earth / God didn’t make me like girls…”

Numerous churches and religions denounce homosexuality.  Many cite Biblical text as the source, with Sodom and Gomorrah leading the charge. Swap out Mormonism for various religions or communities, and homophobia occurs. His message resonates with numerous members of the LGBT community, and others.

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32. Alicia Keys, “Where Do We Begin Now”

Here • RCA • 2016 

“How many know this love song? / How many times it goes wrong?” Unfortunately for Alicia Keys, her sixth LP, HERE, didn’t exactly ignite up the charts.  Nonetheless, the album has some compelling moments, including her socially-conscious “love is love” anthem, “Where Do We Begin Now.” Perhaps another socially-conscious gem, “Blended Family (What You Do for Love)” drew attention away from “Where Do We Begin Now,” which is clearly about a same-sex relationship. “What they gon do ‘cause we the same sex? / And we spendin’ all this time / This could be the love we ain’t made yet…”

Where Do We Begin. Love is Love and Love is the only thing that matters. #AKGlobalVibesParty #AliciaIsHERE pic.twitter.com/Gc4nk6D1r2

— Alicia Keys (@aliciakeys) November 18, 2016

Keys goes on to place emphasis on the love that ultimately, “feels right”:

“I had a dream about you last night / Then it kinda blow my mind / All I really know is that it feels right / And I gotta live my life.”

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33. Tegan and Sara, “Boyfriend”

Love You to Death • Warner Bros. • 2016

Twin sisters Tegan and Sara are both openly gay. On “Boyfriend,” the duo is able to maneuver the heterosexual pop world, while making a notable statement in LGBTQ circles. “Boyfriend” seems cliché from the surface, built on platitudes that have been lyricized for years.  However, given the homosexuality of Tegan and Sara adds a deeper, more meaningful social message. The messaging entails a numerous scenarios encompassed within the LGBT community: relationship roles (best friend vs. boyfriend or girlfriend) and balancing the transition from hetero- to homosexuality. Hence, it explores closeted vs. being out of the closet.

“You treat me like your boyfriend / And trust me like a… like a very best friend / You kiss me like your boyfriend / You call me up like you want your best friend / You turn me on like you want your boyfriend / but I don’t want to be your secret anymore.”

Ultimately, “Boyfriend” paints a picture of unfairness within relationships.  One person is undecided on being “in” or “out,” toying with the feelings of person who’s “in” but being wronged.  Complicated!

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34. Tyler Glenn, “Devil”

Excommunication • Island • 2016

“Sunday mornings make me nervous / They don’t feel like they used to feel / My religion feels wrong, but I can’t tell my mom / I’m afraid that my words would kill.”  Cutting to the chase, Tyler Glenn was pretty pissed off on his debut solo album, Excommunication. The album focused on his break with the Church of Jesus Christ of Latter Day Saints, aka the Mormon Church.  The main reason for this break was Glenn’s homosexuality.  Disappointed by being unaccepted by the church as a gay man, naturally, he left.  One of the biggest instances of his newfound skepticism towards religion comes at the end of Excommunication, “Devil.”

“I think I still believe in Jesus / He’s a friend when I choose to pray / But my demons get me high, ‘til I’m burning all the time / Yeah, they never wash my sins away.”

One never gets the impression that Glenn is an atheist now – there’s still something there. But, he has clearly lost faith.

“I swear I still believe in something / But I couldn’t pray the gay away.”

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35. Halsey, “New Americana”

Badlands • Astralwerks • 2015

On “New Americana,” Halsey paints a portrait that doesn’t look like your parents’ America: “We are the new Americana / High on legal marijuana / Raised on Biggie and Nirvana / we are the new Americana.” Beyond marijuana and gangsta rap, she tackles same-sex marriage, breaking stereotypes.

“Young James Dean, some say he looks just like his father / But he could never lover somebody’s daughter / Football team loved more than just the game / So he vowed to be his husband at the altar.”

A good-looking dude on the football team who is also gay and eventually marries a guy?  All part of “The new Americana.”

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36. Steve Grand, “All-American Boy”

All American Boy • 2015

A male country artist who is gay? Do those even exist? In the case of Steve Grand, he is indeed gay. Grand did something that no mainstream country artist would dare do – he recorded a same-sex love song, “All-American Boy,” in 2013. Love songs are commonplace in country music, where hunky male artists sing about wooing girls.  While Grand has the “hunky” part covered, t the fact that the object of his affection is a male shocked the world.

“Ripped jeans, only drinks whiskey / I find him by the fire while his girl was getting frisky, oh / I say we go this road tonight…”

All said and done, the one thing that truly separates “All-American Boy” from any other country love song is sexual preference. Few country songs address the LGBTQ community. Grand has filled a gap and initiates the discussion.

“Be my all-American boy tonight / Where every day’s the fourth of July / And it’s alright, alright / And we can keep this up ‘til the morning light / And you can hold me deep in your eyes / It’s alright, alright / So be my, be my / My all-American boy.”

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37. Demi Lovato, “Cool for the Summer”

Confident • Hollywood / Island • 2015

“Tell me what you want / What you like / it’s okay / I’m a little curious too…I can keep a secret, can you?” Open-minded pop star Demi Lovato courted some controversy (for lack of a better word) with her hit single, “Cool for The Summer.” What makes the record bold are references to bi-curiousness and lesbianism, insinuated in the aforementioned lyrics. The lustfulness is clear, with a reference to “cherry” fueling the same-sex tilt.

“Got my mind on your body and your body on my mind / Got a taste for the cherry, I just need to take a bite.”

The chorus continues the curiousness:

“Take me down into your paradise / Don’t be scared, cause I’m your body type / Just something that we wanna try / Cause you and I / We’re cool for the summer.”

“Cool for the Summer” brings light to the existence of a sexual spectrum that goes beyond being exclusively straight, exclusively gay, or bisexual.  Interestingly, there’s a Purple-Red Scale for determining sexuality.  Since it’s only “cool for the summer,” clearly Lovato considers this to be a fling as opposed to a serious relationship. Nonetheless, a sexually awakening experience.

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38. Troye Sivan, “BITE”

Blue Neighbourhood • Capitol • 2015

“Don’t you wanna see a man up close? / A phoenix in the fire.” Troye Sivan delivered a gem with his debut album, Blue Neighbourhood. Blue Neighbourhood masterfully captures his experiences as a gay male coping with being different.  One of the most distinct records is “BITE,” which literally has a bite about it, sounding suspect. According to an interview with Pop Buzz, Sivan stated, “‘BITE’ is about my first time in a gay club.” He goes on to describe the chaotic atmosphere, asserting he “wanted to capture the chaos”: “… [I was] taken aback by the sticky floor, the shirtless men, and everything else.”  Lyrically, “BITE” grows progressively sketchier.

“The rapture in the dark puts me at ease / The blind eye of the storm / Let’s go for a walk down Easy street / Where you can be reborn.”

“BITE” is a statement about losing virginity in regards to a life experience. For Sivan, it marks a rite of passage in his life as a gay man – another part of his sexual awakening. It parallels a number of first experiences.

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39. A Great Big World, “Hold Each Other”

Ft. Futuristic

When the Morning Comes • Epic • 2015

“Hold Each Other” isn’t the first foray into LGBTQ related songs for A Great Big World.  On debut album Is There Anybody Out There? the pop duo dropped “Everyone Is Gay”. Although corny, the song came from a good place. “Hold Each Other” is more meaningful, particularly for Chad King, who is gay. King embraces his sexuality on the second verse, fearlessly using the pronoun he.

“Everything looks different now / All this time my head was down / He came along and show me how to let go…/ Something happens when I hold him / he keeps my heart from getting broken.”

Playing devil’s advocate, perhaps “Hold Each Other” makes a subtle statement.  BUT, the statement is notable considering the few instances in pop references same-sex male relationships.

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40. Hozier, “Take Me to Church”

Hozier • Columbia • 2014

“Take Me to Church” was a no. 2 hit on the Billboard Hot 100.  Furthermore, the song was nominated for the Grammy for song of the year.  Listening emptily, it’s easy to see why it was a massive hit.  Who doesn’t enjoy a song that references sex?  Considering the depth of its subject matter analytically, it’s almost unbelievable it achieved the commercial accolades it did.  In a NY Mag interview, The Irish singer/songwriter describes the song as being about sex, humanity, and disdain for the church “teaching shame about sexual orientation.”  The lyrics of the song confirm those strong feelings:

“My church offers no absolutes / She tells me ‘worship in the bedroom’ / The only heaven I’ll be sent too / Is when I’m alone with you.”

Furthermore, in the interview, he tackles the influence of church in Ireland, and homophobia in Russia. Key lyrics, such as “We were born sick, you heard them say it,” confirms this.   Throughout its course, “Church” amplifies blasphemous references to make a statement.  Ultimately, that statement is that all humans, regardless of sexuality, should be able to love and be with whomever they’d like.

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41. Mary Lambert, “Secrets”

Heart on My Sleeve • Capitol • 2014

Singer/songwriter Mary Lambert doesn’t give a flip about “Secrets”: “I don’t care if the world knows what my secrets are.” Lambert is honest about her status in life and the world.  Rather than hide her problems, quirks, and personal matters, she embraces and shares them, going against the grain.

“They tell us from the time we’re young / To hide the things that we don’t like about ourselves / I know I’m not the only one / Who spent so long attempting to be someone else / Well, I’m over it.”

She’s blunt about her sexuality, asserting on the second verse, “I can’t think straight / I’m so gay.”  “Secrets” isn’t explicitly about the LGBT community, but the messaging is applicable, specifically in reference to the closet.

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42. Sam Smith, “Lay Me Down”

In the Lonely Hour • Capitol • 2014

On In the Lonely Hour, Sam Smith dabbles in the plight called love, specifically unrequited love. Openly gay, he implies his sexuality throughout the album.  Understanding his perspective, it fills in the blanks for the listener, revealing a larger significance. On “Lay Me Down,” Smith is particularly devastated.  His love is gone, and he misses everything about him.

“Told me not to cry when you were gone / But the feeling’s overwhelming, it much too strong.”

He tugs at the heartstrings on the chorus. It’s relatable to anybody who’s experienced heartbreak:

“Can I lay by your side, next to you, you? / And make sure you’re alright / I’ll take care of you / I don’t want to be here if I can’t be with you tonight.”

The music video amplifies the significance from the LGBTQ perspective.  Initially set as a funeral, it ends in a same-sex marriage at a London church.  The Church of England is notably divided about homosexuality.  The funeral scene seems to be symbolic – subject to interpretation.  Perhaps Smith lays his past to rest and embraces the present.  Perhaps it represents the death of the old guard and birth of the new – freedom to marry whoever.  Regardless, he makes a statement which serves as a catalyst for conversation, debate, and discussion.

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43. Against Me!, “True Trans Soul Rebel”

Transgender Dysphoria Blues • Total Treble • 2014

On “True Trans Soul Rebel,” a highlight from Transgender Dysphoria Blues, frontwoman Laura Jane Grace is frank about being transsexual, best evidenced by the refrain: “Who’s gonna take you home tonight? / Who’s gonna take you home? / Does God bless your transsexual heart, true trans soul rebel?” If the refrain wasn’t confessional enough, the bridge highlights Grace’s feelings of being ‘built wrong’ essentially: “You should’ve been a mother / You should’ve been a wife / You should’ve been gone from here years ago / You should be living a different life.”  Heavy, yet rocking, “True Trans Soul Rebel” is nothing short of awesome.

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44. Perfume Genius, “Queen”

Too Bright • Matador • 2014

“No family is safe / When I sashay.” Perfume Genius delivers quite the LGBTQ gem with “Queen,” the second track off his 2014 album, Too Bright.  Thematically, the lyrics encompass fierceness as well as false, often homophobic perceptions of the gay community.  On the first verse, he references AIDS and its perceived connection to the LGBTQ community, singing, “Don’t you know your queen? / Cracked, peeling / Riddle with disease / Don’t you know me?” On the second verse, he seems to reference Silence of the Lambs, ‘Don’t Ask, Don’t Tell’, and perceived negative gay influence.  Clearly, “Queen” is a must-hear.

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45. Arcade Fire, “We Exist”

Reflektor • Arcade Fire • 2013

Much ado was made about “Reflektor”, the title track from the fourth studio LP by Arcade Fire. “We Exist,” however, features the more transcendent message.  According to the band, “We Exist” “is a reaction to [Jamaica’s] notoriously antigay culture.” It’s taken from the perspective a boy who realizes he’s different (gay).  He struggles with acceptance from the world and fears the reaction of his father.

“But we exist / Daddy it’s true / I’m different from you / But tell me why they treat me like this? / If you turned away / What would I say? / Not the first betrayed by a kiss.”

His father’s reaction seems supportive, giving his son sound advice:

“Maybe it’s true / They’re staring at you / When you walk in the room / Tell ‘em it’s fine / Stare if you like.”

The protagonist goes on to depict discrimination.  Still, he’s most concerned about losing his father’s support. While Jamaican homophobia is the inspiration, the scenario is unspecific ultimately.  Homophobia exists throughout the world; it’s a cruel, unfair reality within the LGBTQ community. The accompanying music video received plenty of criticism. Laura Jane Grace led the charge, criticizing Andrew Garfield for playing a transgendered person.

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46. Kacey Musgraves, “Follow Your Arrow”

Same Trailer Different Park • Mercury • 2013

Country music is among the least tolerant musical genres in regards to the LGBTQ community.  Even so, neo-traditionalist country artist Kacey Musgraves gives a liberal, open-minded spill on “Follow Your Arrow.”  In effect, she embraces “YOLO”.  Before delivering a ‘bullet’ about sexuality, she opens the record brutally honest in reference to pre-marital sex. The chorus grows more progressive:

“So, make lots of noise / Kiss lots of boys / Or kiss lots of girls if that’s something you’re into / When the straight and narrow gets a little too straight / Roll up a joint, or don’t / Just follow your arrow wherever it points…”

Unsurprisingly, it created a stir upon its release.  Regardless, Musgraves claims that her fan base has embraced it.  Apparently, the record wasn’t controversial initially, but expanded to include the bi-curious, lesbian reference.

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47. Panic! At the Disco, “Boys/Boys/Girls”

Too Rare to Live, Too Young to Die • Fueled by Ramen • 2013

Brendon Urie and Panic! At the Disco delivered one of his most risqué singles of its career with “Girls/Girls/Boys.” The single, not to mention Urie’s revelation of sexual experimentation caused the media to incorrectly label him as bisexual. He isn’t a gay or bi-, but he’s onboard with the freedom to be and do what you’d like. “Girls/Girls/Boys” embraces  bisexuality, from a girl’s perspective:

“And never did I think that I / Would be caught in the way you got me / But girls love girls and boys / and love is not a choice.”

Later on, Urie admits to interfering with his love interest’s preferences:

“I’m just a villain vying for attention from a girl / A girl who can’t decide / And here’s the reason why / Girls love girls and boys.”

While he proclaims himself as the villain in this case, he’s ultimately thinking bigger. Since “Girls/Girls/Boys” is bisexual anthem, he suggests those interfering with people choosing who to love – judgmental or otherwise – are the villains.

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48. Sara Bareilles, “Brave”

The Blessed Unrest • Epic • 2013

“And since your history of silence / Won’t do you any good / Did you think it would? / Let your words be anything but empty / Why don’t you tell them the truth.” “Brave” is among the most inspirational songs on this list.  It was specifically written about coming out.  It’s not about Sara Bareilles coming out, but a friend, according to The Huffington Post. Regardless, it’s an anthem applicable to any number of situations

“Say what you wanna say / And let the words fall out / Honestly, I wanna see you be brave.” 

Beyond the aforementioned chorus, the verses yield their own fair share of uplifting, empowering lyrics of overcoming adversity:

“Everybody’s been there / Everybody’s been stared down by the enemy / Fallen for the fear / And done some disappearing…maybe there’s a way out of the cage where you live / Maybe one of these days you can let the light in / Show me how big your brave is.”

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49. Frank Ocean, “Thinkin Bout You”

Channel Orange • Def Jam • 2012

Frank Ocean took a risk coming out as bisexual during the run of 2012 debut LP, Channel Orange.  The black community is a work in progress in regards to LGBTQ friendliness.  Ocean didn’t suffer in the least commercially. Channel Orange went on to be nominated for the Grammy for album of the year.  One of the reasons for its success was single “Thinkin Bout You.” “Thinkin Bout You” straddles a line.  Without knowledge of Ocean’s sexuality, the naïve listener won’t necessarily pick up any LGBT references.  Explicitly, there’s just one, and it’s relatively subtle:

“My eyes don’t shed tears, but boy, they pour when… I’m thinkin’ ‘bout you…do you think about me still?”

“Thinkin Bout You” is about being in love for the first time and for Frank Ocean, that experience occurred with a guy.

“Yes of course I remember, how could I forget how you feel? / You know you were my first time, a new feel…”

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50. Macklemore & Ryan Lewis, “Same Love”

Ft. Mary Lambert

The Heist • Macklemore • 2012

Rap music isn’t the go-to for LGBTQ friendly music.  Arguably, hip-hop is less receptive than country music.  Macklemore & Ryan Lewis, with the help of gay singer/songwriter Mary Lambert, aimed to shift the perception with “Same Love.” Macklemore isn’t gay but supports the LGBTQ community wholeheartedly.

“For those that like the same sex had the characteristics / The right-wing conservatives think it’s a decision / And you can be cured with some treatment and religion / Man-made, rewiring of a predisposition, playing God.”

Throughout the song, he references the fears that folks have about same-sex relationships and how hip-hop is on the wrong-side of the issue.

“America the brave still fears what we don’t know / And ‘God loves all his children’ is somehow forgotten / But we paraphrase a book written thirty-five hundred years ago / I don’t know.”

Lambert locks down “Same Love” on the hook, specifically the lyric, “She keeps me warm.”  Interestingly, Lambert – who appears earlier on this list – has her own expansion of “Same Love,” “She Keeps Me Warm”.

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51. Marsha Ambrosius, “Far Away”

Late Nights & Early Mornings • J • 2011

Lyrically, “Far Away” tackles suicide.  In the context of the song, there aren’t any direct references to homosexuality. What the listener takes away is that Marsha Ambrosius is heartbroken after her friend commits suicide.  As sad as the situation is, “Far Away” finds Ambrosius depicting her emotions in the aftermath. The accompanying music video takes things a step further, incorporating homosexuality and homophobia.  The homophobic component drives the male to commit suicide.

“If I had known Sunday morning, that you would be gone / I would’ve never come home / I wouldn’t have answered my phone to hear the voice had a tone / I knew that something was wrong / The cop’s the one who had told me that you were alone inside / An empty room / Identified you as my baby / Oh my baby, so far away.”

What further amplifies the significance of the video is the use of black characters.  Homophobia is more pronounced in the black community, so Ambrosius took a bigger risk with “Far Away” given the storyline and social implications.  A Think Progress article (from February 2016) by Zack Ford suggests black homophobia is a myth, based on a Public Religion Research Institute survey.

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52. Lady Gaga, “Born This Way”

Born This Way • Interscope • 2011

Lady Gaga says it best at the top of “Born This Way”: “It doesn’t matter if you love him, or capital H-I-M / Just put your paws up / ‘Cause you were born this way.” Ultimately, “Born This Way” is an anthem that celebrates every person being special, regardless of sexual preference or otherwise.

“I’m beautiful in my way / Cause God makes no mistakes / I’m on the right track, baby / I was born this way / Don’t hide yourself in regret / Just love yourself and you’re set / I’m on the rick track baby / I was born this way.”

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53. Rise Against, “Make It Stop (September’s Children)”

Endgame • DGC • 2011

“Make it stop / Let this end / Eighteen years pushed to the ledge / It’s come to this a weightless step / On the way down singing / whoa, whoa.” Punk-rock band Rise Against heavy and serious on “Make It Stop (September’s Children).” On this standout from 2011 album Endgame, frontman Tim McIlrath stands up against bullying, specifically in regards to homosexuality, that ultimately leads far too many kids to commit suicide. Clearly, he encourages those feeling like it’s not worth living to stay strong – It gets better.

“It’s always darkest just before the dawn / So stay awake with me, let’s prove them wrong.”

By the end, the new day with new hopes has come to pass.

“Make it stop / Let this end / This life chose me, I’m not lost in sin / And proud I stand, of who I am / I plan to go on living.”

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