11 Songs Filled with Care features caring music courtesy of beabadoobee, BeyoncĂŠ, Jeremy Zucker, Mick Jenkins & Ruel.
[otw_shortcode_dropcap label=”I” size=”large” border_color_class=”otw-no-border-color” shadow=”shadow” square=”square”]t is totally easy to get wrapped up in the cares of the world. Iâm envious of those who say that they âdonât have a care in the world.â Perhaps theyâre lying, or perhaps, they know something or have arrived at something I havenât realized yet.  That said, the philosophical aspect of the intro really doesnât pertain to the 131st playlist to grace The Musical Hype. So, letâs keep it moving, shall we?[/otw_shortcode_dropcap]
11 SONGS FILLED WITH CARE features caring music courtesy of beabadoobee, BeyoncÊ, Jeremy Zucker, Mick Jenkins, and Ruel among others. The main criteria for inclusion is simply some form of the word, CARE. Simple enough! Without any further ado, throw away the cares of the world and check out this awesome, most caring playlist!
1. Ruel, âas long as you careâ
Bright Lights, Red Eyes (EP) ⢠RCA ⢠2020
âIâm sun-dried, my lips are high on overdrive / Iâm so tired,â Ruel sings on the first verse of âas long as you careâ, continuing, âIâm sorry if Iâm low on confidence… / Iâm sorry, but my brain is fried.â Honestly, the Australian teen heartthrob, who turns 18 in November, has no reason to apologize. Years ago, when he first came onto the scene, the rich, soulful, and expressive nature of his voice was unbelievable â he as a mere teen with the voice of a fully seasoned pro! That is still the case for Ruel Vincent Van Dijk, who writes this standout single alongside producer M-Phazes (Mark Landon).
As is the case in the past, Ruel sounds utterly sublime. His vocals are soulful to the nth degree. Still incredibly young, itâs still mind boggling that this kid sounds this amazing. He sings with incredible authenticity, expression, and nuance. You really believe him because he sells it incredibly well. As far as M-Phazes production, there are sensational throwback vibes from the R&B of the past, yet the sounds are also fresh.
Matters of the heart take front and center on âas long as you care.â Furthermore, the catchy, memorable chorus serves as the centerpiece:
âBut donât cry, I know that you care
You have no idea
Itâs all bright lights and red eyes
Bright lights and red eyes, Iâm never there
But as long as youâre here, Iâm all bright lights and red eyes
Bright lights and red eyes.â
Ultimately, âas long as you areâ proves to be a superb single from an artist clearly on the up and up. Ruel = musical godsend.
2. beabadoobee, âCareâ
âCareâ ⢠Dirty Hit â˘Â 2020
British-Filipino artist Beabadoobee (Beatrice Laus) saw her profile elevated significantly in 2020. Why? Well, thanks to the charming hit single âdeath bed (coffee for your head)â by Powfu, which samples her original song, âcoffeeâ (âDonât stay awake for too long / Donât go to bed / Iâll make a cup of coffee for your headâŚâ). Thereâs some buzz behind her for good reason and it certainly transcends one song. If âdeath bedâŚâ or the original âcoffeeâ were the only two songs you heard from beabadoobee, you might be a bit surprised how starkly different âCareâ is.Â
âCare,â written Laus and produced by Pete Robertson and Joseph Rodgers has a âpop/rockâ backdrop. By pop/rock, there are definitely potent guitars and live drums â no drum programming. Itâs not âhard rock,â but the sound reminisces back to a time where pop and even alternative pop had a slightly âbeefierâ sound. That said, we still get those cool, easygoing vocals by beabadoobee. Even so, she still manages to pack a punch. The vibe is awesome. I love the pummeling drums leading up to the chorus. The chorus itself is catchy, simply centered around the titular lyric, while a contrasting bridge section that keeps things interesting. Honestly, ample C-A-R-E was put into âCare.â
3. Mick Jenkins, âCarefreeâ
The Circus ⢠Free Nation / Cinematic Music Group â˘Â 2020
âIt just donât look like this / If you living carefree then you probably donât look like usâŚâ Hip-hop donât stop! HYFR! Mick Jenkins proves that hip-hop remains potent on âCarefree,â which appears as the second track on his 2020 album, The Circus. Written by himself and produced by Black Milk, Jenkins gives us quite a treat that more people should really â wait for it â CARE about!
Black Milk definitely gives Mick fuel for the fire. The production work nearly steals the show. The backdrop is lush and soulful; instantly ear catching. Even so, Mick is pretty âeffinâ Aâ in his own right.  The chorus is sung, while the verses are rapped devoid of pitch. The listener is treated to the chorus early-on, following the instrumental intro:
âI was off the drugs, I was off the dranks, I was off the vibes
Got nothinâ to hide, Iâm with the squad, donât make me throw it up
She by my side, we bonafide, that shit is nice.â
I agree Mick â âthat shit is nice.â Beyond the chorus, he gives agile rhymes on the verses, exhibiting an absolutely amazing, hypnotic flow. Jenkins has a smoothness in his delivery, yet heâs simultaneously confident and definitely not soft:
âPulled me over âbout my whip
Like, âhow you get it?â
Bitch, I bought it, took my ticket for the tints.â
4. Jeremy Zucker, âalways, Iâll careâ
love is not dying ⢠Republic ⢠2020
âFlipping through our photographs / Those moments never seem to last / Listening to self-control / Those feelings that youâll never knowâŚâJeremy Zucker impresses with his charming sweetness on the âshort, but sweetâ âalways, Iâll careâ. Zucker sings beautifully, never overreaching nor underwhelming vocally. He doesnât need to sing endless runs to be effective. Furthermore, thereâs an incredible sense of authenticity. Thematically, Zucker tackles matters of the heart. He does so with reminiscent, thoughtful lyrics, further amplifying the excellence (aforementioned).
The centerpiece, of course, is the chorus:
âIâll be better than I was before (Hey)
Despite every text of yours ignored (Hey)
Will you call me still, just to hear my voice
I swear, always
Always
Always, Iâll care.â
Vocals, theme, and lyrics play a pivotal role in the success of âAlways, Iâll Care.â Production also propels the love is not dying standout, evolving gradually. Initially a piano ballad (played by Zucker), âAlways, Iâll Careâ adds drums/drum programming, crisp rhythmic guitar, and additional colorful keyboard work. Ultimately, itâs just another reason why âAlways, Iâll Careâ is, well, pretty fly.
5. BeyoncĂŠ, âI Careâ
4 ⢠Columbia ⢠2011
âWell, I care / I know you donât care too much / But I still care, baby.â 4 was a bit of a âdifferentâ album for BeyoncĂŠ. Clearly, the Grammy-winning R&B artist opted for more experiments on her fourth studio album that contrasted Dangerously in Love, BDAY, and I AmâŚSasha Fierce that preceded it. Even so, looking back on 4, it was under appreciated. One of the under-appreciated songs is âI Care,â which appears as the second track on the album. Admittedly, it was an odd cut at the time, and still a bit âleft of center,â but feels stronger post-4.
âAinât nobody tell me this is love
When youâre immune to all my pain
I need you to tell me this is love
You donât care?
Well, thatâs okay.â
The narrative of âI Careâ isnât the aspect of the song that made/makes it odd; itâs more of the sound itself.
The record commences mysteriously with a pad, anchored by drum programming, something that preceding ballad, â1+1â, lacked.  Thereâs interesting vocal production surrounding BeyoncĂŠâs lead vocals, something a bit off-putting when you first hear the track. That said, the backing vocals are solid from start to finish without any questions. Eventually, this record that doesnât quite feel âfast enough out of the gateâ actually grows on you. A prime example, itâs appearance eight years later on Homecoming: The Live Album (2019).
On Homecoming: The Live Album, âI Careâ receives the live treatment. Just for some background, Homecoming: The Live Album is a special project because it features performances from Beyâs historic performance at Coachella, where she became the first African American woman to headline. Â Here, âI Careâ definitely exceeds expectations! The vocals are high-flying, particularly as Bey nails the high notes.
6. Rich Brian, âDonât Careâ
1999 ⢠88rising / 12Tone Music, LLC â˘Â 2020
In 2020, Indonesian rapper Rich Brian quietly released a new EP, 1999. No, itâs not that Brian has exactly âexplodedâ on the rap scene but 1999 just sort of dropped, even with the release of singles beforehand. Regardless, the project is named for the year he was born â man â heâs still pretty young! That said, it seems that heâs progressed from his âDat $tickâ days.
The bright âDonât Careâ was released as a single in 2020 before 1999 arrived. Relatively short, Brian sings about embracing positivity and disregarding the haters and skeptics. Basically, you know how DRAM asserted that he was âbeyond all that fuck shitâ on âBroccoliâ? Well, thatâs the case with Rich Brian on âDonât Careâ as he asserts:
âI donât want none of your energy crowdinâ my space
So get the fuck out my way
Stay with the fakinâ, âcause I
Donât care.â
7. Ed Sheeran & Justin Bieber, âI Donât Careâ
No.6 Collaborations Project â˘Â Warner ⢠2019
What happens when you put Ed Sheeran and Justin Bieber together? Usually, a hit â âmoney in the bankâ. Their collaboration, âI Donât Careâ, appears on Sheeranâs collaborative album, No.6 Collaborations Project. The premise of the up-tempo, major-key pop joint is pretty simple; neither Sheeran or Bieber are feeling the nightlife â parties, clubbing, and such â anymore. Both simply want to be with their respective baes.
From the start, Sheeran asserts âIâm at a party I donât wanna be atâ (verse one), later confirming his social anxiety on the pre-chorus (âDonât think I fit in at this party / Everyoneâs got so much to sayâ). Itâs the same scenario for Bieber on the second verse and pre-chorus, but heâs willing to stay because â[She] make(s) it better like that.â On the chorus, sung by Sheeran, âitâs all good,â thanks to the baes. âI Donât Careâ is a pleasant pop cut. Itâs not game changing but it gets the job done.
8. Demi Lovato, âReally Donât Careâ (Ft. Cher Lloyd)
Demi ⢠Hollywood ⢠2013
âReally Donât Careâ is a necessary up-tempo cut following a number of ballads on Demi, the 2013 studio album by Demi Lovato. The record features a bright sound, sounding like a hit from the first couple of notes. While it doesnât showcase Lovatoâs vocal skills like the ballads, but it does reunite the singer with her younger listeners. Furthermore, it makes her older listeners happy; she still wants to have some fun.
Feisty, catchy, and jubilant, âReally Donât Careâ marks one of the better cuts on Demi. Â The chorus marks one of the best moments:
âBut even if the stars and moon collide
I never want you back into my life
You can take your words and all your lies
Oh, oh, oh I really donât care…â
Arguably, we couldâve done without Cher Lloydâs pop rap. That said, the pop-rap isnât a deal breaker, and actually fits the context of the cut.
9. Mac Miller, âSelf Careâ
Swimming ⢠Warner ⢠2018
âI switched the time zone, but what do I know? / Spending nights hitchhikinâ, where will I go?â Some of the life experiences of Mac Miller seem to fuel âSelf Careâ, a standout from his final studio album, Swimming. Following the moody instrumental intro, he delivers the aforementioned, sung chorus, which is mysterious and quirky, partially because of the imperfect pitch. For half of the first verse, he drops straight, unpitched bars, though the pitch returns. Perhaps his singing isnât as strong as his rapping, but it accentuates the vulnerability, reflectiveness, and depression that characterizes this particular song, partially referencing a break-up.
On the second verse, he mentions his DUI: âThat Mercedes drove me crazy, I was speedinâ.â Prior to the third verse, thereâs a beat switch, with the tempo slackening as Miller speaks on his state of oblivion (âI was, thinking too much, got stuck in oblivionâ). To be relatively simple lyrically, âSelf Careâ is complex at the same time. Itâs an emotional record that successfully captured Millerâs headspace and his status in rap prior to his tragic death at the age of 26. âSelf Careâ previously appeared on 15 Songs That Center Around Sadness & Depression.
10. Aaliyah, âI Care 4 Uâ
Aaliyah ⢠Blackground â˘Â 2001
âCan I talk to you? / Comfort you / Let you know / I care for you.â Aaliyah has cited âI Care 4 Uâ as her favorite song from her self-titled album, Aaliyah (2001). I would totally agree. In fact, âI Care 4 Uâ just might be my favorite song by the late, great contemporary R&B artist. The aforementioned chorus is simple yet perfectly executed and timeless. Written by Timbaland and Missy Elliott, they absolutely nailed it.
The songwriting does a great job of capturing matters of the heart. Beyond that, the music â the production â is stunning. This is Timbaland at his best constructing a truly fresh, innovative sound. The beat is what really stands out, but the entirety of the backdrop is beautiful, lush, and incredibly warm. Aaliyah sounds absolutely angelic painting atop this canvas, never breaking a sweat in the process. âI Care 4 Uâ is able to balance classy and sexy, never crossing any lines. Still to this day, nearly two decades after its release, âI Care 4 Uâ still ranks among the best R&B records to come out of the aughts â NO CAP!
11. Michael Jackson, âThey Donât Care About Usâ
HIStory: Past, Present and Future â Book 1 ⢠MJJ Productions ⢠1995
âAll I wanna say is that they donât really care about us,â the iconic King of Pop, Michael Jackson sings on his protest anthem, âThey Donât Care About Us.â Hailing from the most controversial album of his career, HIStory: Past, Present and Future â Book 1, the song itself garnered its own share of controversy. How so? The lyrics!
âJew me, sue me, everybody do me
Kick me, kike me, donât you black or white me.â
The controversy wasnât intended, of course, as the song is all about those suffering from racial inequality and racial injustice. Jackson even explicitly uses police brutality as an example. âThey Donât Care About Us,â ultimately, was highlighted in the introduction of the playlist, 13 Powerful Songs Where Black Lives Do Indeed Matter.
11 Songs Filled with Care [đˇ: 12Tone Music, 88rising, Blackground, Brent Faulkner, Cinematic Music Group, Columbia, Dirty Hit, Free Nation, Hollywood, MJJ Productions, Musical Hype, Pexels, Pixabay, Republic, Unsplash, Warner]

![11 Songs Filled with Care [Photo Credits: Brent Faulkner, The Musical Hype, Pexels, Pixabay, Unsplash]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2020/09/11-songs-filled-with-care.jpg?fit=300%2C300&ssl=1)

![Travis Porter, Bring It Back: Bangerz N Bopz No. 68 (2026) [đˇ: Brent Faulkner / The Musical Hype; RCA Records; Art Laurence Luzon, cottonbro studio, Osmar Vasques, Sebastian Ervi, Wallyson Nascimento from Pexels; Gordon Johnson from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/09/travis-porter-bring-it-back-bangerz-n-bopz-68-2026.jpg?fit=640%2C640&ssl=1)
![Al Calderon, brokiii: Beaming with Pride No. 93 (2026) [đˇ: Brent Faulkner/ The Musical Hype; Al Calderon / Create Music Group Inc.; Cristyan Bohn, Ketut Subiyanto, Luis Morales Torres, SHVETS production, Uriel Mont from Pexels; Clker-Free-Vector-Images, Gordon Johnson, Wolfgang Eckert from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/10/al-calderon-brokiii-beaming-with-pride-93-2026.jpg?fit=640%2C640&ssl=1)
![Conan Gray, Heather: Bangerz N Bopz No. 67 (2026) [đˇ: Brent Faulkner / The Musical Hype; Republic Records; Art Laurence Luzon, cottonbro studio, Osmar Vasques, Sebastian Ervi, Wallyson Nascimento from Pexels; Gordon Johnson from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2026/09/conan-gray-heather-bangerz-n-bopz-67-2026.jpg?fit=640%2C640&ssl=1)