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“20 Songs about Apparel: Clothes & Shoes Reloaded” features music courtesy of Beyoncé, City Girls, Justin Timberlake, Myylo & NoMBe.
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“(Tell me your name, not your brand) / Clothes don’t make a man.” Totally agree Angie Stone, and the same goes for women as well! If the aforementioned writing sounds familiar, well, that’s because it is – I copied from myself. Why? Well, the playlist at hand, 20 SONGS ABOUT THE APPAREL: CLOTHES & SHOES RELOADED, serves as an expansion of a previously published playlist, 9 Songs About Clothes and Shoes, from August 2018. Yes, #Time 2 Update!
That playlist, along with this re-upped version, is all about articles of clothing – jeans, shirts, dresses, suits, and shoes. Furthermore, brands (Balenciaga or Timberland) or a pattern/design (camouflage), also fit the criteria. SONGS ABOUT THE APPAREL: CLOTHES & SHOES RELOADED features music courtesy of Beyoncé (“6 Inch”), City Girls (“Panties An Bra”), Justin Timberlake (“Flannel” and “Suit & Tie”), Myylo (“Doc Martens”), and NoMBe (“Heels”) among many others. Without further ado, let’s get dressed…or undressed in some cases! Yeah, I also ‘jacked’ that line from myself 😉.
1. NoMBe, “Heels”
“Heels” • TH3RD BRAIN • 2020
“Heels” possesses an alternative R&B sound, which instantly pleases the ears. I adore the use of guitar throughout, but particularly how overt it is during the chorus section. Complementing the production, with its pop electronic, and 80s elements are soulful vocals by McBeth. Perhaps that’s where the ‘alternativeness’ comes into play – he doesn’t merely sound like a contemporary soul singer. Furthermore, the harmonic progression, while simple overall, has a couple of quirks, particularly chromaticism.
Lyrically, sex is loud and clear, and we wouldn’t have it any other way. “My baby’s she’s blessed / Ready for action / And dressed for revenge,” McBeth sings on the first verse. On the second, he adds, “I wish we could make up / Maybe undress / Just like mother earth made us / No fabric, no tags.” Damn, it’s getting hot in here, like, Sean Paul “Temperature” hot! Of course, the best part of the song is the infectious, kinky chorus:
“So, go on put your favorite heels on So, go no put your favorite heels on Go put your favorite heels on and walk all over me.”
2. Greyson Chance, “Boots”
“Boots” • Arista • 2019
Following his ‘running’ intro, he wastes no times cowboying it up like the Oklahoma-bred boy he is, dissing the fake cowboys of California. “I’ve been western before all of these punks,” he sings, continuing, “These punks in California who think they can punch.” Later, he trades ‘punks’ for ‘stars,’ singing, “These stars in California who think that they are hard.” That, of course, goes beyond the cowboy lifestyle. Of course, he couldn’t have a killer boot song without referencing Nancy Sinatra, right? Right! “Boots with the big heels, hot like I’m Nancy” is the perfect way to commence the second verse. Also, concluding the verse with the confident line “‘Cause I’ve been making people mad since the start / And making too much money to be wasted in this bar,” is pretty sick as well. Don’t think Chance is totally ‘old fashioned’ – he gets a weed reference in towards the end (“I’m smoking way too loud; I’m feeling good high now”). “Boots” previously appeared on the playlist, 11 Awesome Songs That Tickled My Fancy in November 2019.
3. Davis Mallory, “Shirtless”
“Shirtless” • Lionboy • 2019
As expected, “Shirtless” features slick production work, courtesy of Joakim Buddee, who writes alongside Mallory. The sound of the record is fittingly bright, energetic, and enthusiastic. Regardless of sexual preference, think about how you feel when you see someone who’s fine as hell… That’s what “Shirtless” encapsulates. The lyrics are ‘over the top’ and dramatic, yet, when you think about it, we’re all ‘over the top,’ dramatic, and extra when it comes to crushes, fantasies, and such. Sure, it’s not the most poetic record, but there are some memorable moments lyrically including “All of your muscles and your veins / Oh, they’re driving me insane / Raise my hands and singing praise / Thanking God for what he made / And the sun’s out / And your guns out.” Jesus!
4. Myylo, “Doc Martens”
I’m a Nice Boy (EP) • Myylo • 2019
“Doc Martens and cotton Ts / Blessed to death with his daddy’s genes / Skinny body by creatine / I think I’ll make him fall in love with me.” Have shoes ever sounded as hot as they do in Myylo’s hands on “Doc Martens”? That’s rhetorical, so, of course not! The stellar “Doc Martens” isn’t really about the shoes, but more about the man that Myylo is digging. He definitely does sound like a hunk! There’s so much to love about “Doc Martens” – the exuberant production, the tongue-n-cheek songwriting – everything! That said, if you could pinpoint one indisputable selling point, it’s the flawless, ripe falsetto. The vocals are definitely ‘on fire’ here. One of my favorite parts of the song besides the aforementioned verse:
“Get him back him to my house Kiss him up in my bedroom Spilling all of our secrets Curled up on my pillows Make him bacon in the AM So, we don’t break up till the world end.”
5. Gnash, “T-shirt”
We • Atlantic • 2019
On “T-Shirt,” Gnash is experiencing quite the emotional toll, blamed on that four-letter word, specifically the plight of that four-letter word, sigh. In the context of We, prior to T-Shirt (“Nobody’s home”), The relationship has expired, and he’s feeling the aftershocks you might say. On “T-Shirt,” the garment plays a significant role because it’s the only thing that remains with him from their relationship. By the end, he cusses the inanimate object, which serves as a reminder of how she broke his heart:
“You broke my heart and all I got was this t-shirt T-shirt, this stupid, fucking t-shirt.”
6-7. Ryan Beatty, “God in Jeans” / “Camo”
Boy in Jeans • Boy in Jeans • 2018
On the second verse, he seems to address both his boyfriend, and judgmental people as he sings, “Oh my God, you know I need ya / If I’m going to hell, I’m taking you with me.” There are Christians (not all) who don’t approve of homosexuality and consider it a ticket to hell. We don’t have a visual, unfortunately, but the boy definitely wears those jeans well – at least if we go by the audio. “God in Jeans” has appeared on numerous playlists: 15 Songs Where Guys Sing About Guys; God is in the Midst of These 11 Secular Songs; A Compendium Comprised of 100 Notable LGBTQ+ Songs.
With god sounding so fierce in the jeans, Beatty had another clothes-oriented number Boy in Jeans, “Camo”, which actually precedes “God in Jeans” on the track list. “Camo print depression / I keep my feelings hidden / No pills, no thrills / I’m not used to winning / But that’s life, that’s life.” As the aforementioned lyrical excerpt suggests, as a teen, Beatty tried to ‘blend in’ – play it straight if you will – despite being gay. Obviously, this affected him mentally, before living his truth.
In addition to the theme of the record, “Camo” benefits from fresh production that’s mysterious, slick, and urban-tinged. The beat helps “Camo” to stay afloat with its driving rhythm. Beyond the superb backdrop fueling him, Beatty sounds absolutely terrific. He blesses the track with a mixture of compelling, mid-range tenor and sweet falsetto. The results are a quirky, yet incredibly intriguing and personal record. “Camo,” like “God in Jeans,” has appeared on previous playlists: 13 Awesome Songs That Highlight Mental Health; 19 Songs That Reference Coming Out; A Compendium Comprised of 100 Notable LGBTQ+ Songs.
8. Cheat Codes, “Balenciaga”
Level 1 (EP) • Too Easy / 300 Entertainment • 2018
Thematically, this luxurious song focuses on materialism and superficiality, regarding a man buying expensive things for his girl. The instrumental section, post-drop, is clearly EDM-oriented – readymade for the dance floor. Notably, the synths are hard and biting, particularly one patterned after low brass. Furthermore, Cheat Codes anchors things down with a punchy, danceable beat. Dance on bros, dance on.
9. City Girls, “Panties An Bra”
Girl Code • Quality Control Music • 2018
There’s not much song with “Panties An Bra.” This brief cut clocks in at just under two minutes. Even so, that’s enough for both Yung Miami – who handles most of the song – and JT to express their ‘desires.’ I featured the beginning of the chorus, performed by Miami, but left out a key portion lyrically:
“…Open the door (Open the door) Just panties and bra (Panties and bra) Just panties and bra (Comin’ right off) Panties and bra (“Comin’ right off) …”
Pretty obvious where “Panties An Bra” was going with the title alone, but the chorus confirms it. The sound is quite hardnosed, sexed-up, and of course, unapologetic. Let’s explore some of the other lyrical highlights, shall we? Well, sticking with Yung Miami, she definitely enjoys ‘the stick’
“‘Bout to make a porn (Porn, porn, get it, get it) Boy, I love it when you get right to the business Lick it, stick it, damn, nigga Yeah, you got me spoiled (Damn, nigga).”
Damn, indeed. Can’t leave JT out: “Bitin’ on my neck with a lil’ ass grippin’ / Meet me at the spot, let’s say around three / Just bring that dick, a Plan B, and Hennessey (We fuckin’).” Wow… told you those Girls don’t play!
10. Marlon Williams, “Beautiful Dress”
Make Way for Love • Dead Oceans • 2018
Anyways, after exhibiting restraint throughout the first verse and chorus, the intensity picks up on the second – more oomph dynamically, instrumentally, and vocally. The chorus is a major selling point.
“Ooh! Let me wear you like a beautiful dress Let me love you Let me wear you like a beautiful dress, yes!”
11. Yung Bans, “In My Underwear”
Yung Bans • Yung Bans / Foundation • 2018
“Yeah, slidin’ down yo block, big Glock in my underwear Police pull me over right now, I’m gon’ get the chair This a dirty game, if you gon’ play, you gotta stay aware Niggas doin’ all that talkin’, ain’t no action, how I know you scared.”
Yeah, other than referencing a big Glock in his underwear, Yung Bans eschews discussing what he’s wearing… We know he doesn’t wear designer… He does reference that ‘Glock’ and sex on the sole verse, but it’s definitely NOT romantic:
“No love for a bitch, I just bust in her jaw Fuck that bitch so good I can cheat, she ain’t goin’ nowhere.”
Ugh, sounds like a dick that’s only worried about the pleasure he receives via his dick. I guess we’ll leave it on this apparel-themed list but damn Yung Bans, at least tells us if you’re a boxer, boxer-brief, or briefs guy!
12. Justin Timberlake, “Flannel”
Man of the Woods • RCA • 2018
“And in her face, she knew I wasn’t staying / I was leavin’ with my flannel on.” Initially, Timberlake serves this record up without any pop trickery – it sounds purely country. Soon enough, the trickery – 808s – come in. During the last minute-and-a-half of “Flannel,” his wife, actress Jessica Biel, provides additional narration during an enigmatic, unexpected production switch-up.
“Do you see? Look at all of it from up here It’s beautiful, it’s beautiful Do you see it?”
13. The National, “Turtleneck”
Sleep Well Beast • 4AD • 2017
In the context of Sleep Well Beast, “Turtleneck” directly contrasts the sweetness of the song that precedes it, “Born to Beg.” The lyrics, as excerpted above, are quite colorful, intense, and intriguing. The pre-chorus and chorus that follow are absolutely ferocious. More notably, they are symbolic, referencing politics (Trump in particular), religion, society, and such.
“This is so embarrassing Ah, we’re pissing fits Crying on our doorsteps in t-shirts loose and ripped Some of them so out of style I cannot save them They’ll just get whatever my salvation gave them … Hide your backbone, shrug your shoulders Give the gift that fits your head You have to get this turtleneck.”
There are more awesome lyrics, but you can check them out for yourself. Worth mentioning is that harmonically, Turtleneck” has similarities to “The System Only Dreams in Total Darkness.” The assertiveness of the band, led by Berninger, stands out here. The guitar solo is pretty sweet as well, in the most kick ass way possible that is!
14. Taylor Swift, “Dress”
Reputation • Big Machine • 2017
On “Dress,” Swift asserts that she “Only bought this dress so you could take it off / Take it off, o-o-off.” Again, prior to her 2017 album, reputation, the pop star had never been so overt. Still, at the same time, there’s no reason whatsoever to overreact or over sensationalize. Yeah, she’s being suggestive, but she definitely does so without explicitly crossing any lines. She’s much classier than some of her contemporaries, that’s for sure. Furthermore, if she wants to be sexy, who’s to stop her and why should they need or want to?
“And if I get burned, at least we were electrified I’m spilling wine in the bathtub You kiss my face and we’re both drunk Everyone thinks that they know us But they know nothing about – ”
I’ll leave it there.
15. Foo Fighters, “T-Shirt”
Concrete and Gold • RCA • 2017
When I say brief, I mean “T-Shirt” doesn’t even make it to one-and-a-half minutes in duration. Furthermore, rather than commencing in hard hitting fashion, it initiates more reservedly. Of course, Foo Fighters aren’t known for prolonged subtlety. This lasts a mere 30 seconds, before the Foo Fighter-ness comes out roaring. I find it quite interesting that the above mentioned lyrics initiate the shift, with a sound that has some Queen influence…
“There’s one thing that I have learned If it gets much better, it’s going to get worse And you get what you deserve.”
Well, the aforementioned lyrics that grace that epic second verse are definitely prudent. Also, worth noting, “T-Shirt” foreshadows a number of songs to come on Concrete and Gold.
16. Tuxedo, “Fux with the Tux”
Tuxedo II • Stones Throw • 2017
For a throwback, funky R&B joint, “Fux with the Tux” is chocked-full of swagger, amplified by an appearance by the one-and-only Snoop Dogg. According to Snoop, “‘Cause the only time you wear a tuxedo / Is when it’s time to party / You don’t need to flex / It’s just the T-U-X / Ho!” If you didn’t know who Tuxedo were prior to the ‘fux-ing,’ well, you know them now, so ‘fux with them.’ Too much? Fux!
17. Blackbear, “Bright Pink Tims”
Ft. Cam’ron
Cybersex • Interscope • 2017
As aforementioned, blackbear flexes from the jump. He pop-raps the first verse. While he doesn’t offer anything groundbreaking, he’s effective with the cocky, confident hip-hop clichés (“Your main chick a 6, a 7 at best / She leave with me, she turned to a 10…”). The chorus is confident and assured, intact with blackbear’s natural vocals, as well as pitch-shifted, hip-hop vocals. Cam’ron drops the second verse, starting slow at first, before coming into his own including, “And don’t even ask / These shoes I got on, you could never pronounce.”
18. Migos, “T-Shirt”
Culture • 300 Entertainment • 2017
The production is malicious sounding, featuring a hard-hitting beat. Essentially, the M.O. is a tough-minded, gives no flips record. Notably, Takeoff raps the first verse, approaching it in a broken, staccato style of rap.
“Neck water faucet, mockingbirds mocking (woo) Act pint, stocking, nats keep thotting (nat) Wrist on hockey, wrist on rocky (rocky) Lotta niggas copy (huh), name someone can stop me (no one).”
Ultimately, it’s a solid banger – a great example of Culture… the album that is.
19. Beyoncé, “6 Inch”
Ft. The Weeknd
Lemonade • Sony • 2016
“She stack her money, money everywhere she goes / She got that Sake, her Yamazaki straight from Tokyo,” Beyoncé sings ono the second verse, continuing, “Oh baby you know, she got them commas and them decimals / She don’t gotta give it up cause she professional.” Clearly, this woman is on the grind, working hard for her money. Of course, all said and done, it’s the ‘inch’ that earns “6 Inch” a spot on this measurement-driven, quantification list. “6 Inch” previously appeared on the playlist, 10 Intriguing Measurement, Quantification Songs.
20. Justin Timberlake, “Suit & Tie”
Ft. Jay-Z
The 20/20 Experience • RCA • 2013
Notably, Timberlake enlisted the talents of Jay-Z for “Suit & Tie.” He’d reciprocate Jay’s guest spot on the Grammy-winning Best/Rap Sung Collaboration, “Holy Grail” (Magna Carta… Holy Grail, 2013). I actually find JT’s feature on “Holy Grail” to be bigger than Hov’s on “Suit & Tie.” Sure, Hov comes along for the ride, and serves up a successful contribution, but Timberlake ‘holds it down’ all by himself.
The beginning of the cut is chopped-n-screwed, with Timberlake asserting, “I be on my suit and tie shit / Can I show you a few things…Let me show you a few things.” Yes lawd – puh-lease do Justin! Anyways, refocusing, the style is sunny-sounding pop soul, with Timberlake eating that shit up (he’s on his “Suit and tie shit” after all), amplifying schmaltziness. Regardless, his falsetto is incredibly impressive, while his performance has ample swagger. “Suit & Tie” – now that’s some good ‘shit’ right there!
20 Songs about Apparel: Clothes & Shoes Reloaded [Photo Credits: 4AD, 300 Entertainment, Arista, Atlantic, Brent Faulkner, Big Machine, Boy in Jeans, Dead Oceans, Foundation, Interscope, Lionboy, The Musical Hype, Myylo, Pixabay, Pexels, Quality Control, RCA, Sony, TH3RD BRAIN, Yung Bans]
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