15 Songs Filled with Hurt & Pain features music courtesy of Alessia Cara, Daniel Caesar, Five Finger Death Punch, Sofi Tukker, and Two Feet among others.
Some of the best-written and most memorable songs are characterized by their emotions. Thatâs the case with the songs that make up 15 Songs Filled with Hurt & Pain. The two keywords that fuel this playlistâs fire are hurt and pain. Not every song features both words in their respective song title, but at least one of the two words appears. Musicians completing this painful soundtrack include Alessia Cara (âGrowing Painsâ), Daniel Caesar (âWho Hurt You?â), Five Finger Death Punch (âSham Painâ), Sofi Tukker (âMy Body Hurtsâ), and Two Feet (âHurt Peopleâ).
1.The Weekend, âHurt Youâ
My Dear Melancholy, (EP) âą Republic âą 2018Â
Grammy-winning, Canadian R&B singer The Weeknd returned with a surprise EP in 2018, My Dear Melancholy,. Throughout the course of the project, he authentically and superbly captures the pain of the being heartbroken. âHurt You,â the fifth track, marks the second collaboration with Gesaffelstein (âI Was Never Thereâ precedes). Alongside the French producer, Cirkut and Guy-Manuel de Homem-Christo also contribute to the production. Arguably, âHurt Youâ eclipses âI Was Never Thereâ, ranking among the top-three songs from the six-track EP. The Weeknd benefits from a few more BPMs, not to mention additional lyrics â more song. The verses are great, while the chorus is the crĂšme de la crĂšme, particularly the falsetto. Simply stated, The Weeknd asserts, âI donât wanna hurt you.â
2. Black Atlass, âPain & Pleasureâ
Pain & Pleasure âą Republic âą 2018
âI met her on the pole where she danced for me / Yeah, I gave her half a check, never work for freeâŠâ Wow, okay⊠Canadian-bred, LA-based musician Alex Fleming, better known as Black Atlass, returned with his sophomore album, Pain & Pleasure, in 2018. Pain & Pleasure marks his first project since signing with XO (co-founded by The Weeknd), a subsidiary of Republic. Unsurprisingly, Fleming has many vocal similarities to The Weeknd, which shine throughout the course of this brief, sexy, and soulful set. Among the elite moments from the album is the title track, âPain & Pleasure,â where love appears to be reckless. Co-produced by London on Da Track, the record has a slick, rhythmic, if relatively straightforward, urban contemporary sound. If the assumption is that Black Atlass is looking for something real, one may be skeptical of the aforementioned decision to âsaveâ a dancer.
3. Rae Sremmurd (Swae Lee), âHurt to Lookâ
SR3MM âą Interscope âą 2018Â
âAll I do is think when Iâm away (when Iâm away) / Colors burst and all I see are shapes (hey!) / Sun goes away and thatâs when I call your hame (your name) / Sheâs here for good, and Iâm here to stay.â âHurt to Lookâ appears on the Swae Lee disc (âSwaecationâ) of the Rae Sremmurd triple album, SR3MM. âHurt to Lookâ features chill, enigmatic, sensual opening sounds â great vibes to say the least. The production is smooth, in the urban contemporary vein. Once Swae Lee begins singing, a danceable groove enters, anchoring things down. He serves up the delightful chorus before delivering his verses. âHurt to Lookâ has Drake vibes going on; Lee sings as opposed to raps. Lyrically, he doesnât offer anything groundbreaking or monumental, but the vibe goes a long way.
âIt shouldnât hurt to look your way (hey, ah-ah, ah) It shouldnât hurt to look your way (your way, ah-ah, ah) I shouldnât have to catch a case (ah-ah, ah yeah) âCause I'm the one that can't stand to feel any more pain (ah-ah, ooh).â
4. Alessia Cara, âGrowing Painsâ
The Pains of Growing » Def Jam » 2018
Following an impressive debut album (Know-It-All, 2015), Grammy-winning pop artist Alessia Cara returned with her highly-anticipated sophomore album, The Pains of Growing, in Fall 2018. The Pains of Growing commences with the honest promo single, âGrowing Painsâ.  âGrowing Painsâ features great production work, comprised of a driving synth, rhythmic, urban-infused drum programing, and lovely harmonized backing vocals. Cara serves up clear, nuanced lead vocals, sounding incredibly authentic as she sings. Furthermore, she never has to force things. Her rhythmic, melodic lines are clearly influenced by hip-hop without even approaching the pop-rap realm. The substance of this single stands out; sheâs honest lyrically about her lot in life, singing about real issues.
âAnd Iâve always been a go-getter Thereâs truth in every word I write But still, the growing pains, growing pains Theyâre keeping me up at night.â
5. Sofi Tukker, âMy Body Hurtsâ
Treehouse » Ultra » 2018
Sofi Tukker (Sophie Hawley-Weld and Tucker Halpern) came out swinging with numerous singles in 2017, the boldest of which was âFuck Theyâ. After dropping five incredibly, enjoyable, and groovy singles, their first full-length album, Treehouse, arrived in 2018. On the record âMy Body Hurts,â Hawley-Weldâs head gets the best of her: âFeeling fucked up band bridled inside my own mind.â Despite her internal issues and anger, the energy, feistiness, and passion help the record to stand out. The production doesnât hurt either, as âMy Body Hurtsâ has an edgy, angst-filled sound, led by a driving groove.
6. Five Finger Death Punch, âSham Painâ
And Justice for None » Prospect Park » 2018
Metal collective Five Finger Death Punch showcases both pleasure and displeasure pleasure on âSham Painâ. âSham Painâ was among singles released in advance of FFDPâs 2018 LP, And Justice for None. Noticeably, FFDP are a bit grumpy and perhaps disgruntled on the verses. Frontman Ivan Moody opts for more chanted vocals as he expresses his displeasures. On the first verse, he has bones to pick with Prospect Park (Records), TMZ, and Blabbermouth: âThe label tried to sue me / TMZ tried to screw me, Blabbermouth / Can fucking suck it âcause they never fucking knew me.â
On the second verse, he doesnât call out any specific people, rather, he focuses on life in a band, such as travel to reach certain destinations. For all the issues he seems to have, the chorus is more optimistic. While the electric guitars from the verses continue, notably, thereâs also some excellent acoustic guitar action. Furthermore, Moody discovers âmelody,â a clear contrast to the agitated, chanted verses and bridge section.  The chorus is varied at the end, but all in all, the effect and message are the same throughout.
âAll in all, itâs a good life I got what I want I canât complain Iâm living the good life A toast to you now Itâs all sham pain.â
Despite less desirable, less optimal circumstances, ultimately, the reward is far greater. âSham Painâ is energetic, entertaining, and certainly worthwhile.
7. Two Feet, âHurt Peopleâ
Ft. Madison Love
A 20 Something Fuck » Republic » 2018
âIf I felt all my lies I know that Iâd be broken / Take all these pills to quell fucked up emotions / Bill youâre so sick, why canât you just be open?â A 20 Something Fuck, huh? Yeah, alternative musician Two Feet (Zachary William âBillâ Dess) definitely has a way with album titles. Better yet, he has a way of conveying genuine emotions musically. Two Feet enlists singer/songwriter Madison Love for his song filled with hurt, âHurt People.â
Love handles the âbrokenâ chorus:
ââCause hurt people just hurt people They do it, they do every day, yeah Hurt people just hurt people Why are we used to the pain? Ooh.â
As for Two Feet, like the excerpt at the top from the first verse, heâs clearly on the âstruggle bus,â truly âfucked upâ in a number of respects.
âGirl, Iâm too fucked up, you canât fix these problems Youâll never solve them, youâll never solve them.â
8. DJDS, âNo Painâ
Ft. Khalid, Charlie Wilson & Charlotte Day Wilson
Big Wave More Fire » Loma Vista » 2018
DJDS (aka DJ Dodger Stadium) bring the heat on their latest single, âNo Painâ. The DJ/production duo, based in Los Angeles, California, consists of Jerome Potter and Sam Griesemer. They tap Khalid, Charlie Wilson, and Canadian R&B artist Charlotte Day Wilson on the soulfully-tinged highlight from their 2018 album, Big Wave More Fire. The opening production on the intro is detuned, giving âNo Painâ a truly unique sound. This sound showcases great adventurousness by DJDS. During this section, Charlie Wilson sings, âBaby, I know / That youâve been hurt before.â He goes on to sing the chorus, oozing with soulfulness, amplified even more given the gospel vibes of this record.
âFeeling no pain (keep me up) Feeling no pain (keep me high) Feeling no pain (lift it up) Got me feeling no pain (to the sky).â
Khalid follows Wilson, singing the verse, showing incredible assertiveness and command. Heâs backed by awesome production, including a slick drum groove and organ. The sound blends old-school and contemporary.  Charlotte Day Wilson makes her first appearance on the post-chorus, reprising the intro originally sung by Wilson. Charlie Wilson follows up with his own verse, excelling as always. He joins forces with Khalid on the final chorus, while Day Wilson returns with the memorable post-chorus. âNo Painâ shines brightest at the end, with Day Wilson harmonizing.
9. Daniel Caesar, âWho Hurt You?â
Who Hurt You? [Single] » Golden Child Recordings » 2018
âStrange new addictions picked up on the road / Changed my opinions and changed-up my flows / Changed my approach, no more loving these hoes / And when it rains it pours, yeah.â Grammy-nominated Canadian singer/songwriter Daniel Caesar released one of the best albums of 2017, Freudian. In 2018, Post-Freudian, Caesar returned with an intriguing, sexed-up single, âWho Hurt You?â Who Hurt You?â begins with an extremely slow tempo. This slow jam is fitting for Caesar, resulting in a soulful, nuanced, and absolutely brilliant performance. Caesar focuses on sex and the urges that he has towards a specific girl named Priscilla. âI might fly Priscilla out just for âBana,â he sings on the first verse, continuing, âSo mesmerized by that ass.â He goes on to say on the pre-chorus, âYou make me feel so primal and / Thatâs what I am, Iâm just a man.â
Naturally, on the chorus, the p-word comes into play:
âTake that pussy, drop it in my lap I love it when you move like that Now turn around and throw it back, it back, it back.â
On the second verse, Caesar continues to be obsessed with Priscilla (âBooties just donât shake like Priscillaâs doâ). Notably, during this verse, Caesarâs voice sounds starkly different, purposely. He returns to his natural glory on the following refrain.
10. Emily Warren, âHurt by Youâ
Quiet Your Mind » Emily Warren » 2018
ââCause I wanna give, give you all that I got / And I wanna believe weâll defy all the odds / And I hope you donât hurt me / But oh, if you do / It would be worth getting hurt by you.â If the name Emily Warren sounds familiar, itâs likely because of her association with dance/pop production duo The Chainsmokers. Yep, Warren has frequently served as a co-writer and featured vocalist on many of their records. In 2018, she stepped out on her own, dropping her debut album, Quiet Your Mind. Among the songs appearing on her debut is âHurt by Youâ where Warren is willing to take the risk of being hurt to fall in love. Â
âAnd I give myself, but only giving fractions This is not what I imagined Gotta put myself out on the line and see what happens Before I give up.â
11. Keith Urban, âLove the Way It Hurts (So Good)â
Graffiti U » Capitol Nashville » 2018
âI guess we should have known / It was too good to go on / But thereâs something about us that I just refuse to let go.â Sigh, when it comes to Aussie country musician Keith Urban, you totally toss out the traditional country rule book. Urban has disregarded such rules throughout his career, particularly during the 2010s. His 2018 album Graffiti U is no exception to the rule. In the context of the album, our song at hand, the slick âLove the Way It Hurts (So Good),â has two tough acts to follow (âGeminiâ and âTexas Timeâ). While the âhurtâ canât supplant either of those gems, it serves as a continuation of the progressive country script.
For Urban, despite the pain (love, heartbreak, etc.), heâs embracing it:
âAnd even though it hurts like hell I just cannot help myself I crave the way it makes me feel, but it leaves me wanting more.â
12. Daley, âUntil the Pain is Goneâ
Ft. Jill Scott
The Spectrum » BMG Rights Management » 2017
âIn this world where love is prone to lose / Still Iâm ready to give this thing a try / But how do I give to someone / Who wants what they canât have?â Despite being underrated, Gareth Daley â better known by mononym Daley â is an extremely talented artist. Vocally, the British R&B singer has mad chops. He returned with a captivating sophomore LP in 2017, The Spectrum.  Among the highlights from the album is the promo single âUntil the Pain is Goneâ, featuring Jill Scott. Daley amplifies emotions on the soulful ballad which initiates lushly, showcasing its urban identity from the onset. While itâs old school, the vibe is refreshing because itâs rarer as opposed to being the dominant flavor. Making a formidable team, Daley and Scott deliver authentic performances about the plight of love.
âSo, if you need love, say it I know that you feel it but, I canât Keep holding on and on and on I need to know that Iâm the one Yeah âcause I know that you get lonely So show me the things youâre scared to show me We can go on and on and on âTil the pain is gone.â
13. Emeli SandĂ©, âHurtsâ
Long Live the Angels » Virgin » 2016
âIt hurts the way that you pretend you donât remember / It hurts the way that you forget our times together / Like the time laid in bed when you said itâs forever, baby / I canât, I canât explain no more.â âHurtsâ gives Long Live the Angels, the sophomore album by versatile British pop/R&B singer/songwriter Emeli SandĂ©, more tempo. In the context of the album, this is necessary following three ballads. In addition to being quicker, âHurtsâ is more electrifying, featuring more oomph and bite. Notably, thereâs a hip-hop sensibility about the melodic lines, as SandĂ© sheds through the lyrics agilely and assertively.
It all comes down to the chorus, which chocked full of power despite the pain:
âBaby, Iâm not made of stone, it hurts Loving you the way I do, it hurts When all thatâs left to do is watch it burn Oh baby, Iâm not made of stone, it hurts.â
14. OneRepublic, âLetâs Hurt Tonightâ
Oh My My » Mosley Music / Interscope » 2016
âOh, I know that this love is pain / But we canât cut it from out these veins, no.â Itâs pretty clear what the cause of the hurt and pain is given the excerpted lyrical quote â love. OneRepublic opens their 2016 LP, Oh My My with âLetâs Hurt Tonight.â âLetâs Hurt Tonightâ has a distinct, folk-pop feel. Considering the singles released prior to the album (âKidsâ, âFuture Looks Goodâ, and âA.I.â), âLetâs Hurt Tonightâ ends up being quite a surprise. Notably, it was released as a single following the arrival of Oh My My.
Frontman Ryan Tedder sings it well, infusing plenty of emotion on the chorus in particular.
âSo, Iâll hit the lights and you lock the doors We ainât leaving this room âtil we both feel more Donât walk away, donât roll your eyes They say love is pain, well darling, letâs hurt tonight.â
15. BeyoncĂ©, âDonât Hurt Yourselfâ
Ft. Jack White
Lemonade » Columbia » 2016
âWho the fuck do you think I is? / You ainât married to no average bitch, boy / You can watch my fat ass twist, boy / As I bounce to the next dick, boy.â Damn, BeyoncĂ© has NEVER rocked harder than she does âDonât Hurt Yourself,â a highlight from her 2016 album, Lemonade. Even the Recording Academy voters took notice how hard Queen Bey rocked, nominating her fiery collaboration with Jack White for a Grammy in the rock category! On âDonât Hurt Yourself,â BeyoncĂ© is hella pissed off, singing a litany of profanities: âBad motherfucker, God complex / Motivate your ass, call me Malcolm X / Yo operator, or innovator / Fuck you, hater, you canât recreate her, no / Youâll never recreate her, no, hell no.â White avoids profanity, keeping things incredibly simple on the chorus: âWhen you hurt me, you hurt yourself / Donât hurt yourself / When you diss me, you diss yourself / Donât hurt yourself.â