11 Captivating Songs About Dogs features songs by Charlotte Lawrence, George Clinton, Leon Thomas, Lil Mabu, and Taylor Swift. Â
âFace of a fool / Iâm just a dog in the window,â Charlotte Lawrence sings. For Lil Mabu, he raps, aggressively, âIâm a big dog, I do big dog shit / I fuck your bitch raw, I heard she been wantinâ the kid.â Kids these days â theyâre built different! As for Mike Clark Jr, âThat dog houuuseee⊠Sleep good some timeâŠâ Can I get a woof, woof?! All three musicians have one thing in common: they are rapping/singing about dogs. Also, all three appear on 11 Captivating Songs About Dogs, the first dog-centric playlist on The Musical Hype since 11 Songs Where the Dogs Are Out! (2021). The criteria for 11 Captivating Songs About Dogs is that the song must reference dogs in some capacity. Most of the songs feature the word dog, however, artists like Leon Thomas and The OâJays reference dog/dog-related things. 11 Captivating Songs About Dogs features songs by Charlotte Lawrence, George Clinton, Leon Thomas, Lil Mabu, and Taylor Swift.  So, without further ado, letâs be captivated by songs about dogs, shall we?!
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1. George Clinton, âAtomic Dogâ
Computer Games // Capitol // 1982Â
If you were unsure, funk legend George Clinton (1941 â ) clarifies that he âAinât your average Huckleberry Hound.â Huckleberry Hound is a famous fictional cartoon dog who is blue and speaks with a North Carolina southern drawl. Clinton mentions him on âAtomic Dogâ, the fifth track from his 1982 solo album, Computer Games. âDogâ was written by Clinton, Garry Shider, and David Spradley. Clinton and Ted Currier produced it. The song reached number one on the R&B charts but failed to chart on the pop charts.
While Huckleberry Houndâs mention is notable, the dog references are abundant. There are barking sounds and panting sounds, which are part of the charm. The lyrics are simultaneously fun, infectious, and ridiculous. Highlights include âYeah, life on all fours / When theyâre out there walkinâ the streets / May compete, oh, the dog in ya,â âBow-wow-wow, yippie-yo, yippie-yay,â and, âDo the dogcatcher, dogcatcher.â Clinton sings one of his best vocal moments in the first verse: âWhy must I feel like that / Ah, why must I chase the cat?â When the lyric reappears, he responds, â[Itâs] Just the dog in me / Nothinâ but the dog in me.â Beyond a high-flying, oddly satisfying vocal performance by George Clinton, the music is electrifying. The synth riffs are sickening â funky to the nth degree. The groove is epic. The ad-libbed, 80s futuristic âAtomic Dogâ deserved more love at the time. Since, it has been hailed a classic with many musicians sampling it.
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2. Charlotte Lawrence, âDogâ
âDogâ // Charlotte Lawrence / Stem // 2025
âAnd I think I love you still / But I think I like to think / Iâm a girl you used to like.â Matters of the heart plague Charlotte Lawrence something fierce on âDogâ. She asserts in the chorus, âFace of a fool / Iâm just a dog in the window / Tell me youâre visiting soon.â Is he likely to visit her? Probably not because heâs just not that into her. But as for her, sheâs deeply into him. This, my friends, is a prime example of unrequited love to the nth degree! âStare at yourself in the mirror and look at me like a deer,â Lawrence sings in the second verse, concluding, âIâd kill to fall for it every time.â My, my, my! On the bridge, she asks two notable questions: âAre you what I want?â and âAre you what you want?â Perhaps the latter is the most interesting, where Charlotte adds, âI thought I was part of something / Ever in your stars I thought you made me special.â Unfortunately, Lawrence is a victim of unrequited love. Regardless, she âbrings the heatâ on âDogâ with a well-rounded vocal performance, intriguing lyrics, and an ear-catching musical backdrop. She wrote this captivating song alongside Riley Biederer and producer, Jonny Shorr.Â
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3. Leon Thomas, âMUTTâ
MUTT // UMG Recordings, Inc. / EZMNY // 2024
âShe said, âTake your time, whatâs the rush?â / I said, âBaby, Iâm a dog, Iâm a mutt.ââ Woof, woof, woof! R&B singer/songwriter Leon Thomas struck gold with his honest single, âMUTTâ. âMUTTâ appeared on his second studio album, MUTT. In the infectious 11th track, Thomas delivers a soulful vocal performance. Additionally, the musical backdrop oozes with soulful vibes. Produced by D. Phelps and Freaky Rob, âMUTTâ gets a lift from an old-school sample: âSilly Love Songâ by the soul collective Enchantment. The song was inspired by Thomasâ sad dog after fighting with his cat, according to Billboard. In the interview with Kyle Denis, Thomas adds, âI saw the similarities between [the dog and I and] how we have good intentions, but we donât always do the right thing.â His Genius Verified video also confirms this.
The chorus (excerpted above) is the centerpiece. Tuneful, it easily gets stuck inside your head. The verses and pre-chorus are âno slouchâ either. âI canât smoke on Reggie đš, so pardon my bluntness,â Thomas sings in the first verse, adding, âI see past pretty faces, so I got trouble trusting.â Oh, snap! The second verse is more colorful, referencing pant size (32), gun (32), and popping âa shroom to recreate the feeling / But itâs never the same as the first time we did it.â In the pre-chorus, despite his reservations, heâs allowing himself to be vulnerable, inviting her to âbreak my heart if you want to.â Ultimately, âMUTTâ is a surefire vibe â one of the best songs of 2024, hands down.
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4. Taylor Swift, âThe Black Dogâ
THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY // Taylor Swift // 2024
âAnd I hope itâs shitty in The Black Dog / When someone plays âThe Starting Lineâ / And you jump up, but sheâs too young to know this song.â Oh, snap, Taylor Swift! âThe Black Dogâ is the 17th track on THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY. As always, the songwriting is on point â the expectation for a Swift-penned song. Swift produced the record alongside one of her go-to producers, Jack Antonoff. The black dog referenced in this song is not a pet; it is a bar (âAnd so I watch as you walk / Into some bar called The Black Dog / And pierce new holes in my heartâ). Also, knowing the depth of Swiftâs songwriting, there is a connection with the black dog of folklore which is NOT a good sign.
Taylor Swift experiences heartbreak made worse by her ex-boyfriend moving on when she canât seem to. A sad Swift asserts, âAnd I may never open up the way I did for you.â Bummer. Regretful, she adds in the second verse, âYou said I needed a brave man / Then proceeded to play him / Until I believed it too / And it kills me.â Haunted by this black dog, by the bridge, Swift wishes to âhire a priest to come and exorcise my demons / Even if I die screaming / And I hope you hear it.â Simply put, in âThe Black Dogâ, Taylor Swift is âDown Badâ and that ainât good. ââCause old habits die screaming.â Indeed. What isnât bad is this song where Swiftâs heartbreak is our listening pleasure. A bit of schadenfreude?
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5. Lil Mabu, âBIG DOG SH*Tâ (Ft. Lil RT)
YOUNG GENIUS // YOUNG GENIUS ACADEMY INC. // 2024
Lil Mabu (Matthew Peter DeLuca) is⊠something else. A prime example of the unserious, affluent, white boy rapper being âsomething elseâ is âBIG DOT SH*Tâ. This sh*tty song appears on his album, YOUNG GENIUS. That doesnât feel like an accurate description of the rapping⊠Anyways, Mabu, who was pushing 19 when âBIG DOG SH*Tâ dropped, collaborated with then 9-year-old rapper, Lil RT â I SH*T you not! The result of the collaboration is nothing short of a hot mess! It begins with the chorus where Mabu asserts, âIâm a big dog, I do big dog shit / I fuck your bitch raw, I heard she been wantinâ the kid.â Lil RT gets in on the action⊠at least some of it: âIâm a big dog, and I do big dog shit / In that big body whip like itâs PAW Patrol, bitch.â Oh, my! In the verse, the rappers trade ridiculous bars. Mabu spits, âC âcause Iâm a Crip, sike, bitch, suwoop,â later rapping, âI got young shooters âround me, found âem in the childhood / I gave his ass a lollipop when he do good.â To that, Lil RT responds, âHow many licks do it take to get the lolly popped?â RT also speaks about his âcareerâ in the bridge: âI know a lot of people got stuff to say about me / Iâm just a kid from Atlanta ⊠/ Mabu told me a hundred times, itâs deeper than music.â Geez, Louise! âBIG DOT SH*Tâ reeks! A giant-ass pooper scooper is required to clean up this one!
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6. MGMT, âBubblegum Dogâ
Loss of Life // MGMT / Mom+Pop // 2024
âFor years Iâve strung you along / Afraid of the bubblegum dog / And itâs finally catching up with me.â Um, sure, MGMT! Woof, woof! âBubblegum Dogâ arrives as the second single in advance of Loss of Life, the 2024, fifth studio album by the alternative, neo-psychedelic collective comprised of Andrew VanWyngarden and Benjamin Goldwasser. The songwriting is intriguing throughout this one-of-a-kind record. âBubblegum Dogâ commences with rhythmic guitar accompaniment, giving off a 1990s rock vibe. This is intentional and works without a hitch. Early on, thereâs an ear-catching harmonic progression. The duo is unafraid to move beyond simple harmonic schemes. Even with more complexity in the mix, the verses, as well as the chorus, manage to yield tuneful melodies. VanWyngarden does a fabulous job bringing those melodies to life. As the record progresses, it grows bigger and more colorful in sound, with psychedelic synths, heavy-handed drums, and robust bass, anchoring the production. One of the best sounds is undoubtedly the fuzzy, distorted guitar, including a solo that rocks. Going back to that intriguing songwriting, is it easy to get a firm grasp at what MGMT is getting at with âBubblegum Dogâ? Maybe, maybe not â depends on who you are â but itâs interesting hearing about âJuvenile quetzal birds / Living in a coal mine,â as well as âIgneous basketballs / Drifting through the heavens.â One of the better songs from 2023, easily.
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7. Mike Clark Jr, âDog Houseâ
Club Mike Clark // ColliPark Music // 2024
âThat dog house⊠sleep good some timeâŠâ Word, Mike Clark Jr. âDog Houseâ is the seventh and final track from Clark Jrâs 2024 âalbum,â Club Mike Clark. The record benefits from its smooth, contemporary R&B musical backdrop (Sweet, relaxed beat, electric keys, synths, and prominent bass line). Beyond the sound, Clark Jr electrifies with his Expressive, nuanced, and soulful vocals. I love the grit he brings to the track. The melodies are tuneful during the verses and the centerpiece, the infectious, dog house-touting chorus (excerpted above). The songwriting is fun and honest. âMy girl keep on calling, she said she want some time / But I wanna hang out, just clear my mind,â Mike sings in the first verse, adding, âI know she mad, but itâs ok / Probably cussing me out, but thatâs my bae.â Can you guess where Mike is landing? If you guessed the dog house, you would be correct! It is a similar situation in the second verse where âShe went through my phoneâ and âShe caught me looking too long.â Uh-oh! Regardless, Clark Jr seems to take it all in stride. âThat dog houuuseee⊠Sleep good some timeâŠâ
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8. Tyler, The Creator, âDOGTOOTHâ
CALL ME IF YOU GET LOST: The Estate Sale // Columbia // 2023 Â
âIf you donât know my grandma name, then we ainât really dogs, bitch.â Oh, snap, Tyler, The Creator. âDOGTOOTHâ marks another triumph from the Grammy-winning rapper, gracing CALL ME IF YOU GET LOST: The Estate Sale. Tyler is incredibly confident, as he spits straight fire, bar after bar. He gives no fucks â NONE. Specifically, the chorus is the crĂšme de la crĂšme: âShe could ride my face, I donât want nothinâ in return / And will I ever fall in love again? I canât confirm.â Ooh wee! Aside from the chorus, one of the very best bars from TTC arrives in the second verse: âNiggas tellinâ women how they bodies supposed to be, but / Never take advice from any nigga with a lean gut.â So, where does this dogtooth enter the picture? The outro: âDogtooth, uh, uh, dogtoothâŠâ Thatâs about the size of it.
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9. King Willonius, âTheyâre Eating The Dogsâ
âTheyâre Eating The Dogsâ // Delicious Bath Water // 2024Â
At the ABC Presidential Debate held on September 10, 2024, former President Donald Trump said a lot of outlandish things. Baited by Democratic presidential candidate Kamala Harris, Trump took the bait every time, making for an unhinged yet entertaining television experience. The most memorable, outlandish, and racist thing Trump uttered was about Haitian immigrants stealing and eating pets â cats and dogs â in Springfield, Ohio. Rightfully, the former POTUS received criticism from everywhere. Beyond criticism, the memes, reels, shorts, and TikToks have been abundant. From frightened cats and dogs hearing the âfake news,â to Gen-Z guys dancing to killer songs remixing Trumpâs words, the internet has won. King Willonius gets into action via AI (artificial intelligence, if youâre living under a rock) with his soulful, 1970s-sounding single, âTheyâre Eating The Dogsâ. I found myself giggling like a schoolgirl listening to the song. As shocked as everybody was hearing Trumpâs unfounded claims about pets being stolen and eaten, AI storyteller, comedian, and showrunner King Willonius captures it perfectly in this two-minute, old-school-sounding gem. What makes it sound vintage? Itâs the biting, articulated horns, the dusty, soulful groove, the piano and guitar riffs, and the prominent bass line. The vocals rival the big-voiced, gritty soul icons of old, filled with the blues. âTheyâre eating the dogs /⊠Theyâre eating the cats / What the hell goinâ on? / What the hellâs goinâ on? â Thatâs about the size of it. King Willonius captures our show in the most entertaining way possible. âTheyâre Eating The Dogsâ = AI gold.
Appears in đ»:
- King Willonius, Theyâre Eating The Dogs: Bangerz N Bopz đ„ 75 (2024)
- Bops That Pop: September 2024
- 13 Electrifying Animal Songs (2024)
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10. The OâJays, âBrandyâ
So Full of Love // Sony Music Entertainment // 1978
âBut how could it be, she ran away from me / My best friendâs gone, Iâm so alone.â âBrandyâ is the fifth track on So Full of Love, the 1978 album by the iconic soul collective, The OâJays. âBrandyâ was penned by Charles Simmons and Joseph Jefferson. The Philly soul vibes theyâre renowned for are in full effect: strings, primarily, and a tight rhythm section. Thom Bell, one of the great Philly soul proponents, produced the gem. âBrandyâ impacted the pop charts modestly, peaking at no. 79 on the Billboard Hot 100.
âI thought Iâd get up and take a look around, but my feet got in the way,â lead vocalist Walter Williams sings in the first verse, adding, âStumbled to the floor, she was right in the door, I could see her face.â She is a dog. Never underestimate the effect of âmanâs best friend.â Throughout, Williams sings with incredible nuance and soul. He gets the assistance of the rest of The OâJays (Eddie Levert and Sammy Strain) in the chorus.
âI really miss you, Brandy, Iâm so all alone
When are you coming back home?
I really miss you, Brandy, missing you every day
Are you coming home to stay?â
The chorus is stellar â one for the ages. The melodies are lovely throughout âBrandyâ. The lyrics are also clever (âBut I was in love when they put it down / Oh, my doorstep in the rain / I could feel it coming to my heart, through my window paneâ).  The OâJays excelled at making hits. âBrandyâ wasnât another top 40 hit, but, it is one of their best songs. Williams eats those lead vocals up!
Appears in đ»:
- The OâJays, Brandy: Throwback Vibez đ¶ïžđ¶ 129 (2024)
- 12 Songs That Feature Names, Vol. 5 (2025)
- A Buffet of Randomly Curated B Songs (2025)
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11. The Stylistics, âPayback is a Dogâ
Rockinâ Roll Baby // Amherst // 1973Â
âBy mistake, I heard / Some news about you / I just turned my head / And closed my eyes / It hurt so bad.â Oh, my goodness, Russell Thompkins Jr., what did you hear??? The lead singer of the iconic Philly collective, The Stylistics, realizes in the second verse of âPayback is a Dogâ, âI saw how big a fool I was / To love you so / And when I turned my back / I had nowhere to go.â My, my, my! âPayback is a Dogâ is the fifth track from The Stylisticsâ third studio album, Rockinâ Roll Baby, released in 1973. Notably, the song was composed by Philly soul royalty: Thom Bell (1943 â 2022) and Kenny Gamble (1943 â ). Bell also produced this fabulous non-single.
âPayback is a Dogâ is four-and-a-half minutes long. Even though the payback is devastating (âOne day, youâll know / Just how it feelsâ), itâs music to the listenerâs ears. The musical accompaniment and production are lush, refined, and soulful. The sound is Philly soul through and through. The complexity of the harmonic progression â the trackâs underpinnings â also deserves a shout-out. It goes beyond three chords! Thompkins Jr. sounds marvelous on lead vocals, particularly when he dips into his falsetto. He brings those memorable lyrics and melodies to life. Some of the simplest lyrics catch the ears the most. Looking at you, chorus!
âPayback is a dog
(Dog, itâs a dog)
Payback is a dog
(Dog, itâs a dog).â
Woof, woof! âPayback is a Dogâ marks another masterpiece by The Stylistics. It deserved to be a single!
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11 Captivating Songs About Dogs (2025) [đ·: Brent Faulkner / The Musical Hype; Amherst, Capitol, Charlotte Lawrence, ColliPark Music, Columbia, Delicious Bath Water, EZMNY, MGMT, Mom+Pop, Sony Music Entertainment, Stem, Taylor Swift, UMG Recordings, Inc., YOUNG GENIUS ACADEMY INC.; Aaron_H, AcatXlo, boxerdogmadness, Dylan Dygert, Freddy, ntripke, Sonja Lindberg, XYLA from Pixabay]
