â13 More Songs That Feature Names in Their Titlesâ features music from CeeLo, Fiona Apple, Highly Suspect, K. Michelle, MJ & Perfume Genius.
[otw_shortcode_dropcap label=”S” size=”large” border_color_class=”otw-no-border-color” shadow=”shadow” square=”square”]ometimes, song titles can be random without significant meaning. Childish Gambino proved this when he used time stamps (mostly) as song titles on his 2020 album, 3.15.20. Even so, those time stamped songs actually have more fitting names (â42.26â was originally âFeels Like Summerâ), even though they arenât outwardly presented. In other cases, song titles can convey much more significant meaning and carry more weight. When a song is named after a specific person, or at least a proper name, that certainly brings a more meaningful, biographical, or in some cases, autobiographical sensibility.[/otw_shortcode_dropcap]
There have been a number of songs penned with proper names in their titles over the years. CeeLo Green, for example, named âRobin Williamsâ (Heart Blanche) after the late, comedian and Oscar-winning actor who committed suicide in 2014. On the chorus, Green sings:
âWe don't know what the next man's going through, wish I could say it in a plainer way I said we don't know, life reminds me of Robin Williams; we've got to laugh the pain away.â
R&B singer/songwriter K. Michelle is a big fan of using proper names in her song titles. On Anybody Wanna Buy a Heart? (2014), she asserts âDrake Would Love Meâ. On KIMBERLY: The People I Used to Know (2017), she tackles âKim Kâ, as in Kim Kardashian. Both musicians appear later on, with full blurbs about different name songs on 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES.
13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES serves as a follow up to 13 Songs That Feature Names in Their Title, published in April 2020. Hopefully, you have a clear idea of the criteria based upon the intro â the songs must feature a proper name in some form or fashion. It could be the full name, first name, last name, and could have biographical or even autobiographical sensibilities. Musicians dropping tunes on 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES include CeeLo Green, Fiona Apple, Highly Suspect, K. Michelle, Michael Jackson, and Perfume Genius among others. Without further ado, letâs drop some proper names, shall we!
1. Michael Jackson, âBillie Jeanâ
Thriller ⢠MJJ Productions ⢠1982
âShe was more like a beauty queen from a movie scene / I said, âDonât mind, but what do you mean, I am the one / Who will dance on the floor in the round.â One of the greatest songs of all time is none other than âBillie Jeanâ by the late, great, King of Pop, Michael Jackson. âBillie Jeanâ is just one of many hits from one of the greatest albums of all time, Thriller, released in 1982. Yes, Jackson has been a leading candidate to be cancelled for a fair share of controversies, but the genius of his music and artistry has never been disputable. âBillie Jeanâ is the perfect, timeless name song.
âShe told me her name was Billie Jean / And she caused a sceneâŚâ The lyrics are catchy as albeit, while the music (produced by Jackson and the legendary Quincy Jones) successfully fuses pop, funk, and R&B.  Jackson blesses us numerous times with his signature ad-libs â âHee-heeâ and âHoo!â â adding to the decadent listening experience. Iâll leave you with the most famous, memorable lyrics from the chorus:
âBillie Jean is not my lover Sheâs just a girl who claims that I am the one But the kid is not my son!â
2. Fiona Apple, âShameikaâ
Fetch the Bolt Cutters ⢠Epic ⢠2020
âBut Shameika said I had potential / But Shameika said I had potential,â Fiona Apple sings on the infectious chorus of âShameikaâ, a gem from her 2020 masterpiece, Fetch the Bolt Cutters. A record about someone she met as a kid, but doesnât describe as a friend, Shameika certainly had an influence on Apple â one of many stories that adds to the sheer excellence of Fetch the Bolt Cutters.
Throughout, she recounts her childhood experiences, not to mention throwing in a colorful lyric inspired by bassist, Sebastian. Musically, the listener is blessed with acrobatic piano lines, and quick, rhythmic, and playful melodic lines. Sometimes, theyâre not even melodic â chanted, spoken word. This is art pop with a lot of approaches idiomatic of jazz.
3. Highly Suspect, âLydiaâ
Mister Asylum ⢠300 Entertainment ⢠2015
Before making the âsuspectâ MCID in 2019, Highly Suspect rocked TF hard â facts. They rocked so hard, in fact, that they earned a Grammy nomination for their 2015 debut, Mister Asylum. No, Grammy recognition isnât necessarily vindication â plenty of great musicians have been snubbed way too many times â but itâs a big deal for an up-and-coming collective like HS were at the time. The song that likely fueled the acknowledgement from the Grammys was âLydia,â a perfect fit for 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES.
âYour eyes are lined in pain Black tears donât hide the rain And I tied you to the tracks When I turned around, I heard the sound I hit the ground; I know thereâs no turning back.â
âLydiaâ is a prime example of âzero fucksâ Johnny Stevens at his best. The Highly Suspect frontman has a voice thatâs tailor made for rock, and rock out he does. Worth noting, Lydia herself is never explicitly named throughout the four-minute record. That said, sheâs clearly characterized, becoming intertwined into a toxic relationship fueled by drug addiction. Johnnyâs character brought Lydia down when she decided to become his girlfriend basically. The best moment of the junkie record comes on the third chorus, with a fitting f-bomb:
âI canât fucking breathe, much less believe the truth I pick up a gun, aim for the sun, and shoot Better days, so unafraid in my youth I canât breathe or believe the truth.â
4. The Chicks, âJulianna Calm Downâ
Gaslighter ⢠Columbia â˘Â 2020Â
âJulianna Calm Downâ appears as the ninth track on Gaslighter, the comeback album from The Chicks (formerly Dixie Chicks, of course). Â It took 14 years to get a new album from Natalie Maines, Emily Strayer, and Martie Maguire, but Gaslighter ultimately ends up being well worth the wait. âJulianna,â a co-write by Julia Michaels, serves as an advice column from Natalie to younger women (specifically her bandmateâs daughters) about matters of the heart.
For Natalie, âsheâs been there,â so she wants to forewarn those who havenât experienced pain, heartache, and devastation she has. This is a song written by women (save for Jack Antonoff) for women. Flexing unapologetically, we get an absolutely no-no from country music â the f-bomb! âJust put on, put on, put on your best shoes / And strut the fuck around like youâve got nothinâ to loseâŚâ Even if its profane, The Chicksâ message is potent and thoughtful by all means. Definitely, a perfect fit for 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES.
5. Perfume Genius, âJasonâ
Set My Heart on Fire Immediately â˘Â Matador â˘Â 2020
âJason undressed me / Lying on his sheets / He did not do the same / Even his boots were onâŚâ âJasonâ, a highlight from the superb, 2020 Perfume Genius (Mike Hadreas) album, Set My Heart on Fire Immediately, explores sexuality. âJasonâ details a one-night stand when Hadreas was 23.
The âhook-upâ occurred with a straight guy (perhaps âquestioningâ) and apparently, involves some nurturing from Mike. âHe was afraid / Tears streaming down his face,â he sings on the second verse, adding on the third, âI was proud to seem / Warm and mothering / Just for a night.â Musically, the biggest triumph on âJasonâ is Hadreasâ falsetto â simply amazing. From a sexual perspective, itâs awesome to hear a scenario where a man still seems to be in the infancy stages of accepting and understanding his sexuality.
6. Prince & The New Power Generation, âMy Name is Princeâ
[ Love Symbol ] ⢠Warner ⢠1992
âI got two sides and they both friends / Don’t try to clock âem, they’re much too fast / If you try to stop âem they kick that assâŚâ Before Prince lost his name (he was âThe Artist Formerly Known as Princeâ at one point), he made it clear that EVERYONE knew his name.  While you can take the subtle approach, obviously, we know that when it came to performances and writing songs, The Purple One wasnât subtle in the least. Thatâs why itâs not surprising that on The Love Symbol Album from 1992 he wrote a gem called âMy Name is Prince.â I should note, that the album is credited to Prince & The New Power Generation.  I should also note, âMy Name is Princeâ falls under the New Jack Swing style that became a popular R&B substyle in the 1990s.
âMy name is Prince and I am funky My name is Prince, the one and only I did not come to funk around âTil I get your daughter I wonât leave this town.â
Hmm, âI did not come to funk aroundâ â thatâs a musical euphemism right there! Prince is a metaphorical âchest pufferâ throughout âMy Name is Princeâ â understatement! âIn the beginning God made the sea / But on the seventh day he made me,â he asserts on the first verse, continuing, âHe was tryinâ to rest yâall when he heard the sound / Sound like a guitar cold gettingâ downâŚâ While some may consider The Purple One is being a bit, um, blasphemous, he actually addresses spiritual matters on the third verse. You could say heâs woke to the wages of sin and the utterly mad world. Also, worth noting, we get a rap verse by Tony M.
7. K. Michelle, âJust Like Jayâ
All Monsters are Human â˘Â Chase Landin, LLC d/b/a No Color No Sound â˘Â 2020
K. Michelle commences All Monsters are Human with some punch with the honest âJust Like Jay,â referencing Jay-Z. She specifically references the rapperâs 2003 album, The Black Album, and his 2004 documentary, Fade to Black. The context? Criticism, exemplified by standout lines like âI walked away from Atlantic âcause they wanted me to be Mary J. / And the whole time I was thinkinâ, âWho the hell gonâ be K?â âJust Like Jayâ sets the tone and confirms that K. Michelle is very much true to self.
âWhere is the love (where is the love?) âCause they not givinâ me none What have I done (what have I done?) to make them hate me so Itâs been so tough (Itâs been so tough) it made me wanna give up Crucified for my mistakes, make me wanna walk away.âÂ
8. Lizzo, âJeromeâ
Cuz I Love You ⢠Nice Life / Atlantic ⢠2019
On âJerome,â one of many standouts on Cuz. I Love You, Grammy winner Lizzo tells ole boy, âTake your ass home / And Come back when youâre grown.â Oh snap! Lizzo is not messing with a man who is acting or playing around like a child â no man-children allowed! Go home you dirty, filthy, worthless boy! Okay, I got a little carried awayâŚ
A contemporary neo-/retro-soul gem, within the context of Cuz I Love You, âJeromeâ marks another brilliant collaboration with X Ambassadors. The alt-rock band seems to get the best out of the Minneapolis standout, who laments his trifling, boyish, and totally immature ways.
9. Charlie Wilson, âCharlie, Last Name Wilsonâ
Charlie, Last Name Wilson ⢠Zomba Recording LLC â˘Â 2005
Prince wasnât the only musician who liked his name enough to write a song about it! Charlie Wilson lands into the same boat on âCharlie, Last Name Wilson.â âCharlie, Last Name Wilsonâ appears on his 2005 solo album, also titled Charlie, Last Name Wilson. While R. Kelly is definitely been cancelled and muted TF up, he did give Uncle Charlie one heck of a satisfying bop.
Wilson uses his âJohn Hancockâ to help him ask out a lady heâs feeling on âCharlie, Last Name Wilson,â best exemplified by the chorus:
âHey girl, how you doinâ My name is Charlie, last name Wilson I was wonderinâ if I could take you out Show you a good time, invite you to my house Here is my number, girl you can call me And donât forget it baby, the name is Charlie.â
Charm, indeed, goes a long way. Wilson also asserts, âBeing in love is good for your health.â But going back to his contact information, Uncle Charlie makes it clear that this fine specimen can get in contact with him any and everywhere. In an outgoing chorus that only R. Kelly could pen, Charlie sings, âHere is my number⌠My managerâs number⌠My studio number⌠Even mommaâs numberâŚâ Day-um!
10. Bruno Mars, âNatalieâ
Unorthodox Jukebox ⢠Atlantic ⢠2012
âNatalie, she ran away with all my money/ And she did it for fun/ Natalie, sheâs probably out there thinking itâs funny/ Telling everyone.â Clearly, Bruno Mars is mad. Heâs been wronged by Natalie on âNatalie,â the seventh track from his sophomore album, Unorthodox Jukebox. Just to show you how mad he is, he calls her a bitch â themâs fighting words (well, sometimes)! Finishing off the aforementioned chorus, the fed-up musician asserts, âIâm digging a ditch for this gold digginâ bitch/ Watch out sheâs quick/ Look out for a pretty little thing named / Natalie, if you see her tell her Iâm coming/ She better run.â
Itâs not only the chorus where Bruno Mars is mad as hell.  âNatalieâ overall is dramatic and incredibly feisty. I mean, he even goes so far as to say, âIâll spend a lifetime in jail / Iâll be smiling in my cell.â On the bridge, he states the obvious: âI shouldâve known better cause when we were together she never said forever/ Iâm a fool that played in her gameâŚâ True bro. As The Main Ingredient once sung, âEverybody plays the Foolâ.
11. Halsey, âAshleyâ
Manic ⢠Capitol â˘Â 2020
Manic, the third studio album by Grammy-nominated alt-pop sensation Halsey (Ashley Frangipane), is an intriguing affair overall, with its fair share of moments. Among the most elite moments include the likes of âWithout Meâ, âFinally // beautiful strangerâ, and âYou should be sadâ, among others. There are actually a couple of proper named songs on Manic, including âclementineâ, which appeared on 13 Songs That Feature Names in Their Title. Prior to âclementineâ however is the song âAshley,â which is named after her.
âTook my heart and sold it out to a vision that I wrote myself / And I don’t wanna be somebody in America just fighting the hysteria / I only wanna die some daysâŚâ Heavy! âAshleyâ commences Manic. Itâs a sleek pop record where the emotions are high. Sure, the verses are a bit cooler as far as the vocal (even given the aforementioned lyrics), but the intensity level rises on the chorus sections.
âNow, if I figure this out Apart from my beating heart Itâs a muscle, but itâs still not strong enough to carry the Weight of the choices I've made I told you Iâd ride this out Itâs gettingâ harder every day Somehow, Iâm burstinâ out of myself.â
Perhaps I wouldnât characterize it as a highlight in the context of Manic, which has no shortage of highlights, it definitely sets the tone of the album.
12. Rapsody, âNinaâ
Eve â˘Â Jamla / Roc Nation â˘Â 2019Â
Eve was a critically acclaimed studio album from Grammy-nominated rapper Rapsody. Unfortunately, in addition to being critically acclaimed, Eve was also underrated. Oh, the plight! Regardless, the entire album is comprised of songs named after black women. Basically, all of the songs from Eve couldâve been featured on 13 MORE SONGS THAT FEATURE NAMES IN THEIR TITLES (or I couldâve just reviewed the albumâŚ). Album opener âNinaâ gets the nod here.
Fittingly, the legendary Nina Simone is sampled on âNina,â specifically the devastating classic, âStrange Fruitâ. Kanye West used this same sample to fuel his 2013 gem, âBlood on the Leavesâ â one of the best songs of his career in my opinion. Remaining focused on Rapsody, she only drops one verse, but itâs a killer one. Her flow is spot-on, while the lyrics are woke AF. Rapsody name drops numerous black folks including Emmett Till, Lauryn Hill, Henry Louis Gates, Tina Turner (Anna Mae Bullock), and Angela Bassett. One of my favorite lyrics she says in reference to Nina Simone arrives near the end of the verse, prior to the Reyna Biddy outro: âI felt more damned than Mississippi was / They deny Nina in Philadelphia.â Two words: âMississippi Goddamâ.
13. CeeLo, âCeeLo Green Sings the Bluesâ
Heart Blanche ⢠Atlantic â˘Â 2015
âHello, my name Is CeeLo Green, and Iâve got the blues / Cause donât nobody love me no more / Maybe just a little bit more than you did yesterday / But not like you loved my beforeâŚâ âCeeLo Green Sings the Bluesâ marks the most moving performance from Heart Blanche, the 2015 album by Grammy-winning R&B singer, CeeLo Green. Why is âCeeLo Green Sings the Blueâ so accomplished? Well, itâs because it is something of an apology from Green, who has made his share of mistakes, namely being embroiled in controversy with âhighly irresponsibleâ rape tweets. Keeping it đŻ, that shit will cancel you damn quick!!!
Green is incredibly talented, but talent alone doesnât atone for mistakes, period. âCeeLo Green Sings the Bluesâ proved not to be near enough to revive the idiosyncratic musician to his full glory. A line like âMy heart is filled with unconditional love / How could anyone hate me?â doesnât necessarily play out favorably in everyoneâs eyes because it seems, um, defensive. Still, from a critical standpoint, The record, to some extent, shows his willingness to attempt to redeem himself, as well as remind us of his remarkable musicianship. That vocal grit â awesomeness exemplified!

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