15 Must-Hear, Throwback Vibez, Vol. 4 features Cher, Grace Jones, Little Beaver, Marvin Gaye & Rufus featuring Chaka Khan.
Ilove older music â Iâm an old soul despite being a millennial. My parents are baby boomers, so, they love music from the 1960s and 1970s. Their great taste, which encompasses various styles, with soul topping the list, rubbed off on me. With Throwback Vibez đ¶ïžđ¶ in full swing, and multiple soul oldies lists under my belt, including  âđ§ 15 Must-Hear, Throwback Vibez, đ§ 15 Must-Hear, Throwback Vibez, Vol. 2 , and 15 Must-Hear, Throwback Vibez, Vol. 3 â I proudly present đ§ 15 Must-Hear, Throwback Vibez, Vol. 4.
Like the previous volumes of the Throwback Vibez playlist series, đ§ 15 Must-Hear, Throwback Vibez, Vol. 4 serves as the fourth edition of potential forthcoming volumes. Gracing this soulful list are contributions from đ Cher, đ Grace Jones, đ Little Beaver, đ Marvin Gaye, and đ Rufus featuring Chaka Khan among others.  One rule: all songs featured on this list had to be released prior to 1990. I have no doubt a future compendium will expand the dates well into the 90s but for now, everything you see or hear in this series predates it. So, without further ado, letâs take it back 30-plus years and enjoy these throwback vibez of various styles!
1. Donny Hathaway, âPut Your Hand in the Handâ
đżÂ Donny Hathaway âąÂ đ·Â Atlantic âąÂ đ  1971
đ Grammy-winning musician đ Donny Hathaway lived just 33 years old but left an indelible mark on music.  He is renowned for originals (đ” âThis Christmasâ) and reinterpretations like the spiritually fueled đ” âPut Your Hand in the Handâ.  âPut Your Hand in the Handâ was written by Canadian singer/songwriter đ Gene MacLellan. It was originally recorded by Canadianđ Anne Murray on her 1970 album, đżÂ Honey, Wheat & Laughter, before short-lived Canadian band đ Ocean recorded it, making it a huge pop hit in 1971. đ Arif Mardin and đ Jerry Wexler did a marvelous job where the production is concerned.
âPut your hand in the hand of the man who stilled the water
Put your hand in the hand of the man who calmed the sea
Take a look at yourself, and you can look at others differently
Put your hand in the hand of the man from Galilee.â
While versions by Murray and Ocean exhibit gospel-pop flavor, Donny Hathaway transforms the classic into a full-blown, gospel-soul gem. You might say that itâs the Hathaway version that truly feels like a proponent of spiritual refreshment đ.  âPut Your Hand in the Handâ commences with a masterful, bluesy piano introduction, which hails directly from the black church. Soon enough, things evolve into even more soulful means, thanks to Hathawayâs assertive, spirited vocals, and fuller instrumentation including organ, guitar, bass, drums, and gospel choir. Not only is this a spirit-catching gospel song, itâs also a clinic on musicianship. There are numerous key modulations â far less common today â further amplifying the energy and overall spiritual vibe. MacLellan penned a classic on his own while a young, innovative Hathaway ran with it and made it his own.  Donny truly brought âPut Your Hand in the Handâ to the church!
Appears in đ»:
- Youâve Got to Hand It to These 13 Hand Songs
- Donny Hathaway, âPut Your Hand in the Handâ: Sunday Refresh đ 7 (2022)
- Put Your Money đ”on These 15 Put SongsÂ
2. Marvin Gaye, âWhatâs Going Onâ
đżÂ Whatâs Going On âąÂ đ·Â Motown âąÂ đ  1971
âMother, mother / Thereâs too many of you crying / Brother, brother, brother / Thereâs far too many of you dying.â Rolling Stone updated their 500 Greatest Albums of All Time in 2020. Who and what album topped the list? That would be soul icon đ Marvin Gaye and his most important album, the timeless đżÂ Whatâs Going On.  The entire album is socially conscious, sounding pitch-perfect at the time it was released in 1971.  The thing is, given the turbulence of the 2020s, Gayeâs album remains quite relevant and timeless, particularly the key record, đ”âWhatâs Going On.âÂ
âWhatâs Going Onâ is perfection realized â period. I dare you to find a flaw that inhibits this âgoingâ number from being among the all-time greatest classics.  The production and sound of the record are gorgeous and stunning.  Gayeâs vocals are a superb combination of buttery smooth and gritty â definitely âonce in a lifetime.â  As great as the sound and the vocal performance are, the lyrics that Gaye sings, steeped in social consciousness, are what caps off the sheer brilliance of this record.
âPicket lines (Sister) and picket signs (Sister)
Donât punish me (Sister) with brutality (Sister)
Talk to me (Sister), so you can see (Sister)
Oh, whatâs going on (Whatâs going on)
Whatâs going on (Whatâs going on)
Yeah, whatâs going on (Whatâs going on)
Oh, whatâs going on.â
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3. The Pointer Sisters, âIâm So ExcitedâÂ
đżÂ So Excited! âąÂ đ·Â RCA âąÂ đ 1982
âIâm so excited, and I just canât hide it / Iâm about to lose control, and I think I like it!â Woo! Sometimes, as listeners, we turn a blind eye to things that are sketchy and at times, inappropriate.  With legendary, đ Grammy-winning, R&B sister group đ The Pointer Sisters, thereâs nothing horrible that we turned that blind eye to, but it should be noted that we seemed to ignore the sexual nature of their 1982 pop hit, đ” âIâm So Excitedâ (đżÂ So Excited!)
âTonightâs the night weâre gonna make it happen
Tonight, weâll put all other things aside
Give in this time and show some affection
Weâre going for those pleasures in the night.â
NSA! Amazingly, The Pointer Sisters had us all fooled with âIâm So Excited!â I mean, the plan is clear â to fool around!!! I suppose because âIâm So Excitedâ is so catchy, fun, and infectious, we didnât pay close attention to the theme.  Clearly, the sisters are excited about having hot, passionate sex, so much so that they are unconcerned with the happenings of the next day.  âWe shouldnât even think about tomorrow / Sweet memories will last a long, long time,â lead vocalist đ Anita Pointer sings, later adding, âAnd if weâre still playing âround, boy, thatâs just fine.â Wow!
Appears in đ»:
- The Pointer Sisters, âIâm So Excitedâ: After Dark đđ 2 (2022)
- 21 Songs About the Universal, 3-Letter Word, SEX
4. The Doobie Brothers, âWhat a Fool Believesâ
đżÂ Minute by Minute âąÂ đ·Â Warner âąÂ đ  1978
âBut what a fool believes, he sees / No wise man has the power to reason away.â One of the more soulful pop groups youâll encounter in music history are đ The Doobie Brothers. These dudes can just flat out âsang.â Of course, one of the key pieces of is none other than đ Michael McDonald, who many of us still canât believe heâs white, haha.  Why? Because the man is soul-a-fied to the nth degree, particularly handling those lead vocals on the song at hand, đ” âWhat a Fool Believes.â âWhat a Fool Believesâ ranks among the most popular songs by the collective, hailing from their 1978 classic, đżÂ Minute by Minute.  Worth noting, Doobie Brothers won the highly coveted đ Grammy for Record of the Year, rightfully for this masterpiece.
âWhat a Fool Believesâ is epic for a host of the reasons.  As aforementioned, when Michael McDonald is your lead vocalist, nothing else need to be said.  Add in incredibly vocal harmonies from the rest of the group, and heaven just might be a Doobie Brothers song â being honest! Beyond the vocals, add the production work (đ Ted Templeton), which is quite compelling.  Itâs a fine combination of soft rock and blue-eyed soul with the keys, guitar, bass, and drums.  Of course, the final piece of the puzzle is songwriting (McDonald and đŒâ Kenny Loggins).  The verses are sweet, capturing the tale of these two lovers.  The pre-chorus is incredibly tuneful, as McDonald asserts, âShe had a place in his life / He never made her think twiceâŠâ Of course, the centerpiece is the chorus, excerpted at the top and continued in all its glory below:
â⊠What seems to be
Is always better than nothing
Than nothing at all.â
Appears in đ»:
5. Grace Jones, âPull Up to the Bumperâ
đżÂ Nightclubbing âąÂ đ·Â UMG Recordings, Inc. âąÂ đ 1981
âNow in the parking lot garage, I found the proper place / Just follow all the written rules, youâll fit into the space.â Hmm, đ Grace Jones, doesnât seem like youâre really talking about parking a car.  Though Jones has suggested that đ” âPull Up to the Bumperâ wasnât necessarily intended to reference anal sex, itâs hard not to read into that way.
âPull up to my bumper baby
In your long black limousine
Pull up to my bumper baby
And drive it in between.â
Hmm, a âlong, black limousineâ huh? Sure sounds like a reference to size, as well as ethnicity. Â The post-chorus is also dirty, as Ms. Jones sings, âPull up to it / Donât drive through it / Back it up twice / Now that fits nice.â Mercy! Â In the second verse, Jones goes on to say, âIâve got to blow your horn.â Not so subtle there. Â Thereâs also the bridge, where she encourages to âGrease it, spray it / Let me lubricate it.â Â My oh my! Grace Jones really wants us to believe âPull Up to the Bumperâ isnât sexual AF? Please! This record screams sex and the fact that she mentions her âbumper,â well, sure sounds like anal. Â The good news is, âPull Up to the Bumperâ is rad.
Appears in đ»:
- Grace Jones, âPull Up to the Bumperâ: After Dark No. 32 (2021)
- 21 Songs About the Universal, 3-Letter Word, SEX
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6. The Runaways, âCherry Bombâ
đżÂ The Runaways âąÂ đ·Â The Island Def Jam Music Group âąÂ đ  1976
âHello, daddy, hello, mom / Iâm your ch-ch-ch-ch-ch-ch, cherry bomb.â Woo! Female rock collective đThe Runaways had a surefire classic on their hands with đ” âCherry Bomb,â the opener from their 1976 album, đżÂ The Runaways. âHello, world, Iâm your wild girl / Iâm your ch-ch-ch-ch-ch-ch, cherry bomb.â âCherry Bombâ is brief but potent AF â an electrifying 70s rock record.
On âCherry Bomb,â the groove cooks, the guitars are ripe and rhythmic, and the vocals are assertive and commanding AF. I heart the playfulness of the vocal performance. You can tell that đ Cherie Currie is fully invested â you buy what sheâs selling!
âBad nights causinâ teenage blues
Get down ladies, you got nothinâ to lose.â
Also, canât fail to mention đ Joan Jett was a member of The Runaways â pre đ” âI Love Rock âN Rollâ days. All said and done, âCherry Bombâ is infectious, in-your-face, old-school, kick-ass rock-n-rollđ€!
Appears in đ»:
7. Little Beaver, âIâm Losinâ the Feelinâ
đż Joey âą đ· Henry Stone Music âą đ 1972
âIâm losing the feeling / Baby the feeling I used to have for you.â Oh my, đ Little Beaver (Willie Hale)! Well, at least the Arkansas-born funk/soul singer/guitarist is honest about his feelings on đ” âIâm Losinâ the Feelinâ. âIâm Losinâ the Feelinâ appears on his 1972 album, đż Joey. Why is Hale not feeling the same way about her anymore? Sheâs changed. âNow I remember all the sweet love we once had / Baby I used to thrill to hear you call my name,â he sings in the second verse, adding, âOh, but now through the years / You made me shed so many tears / All the thrill is gone / Your loving just ainât the same.â Woo!
Even though love has clearly burned out for Little Beaver, his pain is our listening pleasure. His guitar playing is absolutely awesome. I love his melodic riffs and soloing, while his rhythmic, and chordal are equally alluring. Also alluring are his soulful pipes. If you had to choose between his guitar skills and his commanding, nuanced vocals, it would be a tough choice. Thatâs not even considering the relatable songwriting he serves up of this waning love. Perhaps not the first soul joint that comes to mind, đ” âIâm Losinâ the Feelinâ this Little Beaver record is worthwhile and definitely deserves wider recognition.
Appears in đ»:
8. Cher, âIf I Could Turn Back TimeâÂ
đżÂ Heart of Stone âąÂ đ·Â Geffen âąÂ đ  1989
Does anybody else sound like đ Cher?  The answer is NO.  The actress, musician, and gay icon possesses a distinct, one-of-a kind instrument, period.  Perhaps those husky vocals arenât for everyone (I once had a friend who joked about her sound) but I love her tone and â wait for it â VIBE! One of her most recognizable songs commences her 1989 album, đżÂ Heart of Stone:  đ” âIf I Could Turn Back Time.â Honestly, thereâs no better way to initialize this âturned upâ list than turning up some Cher on one of her most iconic joints.
âIf I could turn back time, if I could find a way,â she sings on the memorable, quintessential 80s chorus, adding, âIâd take back those words thatâve hurt you, youâd say.â Worth noting, those words arenât merely legendary because Cher, a legend sings them.  đŒâ Diane Warren â yes, THE Diane Warren â penned this time-turn-back, pop cultural gem.  Cher is regretful throughout, admitting she was blind in her mistakes letting her lover go.  Now that sheâs discovered the errors of the way, sheâd âreach or the stars⊠give âem all to youâ so âYouâd love me, love, like you used to do.â Why is âIf I Could Turn Back Timeâ so good? Well, itâs a Cher staple first and foremost, but also, itâs relatable.
Appears in đ»:
9. George Michael, âI Want Your Sexâ
đżÂ Faith âąÂ đ·Â Sony âąÂ đ 1987
Long before đ George Michael informed us âItâs a tits and ass world you gotta be preparedâ (đ”âFreeek! 04â), he desired HER sex. đ” âI Want Your Sexâ appears on his iconic, đ Grammy-winning, 1987 album, đżÂ Faith.  Although heâd eventually be outed as a gay man, at the time âI Want Your Sexâ arrived, he wasnât out. The 80s was a sexual time in music. âI Want Your Sexâ fits in with the sexual liberation of the times.  That said, it was still the days of Reagan here stateside, there was also the infamous AIDS epidemic, so a song that seemed to encourage sex was naturally controversial.
âI want your sex
I want your love
I want your sex
I want your⊠sex.â
George Michael wasnât being âcriminalâ by promoting sex, in essence â itâs prevalent these days! âSex is natural, sex is good / Not everybody does it / But everybody should.â Right on! Many of us enjoy pleasure, right? George was horny (âIâve waited so long baby / Out in the cold / I canât take much more girl / Iâm losing controlâ), hence, he needed some relief, shoo! That said, the times were much more socially conservative compared to now, and fear ran rampant.  Keeping things sexy, âI Want Your Sexâ gets a sexy music video đ¶đŒ, but also shocks by promoting monogamy at the end â PLOT TWIST! To this day, âI Want Your Sexâ is one song that defines his illustrative career.
Appears in đ»:
- George Michael, âI Want Your Sexâ: After Dark đđ 38 (2021)
- 21 Songs About the Universal, 3-Letter Word, SEX
10. Donna Summer, âLove to Love You Babyâ
đżÂ Love to Love You Baby âąÂ đ·Â UMG Recordings, Inc. âąÂ đ 1975
âAh, I love to love you baby.â One of the sexiest records of all time belongs to the late, great đ Donna Summer.  Keeping it real, đ” âLove to Love You Babyâ (đżÂ Love to Love You Baby, 1975) is the musical equivalent of an orgasm.  Affirming the musical orgasm are prevalent sensual moans by Summer, sure to turn anyone on.  Couple those moans with that killer, rhythmic hi-hat and âLove to Love You Babyâ is the perfect soundtrack to a lit sexual encounter.
While âLove to Love You Babyâ avoids explicitness lyrically, it remains risquĂ© to date.  Again, itâs those moans where Summer perfectly stimulates superb âlove making.â Lyrically, there arenât many words, but Summer makes them worthwhile, painting a lustful picture.  âWhen youâre laying so close to me / Thereâs no place Iâd rather you be / Than with me,â she sings calmly and coolly on the first verse.  She turns up the heat on the second, asserting, âDo it to me again and again / You put me in such an awful spin.â Oh, the power of the D⊠ Again, Donna sings nothing offensive, but with those signature moans, sheâd make anybody blush!
Appears in đ»:Â
- Donna Summer, âLove to Love You Babyâ: After Dark đđ 36 (2021)
- 21 Songs About the Universal, 3-Letter Word, SEX
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11. Otis Redding, âCigarettes and Coffeeâ
đż The Soul Album âą đ· Atlantic âąÂ đ 1966
âItâs early in the morning / About a quarter âtil three / Iâm sitting here talking with my baby / Over cigarettes and coffee, now.â The late, great đ Otis Redding is best known for gems like đ” âSittinâ On (The Dock of the Bay)â, đ” âThese Arms of Mineâ, and đ” âTry a Little Tendernessâ. Also, Redding penned âRespectâ, though đ Aretha Franklin owns the definitive version. Sadly, đ” âCigarettes and Coffeeâ, a marvelous gem from his 1966 album,  đż The Soul Album (1966), doesnât get the same hype. It should though! âCigarettes and Coffeeâ is a cover, though the original received little fanfare; the Redding version is easily the definitive take. The record was written by đŒ â  Jerry Butler, đŒ â  Eddie Thomas, and đŒ â Jay Walker.
On âCigarettes and Coffee,â Redding proves he was a once in a generation artist. Despite the fact that he didnât live long, his impact on soul music is undeniable. âCigarettes and Coffeeâ finds Redding at his most expressive; his voice is amazing with vocal cracks, grit, nuance. âCigarettesâ oozes with soul, only amplified by an epic horn arrangement/overall production.
âBut it seems so natural, darling
That you and I are here
Just talking over cigarettes and drinking coffee.â
You listen to records like đ” âCigarettes and Coffeeâ, and it makes you yearn for that authentic soul sound thatâs so rare in the 2020s. Otis Redding is EVERYTHING on this 1966 highlight from The Soul Album which is, indeed, soulful.
Appears in đ»:
- 13 Delightful Songs Coffee Drinkers Can Get Behind
- Otis Redding, âCigarettes and Coffeeâ: Throwback Vibez đ¶ïžđ¶ 73 (2022)
- Otis Redding vs. Etta James: Head 2 Head đŁïž 32 (2022)
12. Rufus, âTell Me Something Goodâ (Ft. Chaka Khan)
đż Rags to Rufus âą đ· MCA âą đ 1974
âYou ainât got no kind of feeling inside / I got something thatâll sho nuff set yo stuff on fire.â Oh, really, đ Chaka Khan? Please, continue diva! âYou refuse to put anything before your pride / What I got will knock all your pride aside.â Oh, snap! đ” âTell Me Something Goodâ is one of the best funk/R&B records of all-time, period. Chaka is the lead vocalist, but âTell Me Something Goodâ preceded her solo career. This no. 3 hit on the Billboard Hot 100, hence, is attributed to đ Rufus.
Khan electrifies from a vocal perspective. She brings plenty of attitude, personality, and power behind her pipes. Beyond her superb vocals during the tuneful verses, her ad-libs during the crowd-pleasing chorus are equally impressive. Of course, when talking about âTell Me Something Good,â you canât omit the playful, breathy, nonsensical vocals that precede the chorus.
âTell me something good
Tell me that you love me, yeah
Tell me something good
Tell me that you like it, yeah.â
So, beyond great vocals and memorable songwriting, you must commend the musicians and the lit backdrop on đ” âTell Me Something Goodâ. The riffs are tight, the groove is cooking, and the nostalgia of this 1974 classic (đż Rags to Rufus) makes you yearn for music that sounds like this again.
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13. Screaminâ Jay Hawkins, âI Put a Spell on Youâ
đżÂ At Home with Screaminâ Jay Hawkins âąÂ đ·Â Epic âąÂ đ  1958
âI put a spell on you / Because youâre mine (oh yeah).â Iâd argue one of the scariest songs of all time is đ” âI Put a Spell on You.â  The thing is, the often covered classic isnât AS scary in the hands of some of the musicians whoâve covered it, including đ Nina Simone and đ Annie Lennox. In the hand of the original performer and writer, however, âI Put a Spell on Youâ is terrifying! Hmm, I guess he wasnât called đ Screaminâ Jay Hawkins for nothing!
The blues musician and idiosyncratic personality has a ârobustâ voice â UNDERSTATEMENT.  His screams are monstrous â rawr! Of this legendary song (the 320th best), Rolling Stone asserts: âFormer boxer Jalacy J. Hawkins got loaded on muscatel before shrieking out the hoodoo of âSpell on You,â and it took a healthy swig of J&B for him to re-create his studio performance onstage, where he climbed out of a coffin.â
A coffin, huh? Wild! When Screaminâ Jay Hawkins sings, âI put a spell on you / Because youâre mine,â thereâs truly a creepy factor in play.  When he says, âWatch out / I ainât lyinâ,â you take him at his word.  Making things even creepier are the laughs⊠my, my, my! The saxophone đ·solo is even a bit unsettling to be honest! Worth noting, this is an oft-sampled record for good reason â itâs a surefire classic!
Appears in đ»:
14. The Chi-Lites, âThe Coldest Days of My Lifeâ
đżÂ A Lonely Man âąÂ đ·Â Brunswick Record Corp. âąÂ đ 1972
âColdest days of my life / They were the coldest days of my life / I had to run for cover.â My, oh my! Prepare to be sad in the happiest way!  Thatâs right, soul collective đ The Chi-Lites are responsible for one of the greatest, if saddest, soul records of all time.  The eight-and-a-half-minute đ” âThe Coldest Days of My Lifeâ is one of the best, most heartfelt soul songs EVER.  Naturally, itâs love thatâs messed the fellas up on the ninth and final track from đżÂ A Lonely Man (1972).
Despite âThe signs of springtimeâ intact with birds, âSome of us cried / Canât you see, oh, canât you see / The tears in my eyes?â The depression is ripe as The Chi-Lites petition God to âTake the pain awayâ because â⊠it couldnât be much worse.â Yikes! The collective even asserts, âIt just couldnât be much worse / Down below / It just couldnât be that bad.â In hell? That seems to be the case!
Appears in đ»:
- The Chi-Lites, âThe Coldest Days of My Lifeâ: Throwback Vibez đ¶ïžđ¶ 1 (2022)
- One Hella Cold List of Songs
15. Queen, âWe Are the Championsâ
đż News of the World âą đ· Hollywood âą đ 1977
âIâve paid my dues / Time after time / Iâve done my sentence / But committed no crime.â Sing that, đ Freddie Mercury, sing that! âAnd bad mistakes / Iâve made a few / Iâve had my share of sand kicked in my face / But Iâve come through / (And I need to go on and on, and on, and on).â Woo! The championship aspirations are legit on đ” âWe Are the Champions,â a surefire, undisputed highlight from the 1977 đ Queen album, đż News of the World. âWe Are the Championsâ ranks among the all-time great songs by the iconic rock band. Furthermore, it ranks among the greatest songs of all time, regardless of genre.
âWe are the champions, my friends
And weâll keep on fighting, âtil the end
We are the champions; we are the champions!â
Indeed, Queen, indeed! Truly, there is âNo time for losers,â because EVERYBODY embraces that championship-winning spirit listening to Mercuryâs epic vocals on the certified masterpiece that is âWe Are the Champions.â
Appears in đ»:
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