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Ariana Grande, Billie Eilish, Lil Nas X, Vampire Weekend, and Lizzo are among the musicians who fuel the fire of the “50 Best Songs of 2019 (So Far).”

A week ago, as of publication date, The Musical Hype debuted the ambitious 21 Best Albums of 2019 (So Far).  Now, we return with a more complicated and much more daunting task – picking the 50 Best Songs of 2019 (So Far). There have already been a number of great singles and album tracks in 2019 – far too many to cover in one list. But we have to choose some highlights. So, Ariana Grande (“7 Rings”), Billie Eilish (“Bad Guy”), Lil Nas X featuring Billy Ray Cyrus (“Old Town Road – Remix”), Vampire Weekend (“Harmony Hall”), and Lizzo (“Cuz I Love You”) are among the 50 Best Songs of 2019 (So Far).

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1. Ariana Grande, “7 Rings”

Thank U, Next • Republic • 2019

“Been through some bad shit, I should be a sad bitch / Who woulda thought it’d turn me to a savage?” Ariana Grande sounds incredibly fierce on “7 Rings”, one of the many highlights appearing on thank u, next, among the best albums of 2019. Arguably ‘the best song of 2019,’ “7 Rings” features moody production that’s dark, enigmatic, and set in a minor key. This standout lifts from the melody of “My Favorite Things” (The Sound of Music). Sleek, hip-hop oriented cues are full throttle during the addictive, instantly catchy chorus. Grande is confident AF on the pre-chorus and choruses.

The pre-choruses exemplify a flex-fest (“My wrist, stop watchin’, my neck is flossin’ / Make big deposits, my gloss is poppin’…”), while the chorus is simple, but effective.

“I want it, I got it, I want it, I got it…

You like my hair? Gee, thanks, just bought it

I see it, I like it, I want it, I got it (yep).”

In addition to the bold line appearing at the top from the first verse, on the second verse, Grande asserts, “Whoever said money can’t solve your problems / Must not have had enough money to solve ‘em.” Ari kills it on the unforgettably fresh “7 Rings.”

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2. Billie Eilish, “Bad Guy”

When We All Fall Asleep, Where Do We Go? • Interscope • 2019

“So, you’re a tough guy / Like it really rough guy / Just can’t get enough guy / Chest always so puffed guy / I’m that bad type / Make your mama sad type/ Make your girlfriend mad tight / Might seduce your dad type / I’m the bad guy…” The minimalist “Bad Guy” serves as the first full-length record on When We All Fall Asleep, Where Do We Go?, the compelling debut album by alternative teen artist Billie Eilish.  When We All Fall Asleep… appears as the second best album of 2019 (so far), and has a legit argument as the album to beat. On “Bad Guy,” Eilish singing in an undertone.  She’s calm, cool, and collected, flaunting off her distinct approach and sound.  Adding to the intrigue of the listening experience are a unique palette of vocal effects, as well as an air of mysteriousness. “Bad Guy” thrives because of its infectious groove, catchy chorus (excerpted above), and a fun, if dark, playful style.

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3. Lil Nas X, “Old Town Road (Remix)”

Ft. Billy Rae Cyrus

Old Town Road • Columbia • 2019

“Yeah, I’m gonna take my horse to the old town road / I’m gonna ride ‘til it can’t go no more.” Lil Nas X is responsible for the brief, countrified/melodic hip-hop (melodic trap?) record that everybody is talking about, Billboard Hot 100 no. 1 hit  “Old Town Road”. It’s an interesting endeavor, with the result being a song that no one is sure to forget. Billy Ray Cyrus guests on “Old Town Road – Remix,” singing the aforementioned refrain (once), as well as the third verse.

“Old Town Road” is quite charming for a variety of reason including lyrics that play off of clichés associated with country music. On the second verse, he kicks things off pop-rapping, “Ridin’ on a tractor” and later adds, “Bull ridin’ and boobies / Cowboy hat from Gucci / Wrangler on my booty.” ‘Furthermore, the hip-hop beat, coupled with ‘country-folk’ guitars, fueled by a prominent Nine Inch Nails sample (“34 Ghosts IV”), add to the sheer excellence.  A novel cut by all means that lacks substance, “Old Town Road” is infectious and definitely initiates important discussion musically as well as regarding race.

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4. Vampire Weekend, “Harmony Hall”

Father of the Bride • Sony • 2019

“Anger wants a voice, voices wanna sing / Singers harmonize ‘til they can’t hear anything…” “Harmony Hall”, which arrives courtesy of Grammy-winning alternative collective Vampire Weekend, represents everything one desires from a comeback single.  It far exceeds expectations.  The Father of the Bride standout is jam-packed, crossing the five-minute mark. Here, on the best album of 2019, Ezra Koenig experiments with Americana and country music.  The result is superb, with rhythmic guitar lines, ultra-funky piano, and an infectious, anchoring beat.  Adding to the excellence are ripe vocals by Koenig, who sounds as fresh and potent as he did when Vampire Weekend arrived back in 2008.

Although “Harmony Hall” is ‘alternative,’ there’s enough of a ‘pop factor’ and a relatively straightforward form that makes it truly ear-catching.  Also, helping the infectiousness is the inescapably catchy chorus, which sounds as if Koenig is beaming as he sings.

“And the stone walls of Harmony Hall bear witness

Anybody with a worried mind could never forgive the sight

Of wicked snakes inside a place you thought was dignified

I don’t wanna live like this, but I don’t wanna die.”

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5. Lizzo, “Cuz I Love You”

Cuz I Love You • Nice Life / Atlantic • 2019

“Never been in love before / What the fuck are fucking feelings, yo? / Once upon a time, I was a ho / I don’t even wanna ho no mo’.” Rapper, singer, and songwriter Lizzo ‘kills it’ on “Cuz I Love You”, the opener and title track from her major label debut and third overall album, Cuz I Love You. “Cuz I Love You” perfectly suits Lizzo. The production, handled by alt-rock collective X Ambassadors, is robust, chocked-full of soul.  This neo-/retro-soul tinged backdrop allows Lizzo to be dramatic and over-the-top with her emotions.

Furthermore, vocally, Lizzo has the ‘fuel for the fire’ to totally ‘let ‘er rip’ – totally ‘kick ass and take names.’  The premise is that she’s put aside her old ways, has found a man she’s truly in love with, and it’s made her crazy, excited, and all the range of feelings attached to L-O-V-E.  Ultimately, “I’m cryin’, ‘cause I love you.”  Epic song for sure.

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6.Billie Eilish, “Bury a Friend”

When We All Fall Asleep, Where Do We Go? • Interscope • 2019

Basically, the majority of When We All Fall Asleep, Where Do We Go? could end up on the 50 Best Songs of 2019 (So Far) list – Billie Eilish did serious work on that album.  Standout “Bury a Friend” served as a truly entertaining, haunting advance single. “Step on the glass, staple your tongue / Bury a friend, try to wake up / Cannibal class, killing the son / Bury a friend, I wanna end me.” The ‘alt’ is full throttle on the totally left-of-center joint from the jump.  The kick drum dominant groove is unique, and has a haunting, enigmatic sensibility.  That sensibility extends with the continual undertone of Eilish, who sounds quite nonchalant, as well as with the terrific, minimalist production work.  The things that Eilish and her brother, producer FINNEAS concoct, are one-of-a-kind; quite distinct.

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7. J. Cole, “Middle Child”

Middle Child [Single] • Dreamville / Roc Nation • 2019

“Niggas been countin’ me out / I’m countin’ my bullets, I’m loadin’ my clips / I’m writin’ down names, I’m makin’ a list / I’m checkin’ it twice and I’m getting’ ‘em hit.” Fayetteville, North Carolina rapper extraordinaire J. Cole shines on single, “Middle Child” (released in January), co-produced by T-Minus. “Middle Child” certainly benefits from its sickness behind the boards. The beat goes hard AF, while the brassy production adds some bite.  This bite is perfect fuel for the fire, as J. Cole drops compelling rhymes, showcasing his consistent, elite flow.  Getting more specific to “Middle Child,” the two most memorable sections of the record are the refrain (a pre-chorus of sorts), as well as the chorus itself.

After showing some pop-rap skill on the verses and refrain, Cole shows off even more melodic prowess on the chorus.

“I just poured somethin’ in my cup
I’ve been wantin’ somethin’ I can feel
Promise I am never lettin’ up
Money in your palm don’t make you real
Foot is on they neck, I got ‘em stuck
I’ma give ‘em somethin’ they can feel
If it ain’t ‘bout the squad, don’t give a fuck
Pistol in your hand don’t make you real.”

While the chorus is killer, Cole also brings plenty of heat on the verses.  Among topics covered include the incarceration of black males. There’s definitely NO reason to feel like a middle child after listening to this one.

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8.Anderson .Paak, “King James”

Ventura • Aftermath / 12 Tone Music • 2019

Leading the charge on Ventura, the fourth studio album by Grammy-winning rapper, singer, and producer Anderson .Paak, is  “King James”. On “King James” he delivers a respectable message and flaunts his superb musicianship. “King James” is a heavy-grooving, mid-tempo gem that thrives off its blend of the West Coast sound (G-Funk included) and of course, a soulful, funky breed of R&B.  Vocally, Paak impresses with his distinct, truly ‘one of a kind’ pipes. Thematically, he sings about the hard work and hustle it takes to succeed, patterned after the one and only Lebron James.  At one point, during the second verse, he sings, “And we salute King James for using his change / To create some equal opportunities.” In addition to the hustle, he highlights working beyond barriers, particularly racial barriers on the way to attaining success.

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9.Tyler, the Creator, “Earfquake”

IGOR • Columbia • 2019

“Earfquake” serves as an instant highlight from the incredibly ambitious Tyler, the Creator album, IGOR. The backdrop is ear-catching, and Tyler sings with pitch-shifted vocals.  On the memorable chorus, he gets a big-time, uncredited assist, courtesy of the soulful Charlie Wilson (“‘Cause you make my earth quake / Oh, you make my earth quake / Riding around, you’re telling me something is bad / And it’s making my heart break…”) Wilson, of course, has worked with Tyler previously on “Fucking Young” from Cherry Bomb (2015).

On the first verse, another surprising guest appearance occurs, Playboi Carti, who fits in perfectly and remains true to self. “Earfquake” ends up being among the crème de la crème of IGOR, not to mention one of the stellar songs released in 2019 por la general.

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10. Taylor Swift, “ME!”

Ft. Brendon Urie

ME! [Single] • Big Machine • 2019

In April 2019, Taylor Swift returned with an infectious new single, “ME!” assisted by Panic! At the Disco frontman Brendon Urie. “ME!” commences with sleek harmonized vocals by Swift, before she jumps right into the first verse. Fueling her fire is military-styled percussion, which consistently keeps the energy at an all-time high. After showcasing poise on the first verse, Swift kicks things into the next gear on the chorus, which is catchy AF with its nonsensical “he, he, he” and “ooh, ooh, oohs.”

Brendon Urie enters the mix on the second verse, providing brilliant contrast to Swift. The chemistry between the two is notable, as they join forces on the pre-chorus (Urie sounds louder in the mix), before blessing listeners with ultra-sunny chorus. On the bridge, Swift’s vocals are mixed louder, as is the case heading towards the dynamic closing. Ultimately, “ME!” is a bop that you’ll be sure to blast all summer long.  It’s schmaltzy mind you but call it ‘tongue-in-cheek goodness.’

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11. Khalid, “Talk”

Free Spirit • RCA • 2019

“Yeah, started off right / I can see it in your eyes / I can tell that you’re wantin’ more…” “Talk” is among the best things regarding Free Spirit, the relatively disappointing sophomore LP by Grammy-nominated R&B. musician Khalid. “Talk” is sleekly produced to the nth degree, thanks to the talents of Disclosure.  The synths are warm, yet also have the right amount of bite.  The beat itself is perfectly suited for the singer and a modern, urban contemporary record in general.  As always, he delivers a strong vocal performance, showcasing his inescapable, distinct tone.  Besides his compelling chest voice, he also delivers some lovely falsetto as well.  Adding to the strength of “Talk” is a memorable chorus which serves as the crème de la crème.

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12. Ariana Grande, “Break up With Your Girlfriend, I’m Bored”

Thank U, Next • Republic • 2019

“You got me some type of way / Ain’t used to feelin’ this way / I do not know what to say / But I know I shouldn’t think about it.” Hmm, yield not to temptation! In the context of thank u, next, the fifth studio album by Ariana Grande, “Break up with Your Girlfriend, I’m Bored” has the monstrous task of following number one hits “7 Rings” and “Thank U, Next”. Nonetheless, this girlfriend-driven single is another worthwhile moment from thank u, next in all respects.

Grande shines with stunning vocals, while the production remains slick, and the songwriting is entertaining and ultimately, sound.  The theme of the record is pretty obvious, right? Right.

“Break up with your girlfriend

Yeah, yeah, ‘cause I’m bored

You could hit it in the mornin’

Yeah, yeah, like it’s yours

I know it ain’t right

But I don’t care

Break up with your girlfriend

Yeah, yeah, ‘cause I’m bored.”

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13. Carly Rae Jepsen, “Julien”

Dedicated • Interscope • 2019

Carly Rae Jepsen released not only one of the best pop albums of 2019 (Dedicated), but one of the best albums overall.  Filled with hits, one of the best songs arrives at the beginning, “Julien.” “Julien” kicks off Dedicated in groovy and infectious fashion.  Kyle Shearer does wonders from a production standpoint, masterfully capturing a neo-80s pop sound, mixed with modern pop sensibilities.  Carly Rae Jepsen delivers a compelling, playful vocal performance, shining brightest on the catchy chorus: “Julien, in your heart, yeah, you must believe / Julien, it was more than a fantasy…” Yeah, Jepsen definitely packs more punch beyond her biggest career hit,  “Call Me Maybe”.

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14. Lizzo, “Tempo”

Ft. Missy Elliott

Cuz I Love You • Nice Life / Atlantic • 2019

“Slow songs, they for skinny hoes / Can’t move all of this here to one of those / I’m a thick bitch, I need tempo / Fuck it up to the tempo.” Unapologetic and unafraid are two ways you can characterize Minneapolis pop/hip-hop musician Lizzo, who appears previously on this list (“Cuz I Love You”, #5), as well as later (“Juice”, #20).  Her second of three songs appearing in the top-20 is the short, but hella sweet and feisty “Tempo”, featuring the legendary Missy Elliott.  It should come as no surprise why Cuz I Love You earned top-five honors on the Best Albums of 2019 (So Far).

“Tempo” shines from the tip.  The production is awesome, incorporating a hard-hitting hip-hop beat, slinky-sounding synths, as well as some cool, unexpected musical interjections.  As great as the production is, it is the performance by Lizzo herself that sells “Tempo.” She’s on autopilot as she flaunts and touts her big, beautiful body, throwing ample swagger and sex game at the boys. Beyond her own stellar, hyper-sexual performance, Missy Elliott ‘brings the heat’ on the third verse, sounding as if she’d never been on an extended hiatus.  As usual, we get some terrific sound effects from Elliott to go alongside being the hype woman for the plus-sized crowd – “I’m big-boned with nice curves.” All in all, Lizzo kills it on this ultra-fabulous, infectious banger that is equal parts shallow and equal parts deep.

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15. AJR, “100 Bad Days”

Neotheater • BMG Rights Management • 2019

“Woah, when all is going wrong and you’re scared as hell / … Maybe a hundred bad days made a hundred good stories / A hundred good stories make me interesting at parties.” One of the biggest pros for “100 Bad Days”, a stand out from the 2019 AJR album, Neotheater, is the sick production work.  Groovy from the onset, “100 Bad Days” is chocked-full of awesome sounds, including the anthemic, brassy chorus.  During this same section, Jack Met sounds incredibly passionate vocally, dropping the strongest section of the record.  Interestingly, the final two lines of the pre-chorus (excerpted above) kick off the chorus, which continues, “…Yeah, no I ain’t scared of you / No, I ain’t scared of you no more.”

On the verses, Jack highlights ‘bad’ happenings exemplifying the ‘millennial’ tilt.  On the first, he sings, “Remember when we all got drunk? / I ended up with two broke thumbs.” On the second, matters of love have him feeling bad – “Remember when she broke my heart / Waitin’ for the waiter to return my card?” But, as the chorus made crystal clear, Jack and company are turning bad into good, or something along those lines.

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16. Jonas Brothers, “Sucker”

Happiness Begins • Jonas Brothers Records / Republic • 2019 

“I’ve been dancing on top of cars and stumbling out of bars / I follow you through the dark, can’t get enough / You’re the medicine and the pain, the tattoo inside my brain / And, baby, you know it’s obvious.” Pop bro trio Jonas Brothers shocked the world by making a comeback (Happiness Begins), which commenced with the enjoyable, love-centric single “Sucker”. The ‘short but sweet’ single is a win for Nick, Joe, and Kevin Jonas.  “Sucker” features an infectious groove from the onset.  Adding to the allure is some sick falsetto by Nick on the first verse, which occurs in abrupt fashion (“We go together / Better than birds of a feather, you and me…”). Set in a minor key, “Sucker” gives the Jo Bros more edge. It remains tongue-n-cheek, which reminisces back to their music of old, but certainly comes off less schmaltzy.

Joe carries the weight on the aforementioned pre-chorus, with portions sung with Nick.  Better than the pre-chorus is the memorable chorus.  Here, we hear the silky-smooth vocals of Nick, once more delivered in a well facilitated falsetto, at times joined by Joe.

“I’m a sucker for you, yeah

You say the word and I’ll go anywhere blindly

I’m a sucker for you, yeah

Any road you take, you know that you’ll find me…”

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17. Kehlani, “Nights Like This”

Ft. Ty Dolla $ign

While We Wait • Atlantic • 2019

“But all that glitters isn’t gold, I was blinded / Should have never gave you my heart on consignment.” Grammy-nominated R&B singer Kehlani gets the assist from the ever-ubiquitous Ty Dolla $ign on “Nights Like This”, the crown jewel of her 2019 mixtape, While We Wait. There’s plenty to sink your teeth into the night-centric “Nights Like This.” Kehlani’s tone and overall performance are a massive selling point. In addition to a sensational, nuanced vocal, “Nights Like This” benefits from its production work, idiomatic of a modern R&B record, yet also featuring classic cues from the 90s and 00s. Adding to the excellence is respectable songwriting this is relatable.  The pre-chorus and chorus sections are among the highlights. All in all, Kehlani excels on “Nights Like This.”

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18. Sam Smith & Normani, “Dancing with a Stranger”

Dancing with a Stranger [Single] • Capitol • 2019

Grammy-winning British pop musician Sam Smith collaborates with former Fifth Harmony standout Normani on the marvelous “Dancing with a Stranger”.  “Dancing with a Stranger” features sleek production work with a driving groove and warm synths.  Smith serves up compelling vocals on the first verse, including his signature, masterful falsetto.  He goes on to shine on the memorable chorus: “Look what you made me do, I’m with somebody new / Ooh, baby, baby, I’m dancing with a stranger.”

Normani contrasts Smith’s vocals on the second verse with huskier, sultry pipes. She asserts, “But, boy, I need to get you off of my mind.” She later sings alongside him on the second iteration of the chorus.  Short and sweet, “Dancing with a Stranger” is pretty straightforward, well-rounded record that’s highly effective.

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19. Cardi B & Bruno Mars, “Please Me”

Please Me [Single] • Atlantic • 2019

Cutting straight to the chase, Cardi B and Bruno Mars make a formidable, totally kick ass team. On “Please Me”, the results are nothing short of stellar – totally must-hear ear candy. “Please Me” is comprised of sleek, urban contemporary production. The record possesses some old-school contemporary R&B sensibilities, not far removed from Mars’ Grammy-winning 24K Magic (2016).

Mars delivers smooth, high-flying vocals on the ‘irresistibly good’ chorus:

“Please me, baby

Turn around and just tease me, baby

You know what I want and what I need, baby

(Let me hear you say)

Please

(Let me hear you say)

Please.”

Cardi B raps on both verses, exhibiting a compelling flow. On the first verse, she delivers one standout, freaky line: “Better fuck me like we listenin’ to Jodeci,” while on the second she manages to break out some Spanish. Ultimately, the big takeaway is that the ear-candy and the pleasure are legit.

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20. Lizzo, “Juice”

Cuz I Love You • Nice Life / Atlantic

“Mirror, mirror on the wall / Don’t say it ‘cause I know I’m cute (Ooh, baby) / Louis down to my drawers / LV all on my shoes.” What makes “Juice”, the final Lizzo record to appear on 50 Best Songs of 2019 (So Far) so ‘juicy?’ Well, at 3:15, it’s just the right duration. Adding to the pro of optimal length is a throwback, soulful groove that definitely fuels her fire.  Lizzo is feisty from the onset of this Cuz I Love You gem, pop-rapping initially.

As exemplified by the aforementioned excerpt from the first verse, she spits some mad game. Even better than the verses are the, catchy, swagger-laden pre-chorus and chorus sections.  She closes out the pre-chorus with a bang, asserting, “Heard you say I’m not the baddest bitch, you lie,” with the chorus following in all its glory. She doesn’t lie when she says, “No, I’m not a snack at all / Look, baby, I’m the whole damn meal.” She is INDEED “the whole damn meal.”

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21.Billie Eilish, “Xanny”

When We All Fall Asleep, Where Do We Go? • Interscope • 2019

“What is it about them? / I must be missing something / They just keep doing nothing / Too intoxicated to be scared.” The ‘druggy’ “Xanny” just misses the top-20 of the 50 Best Songs of 2019 (So Far), but has a strong case as the third Billie Eilish top-20 cut on this year-in-review list (“Bad Guy”, #2 and “Bury a Friend”, #6). “Xanny” keeps When We All Fall Asleep, Where Do We Go? going strong, with Eilish asserting, “I don’t need a Xanny to feel better.”  Why? Well, the effects of recreational drugs, including drink and various smokes, particularly at a party, just isn’t cool from Eilish’s perspective.  She describes the effect of the excesses brilliantly on the third track from the LP.

The centerpiece of this delightful, minimalist production (FINNEAS at it again) is the chorus.  Eilish continues to sing coolly, embracing a most glorious undertone.

“I’m in their second hand smoke

Still just drinking canned Coke

I don’t need a Xanny to feel better

On designated drives home

Only one who’s not stoned

Don’t give me a Xanny, now or ever.” 

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22. Anderson .Paak, “Make it Better”

Ft. Smokey Robinson

Ventura • Aftermath Entertainment / 12 Tone Music • 2019

“Oh baby, do you wanna make it better? / Uh, ha, do you wanna stay together / Hey, if you do, then let’s please / Make some new memories.” Anderson .Paak joins the list of musicians appearing on 50 Best Songs of 2019 (So Far) with more than one entry.  While “King James” (#8) is the song to beat from his fourth studio album, Ventura, “Make It Better” deserves some love as well.  The soulful vibes are glorious on the hella smooth joint, which features the iconic Motown singer/songwriter Smokey Robinson.  The production is stellar, characterized by its throwback sensibilities, recreating the classic, timeless soul of old.  The rhythmic electric piano and the lush strings are simply marvelous ear candy.

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23. Gary Clark, Jr., “This Land”

This Land • Warner Bros. • 2019

“Paranoid and pissed off / Now that I got the money / Fifty acres and a model A / Right in the middle of Trump country.” “This Land”, the electrifying, minor-key title track from Gary Clark, Jr.’s 2019 album This Land is one hell of a protest anthem, with the plight of people of color written all over it.  Throughout the course of the song, the eclectic blues/rock singer/guitarist depicts the prevalence of racism within the world’s greatest country.

The most powerful lyrical statement that is made on “This Land” comes courtesy of the chorus, where Clark, Jr. unapologetically states the mindset of racists:

“‘Nigga run, nigga run

Go back where you come from, uh

Nigga run, nigga run

Go back where you come from

We don’t want, we don’t want your kind

We think you’s a dog born’

Fuck you, I’m America’s son

This is where I come from.”

Following the utterly ridiculous statement made about the American-born black musician, who represents numerous African-Americans, he packs a mighty punch on the post-chorus where he asserts, “This land is mine.”  Also, worth noting, Clark, Jr. delivers a totally badass guitar solo.

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24. Vampire Weekend, “2021”

Father of the Bride • Sony • 2019

“2021, will you think about me? / I could wait a year, but I couldn’t wait three / I don’t wanna be (boy)…” On one of the finest short songs you’ll ever hear, “2021” samples Japanese musician Haruomi Hosono, which helps make the music incredibly intriguing. On this best-of list, “2021” marks the second entry from Vampire Weekend and their comeback LP Father of the Bride (again, my mid-year best album of 2019), following “Harmony Hall” (#4). Adding to the greatness that is “2021” are vocal contributions from Jenny Lewis, specifically on one of the most memorable parts of the song – “Boy, boy.”

Koenig remains a force himself, sounding absolutely beautiful on the sole, repeated verse, partially excerpted above and continued below:

“…2021, will you think about us?

Cooper goes green, steel beams go rust (boy)

It’s a matter of (boy).”

Notably, Koenig sings the verse up an octave the second time. Despite its brevity and simplicity, “2021” remains jam-packed and complex. It’s a gorgeous, well-produced record, with a simple, yet memorable beat anchoring things down.  As always, the songwriting seems to have a deeper meaning, focusing on perceptions and remembrance in the future.

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25. Sara Bareilles, “Armor”

Amidst the Chaos • Epic • 2019

“Let it begin / Let Adam in / Step one / Original sin… / Can I ask a question / To present day / How the hell did Eve end up with all the damn blame?” “Armor”, the must-hear, feminist highlight from the 2019 Sara Bareilles album, Amidst the Chaos (#9 on the 21 Best Albums of 2019 (So Far) ) finds Bareilles references the original sin from the much-discussed Garden of Eden (Genesis 3). From her perspective, Eve (woman) gets the short end of the stick in regard to blame for being tossed out of the Garden of Eden [Note: you can read more about this on 15 Songs That Reference Things Associated with Religion].

Obviously, Bareilles uses the earliest example of women’s inequality to drive home the point about women having to be incredibly strong despite the adversity stacked against them.  Bareilles is inspired by women, while those men make her want to ‘overcome’ you might say.  The prominent left hand, bassy piano adds some bite to this girl-power anthem, where she asserts at one point, “You think I am high and mighty, mister? / Wait till you meet my little sister.” The ‘little sister’ line in particular suggests that women will only have a stronger voice in the future.

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26. India.Arie, “Rollercoaster”

Worthy • BMG Rights Management • 2019

“Let me off this rollercoaster / I don’t wanna ride no more (I don’t wanna ride no more) / I don’t wanna ride no more, I don’t wanna ride no more, no more.” “Rollercoaster” is one of the brightest moments from Worthy, the long-awaited, 2019 album by Grammy-winning R&B singer/songwriter India.Arie. Interestingly, “Rollercoaster” bears some harmonic similarities to a past India.Arie record (“There’s Hope” from 2006’s Testimony: Vol. 1 Life & Relationship).

This contemporary protest anthem finds India taking a long, hard look at the ills plaguing the world from her perspective. Among the notable topics India raises on this soulful, bass-heavy gem include the Flint, Michigan water crisis, Colin Kaepernick, misogyny, and mumble rap.  Give her credit for standing up for what she believes in – “And I don’t care who thinks I’m preachin’.” “Rollercoaster” also previously appeared on the playlist 11 Songs Fit for an Amusement Park, as well as the aforementioned embedded Music to Atone to link.

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27. MARINA, “To Be Human”

LOVE + FEAR • Atlantic UK • 2019

“I like to think about how we all look from afar / People driving fancy cars look like beetles to the stars / The missiles and the bombs sound like symphonies gone wrong / And if there is a God, they’ll know why it’s so hard …‘To Be Human.’”  Wow, those are some truly powerful, thoughtful words, as sung on the bridge of the record at hand. “To Be Human” appears as the seventh track on LOVE + FEAR, the 2019 studio album by Welsh pop singer MARINA (Marina Diamandis).

MARINA sounds absolutely flawless on “To Be Human,” which previously appeared on the playlist 11 Intriguing Songs All About Humans. Her tone is haunting, particularly as she sings in her upper register on the verses.  A contemporary, politically-charged, socially-conscious anthem, MARINA is the voice of all the people in the world, not just the so-called elite. On the first verse, she references amazing places, as well as historically checkered pasts.  Notably, on the first pre-chorus, she references America, singing, “There were riots in America / Just when things were getting better,” clearly a shot at the polarizing presidency of Donald Trump compared to former president Barack Obama. The second verse, as well as the second pre-chorus are similarly patterned.  The chorus is the uniting centerpiece:

“All the people living, living in the world today

We’re united by our love, we’re united by our pain

All the things that I’ve done, and I’ve seen

Still, I don’t know, don’t know what it means

To be human.”

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28. Hozier, “Almost (Sweet Music)”

Wasteland, Baby! • Columbia • 2019

“Played from the bedside / Is ‘Stella by Starlight’ / ‘That Was My Heart’… / The drums that start off ‘Night and Day.’” There are a number of different songs referenced to say the least on “Almost (Sweet Music)”, a highlight off of Hozier’s sophomore album, Wasteland, Baby!. Two of the best songs from Wasteland, Baby! earned spots on the 100 Best Songs of 2018 Year in Review Playlist (“Nina Cried Power”, #2 and “Movement”, #11).  Like many songs penned by Hozier, there’s plenty to adore.  First and foremost are his distinct, powerful vocals. The production and sound are yet another selling point, with an incredible instrumental palette that includes guitar, piano, various percussion, and organ courtesy of Booker T.  This backdrop superbly fuels the singer/songwriter’s fire. Once again, the songwriting is awesome, particularly the catchy chorus.

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29. Ben Platt, “Ease My Mind”

Sing to Me Instead • Atlantic • 2019

Broadway actor (The Book of Mormon and Dear Evan Hansen), singer, and songwriter Ben Platt ‘shines bright as a beacon’ on his authentic, well-rounded debut album, Sing to Me Instead.  Sing to Me Instead comprises of some truly well-written songs that encompass love and open up his sexuality, as well as captivating vocal performances. Among the best of the album is ballad “Ease My Mind”.

“Ease My Mind” is a soaring ballad, something that Ben Platt absolutely slaughters (positively speaking). This is one of those moving, adult contemporary ballads that begins with incredible poise, eventually reaching a fever pitch. That fever pitch occurs as Platt flaunts his masterful pipes, delivering incredible nuances, runs, and showing incredible command of the performance.  “Ease My Mind” is about love and specifically being in a relationship. It finds an anxious man being eased and comforted by his lover, who knows just what to do to make him feel better.  The chorus is the centerpiece – shouting to the world that love has the power to conquer all.

“Darling, only you can ease my mind

Help me leave these lonely thoughts behind

When they pull me under, and I can feel my sanity start

Darling, only you can ease my mind.”

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30. Lana Del Rey, “Hope is a Dangerous Thing for a Woman Like Me to Have – But I Have It”

Hope is a Dangerous Thing for a Woman Like Me to Have – But I Have It [Single] • Interscope • 2019

“‘Cause hope is a dangerous thing for a woman like me to have / Hope is a dangers thing for a woman like me to have.”  Yep, the title of the record is just what you think it is – “Hope is a Dangerous Thing for a Woman Like Me to Have – But I Have It”. Damn, that’s a long song title.  Yes, Grammy-nominated, alternative pop standout Lana Del Rey dropped the rare song that features 16 words (!) in its title.  As ‘extra’ as the title may be, Del Rey definitely comes through on the ballad, including literary and cinematic references.

The ever-expressive Lana Del Rey sounds as chilling and enigmatic as ever.  Her tone is absolutely stunning.  Among her best moments come at the end of the record, when she flaunts her falsetto.   Beyond her inspired vocal performance, there’s also the stripped, yet gorgeous nature of this five-and-a-half-minute ballad.  The production keeps things hella simple, comprised of piano accompaniment.  Even working with such a lengthy duration, it’s perfect fuel for the fire of Del Rey, who manages to keep things colorful with some profane lyrics, such as “I’ve been tearing up town in my fucking nightgown / Like a goddamn-near sociopath.” Wow.

This wouldn’t be the first time there was a threat of some sort in Del Rey’s music.  Remember “Ultraviolence”, a standout from her 2014 album that also appeared on an earlier playlist, 11 Songs That are Dangerous, Violent, or Otherwise? Ultimately, with the threat of ‘hope’ in her hands on this particular song, Lana del Rey does what she does best – delivers an expressive, moody, well-rounded record.

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31. Juice WRLD, “Robbery”

Death Race for Love • Interscope • 2019\

Juice WRLD has seen his star ascend rapidly, period.  His 2018 gargantuan hit single “Lucid Dreams” elevated the young rapper’s profile immensely – understatement. Yup, “Lucid Dreams” was totally inescapable – ubiquitous to the nth bleeping degree.  Now, with a huge following behind him, Juice gives plenty of ‘juice’ on his sophomore album, Death Race for Love, with “Robbery” leading the charge.

 

“Robbery” features major-key production, fueled by some sweet piano lines.  Even so, Juice WRLD has clearly been ‘robbed’ of love (“She told me put my heart in the bag (in the bag) / And nobody gets hurt (nobody)”).  His vocals are highly expressive, exaggerated to an extent, and definitely imperfect in pitch.  Even so, this grit and pain he showcases on the chorus in particular is quite appealing and charming. In addition to the superb chorus, Juice WRLD is also ‘on’ during the verses.  One of his best moments occurs on the first verse in which he brilliant combines a slurred vocal approach with drunken lyrics (“And now I’m drinkin’ too much, so I’ma talk with a slur”). In the same verse, he questions the legitimacy of her love.  On the second verse, he kicks the emo ‘up a notch,’ by “getting high when you don’t decide to answer” as well as “Throwing rocks at your window…”

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32. John Legend, “Preach”

Preach [Single] • Columbia • 2019

“Every day I wake, and, everything is broken / Turnin’ off my phone just to get out of bed.” Hmm, that’s troubling.  John Legend delivers ample pessimism on his powerful new single, “Preach”. But, as Legend mentions the struggles of the world, he also makes it clear he has to take action – “I just can’t preach, baby, preach.”

There’s plenty to love about “Preach.” The listener is treated to moody production from the onset, which sets the tone.  This is a record that is chocked-full of soulfulness, yet also feels and sounds relevant in 2019. As great as the mood, sound, and vibe are, it’s the signature soulful, nuanced vocals from Legend that make this an elite record.  Also, John gets some help with the addition of backing vocals, accentuating his commanding lead during the pre-chorus and chorus sections.  Speaking of the chorus, it’s totally ‘amped-up’ – robust and ear-catching.

Furthermore, the songwriting is on-point – memorable and thoughtfully-penned.

“I can’t sit and hope, I can’t just sit and pray that

I can find the love when all I see is pain

Fallin to my knees, and though I do believe

I can’t just preach, baby, preach.”

Soulful production, soulful vocals, and great songwriting make “Preach” a superb record; among the crème de la crème of February 2019. I also did a write-up about “Preach” on the playlist Music to Atone to.

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33. The National, “You Had Your Soul with You”

I Am Easy to Find • 4AD • 2019

“You had your soul with you, I was in no mood…” The National returned in 2019 with “You Had Your Soul with You”, the alluring promo single from, I Am Easy to Find. “You Had Your Soul with You” commences uniquely with a couple of measures of biting, glitching electronic sounds, before gaining stability with a full-fledged rock groove.  Beyond the groove, “You Had Your Soul with You” evolves into more of a traditional sound, while still incorporating some creative, accentuating cues.

Frontman Matt Berninger sounds as compelling as ever, diving right into the first verse with his distinct baritone.  Behind him is a busy backdrop that’s never dull, incorporating ample rhythm between the drums, guitars and strings. Regarding the form of the record, there is no true chorus – only verses (three).  That said, the aforementioned lyrics are reiterated following the third verse. Notably, the record features guest vocals courtesy of Gail Ann Dorsey.“You Had Your Soul with You” previously appeared on the playlists, 11 Awesome Songs that Tickled My Fancy in March 2019 and 15 Songs That Reference Things Associate  with Religion.

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34. Blake Shelton, “God’s Country”

God’s Country [Single] • Ten Point Productions, Inc. / Warner Bros. • 2019

“The devil went down to Georgia, but he didn’t stick around / This is God’s country.” Veteran country musician Blake Shelton returned with a superb, moving, and powerful hit with “God’s Country”. “God’s Country,” set in a minor key, has a darker, more enigmatic quality compared to many songs that Shelton has released in the past, not to mention the country music that dominates the radio these days.  Perhaps what truly makes “God’s Country” stand out is that it hearkens back to the outlaw sound of old.

Even with vintage vibes tapped, “God’s Country” still sounds fresh, and even incorporates some modern cues within its production to give it that extra oomph.  Where the ‘bread is buttered’ is the songwriting, which features underrated California country singer/songwriter Devin Dawson as a co-writer.  The crowning achievement lyrically comes on the big-time chorus, where Blake Shelton is turned-up and locked-in to the nth degree.  Shelton deserves ample credit for one of the grittiest performances I’ve personally heard from him.  He perfectly captures the pride he and the citizens have for the United States, as well as the awesomeness of who ultimately created it.

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35. DJ Khaled, “Higher”

Ft. Nipsey Hussle & John Legend

Father of Asahd • Epic • 2019

At best, the 2019 DJ Khaled album, Father of Asahd, is average.  Even so, the biggest attraction of the album “Higher,” is definitely worthwhile.  “Higher” is a marvelous collaboration between the late Nipsey Hussle and John Legend.  The record elevates Father of Asahd to a ‘higher’ level thanks to soulful, gospel-infused vocals (Legend), awesome rhymes (Hussle), and high-flying, uplifting production work.

A change of feel within the production (a beat switch), occurring on the second verse only adds to the brilliance, allowing Hussle to switch up his flow as well.  Clocking in at under three minutes, despite its brevity, “Higher” is a surefire gem.  This is truly a great posthumous song by Nipsey Hussle by all means.  #Victory Lap

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36. MARINA, “Handmade Heaven”

LOVE + FEAR • Atlantic UK • 2019

“I carry along a feel of unease / I want to belong like the birds in the trees.” Hmm, sounds like a perfect example of escapism, a common topic in music of various genres.  “Handmade Heaven” marks the second entry on 50 Best Songs of 2019 (So Far) by MARINA following “To Be Human” (#27).  “Handmade Heaven” commences her 2019 LP, LOVE + FEAR.

MARINA sounds fantastic on “Handmade Heaven,” flaunting her lovely, upper register, and singing with incredible ease while still packing a punch.  Amplifying her performance is warm production work, that’s also pretty epic at the same time.  The most dynamic and memorable moment arrives on the chorus:

“But in this handmade heaven, I come alive

Bluebirds forever color the sky

In this handmade heaven, we forget the time

‘Cause birds of feather fly together.”

During the stellar chorus, the vocal production is ‘on fleek’ and the instrumental palette is incredibly rich – synths, drums, strings, etc.  Another noteworthy moment from the record is the the bridge.

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37. Gnash, “Dear Insecurity”

Ft. Ben Abraham

We • :): / Atlantic • 2019

“I hate the way you make me feel / I hate the things you make me think / You make me sick to my stomach / I wish that I wasn’t me.” One of the more underrated, under-appreciated albums of 2019 hails from California alternative musician, Gnash (We).  Gnash strikes gold on the song “Dear Insecurity”, featuring Australian folk singer Ben Abraham.  Abraham brilliantly sings the chorus: “Dear insecurity / When you gonna take your hands off me? / When you ever gonna let me be / Proud of who I am?” Abraham provides a nice contrast to Gnash, while also matching his musical sensibilities. As for Gnash himself, well, he is totally ‘in his head,’ successfully addressing the thing that he hates the most – insecurity.

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38. Tyler, the Creator, “New Magic Wand”

IGOR • Columbia • 2019

Genre: Rap

“New Magic Wand” continues the excellence of IGOR.  Furthermore, Tyler the Creator earns his second spot on the 50 Best Songs of 2019 (So Far) (“Earfquake”, #9). In the context of IGOR, ‘matters of the heart’ remain the focal point. Tyler makes it clear that ‘she’ needs to get ‘out of the picture.’ “She really fuckin’ up my frame,” he states at the end of the verse, continuing, “She’s not developed like we are.” Hmm, to quote Amy Winehouse, “what kind of fuckery is this?”.

Tyler, the Creator makes it clear that ‘she’s’ not a ‘he,’ thus, not the same sex, which appears to be his preference… maybe. The second verse further fuels speculation as he asserts, “My brother said I’m on the spectrum…” Sure, maybe he’s referring specifically to remarks made by his step brother but given his ‘flirtation’ with sexuality on Flower Boy and now IGOR, the fact that he could be referring to the sexual spectrum seems very possible.  Where does this magic wand come into play? Well, he’s going to remove her from the picture – R.I.P.

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39. Wallows, “Scrawny”

Nothing Happens • Atlantic • 2019

“Scrawny motherfucker with a cool hairstyle.” What an utterly profane chorus – day-um! Rising alternative collective Wallows, fronted by actor Dylan Minnette, dropped a brief, irresistible, and profane alternative single, “Scrawny” in advance of their 2019 debut album, Nothing Happens.  Obviously, the best lyric from “Scrawny” is the aforementioned bullet that Minnette repeats four times on the chorus.  Besides his potty-mouthed delivery there, he shows off feistiness on the second verse, asserting, “I say the wrong shit at the right times / If I’m offending them, I don’t mind.” It’s this attitude that really sells this up-tempo joint to the fullest.  Lyrically, Minette paints a picture encompassing anxiety, awkwardness, and being comfortable in your own skin.

“Question though, how do I look to you? / Am I so thin that you can see through?” While there’s at least a layer of seriousness, there’s also that tongue-n-cheek vibe, which makes this irresistible and infectious. All in all, Wallows delivers an up-tempo, kick ass gem with “Scrawny.”  At just under three minutes, Minette and company keeps things tight and thrilling to the nth degree. “Scrawny” is a rousing success thanks to ample personality, and a respectable musical backdrop.

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40. Rex Orange County, “New House”

New House [Single] • Rex Orange County • 2019

“I can see us in a house next year / (You’ll be) making your mind up / You can figure out what goes where / (And stay) keeping it real with me all the time.” Incredibly gifted.  That’s the best way to describe British alternative musician Rex Orange County (Alex O’Connor). After releasing the triumphant LP Apricot Princess in 2017, he returned in 2019 with a brand-new single, “New House”.

Perfection is hard to achieve, yet, Rex Orange County achieves or nearly achieves it on “New House.” The production work is absolutely magnificent.  The sound palette is broad, including piano, drums, strings, brass, and synths.  Beyond the backdrop and instrumentation, O’Connor sounds great vocally, never forcing anything, but delivering with ‘cool, calm, and collected’ approach without sounding casual or nonchalant.  With production, musicianship, and a ripe set of pipes on his side, perhaps the biggest reason that “New House” is nearly perfect is the songwriting.  O’Connor is a clever writer, with the ability to surprise you with his lyrics. Interestingly, he explores the creative process (“You know that I haven’t been inspired since like I was 18”), in addition to the progression of his relationship, as the aforementioned chorus suggests.

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41. Badflower, “x Ana”

OK, I’M SICK • Big Machine • 2019

“I can’t feel my toes or my fingertips / My chest is pounding so fast I can’t keep up with it / I’m losing it – fuck! I just want to quit it.” Frontman Josh Katz and Badflower are in a bad spot to say the least, thanks to “X ANA x” (a stylization of ‘Xanax,’ the sedative), the second single from the band’s full-length, debut album, OK, I’M SICK. Clearly, the effects of anxiety (and the Xanax as well), have Katz down.  He’s profane, dropping multiple f-bombs, as he suffers. Notably, he emphasizes the ‘ANA’ portion of the word, almost approaching Xanax like it’s a relationship.  On the first verse, he memorably states, “Judging my fucking sex ANA x ANA x / And I’m faking just to stay in my body / I’m nervous, I can’t fucking stand it.”

It should be noted that “x ANA x” doesn’t reference overdosing on Xanax itself, BUT the record is a great lens into the effects that the drug can have, etc. The lyrics, throughout the course of the song, reflect Katz’s anxiety, while the high-energy, instrumental backdrop also matches the anxiousness.  As the song continues, the listener is invited more and more into the suspect mindset of the protagonist, particularly at the end of the second verse.

“The kind of sick that makes an atheist pray for Jesus

The kind of sickness that turns your power into weakness

I’m sick of being sick for this whole fucking place to witness

And I’m living a sick life that most people call privilege

And they’re kinda right

But I’m still sicker than I can cope with.”

“x ANA x” is energetic, honest, and well-rounded. Josh Katz definitely has the personality to sell this anxiety-driven must-hear gem of 2019 superbly.

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42. Luke Combs, “Beer Never Broke My Heart”

Beer Never Broke My Heart [Single] • River House Artists / Sony • 2019

“Longneck ice-cold beer never broke my heart / Likin’ diamond rings and football teams have torn this boy apart… / And longneck ice-cold beer never broke my heart.” Give Grammy-nominated country singer Luke Combs credit for his honesty on “Beer Never Broke My Heart”. Love, politicians, and sports teams have all messed him up, but never that glorious substance known as beer.  It shouldn’t come as a surprise – country musicians have notorious love for beer.

Luke Combs keeps it relatively tight on “Beer Never Broke My Heart,” just inching past three minutes in duration.  Besides a respectable length, he does a fabulous job of maintaining the country music script.  He delivers robust vocals, heavy on twang, and unapologetically country.  Within the country music community, there are those who favor the traditional approaches and those who embrace the new sound, which incorporates pop, electronic, and urban influences.  Here, Combs is all ‘old-school’ – there isn’t the slightest bit of pop or urban sensibilities to be found on this straightforward, turned-up, guitar-heavy joint. Combs may not revolutionize country music, but “Beer Never Broke My Heart” is a rock-solid flex-fest for him and the more traditional side of the genre.

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43. Chaka Khan, “Like Sugar”

Hello Happiness • Island • 2019

Prior to the release of Hello Happiness, Grammy-winning R&B icon Chaka Khan hadn’t release and album since 2007 (Funk This).  Thankfully, Hello Happiness, although brief, is filled with some great moments, including the ‘best song’ at hand, “Like Sugar.” “Like Sugar” keeps the album on the upswing, thanks in large part to one of the funkiest, absolutely irresistible grooves ever.  Adding to the glory is the use of a 70s disco sample, sigh.  Khan doesn’t lie when she sings, “It’s like sugar, so sweet / Good enough to eat / When you feel the funky beat / Get up on a-yo’ feet.” She’s clearly on autopilot.

 

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44. Joyner Lucas, “Isis”

Ft. Logic

ADHD • Tully • 2019

“Me and Joyner need a couple hearses… / What’s beef? / Beef is when you murder motherfuckers on a beat, kill ‘em all, kill ‘em all.” Hmm, apparently, the beef is off between rappers Joyner Lucas and Logic.  Lucas taps the ever-prolific Bobby Hall for his single “Isis”,  the third single from his highly-anticipated 2019 album, ADHD. Following the intro, Joyner Lucas drops a fiery chorus, filled with counting – “…Five times for the bitches who ain’t called back (Yeah) / Six times for the kids like me who got ADHD just to…” Lucas goes on to drop an epic, ‘turnt-up’ verse, referencing ‘ISIS’ early on.

Lucas’ fire is further fueled by mean-sounding, minor-key production.

“Got a metal in the truck, I keep a semi when I’m bussin’

Niggas duckin’ (Bop)

Even Stevie Wonder could’ve see it comin’ (Brrrap, brap, bop).”

Couple that with his kick ass flow and “Isis” is ‘on 10’ early-on.  Logic adds his two cents on the second verse, dropping an electrifying verse in his own right, perfectly suited for this particular joint. The aforementioned references to the ‘beef’ hail from top of his verse btw. As always, he has his share of clever lines including referencing Regis and Kelly (“Yes, it’s egregious, I’m Regis / You Kelly, you pussy, you pussy”) and of course, murder.  Ultimately, Joyner Lucas and Logic are absolutely sick on “Isis.”  Both serve up some memorable, potent rhymes, further amplified by the ferocious backdrop. #Fancy Tickled.

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45. Bring Me the Horizon, “Why You Gotta Kick Me When I’m Down?”

Amo • Sony • 2019

“But tell me why you gotta kick me when I’m down? / You better pray I don’t get up this time around.” After a four-year hiatus, English rock band Bring Me the Horizon returns with an alluring, bold, and incredibly eclectic sixth studio album, amo. Arguably, nothing on amo sounds anything remotely close to Sempiternal Bring Me the Horizon – there’s no “Shadow Moses”.  Regardless, there’s one surefire, inescapable, dynamic moment from amo – “Why you gotta kick me when I’m down?”

“Why you gotta kick me when I’m down” blends rock, hip-hop, and classical seamlessly.  What makes “Why you gotta kick me when I’m down?” so good? A primary school children’s choir, badass brass, haunting strings, and even some pop-rap style vocals from Sykes.  Furthermore, he’s loose, dropping a couple of f-bombs (“Oh, God, what the fuck have you done? / I loved your like daughters, I loved you like sons”).  “Shadow Moses” remains king, but “Why you gotta kick me when I’m down” is no slouch – it’s among the crème de la crème of amo without question.

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46.Solange, “Almeda”

When I Get Home • Columbia • 2019

Solange had a tall task following up her superb 2017 album, A Seat at the Table.  Nonetheless, When I Get Home is an enjoyable and notable follow-up, even without a hit the caliber of the Grammy-winning “Cranes in the Sky” or “Don’t Touch My Hair”. Still, the adventurous record “Almeda” is quite ear-catching to say the least. “Almeda” brings some big names along for the ride. Pharrell Williams serves as co-producer, naturally giving “Almeda” a distinct, ‘other-worldly’ sound.  Also, Solange is assisted by The-Dream on the refrain, and Playboi Carti on the third verse.  “Almeda” is ambitious AF, encompassing black positivity despite adversity, while still keeping the lyrics simple and repetitive.

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47. Cub Sport, “Party Pill”

Cub Sport • Cub Sport • 2019

“I think I’m gonna love you for a long time / Boy, I can’t go a minute without you on my mind.” “Party Pill” continues the progression that Australian alternative-pop Cub Sport showcase throughout Cub Sport. That progression is in regard to sexuality, a prominent theme. On “Party Pill,” Tim Nelson describes falling in love for the first time and working toward acceptance and embracement of the reality.  This is the perfect record for someone questioning, or who has questioned their sexuality; it’s quite relatable and authentic to the nth degree.  In the context of Cub Sport, it’s yet another masterfully performed, produced, and written gem. Arguably, “Party Pill” is the crowning achievement and easily among the best songs of 2019 that many folks have never heard.

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48. Mary J. Blige, “Thriving”

Ft. Nas

Thriving [Single] • Republic • 2019 

“Keep smilin’, make ‘em wild out / Stay loud, don’t dumb it down / Hold my crown up to the sky / Hold your crown up to the sky.” Although Mary J. Blige may be past her most lucrative prime, but that doesn’t stop the Grammy-winning, ‘queen of hip-hop soul’ from releasing compelling, new music.  That’s exactly what she does with single, “Thriving”. As MJB indeed ‘thrives,’ she gets a lift from another top-notch musician in his own right, Nas.

Blige is on autopilot from the jump.  Backed by banging production by DJ Camper she flexes hard from the start. “Look what I did, I made history,” she sings on the first verse, continuing, “They don’t know what to do with me.” Her confidence continues to soar on the second verse, as she asserts, “You see, I’m on a mission (Yeah) / Ain’t no baggage weighin’ me down (No).” As great as the verses, refrain (featured at the top of the review), and the pre-chorus are, it’s the chorus the seals the deal:

“No, we’re not just survivin’, yeah we’re thrivin’ over here

All those sad songs don’t break me, just gave me a record deal

Ooh, ooh,

We’re not just survivin’, yeah we’re thrivin’ over here.”

As for Nas, he delivers the goods on the third verse, providing contrast, yet complementing MJB: “I dodged bullets and jail time and kept drivin’ / Stood tall through it all, keep thrivin’.” “Thriving” is incredibly well-rounded.

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49. YUNGBLUD, “Parents”

Parents [Single] • Geffen • 2019

“‘Cause my high hopes are getting low / Because these people are so old / The way they think about it all / If I tried, I would never know… / ‘Cause parents ain’t always right.” On his single “Parents”, YUNGBLUD (Dominic Harrison) sings, quasi-raps, and delivers ample attitude.  Additionally, he has pretty rad production behind him courtesy of Zakk Cervini and Chris Greatti.  More edgy and risqué as opposed to playing it safe, “Parents” thrives because of its unapologetic honesty.

The message conveyed by YUNGBLUD is denouncing the narrow-minded thoughts that adults have in regard to youth.  Early on the first verse, he continues the sentiment of 21^st Century Liability as he depicts the ‘tortured’ nature of his generation.  On the first verse, the portions that pique the most interest actually appear at the end:

“My daddy put a gun to my head

Said, ‘If you kiss a boy, I’m gonna shoot you dead’

So, I tied him up with gaffa tape and I locked him in a shed

Then I went out to the garden and fucked my best friend.”

It’s outlandish but supports the overall message.  The ‘tortured’ sentiment continues on the second verse with YUNGBLUD going totally over the top on numerous occasions.  “Put a toaster in my bath, watch my mum and dad laugh / See a thousand volts go through the son they wish they never had.” Wow.  It gets even more wacky, as he later adds:

“But it’s hard to get an erection when you’re so used to rejection

Yeah, the teacher fucked the preacher

But then he had to leave her

Had to wash away the sins of a male cheerleader.”

Harrison does a fantastic job of selling it all, perfectly summing things up on the chorus, excerpted at the top of this blurb.

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50. Lauv, “Drugs & The Internet”

Drugs & The Internet [Single] • Lauv • 2019

“I sold my soul / And all I got / Likes from strangers, love on the internet.” Rising pop musician Lauv shares his experiences with anxiety, depression, and the plight of fame on his superb new single, “Drugs & The Internet”.  “Drugs & The Internet” opens abruptly with smooth falsetto by Lauv, accompanied by piano. He sounds particularly expressive here.

On the first verse, he depicts depression he’s experienced:

“Another life, another story

She walked out; said I was boring…

Shit, I said I’m never trying

‘Til the bitter end, but now every now and then

I wonder what it feels like to be more than I am.”

Following a slower, more relaxed opening verse, a sick groove and more aggressive sound kicks in on the chorus. Interestingly, this change of pace wasn’t necessarily expected, but it ends up being a pleasant surprise and keeps “Drugs & The Internet” interesting.  On the memorable chorus, he sings:

“I traded all my friends for drugs and the internet

Ah shit, am I a winner yet?

Look quick, is he a winner yet?

Mom’s back home with a drink and a cigarette.”

The vocal production on the chorus is superb, not to mention the overall production work by Jon Bellion, Johnny Simpson, and of course, Lauv himself. The second verse retains the newfound tempo of the chorus, while still speaking to Lauv’s anxiety and depression: “So now I’m laying in my bed / And I can’t get out my head / It’s all because, all because.” Ultimately, “Drugs & The Internet” gives Lauv one of the best singles of career.

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[Photo Credits: 4AD, :): / Atlantic, Aftermath / 12 Tone Music, Atlantic, Big Machine, BMG Rights Management, Capitol, Columbia, Cub Sport, Dreamville / Roc Nation, Epic, Geffen, Interscope, Island, Jonas Brothers Records / Republic, Lauv, Nice Life / Atlantic, RCA, Republic, Rex Orange County, River House Artists / Sony, Sony, Ten Point Productions Inc. / Warner Bros., Tully, Warner Bros.]

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