â15 Thrilling Latin-Infused, Latin-Pop Songsâ features songs courtesy of Camila Cabello, Cardi B, J Balvin, Jennifer Lopez, and Maluma among others.
Sometimes, itâs important to exit the box. Many times in life, we box ourselves in, embracing âcreatures of habitâ status. However, what would we learn if we âchanged things up a littleâ â altered our sacred routine? With 15 Thrilling Latin-Infused, Latin-Pop Songs, my goal was to explore a genre that I personally havenât covered much throughout my blogging/writing career. Itâs exciting to see Latin music gain such mainstream notoriety, as well as becoming incorporated more and more in various styles.
For this very incomplete snapshot, I selected 15 Latin-pop songs that I personally reviewed, liked, or simply found alluring. Some are completely in Spanish, some incorporate Latin music cues, and some dabble in both English and Spanish. Artists appearing on this incredibly flavorful playlist include Camila Cabello, Cardi B, J Balvin, Jennifer Lopez, and Maluma among others.
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1. Shakira & Maluma, âClandestinoâ
Clandestino â Single âą Sony Latin âąÂ 2018
âLo nuestro es ilegal y no te voy a negar / Que yo pago la condena por besarte.â Iconic Colombian singer/songwriter Shakira (âHips Donât Lieâ) and rising, 24-year old Columbian reggaetĂłn singer Maluma (âFelices los 4â) make a showcase terrific chemistry as âsecret loversâ on âClandestinoâ, a song sung exclusively in Spanish. âClandestinoâ translates into the word clandestine with the key part of its definition being secrecy. As both standout artists sing about this clandestine love affair theyâre backed by an appealing reggaetĂłn backdrop, comprised of slick drums, a robust bass line, wavy keyboard, and of course, synths.
2. Cardi B, âI Like Itâ
Ft. Bad Bunny & J Balvin
Invasion of Privacy âąÂ Atlantic âą 2018
Cardi B exploded in 2017 with her number one hit single, âBodak Yellowâ. In 2018, she scored a number one album with Invasion of Privacy, which turned out to be a well-rounded debut by all means. One of the highlights not named âBodak Yellowâ or âBartier Cardiâ is âI Like It.â âI Like Itâ brilliantly samples the Pete Rodriguez classic, âI Like It Like Thatâ bringing some serious Latin vibes into Invasion of Privacy. Amplifying the brilliance even more are appearances from Puerto Rican rapper/reggaetĂłn singer Bad Bunny and Colombian reggaetĂłn singer J Balvin.
3. Maluma, âFelices los 4â
F.A.M.E. âą Sony Latin âą 2018
Maluma is kind of a big deal â understatement. On YouTube alone, he sits at 16 million and counting. Â Yeah, yeah, yeah, perhaps if you arenât abreast of Latin music the name is less familiar. Â For the more casual listener, just know that that the 24-year old Columbian reggaetĂłn singer has lots working for him. Â Among those things working out for him include first and foremost, a smooth set of pipes, though the looks donât hurt in the least.
The song at hand, âFelices los 4,â was actually released in early 2017, but appears on his 2018 album, F.A.M.E. The music video sits north of a billion views on YouTube, while the RIAA has certified the single platinum 29 times (RIAA Latin Diamond). The accompanying music video (featuring actor Wilmer Valderrama) crafts the narrative of âFelices los 4â as an extramarital affair. The song itself depicts a complicated relationship, one where two people hook up, but arenât exclusive to each other and have someone else in their respective lives.
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4. Liam Payne & J Balvin, âFamiliarâ
Familiar â Single âąÂ Capitol âąÂ 2018
Sexy Latin pop single âFamiliarâ pairs One Directionâs Liam Payne with an unlikely partner â Colombian reggaetĂłn singer J Balvin. Unlikely it may be, ultimately, âFamiliarâ ends up being a success. The Latin-pop production and sound are a good look for Payne while naturally fitting J Balvin. The groove is infectious, the songwriting is simple and repetitive, while both musicians deliver respectable, well-rounded performances.
5. Jennifer Lopez, âDineroâ
Ft. Cardi B & DJ Khaled
Dinero â Single âą Epic âąÂ 2018
âThey say money talk, but my talking bilingual.â âDineroâ marked the second exclusively Spanish single from pop superstar Jennifer Lopez. Lopez is assisted by DJ Khaled and Grammy-nominated rapper, Cardi B. The results are well-rounded as âDineroâ is energetic and infectious. âDineroâ initiates with a spirited intro, featuring confident vocals by Jennifer Lopez about money. Naturally, co-producer DJ Khaled provides shout-outs. The production (also co-produced by Tommy Brown) has a number of terrific touches including the Spanish-guitar, Latin-dance fueled sound of the verses.
Notably, thereâs a beat-switch on the chorus, which is heavier and features punchier vocals by Lopez with a dash of English incorporated in. Cardi B arrives for the third verse, rapping over a beefier beat. Naturally, she matches the toughness of the beat with an alluring flow, closing her verse with a bang: âTwo bad bitches that came from the Bronx /Cardi from the pole and Jenny from the block.â
6. Pharrell Williams & Camila Cabello, âSangria Wineâ
Sangria Wine â Single âąÂ Columbia âąÂ 2018
Pharrell Williams and Camila Cabello join forces for the infectious âSangria Wineâ, their second collaboration (Williams co-wrote âHavanaâ). âSangria Wineâ commences with a synthetic brass-fueled intro (interlude), that recurs later in the record. From a production standpoint, itâs hella compelling thanks to the fantastic percussive groove and heaping dose of world flavors, specifically Latin pop. Cabello sounds fantastic, handling the bulk of the singing duties, singing in both English, and Spanish. The bright, youthfulness of her instrument, not to mention the attitude she exhibits, makes her special.
As for Pharrell, he also lends his pipes to the centerpiece of the record, the chorus. Catchy, heâs on autopilot.
âHoney said she want somebody break her off proper Man, she so relentless so nothing can stop her Never left the city but she swear sheâs a yardie Because itâs so awesome how she move her body She do the sangria wine, sangria wine Moving side to side, front and behindâŠâ
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7. Yellow Claw, âTo the Maxâ
Ft. MC Kekel, Lil Debbie, Bok Nero & MC Gustta
New Blood âą Barong Family âąÂ 2018
Dutch producer/DJ duo Yellow Claw has dropped numerous singles in 2018, prepping for their third album, New Blood. Among the most electrifying singles is âTo the Maxâ, featuring a star-studded cast including American rappers Bok Nero and Lil Debbie, as well as Brazilian rappers MC Kekel and MC Gustta. With four rappers on the track, itâs safe to say rap is the prevalent style on the record, but itâs also fused with a dash of Latin-tinged, Brazilian flavor. The two American rappers dominate the first part of the record. Both rappers slay, with Lil Debbie serving up a show-stopping hook. As for the second half the song, itâs dominated by the two Brazilian rappers, MC Gustta and MC Kekel, who drops bars in Portuguese. Translate the lyrics to English, and the rhymes by Gustta and Kekel look pretty standard on paper â slang and profanity included.
8. Camila Cabello, âHavanaâ
Camila âą Epic âą 2018
âHavanaâ earns the distinction as the first big Camila Cabello solo hit. The recordâs Latin-tinged production is a huge selling point, not to mention sound, confident vocals by Cabello.
The hook is simply irresistible.
âHavana, ooh na-na (ay) Half of my heart is in Havana, ooh na-na (ay, ay) He took me back to East Atlanta, na-na-na, ah Oh, but my heart is in Havana (ay) My heart is in Havana (ay) Havana, ooh na-na.â
Additionally, thereâs acquired taste Young Thug in all his quirky glory. Even so, Cabello is the star, holding down âHavanaâ like a champ.
9. HRVY & Malu Trevejo, âHasta Luegoâ
Hasta Luego â Single âą Virgin âą 2018
Rising English teen pop singer HRVY and rising Cuban-American teen singer Malu Travejo deliver a fun pop hit with the âshort, but sweetâ âHasta Luegoâ. âHasta Luegoâ is sleekly produced, with the Latin vibes front and center. The key piece of the production is the beat, which is sick, particularly once the chorus rolls around. HRVY serves up clear, smooth vocals, perfectly suited for pop as well as the sensual nature of this Latin-tinged record. Trevejo holds her own as well, matching the British heartthrob with her own exuberant pipes, not to mention handling the majority of the Spanish lyrics (verse two).
Beyond the great verses, itâs the incredibly catchy chorus thatâs the centerpiece.
âHasta luego (way go) But she donât know my name though (oh no) I said bailamos I said bailamos I said bailamos and we dance Hasta luego (way go) But she donât know my name though (oh no).â
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10. Enrique Iglesias & Pitbull, âMove to Miamiâ
Move to Miami â Single âąÂ Sony âąÂ 2018
Madrid and Miami are in the house! That would be Grammy-winning Spanish icon Enrique Iglesias and Grammy-winning pop-rap sensation Pitbull. The two artists have joined forces numerous times over the years. âMove to Miamiâ keeps things brief, clocking in south of the three-minute mark. Regarding depth, thereâs little on âMove to Miami,â where Iglesias and Pitbull are simply enamored with the women of Miami. On the first verse, Iglesias, sings, âThis girl got me feelinâ risky.â On the pre-chorus, Pitbull raps, âShe got that ass, she make it clap / Sheâll leave you shook.â The chorus, performed solely by Iglesias, is all about moving to Miami â duh. Yeah, this electro-pop, Latin pop, reggaetĂłn joint is utterly ridiculous. But, just because itâs ridiculous doesnât strip it of being enjoyable or fun.
11. Jennifer Lopez, âEl Anilloâ
El Anillo â Single âąÂ Epic âą 2018Â
âÂżY el anillo paâ cuando?â For âEl Anilloâ (âThe Ringâ), Latin-pop/urban contemporary superstar Jennifer Lopez performs exclusively in Spanish. Even sans English translation, it is clear that Lopez amplifies the sexiness on âEl Anillo.â Lyrically, the record centers around love, with the âbig questionâ (aforementioned) arriving on the coro (chorus). In English, the chorus roughly translates into âWhen will I get the ring?â Basically, J. Lo wants to know when her man (*cough Alex Rodriguez), whom she loves dearly, is going to âpop the question.â Vocally, Lopezâs best moment occurs on the chorus. Furthermore, she also raps with an impressive, rhythmic flow. The production on âEl Anilloâ is slick and incredibly energetic. All in all, music, voice, and the theme work together successfully on this Latin pop joint.
12. Kali Uchis, âNuestro Planetaâ
Ft. Reykon
Isolation âąÂ Virgin âą 2018
âHola, ÂżMe recuerdas? / Era yo a la que tanto querĂas / Dame esta noche entera / Que seamos sĂłlo tĂș y yo (aquĂ en nuestro planeta, aquĂ en nuestro planeta) / SĂłlo tĂș y yo (aquĂ en nuestro planeta, aquĂ en nuestro planeta).â Weâll come back to the lyrics â set it aside for a hot minute!  24-year old Colombian-American R&B singer Kali Uchis definitely âshines bright like a diamondâ on her debut album, Isolation. The majority of the album is in English however, her Latin roots, specifically her fluency in Spanish are in full effect on the exuberant âNuestro Planeta.â
âNuestro Planetaâ is among the crĂšme de la creme of Isolation. In English, the aforementioned chorus reads a little something as follows:
âHi, do you remember me? It was me you wanted so much Give me this whole night Let it be only you and me (here on our planet, here on our planet) Only you and me (here on our planet, here on our planet).â
Uchis gets a lift from Reykon on the third verse, not to mention awesome production from The Rude Boyz. Even so, it is Uchis who is firmly in command as the indisputable star.
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13. J Balvin & Willy William, âMi Genteâ
Ft. Beyoncé
Mi Gente (Remix) â Single âąÂ Universal / Republic âąÂ 2017
In 2017 BeyoncĂ© joined Columbian superstar J Balvin and Willy Williams for a magnificent remix of their reggaetĂłn banger and breakout hit, âMi Genteâ. Notably, the original version of âMi Genteâ appears on Balvinâs 2018 studio album, Vibras. From the start, âMi Genteâ sounds like a surefire hit, featuring an infectious Latin-tinged, hip-hip beat. Just like the folks dance in the accompanying music video, the listener feels the same urge. This is not only because of the groove itself, but the production work as a whole. J Balvin is naturally on autopilot, while BeyoncĂ© sings in both English and Spanish. On the English portions, sheâs sexed-up, if tamer than her own work from BeyoncĂ© and beyond. J Balvin and BeyoncĂ© make a great collaborative team, trading lines throughout different parts of the song.  The result is absolute fire.
14. Abraham Mateo, 50 Cent & Austin Mahone, âHĂĄblame Bajitoâ
HĂĄblame Bajito â Single âą Sony âą 2017
In 2017, 19-year old Spanish heartthrob Abraham Mateo enlisted American heartthrob Austin Mahone and veteran East Coast rapper, 50 Cent for his single, âHĂĄblame Bajitoâ (âTalk to Me Short[y]â). âHĂĄblame Bajitoâ establishes a sexy vibe from the jump. The production is in a minor key, giving it a dark, seductive, âlights off,â bedroom-oriented vibe. Mateo delivers playful, yet soulful vocals, clearly sounding invested in girls. Clearly, the talk that he wants carries over from the club to the pad. Later, Mahone arrives, showcasing more mature, bass-ier vocals. He matches the sexiness conveyed by Mateo, singing over a contrasting beat. The argument could be made that 50 Cent is long past his prime. Sure, he doesnât have the same impact he once did when hits like âIn da Clubâ and âCandy Shopâ dominated radio, but he also delivers a fitting verse.
15. Luis Fonsi & Demi Lovato, âĂchame La Culpaâ
Ăchame La Culpa â Single âą Republic / Island / Universal âą 2017
We conclude a most incomplete, ever-evolving Latin-pop list with âĂchame La Culpaâ (âPut the Blame on Meâ), a notable hit from 2017. Sure, veteran Puerto Rican Latin-pop/reggaetĂłn artist Luis Fonsi didnât have the same level of success with âĂchame La Culpaâ compared to the Grammy-nominated, diamond-certified âDespacito,â but this another infectious, high-energy reggaetĂłn joint. The Demi Lovato assisted number hasnât performed too shabby in its own right, earning RIAA Latin Platinum certification (3x) and north of one billion YouTube views for the music video.
Whatâs the premise of the song? Luis Fonsi is a bad guy â or maybe it Demi Lovato. Clearly, both are taking responsibility for their respective issues within the relationship. Thereâs plenty of blame to go around, but despite their problems, they want things to work out on this up-tempo record. For the listener, thereâs no blame to be given â itâs awesome ear candy.
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