Reading Time: 14 min read

14 Listen , Hear Me Out Songs [๐Ÿ“ท: Brent Faulkner / The Musical Hype; Andrea Piacquadio via Pexels]14 Listen ๐Ÿ”Š, Hear ๐Ÿ‘‚ Me Out Songs features music courtesy of The 1975, Beyoncรฉ, Deniece Williams, Pusha T, and The Supremes.

Well, youโ€™ll either LISTEN ๐Ÿ”Š to it here, HEAR๐Ÿ‘‚ it here, or perhaps, you already HEARD ๐Ÿ‘‚ it here! This 14-song musical compendium, ๐ŸŽง 14 Listen, Hear ๐Ÿ‘‚Me Out Songs, is all about the sense of hearing! Thatโ€™s right, for these songs, itโ€™s all in the earsโ€ฆ well, for the most part.  No over analysis necessary! ๐ŸŽง 14 Listen ๐Ÿ”Š, Hear Me Out Songs features music using the above mentioned, bold print words courtesy of ๐ŸŽ™ The 1975, ๐ŸŽ™ Beyoncรฉ, ๐ŸŽ™ Deniece Williams, ๐ŸŽ™ Pusha T, and ๐ŸŽ™ The Supremes among others.  As always, there is a mix of genres โ€“ a little something for everybody.  So, without further ado, peeps, OPEN UP YOUR EARS๐Ÿ‘‚!!!


1. Marvin Gaye, โ€œI Heard It Through The Grapevineโ€

๐Ÿ’ฟ In the Groove โ€ข ๐Ÿท Motown โ€ข ๐Ÿ“… 1968

Marvin Gaye, In the Groove [๐Ÿ“ท : Motown]Once the late, great ๐ŸŽ™ Marvin Gaye took ๐ŸŽต โ€œI Heard It Through the Grapevineโ€ into his own hands, it was #GAME OVER for everyone else.  Maybe thatโ€™s not fair to ๐ŸŽ™  Gladys Knight & The Pips, who totally โ€˜knocked it out of the parkโ€™ with the โ€˜original,โ€™ but honestly, Gaye absolutely slaughters. โ€œI Heard It Through the Grapevineโ€ appears on Gayeโ€™s 1968 album, ๐Ÿ’ฟ In The Groove. Examining In The Groove, the biggest song is undoubtedly โ€œI Heard It Through the Grapevine.โ€  It is the perfect record with its moderate pace, colorful palette of sounds โ€“ backing vocals, horns โ€“ and most importantly, those transcendent, once-in-a-lifetime pipes of Marvin Gaye.

The minute that THIS version kicks off, you feel moved โ€“ it just feels right, man! There arenโ€™t really words sufficient to describe how Marvin transformed a great song into a truly game changing, unforgettable one.  Question: If there were a soul god, would he be Marvin Gaye? Totally not being sacrilegiousโ€ฆ at least not intentionallyโ€ฆ

Appears in ๐Ÿ”ป:


2. Beyoncรฉ, โ€œListenโ€

๐Ÿ’ฟ Dreamgirls โ€ข ๐Ÿท Sony Music Entertainment โ€ข ๐Ÿ“… 2006

Dreamgirls (Music From The Motion Picture) [๐Ÿ“ท: Sony Music Entertainment]The biggest song from ๐ŸŽฆ Dreamgirls is undoubtedly ๐ŸŽต โ€œAnd I Am Telling You Iโ€™m Not Goingโ€. That said, besides the reprisal of the crowning achievement for the 2006 film adaptation of the broadway musical, an original song, ๐ŸŽต โ€œListenโ€, was written.  Itโ€™s performed by the one-and-only ๐ŸŽ™ Beyoncรฉ.  Notably, sheโ€™s also credited as a songwriter alongside ๐ŸŽผโœ Anne Preven, Scott Cutler, and Henry Krieger. โ€œListenโ€ is a marvelous record that superbly fits the film adaptation.  Beyoncรฉ sings beautifully, showing the versatility of her pipes.

Beyoncรฉ sets โ€œListenโ€ up in the verses, ascending to higher heights during the soaring, memorable chorus.

โ€œListen, I am alone at a crossroads

Iโ€™m not at home in my own home

And Iโ€™ve tried and tried

To say whatโ€™s on my mind

You should have known, ohโ€ฆโ€

Additionally, ๐ŸŽ› The Underdogs โ€˜put in workโ€™ from the production end of things. โ€œListenโ€ remains one of the finer moments of Beyoncรฉโ€™s storied career.  It was nominated for an ๐Ÿ† Academy Award for best song. Unfortunately, Beyoncรฉ wasnโ€™t acknowledged for her writing credit because only three songwriters could be recognized ๐Ÿ˜๐Ÿคฌ.

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3. The 1975, โ€œAll I Need To Hearโ€

๐Ÿ’ฟ Being Funny in a Foreign Language โ€ข ๐Ÿท Dirty Hit โ€ข ๐Ÿ“… 2022

The 1975, Being Funny in A Foreign Land [๐Ÿ“ท: Dirty Hit]โ€œI get out my records / When you go away,โ€ ๐ŸŽ™ Matthew Healy sings in the opening verse from ๐ŸŽต โ€œAll I Need To Hearโ€, the seventh track from the 2022, ๐ŸŽ™ The 1975 album, ๐Ÿ’ฟ Being Funny in a Foreign Language.  He goes on to say, โ€œWhen people are talking / I miss what they say.โ€ Why is this, Matthew? Well, it all centers around love, or perhaps, the lack thereof.  On this gorgeous ballad, which begins with both enigma and simplicity, Healy sings with incredible authenticity โ€“ you buy what he is selling.  Of course, the most memorable moment is the chorus, where he clarifies, โ€œโ€ฆ it all means nothing, my dear / If I canโ€™t be holdinโ€™ you near / So tell me you love me / โ€˜Cause thatโ€™s all I need to hear.โ€ Those lyrics right there definitely hit something fierce.  Even fiercer is when he adds, โ€œOh, I donโ€™t care if youโ€™re insincere / Just tell me what I wanna hear.โ€ Apparently, hearing faux professions of love is better than none at all. What isnโ€™t faux is the sheer brilliance of โ€œAll I Need To Hear.โ€ Healy penned it alongside ๐ŸŽผโœ George Daniel, Jamie Square, and Rob Milton. Healy and Daniel also produce, alongside the one-and-only ๐ŸŽ› Jack Antonoff, who can do no wrong ๐Ÿ’ช.

Appears in ๐Ÿ”ป:


4. Deniece Williams, โ€œLetโ€™s Hear It For the Boyโ€

๐Ÿ’ฟ Letโ€™s Hear It For the Boy โ€ข ๐Ÿท Columbia โ€ข ๐Ÿ—“ 1984

Deniece Williams, Hear It For the Boy [๐Ÿ“ท: Columbia]โ€œMy baby, he donโ€™t talk sweet / He ainโ€™t got much to say,โ€ ๐ŸŽ™ Deniece Williams sings in the opening verse from her 1984 hit, ๐ŸŽต โ€œLetโ€™s Hear It For the Boyโ€. By hit, letโ€™s clarify that โ€œLetโ€™s Hear It For The Boyโ€ was a no. 1 hit on the Billboard Hot 100 for two weeks.  Furthermore, the ๐Ÿ† Grammy-winning singer was nominated for a Grammy for Best Female Pop Vocal Performance. Furthermore her 1984 album, also titled ๐Ÿ’ฟ Letโ€™s Hear It For the Boy, was nominated for the Grammy for Best Female R&B Vocal Performance.  Also, adding to how big of a deal this song is, โ€œLetโ€™s Hear It For The Boyโ€ appeared in an iconic film and soundtrack: ๐ŸŽฆ Footloose! Yup, this Deniece Williams record is DEFINITELY a big deal!

Despite the fact he doesnโ€™t have much to say, Williams is impressed that โ€œHe loves me, loves me, loves me.โ€ Sheโ€™s so taken with him that โ€œEvery time he pulls me near / I just wanna cheer,โ€ hence why, she encourages in the chorus, โ€œLetโ€™s hear it for the boy / Letโ€™s give the boy a hand / Letโ€™s hear it for my baby.โ€ Woo! Her passion, coupled with the energetic production โ€“ quintessential 1980s โ€“ is lit ๐Ÿ”ฅ! โ€œLetโ€™s Hear It For The Boyโ€ was penned by ๐ŸŽผ โœ Tom Snow and Dean Pitchford and produced by the late, great ๐ŸŽ› George Duke. It is safe to say that itโ€™s not just the boy we should cheer for! Williams is in excellent voice.  The songwriting is fun, down to earth, and innocent! Honestly, itโ€™s just a surefire vibe, four decades after it first arrived!

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5. The Weeknd, โ€œI Heard Youโ€™re Marriedโ€ (Ft. Lil Wayne)

๐Ÿ’ฟ Dawn FM โ€ข ๐Ÿท Republic โ€ข ๐Ÿ“… 2022 

The Weeknd, Dawn FM [๐Ÿ“ท: Republic]โ€œAnd I know this is a fling / But youโ€™re hidinโ€™ someoneโ€™s ring / It hurts to think Iโ€™m sharinโ€™ you.โ€ Woo! On  ๐ŸŽต โ€œI Heard Youโ€™re Married,โ€ a highlight from his 2022 LP, ๐Ÿ’ฟ Dawn FM, ๐ŸŽ™ The Weeknd enlists ๐ŸŽ™ Lil Wayne for the assist. Before Weezy ever spits a bar, The ๐Ÿ† Grammy-winning Canadian R&B artist has this groovy joint on lockdown, singing the rhythmic, tuneful lines with ease.  The centerpiece is the chorus, which ranks among the catchiest of the LP: โ€œOoh, I heard youโ€™re married, girl / I knew that this was too good to be true / Ooh, I heard youโ€™re married, girl, oh, oh, oh.โ€ As for Weezy, a ๐Ÿ† Grammy winner in his own right, heโ€™s true to self in the third verse: โ€œI heard youโ€™re married / I bet he treats you like Virgin Mary / You like it dirty and Iโ€™m Dirty Harry.โ€ Lord! It is worth noting, in the outro, The Weeknd makes it clear, he canโ€™t be with herโ€ฆ Makes perfect senseโ€ฆ she married!

Appears in ๐Ÿ”ป:


6. Billie Eilish, โ€œListen Before I Goโ€

๐Ÿ’ฟ When We All Fall Asleep, Where Do We Go? โ€ข ๐Ÿท Darkroom / Interscope โ€ข ๐Ÿ“… 2019

Billie Eilish, When We Fall Asleep, Where Do We Go? [๐Ÿ“ท: Darkroom / Interscope]โ€œTake me to the rooftop / I wanna see the world when I stop breathing.โ€ Hmm, well thatโ€™s incredibly morbid. Some background first! ๐ŸŽ™ Billie Eilish released her major-label debut album, ๐Ÿ’ฟ When We All Fall Asleep, Where Do We Go?, to critical acclaim in March 2019.  Furthermore, the album was a commercial juggernaut that went on to earn five ๐Ÿ† Grammys including the highly coveted award for Album of the Year. ๐ŸŽต โ€œListen Before I Go,โ€ the 12th track from the highly decorated LP, is lethargic-paced and heavy to the nth degree.  How is it heavy exactly? Well, it references suicideโ€ฆ ouch. โ€œSorry canโ€™t save me now,โ€ Eilish sings on the chorus, later adding, โ€œSorry thereโ€™s no way out / But down.โ€ What is fueling the suicidal thoughts that cross the protagonistโ€™s mind? Depression, it seems. What isnโ€™t sad is the top-notch quality of this dark standout from an equally brilliant debut album. As always, her brother and producer ๐ŸŽ› FINNEAS puts in work on the production end of things.

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7. Pusha T, โ€œHear Me Clearlyโ€ (Ft. Nigo)

๐Ÿ’ฟ Itโ€™s Almost Dry โ€ข ๐Ÿท Getting Out Our Dreams, Inc. / Def Jam โ€ข ๐Ÿ“… 2022

Pusha T, It's Almost Dry [๐Ÿ“ท: Getting Out Our Dreams, Inc. / Def Jam]โ€œThese drug dealer Rollies is my TikTok and Triller / Insecure bitches get lip fillers.โ€ Woo,๐ŸŽ™ Pusha T! King Push showcases unflappable consistency on his fourth studio album, ๐Ÿ’ฟ Itโ€™s Almost Dry. ๐ŸŽต โ€œHear Me Clearlyโ€ isnโ€™t the crowning achievement from the ๐Ÿ† Grammy-nominated LP, but it represents another ultra-consistent moment.  As always, Pusha T drops plenty of stellar bars (โ€œTen toes down, Loewe cover the cleats / Dope sell itself, got a trunk full of receiptsโ€). ๐ŸŽ› Kanye West is a producer, sampling the ๐ŸŽ™ Rick Ross song, ๐ŸŽต โ€œFree Masonโ€. Specifically, the chorus hails from the 2010, ๐Ÿ’ฟ Teflon Don gem: โ€œHear me clearly, if yโ€™all niggas fear me / Just say yโ€™all fear me, fuck all these fairy tales.โ€ Never change Pusha T, never change!

Appears in ๐Ÿ”ป:


8. SAINt JHN, โ€œI Heard You Got Too Litt Last Nightโ€

๐Ÿ’ฟ Collection One โ€ข ๐Ÿท Godd ComplexX โ€ข ๐Ÿ“… 2018

SAINt JHN, Collection One [๐Ÿ“ท: Godd CompleXx]โ€œI heard you got too litt last night / Didnโ€™t make it home / Mixinโ€™ purple with your purple sprite / Things you shouldโ€™ve known / I heard you flexinโ€™ on emโ€™ yeah / You wanna mix it up / But fuck it, baby, no regret / And never switch it up.โ€ Brooklyn-bred rapper ๐ŸŽ™ SAINt JHN dropped a ๐ŸŽต โ€œI Heard You Got Too Litt Last Nightโ€, which appears on his debut LP, ๐Ÿ’ฟ Collection One. โ€œI Heard You Got Too Litt Last Nightโ€ sounds easy on the ears.  The production work is smooth, yet energetic and rhythmic.  The choice of synths, anchored by punchy drums, is impressive. SAINt JHN kicks things off with a melodic chorus, matching the โ€˜chillโ€™ musical backdrop. In addition to the melodic nature of the chorus (excerpted above), itโ€™s also catchy.

The melody continues to be the selling point of โ€œI Heard You Got Too Litt Last Night.โ€  Even as smooth as it is, SAINt JHN still โ€˜lives on the edge.โ€™  In the chorus, he references purple drank.  In the first verse, the rapper pop-raps, โ€œToo turnt / Last night you showed me all that ratchet shit that you learned.โ€ On the second verse, he references pills, and maybe more outlandishly, โ€œMe and three bad bitches call it foreplay.โ€ And in the third verse, itโ€™s โ€œPanties on my dash, pictures with no flash.โ€  Even with all the excess and shallowness, the colorful record allures.

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9. Marvin Sapp, โ€œListenโ€

๐Ÿ’ฟ Close โ€ข ๐Ÿท Provident Label Group LLC / Sony Music Entertainment โ€ข ๐Ÿ“… 2017

Marvin Sapp, Close [๐Ÿ“ท: Provident]From the jump, ๐ŸŽต โ€œListenโ€ sounds like the construction of a controversial R&B artist.  That is correct because ๐ŸŽผโœ R. Kelly penned this record for ๐Ÿ† Grammy-nominated gospel singer, ๐ŸŽ™ Marvin Sapp.  Furthermore, Mr. Kelly also contributes vocals. As I stated while reviewing the album, ๐Ÿ’ฟ Close, the timing of collaboration was poor. โ€œYou tried your way / It didnโ€™t work, no / You put Him second (Second, yeah!) / And put you first (Oh, yeah!).โ€ Despite the controversy, โ€œListenโ€ has many of the attributes that made R. Kelly one of black musicโ€™s elite.  Aside from Kelly, โ€œListen,โ€ brings contemporary gospel into the 2010s. Marvin Sapp sings exceptionally well, as always, as does his choir.  The message is positive and uplifting, best exemplified by the chorus:

โ€œ(Godโ€™s tryna tell me something)

Heโ€™s speaking to your heart right now

(Godโ€™s tryna tell me something)

Just listen to the Spirit, ohh

(Godโ€™s tryna tell me something)

Hold up, (Shh)

(Listen).โ€

Appears in ๐Ÿ”ป:


10. Kanye West, โ€œHeard โ€˜Em Sayโ€ (Ft. Adam Levine)

๐Ÿ’ฟ Late Registration โ€ข ๐Ÿท UMG Recordings, Inc. โ€ข ๐Ÿ“… 2005

Kanye West, Late Registration [๐Ÿ“ท: Roc-A-Fella]โ€œAnd I heard โ€˜em say / Nothingโ€™s ever promised tomorrow today / From the Chi, like Tim, itโ€™s a harder way.โ€ Woo! Before ๐ŸŽ™ Kanye West became a totally unhinged @$$hole, the producer, rapper, and songwriter was renowned for talent.  His 2005 album, ๐Ÿ’ฟ Late Registration, is one of the true classics of the aughts.  Chocked full of hits, among the best is the second track, ๐ŸŽต โ€œHeard โ€˜Em Say,โ€ which enlists ๐ŸŽ™ Maroon 5 front man ๐ŸŽ™ Adam Levine for the assist.  Levine wows with his smooth, soulful tenor during the chorus, which is incredibly tuneful.  As for Mr. West, he impresses with his own potent rhymes, filled with personality and those signature one-liners.

โ€œMy Aunt Pam canโ€™t put them cigarettes down

So now my little cousin smokinโ€™ them cigarettes now

His job try to claim that he too niggerish now

Is it โ€˜cause his skin blacker than licorice now?

I canโ€™t figure it out, Iโ€™m sick of it now.โ€

The production is equal to the performances of Levine and West, with West producing alongside ๐ŸŽ› Jon Brion.  Brion brings a different sound to Westโ€™s sophomore album as a whole โ€“ something that makes it a contrast to his groundbreaking debut, The College Dropout (2004).  Notably, โ€œHeard โ€˜Em Sayโ€ samples ๐ŸŽ™ Natalie Cole (๐ŸŽต โ€œSomeone That I Used to Loveโ€) and ๐ŸŽ™ Tommy James and the Shondells (๐ŸŽต โ€œCandy Makerโ€).  Maroon 5 would later sample/repurpose the record on ๐ŸŽต โ€œNothing Lasts Foreverโ€ from their 2007 LP, It Wonโ€™t Be Soon Before Long.  Also, in 2020, ๐Ÿ† Grammy-nominated rapper ๐ŸŽ™ Logic recorded his own song, ๐ŸŽต โ€œHeard Em Sayโ€ (๐Ÿ’ฟ No Pressure) interpolating the West classic.


11. Juice WRLD, โ€œHear Me Callingโ€

๐Ÿ’ฟ Death Race for Love โ€ข ๐Ÿท Interscope โ€ข ๐Ÿ“… 2019

Juice WRLD, Death Race for Love [๐Ÿ“ท: Grade A Productions, LLC / Interscope]The premise of ๐ŸŽต โ€œHear Me Callingโ€ (๐Ÿ’ฟ Death Race for Love) is familiar for late, rapper, ๐ŸŽ™ Juice WRLD โ€“ love, sex, etc. โ€œHear Me Callingโ€ settles in with a tropically tinged pop groove. โ€œDo you hear me calling? / Do you hear me calling?โ€ he asserts in the most memorable moment of the song, the chorus. He adds, โ€œMe no want no drama / Not a fighter, a loverโ€ฆ /I just want you, my darling.โ€ Juice WRLD employs a pop-rap sensibility, keeping things melodic to the nth degree. Even though heโ€™s melodic, he still incorporates plenty of rhythm. There are some nice musical moments within the production (๐ŸŽ› Purps on the Beat), including the beat, piano, and warm sounding synths.  All in all, โ€œHear Me Callingโ€ is a pretty smooth, slick record โ€“ one of the better moments of the rapperโ€™s short-lived musical career.

Appears in ๐Ÿ”ป:


12. George Ezra, โ€œListen to the Manโ€

๐Ÿ’ฟ Wanted on Voyage โ€ข ๐Ÿท Sony Music Entertainment UK โ€ข ๐Ÿ“… 2014

George Ezra, Wanted on Voyage [๐Ÿ“ท: Columbia]Thereโ€™s something extra special about a distinct voice.  Sure, there are plenty of musicians that possess an instrument that is uniquely theirs, but ๐ŸŽ™ George Ezra is truly different.  The British singer/songwriter has a husky, robust instrument that instantly sets him apart from everybody else.  He busted onto the scene in 2014 with his debut album, ๐Ÿ’ฟ Wanted on Voyage.  Filled with several gems, among the best is the groovy, lighthearted ๐ŸŽต โ€œListen to the Man.โ€ โ€œListen to the Manโ€ was written by Ezra and ๐ŸŽผโœ Joel Pott.  Safe to say they do a fine job, particularly the breezy, incredibly catchy chorus:

โ€œYou donโ€™t have to be there, babe

You donโ€™t have to be scared, babe

You donโ€™t need a plan of what you wanna do

Wonโ€™t you listen to the man thatโ€™s loving you.โ€

Woo! In the verses, Ezra vows to be a support system for her โ€“ hold her down. The dedication is legit and lit, to say the least: โ€œI feel all your tears and youโ€™re not alone, oh / When I hold you, well, I wonโ€™t let go.โ€ Another selling point from this husky-voiced gentlemen is none other than the production.  ๐ŸŽ› Cam Blackwood ensures โ€œListen to the Manโ€ sounds awesome to the nth degree.  Blackwood and Ezra play several instruments, with other musicians covering the rest.  Also, canโ€™t mention this song without mentioning the fun music video featuring ๐ŸŽญ Sir Ian McKellen.

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13. The Stylistics, โ€œStop, Look, Listen (To Your Heart)โ€

๐Ÿ’ฟ The Stylistics โ€“ The Original Debut Album โ€ข ๐Ÿท Amherst โ€ข ๐Ÿ—“ 1971

The Stylistics, The Stylistics โ€“ The Original Debut Album [๐Ÿ“ท: Amherst]โ€œStop, look / Listen to your heart, hear what itโ€™s saying / Stop, look / Listen to your heart, hear what itโ€™s saying / Love, love, love.โ€ Yes, ๐ŸŽ™ The Stylistics, YES! ๐ŸŽต โ€œStop, Look, Listen (To Your Heart)โ€ marks a stellar joint by this stellar soul collective.  Like some of the big hits off ๐Ÿ’ฟ The Stylistics (1971), โ€œStop, Look, Listenโ€ was penned by ๐ŸŽผโœ ๐ŸŽ› Thom Bell and ๐ŸŽผโœ Linda Creed. Bell helps to craft that lush, signature Philly soul sound, one of the best things to come out of the 1970s. Ample credit also goes to lead singer ๐ŸŽ™ Russell Tompkins, Jr., who sounds amazing, wowing with a ripe falsetto.  The theme is matters of the heart, but have they ever sounded better than in the hands of this fivesome?  Tompkins and company encourage allowing yourself to L-O-V-E on this magnificent opener!

โ€œThough you try, you canโ€™t hide

All the things you really feel, this time decide

That you will open up, let it in

Thereโ€™s no shame in sharing love you keep within.โ€

The Stylistics โ€˜put in workโ€™ on this entire The Stylistics album beyond ๐ŸŽต โ€œStop, Look, Listen (To Your Heart)โ€.  Honestly, music just doesnโ€™t sound like this anymore. โ€œStop, Look, Listen (To Your Heart)โ€ is a surefire classic gem! 

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14. The Supremes, โ€œI Hear A Symphonyโ€

๐Ÿ’ฟ I Hear A Symphony โ€ข ๐Ÿท Motown โ€ข ๐Ÿ—“ 1966

The Supremes, I Hear A Symphony [๐Ÿ“ท: Motown]โ€œYouโ€™ve given me a true love / And every day, I thank you, love.โ€ Oh, how sweet! ๐ŸŽ™ The Supremes delivered a surefire, soul classic with ๐ŸŽต โ€œI Hear A Symphonyโ€ (๐Ÿ’ฟ I Hear A Symphony, 1966).  โ€œI Hear A Symphonyโ€ was sweet music to the ears of pop and soul enthusiasts alike in the mid-1960s.  The exuberant, 1965 record about true love spent two weeks at no. 1 on the Billboard Hot 100. The iconic Motown girl group, consisting of ๐ŸŽ™ Diana Ross, ๐ŸŽ™ Florence Ballard, and ๐ŸŽ™ Mary Wilson, continues singing, in the opening section, โ€œFor a feeling thatโ€™s so new / So inviting, so exciting.โ€ Oh, love, in all its splendor!

Of course, the hook line is that legendary titular lyric: โ€œWhenever youโ€™re near, I hear a symphony.โ€ The Supremes follow it up with numerous poetic lines, such as โ€œA tender melody / Pulling me closer, closer to your arms / Then suddenly (I hear a symphony) / Ooh, your lips are touching mineโ€ฆโ€  and later, โ€œI hear a tender rhapsody of love now, baby, baby.โ€ This Motown classic was not only performed by icons but written by the iconic collective, ๐ŸŽผ โœ Holland-Dozier-Holland (Eddie Holland, Lamont Dozier, and Brian Holland).  Brian and Dozier also produced this catchy gem.  Sure, songs donโ€™t sound like ๐ŸŽต โ€œI Hear A Symphonyโ€ anymore but the nostalgia and the innocence of this love-driven number is refreshing in much more blunt and explicit times. Itโ€™s sad that Diana Ross and The Supremes have failed to ever win a ๐Ÿ† Grammy.

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14 Listen ๐Ÿ”Š, Hear๐Ÿ‘‚ Me Out Songs [๐Ÿ“ท: Brent Faulkner / The Musical Hype; Amherst, Columbia, Darkroom / Interscope, Dirty Hit, Getting Out Our Dreams, Inc. / Def Jam, Godd ComplexX, Motown, Provident Label Group LLC, Republic, Sony Music Entertainment, UMG Recordings, Inc.; Andrea Piacquadio via Pexels]


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.